CHAPTER I

Produced by Annie McGuire

[Illustration: Book Cover]

MAKING MONEY

[Illustration: "'Bojo, you must marry Doris,' she said brokenly"]

MAKING MONEY

BY

OWEN JOHNSON

AUTHOR OF "THE SALAMANDER," "STOVER AT YALE,"

"THE SIXTY-FIRST SECOND," ETC.

_WITH EIGHT ILLUSTRATIONS BY_

_JAMES MONTGOMERY FLAGG_

[Illustration]

NEW YORK

FREDERICK A. STOKES COMPANY

PUBLISHERS

_Copyright, 1915, by_

FREDERICK A. STOKES COMPANY

CONTENTS

CHAPTER PAGE

I THE ARRIVAL 1

II FOUR AMBITIONS, AND THREE WAYS TO MAKE MONEY 16

III ON THE TAIL OF A TERRIER 31

IV BOJO'S FATHER 46

V DANIEL DRAKE, THE MULTI-MILLIONAIRE 58

VI BOJO OBEYS HIS GENERAL MANAGER 67

VII UNDER THE TICKER'S TYRANNY 75

VIII THE RETURN OF PATSIE 88

IX THE WEDDING BALL 100

X DRAKE'S GAME 111

XI BOJO BUTTS IN 122

XII SNOW MAGIC 133

XIII BOJO MAKES A DECISION 147

XIV THE CRASH 154

XV SUDDEN WEALTH 165

XVI BOJO BEGINS TO SPEND HIS QUARTER-MILLION 173

XVII PAYING THE PIPER--PLUS 184

XVIII BOJO FACES THE TRUTH 195

XIX A CHIP OF THE OLD BLOCK 207

XX BOJO HUNTS A JOB 213

XXI BOJO IN OVERALLS 222

XXII DORIS MEETS A CRISIS 234

XXIII THE LETTER TO PATSIE 247

XXIV PATSIE APPEALS FOR HELP 259

XXV DRAKE ADMITS HIS DANGER 270

XXVI A FIGHT IN MILLIONS 277

XXVII PATSIE'S SCHEME 288

XXVIII ONE LAST CHANCE 302

XXIX THE DELUGE 309

XXX THE AFTER-YEARS 323

ILLUSTRATIONS

"'Bojo, you must marry Doris,' she said brokenly" _Frontispiece_

FACING

PAGE

"'Say, you're a judge of muscle, aren't you?'" 40

"'Just you wait; you're going to be one of the big men some

day!'" 104

"'Drina, dear child,' he said in a whisper" 144

"The message was the end of hope" 158

"'What does all the rest amount to?' she said breathlessly. 'I

want you'" 208

"'He wants to see you now,' she said" 268

"'Your promise. No one is to know what I do'" 292

CHAPTER I

THE ARRIVAL

Toward the close of a pleasant September afternoon, in one of the years

when the big stick of President Roosevelt was cudgeling the shoulders of

malefactors of great wealth, the feverish home-bound masses which poured

into upper Fifth Avenue with the awakening of the electric night were

greeted by the strangest of all spectacles which can astound a

metropolitan crowd harassed by the din of sounds, the fret and fury of

the daily struggle which is the tyranny of New York. A very young man,

of clean-cut limbs and boyish countenance, absolutely unhurried amidst

the press, without a trace of preoccupation, worry, or painful mental

concentration, was swinging easily up the Avenue as though he were

striding among green fields, head up, shoulders squared like a

grenadier, without a care in the world, so visibly delighted at the

novelty of gay crowds, of towering buildings decked in electric

garlands, of theatric shop-windows, that more than one perceiving this

open enthusiasm smiled with a tolerant amusement.

Now when a young man appears thus on Fifth Avenue, undriven, without

preoccupation, without a contraction of the brows and particularly

without that strained metropolitan gaze of trying to decide something

of importance, either he is on his way to the station with a coveted

vacation ahead or he has been in the city less than twenty-four hours.

In the present instance the latter hypothesis was true.

Tom Beauchamp Crocker, familiarly known as Bojo, had sent his baggage

ahead, eager to enjoy the delights one enjoys at twenty-four, which the

long apprenticeship of school and college is ended and the city is

waiting with all the mystery of that uncharted dominion--The World. He

went his way with long, swinging steps, smiling from the pure delight of

being alive, amazed at everything: at the tangled stream of nations

flowing past him; at the prodigious number of entrancing eyes which

glanced at him from under provoking brims; at the sheer flights of

blazing windows, shutting out the feeble stars; at the vigor and

vitality on the sidewalks; at the flooded lights from sparkling shop

windows; at the rolling procession of incalculable wealth on the Avenue.

Everywhere was the stir of returning crowds, the end of the summer's hot

isolation, the reopening of gilded theaters, the thronging of hotels,

and the displays of radiant shop fronts, preparing for the winter's

campaign. In the crush of the Avenue was the note of home-coming, in

taxicabs and coupes piled high with luggage and brown-faced children

hanging at the windows, acclaiming familiar landmarks with piping cries.

Tradesmen and all the world of little business, all the world that must

prepare to feed, clothe, and amuse the winter metropolis, were pouring

in.

And in the midst of this feverish awaking of luxury and pleasure one

felt at every turn a new generation of young men storming every avenue

with high imaginations, eager to pierce the multitudes and emerge as

masters. Bojo himself had not woven his way three blocks before he felt

this imperative need of a stimulating dream, a career to emulate--a

master of industry or a master of men--and, sublimely confident, he

imagined that some day, not too distant, he would take his place in the

luxurious flight of automobiles, a personage, a future Morgan or a

future Roosevelt, to be instantly recognized, to hear his name on a

thousand lips, never doubting that life was only a greater game than the

games he had played, ruled by the same spirit of fair play with the

ultimate prize to the best man.

In the crowd he perceived a familiar figure, a college mate of the class

above him, and he hailed him with enthusiasm as though the most amazing

and delightful thing in the world was to be out of college on Fifth

Avenue and to meet a friend.

"Foster! Hallo there!"

At this greeting the young man stopped, shot out his hand, and rattled

off in business manner: "Why, Bojo, how are you? How's it going? Making

lots of money?"

"I've just arrived," said Crocker, somewhat taken back.

"That so? You're looking fine. I'm in the devil of a rush--call me up at

the club some time. Good luck."

He was gone with purposeful steps, lost in the quick, nervous crowd

before Crocker with a thwarted sense of comradeship could recover

himself. A little later another acquaintance responded to his greeting,

hesitated, and offered his hand.

"Hello, Bojo, how are things? You look prosperous; making lots of money,

I suppose. Glad to have seen you--so long."

For a second time he felt a sense of disappointment. Every one seemed in

a hurry, oppressed by the hundred details to be crowded into the too

short day. He became aware of this haste in the air and in the street.

In this speed-driven world even the great stone flights seemed to have

risen with the hour. Dazzling electric signs flashed in and out,

transferring themselves into bewildering combinations with the necessity

of startling this wonder-surfeited city into an instant's recognition.

Electricity was in the vibrant air, in the scurrying throngs, in the

nervous craving of the crowd for excitement after drudgery, to be out,

to be seen in brilliant restaurants, to go with the rushing throngs,

keyed to a higher tension, avid of lights and thrumming sounds.

Insensibly he felt the stimulus about him, his own gait adjusted itself

to the rush of those who jostled past him. He began to watch for

openings, to dart ahead, to slip through this group and that, weaving

his way as though there was something precious ahead, an object to be

gained by the first arrival. All at once he perceived how unconsciously

he had surrendered to the subtle spirit of contention about him, and

pulled himself up, laughing. At this moment an arm was slipped through

his and he turned to find a classmate, Bob Crowley, at his side.

"Whither so fast?

"Just in. I'm bound for the diggings."

"Fred DeLancy's been asking about you for a week. I saw Marsh and old

Granny yesterday. The Big Four still keeping together?

"Yes, we're going to stick together. How are you?"

"Oh, so-so."

"Making money?"

The salutation came like a trick to his lips before he noticed the

adoption. Crowley looked rather pleased.

"Thanks, I've got a pretty good thing. If you've got any loose change I

can put you on to a cinch. Step into the club a moment. You'll see a lot

of the crowd."

At the club, an immense hotel filled with businesslike young men rushing

in and rushing out, thronging the grill-room with hats and coats on, an

eye to the clock, Bojo was acclaimed with that rapturous campus

enthusiasm which greets a returned hero. The tribute pleased him, after

the journey through the indifferent multitude. It was something to

return as even a moderate-sized frog to the small puddle. He wandered

from group to group, ensconced at round tables for a snatched moment

before the call of the evening. The vitality of these groups, the

conflict of sounds in the low room, bewildered him. Speculation was in

the air. The bonanza age of American finance was reaching its climax.

Immense corporations were being formed overnight and stocks were

mounting by bounds. All the talk in corners was of this tip and that

while in the jumble staccato sentences struck his ear.

"A sure thing, Joe-- I'll tell you where I got it."

"They say Harris cleaned up two thousand last week."

"The amalgamation's bound to go through."

"I'm in the bond business now; let me talk to you."

"Two more years in the law school, worse luck."

"At the P. and S."

"They say the Chicago crowd made fifteen millions on the rise--"

"I ran across Bozer last week."

"Hello, Bill, you old scout, they tell me you're making money so fast--"

All the talk was of business and opportunity, among these graduates of a

year or two, eager and restless, all keen, all confident of arriving,

all watching with vulture-like sharpness for an opportunity for a

killing: a stock that was bound to shoot up or to tumble down. Every one

seemed to be making money or certain to do so soon, cocksure of his

opinion, prognosticating the trend of industry with sure mastery. Bojo

was rather dazed by this academic fervor for material success; it gave

him the feeling that the world was after all only a postgraduate course.

He had left a group, with a beginning of critical amusement, when a hand

spun him around and he heard a well-known voice cry:

"Bojo--you old sinner--you come right home!"

It was Roscoe Marsh, chum of chums, rather slight, negligently dressed

among these young men of rather precise elegance, but dominating them

all by the shock of an aggressive personality that stood out against

their factoried types. Just as the generality of men incline to the

fashions of conduct, philosophy, and politics of the day, there are

certain individualities constituted by nature to be instinctively of the

opposition. Marsh, finding himself in a complacent society, became a

terrific radical, perhaps more from the necessity of dramatic sensations

which was inherent in his brilliant nature than from a profound

conviction. His features were irregular, the nose powerful and aquiline,

the eyebrows arched with a suggestion of eloquence and imagination, the

eyes gray and domineering, the mouth wide and expressive of every

changing thought, while the outstanding ears on the thin, curved head

completed an accent of oddity and obstinacy which he himself had

characterized good-humoredly when he had described himself as looking

like a poetical calf. Roscoe Marsh, the father--editor, politician, and

capitalist, one of the figures of the last generation--had died, leaving

him a fortune.

"What the deuce are you wasting time in this collection of

fashion-plates and messenger-boys for?" said Marsh when the greetings

were over. "Come out into the air where we can talk sense. When did you

come?"

"An hour ago."

"Fred and Granny have been here all summer. You're a pampered darling,

Bojo, to get a summer off. What was it--heart interest?"

"Ask me no questions, I'll tell you no lies," said Bojo with a half

laugh and a whirl of his cane. "By George, Roscy, it's good to be here!"

"We'll get you to work."

"Who could help it? I say, is every one making money in this place? I've

heard nothing else since I landed."

"On paper, yes, but you don't make money till you hear it chink, as lots

will find out," said Marsh with a laugh. "However, this place's a

regular mining-camp--every one's speculating. I say, what are you going

to do?"

"Oh, I'm going into Wall Street too, I suppose. I spent a month with Dan

Drake."

"--And daughter."

"And daughters," said Bojo, smiling. "I think I'll have a good opening

there--after I learn the ropes, of course."

"Drake, eh," said Marsh reflectively, naming one of the boldest

manipulators of the day. "Well, you ought to get plenty of excitement

out of that. No use my tempting you with a newspaper job, then. But how

about your Governor?"

Bojo became quiet, whistling to himself. "I've got a bad half-hour

there," he said solemnly. "I've got to fight it out with the old man as

soon as he arrives. You know what he thinks of Wall Street."

"I like your Governor."

"So do I. The trouble is we're too much alike."

"So you've made up your mind?"

"I have; no mills and drudgery for me."

"Well, if you've made up your mind, you've made it up," said Marsh a

little anxiously.

In college the saying was that Marsh would sputter but Crocker would

stick, and this byword expressed the difference between them. One

attacked and the other entrenched. Crocker had an intense admiration for

Marsh, for whom he believed all things possible. As they walked side by

side, Bojo was the more agreeable to the eye; there was an instinctive

sense of pleasing about him. He liked most men, so genuinely interested

in their problems and point of view that few could resist his good

nature. Mentally and in the knowledge of the world he was much the

younger. There was a boyishness and an unsophistication about him that

was in the clear forehead and laughing brown eyes, in the spontaneous

quality of his smile, the spring in his feet, the general enthusiasm for

all that was new or difficult. But underneath this easy manner there was

a dangerous obstinacy ready to flare up at an instant's provocation,

which showed in the lower jaw slightly undershot, which gave the lips a

look of being pugnaciously compressed. He was implacable in a hatred or

a fight, blind to the faults of a friend, and stubborn in his opinions.

"What sort of quarters have we got?" asked Bojo, who had left the detail

to his three friends.

"The queerest spot in New York--the cave of Ali Baba. Wait till you see

it--you'd never believe it. Hidden as safe as a needle in a haystack. No

more than a stone's throw from here, and you'd never guess it."

He stopped, for at this moment they entered Times Square under the

shadow of the incredible tower, dazzled by the sudden ambuscade of

lights which flamed about them. Marsh, who could never brook waiting,

without having altered his pace made a wide detour amid a jam of

automobiles, dodged two surface cars and a file of trucks, and arrived

at the opposite curb considerably after Crocker, who had waited for the

direct route. Neither perceived how characteristic of their divergent

temperaments this incident had been. But Marsh, whose spirit was

irreverence, exclaimed contemptuously:

"The Great White Way. What a sham!" He extended his arm with an

extravagant gesture, as much as to say, "I could change all that," and

continued: "Look at it. There are not ten buildings on it that will last

five years. Take away the electric advertisements and you'll see it as

it is--a main street in a mining town. All the rest is shanty

civilization, that will come tumbling down like a pack of cards. Look at

it; a few hidden theaters with an entrance squeezed between a

cigar-store and a haberdashery, restaurants on one floor, and the rest

advertisements."

"Still it gives you quite a feeling," said Bojo in dissent, caught in

the surging currents of automobiles and the mingled throngs of late

workers and early pleasure-seekers. "There's an exhilaration about it

all. It does wake you up."

"Think of a city of five thousand millionaires that can build a hundred

business cathedrals a year, that has an opera house with the front of a

warehouse and calls a row of squatty booths luxury. Well, never mind;

here we are. Rub your eyes."

They had left the roar and brilliancy of the curiously blended mass

behind, plunging down a squalid side street with tenements in the dark

distances, when Marsh came to a stop before two green pillars, above

which a swaying sign announced--

WESTOVER COURT

BACHELOR APARTMENTS

Before Bojo could recover from his astonishment, he found himself

conducted through a long, irregular monastic hall flooded with mellow

lights and sudden arches, and as bewilderingly introduced, in a sort of

Arabian Nights adventure, into an oasis of quiet and green things. They

were in an inner court shut in from the outer world by the rise of a

towering wall at one end and at the other by the blazing glass back of a

great restaurant. In the heart of the noisiest, vilest, most brutal

struggle of the city lay this little bit of the Old World, decked in

green plots, with vine-covered fountain and a stone Cupid perched on

tip-toe, and above a group of dream trees filling the lucent yellow and

green enclosure with a miraculous foliage. Lights blazed in a score of

windows above them, while at four medieval entrances, of curved doorways

under sloping green aprons, the suffused glow of iron lanterns seemed

like distant signals lost in a fog. Everything about them was so remote

from the stress and fury out of which they had stepped, that Bojo

exclaimed in astonishment:

"Impossible!"

"Isn't it bully?" said Marsh enthusiastically. "Ali Baba Court I call

it. That's what a touch of imagination can do in New York. I say, look

over here. What do you think of this for a quiet pipe at night?"

He drew him under the trees, where a table and comfortable chairs were

waiting. Above the low roofs high against the blue-black sky the giant

city came peeping down upon them from the regimented globes of fire on

the Astor roof. A milky flag drifted lazily across an aigrette of steam.

To the right, the top of the Times Tower, divorced from all the ugliness

at its feet, rose like an historic campanile played about by timid

stars. Over the roof-tops the hum of the city, never stilled, turned

like a great wheel, incessantly, with faint, detached sounds pleasantly

audible: a bell; a truck moving like a shrieking shell; the impertinent

honk of taxis; urchins on wheels; the shattering rush of distant iron

bodies tearing through the air; an extra cried on a shriller note; the

ever-recurring pipe of a police whistle compelling order in the

confusion; fog horns from the river, and underneath something more

elusive and confused, the churning of great human masses passing and

repassing.

Marsh gave a peculiar whistle and instantly at a window on the second

floor a shadowy figure appeared, the sash went up with a bang, and a

cheery voice exclaimed:

"Hello, below there! Is that Bojo with you? Come up and show your

handsome map!"

"Coming, Freddie, coming," said Bojo with a laugh, and, plunging into a

swinging entrance, he found himself in a cozy den, almost thrown off his

feet by the greetings of a little fellow who dived at him with the

frenzy of a faithful dog.

"Well, old fashion-plate, how are you?" Bojo said at last, flinging him

across the room. "Been into any more trouble?"

"Nope. That is, not lately," said DeLancy, picking himself up. "Haven't

a chance, living with two policemen. What kept you all this time? Fallen

in love?"

"None of your damned business. By George, this looks homelike," said

Bojo to turn the conversation. On the walls were a hundred mementoes of

school and college, while a couple of lounges and several great chairs

were indolently grouped about the fireplace, where a fire was laid. "I

say, Roscy, has the infant really been behaving?"

"Well, we haven't bailed, him out yet," said Marsh meditatingly.

Fred DeLancy had been in trouble all his life and out of it as easily.

Trouble, as he himself expressed it, woke up the moment he went out. He

had been suspended and threatened with expulsion for one scrape after

another more times than he could remember. But there was something that

instantly disarmed anger in the odd star-pointing nose, the twinkly

eyes, and the wide mouth set at a perpetual grin. One way or another he

wriggled through regions where angels fear to tread, assisted by much

painful effort on the part of his friends.

"I'm getting frightfully serious," he said with mock contrition. "I'm

getting to be an old man; the cares of life and all that sort of stuff."

He broke off and flung himself at the piano, where he started an

improvisation:

"The cares of life,

This dreadful strife,

I'll take a wife--

No, change the rhyme

I haven't time

For matrimony--O!

Leave that to handsome Bojo

Bojo's in love,

Blush like a dove--

"No, doves don't blush," he said, swinging around. "Do they or don't

they? Anyhow, a dove in love might-- To continue:

"Bojo's in love,

Blush like a dove,

Won't tell her name,

I'll guess the same--"

But at this moment, just as a pillow came hurtling through the air, the

doorway was ruled with a great body and George Granning came crowding

into the room, hand out, a smile on his honest, open face.

"Hello, Tom, it's good to see you again."

"The government can go on," said DeLancy joyfully. "We're here!"

As the four sat grouped about the room they presented one of those

strange combinations of friendship which could only result from the

process of American education. Four more dissimilar individualities

could not have been molded together except by the curious selective

processes of an academic society system. The Big Four, as they had been

dubbed (there is always a Big Four in every school and college), had

come from Andover linked by the closest ties, and this intimacy had

never relaxed, despite all the incongruous opposition of their

beginnings.

Marsh was a New Yorker, an aristocrat by inheritance and by force of

fortune; Crocker a Yankee, son of a keen, self-made father, who had

fought his way up to a position of mastery in the woolen mills of New

England; DeLancy from Detroit, of more modest means, son of a small

business man, to whom his education had meant a genuine sacrifice; while

George Granning, older by many years than the rest, was evidence of that

genius for evolution that stirs in the American mass. They knew but

little of his history beyond what he had chosen to confide in his

silent, reserved way.

He had the torso of a stevedore, the neck and hands of the laborer,

while the boulder-like head, though devoid of the lighter graces of

imagination and wit, had certain immovable qualities of persistence and

determination in the strongly hewn jaw and firm, high-cheekbones. He

was tow-headed and blue-eyed, of unfailing good humor, like most men of

great strength. Only once had he been known to lose his temper, and that

was in a football match in his first year in the varsity. His opponent,

doubtless hoping to intimidate the freshman, struck him a blow across

the face under cover of the first scrimmage. Before the half was over

the battering he had received from the enraged Granning was so terrific

that he had to be transferred to the other side of the line.

Granning had worked his way through Andover by menial service at the

beginning, gradually advancing by acquiring the agencies for commercial

fields and doing occasional tutoring. His summers had been given over to

work in foundries and in preparation for the business career he had

chosen long ago. He was deeply religious in a quiet, unostentatious way.

That there had been stormy days in the beginning, tragedies perhaps, the

friends divined; besides, there were lines in his face, stern lines of

pain and hardship, that had been softened but could never disappear.

Making Money · 第 1 / 30 章