CHAPTER II.

These are a few things better managed in Ireland than in England, and

one of them is the starting of important railway trains. The

departure, for instance, of the morning mail from the Dublin terminus

of the Midland and Great Western Railway is carried through, day after

day, with dignity. The hour is an early one, 7 a.m.; but all the chief

officiate of the company are present, tastefully dressed. There is no

fuss. Passengers know that it is their duty to be at the station not

later than a quarter to seven. If they have any luggage they arrive

still earlier, for the porters must not be hustled. At ten minutes to

seven the proper officials conduct the passengers to their carriages

and pen them in. Lest any one of independent and rebellious spirit

should escape, and insist on loitering about the platform, the doors of

the compartments are all locked. No Irishman resents this treatment.

Members of a conquered race, they are meek, and have long ago given up

the hope of being able to resist the mandates of official people.

Strangers, Englishmen on tour, are easily recognised by their

self-assertive demeanour and ill-bred offences against the solemn

etiquette of the railway company. Since it is impossible to teach

these people manners or meekness, the guards and porters treat them, as

far as possible, with patient forbearance. They must, of course, be

got into the train, but the doors of their compartments are not locked.

It has been found by experience that English travellers object to being

imprisoned without trial, and quote regulations of the Board of Trade

forbidding the locking of both doors of a railway carriage. There is

nothing to be gained by a public wrangle with an angry Englishman. He

cannot be got to understand that laws, those of the Board of Trade or

any other, are not binding on Irish officials. There is only one way

of treating him without loss of dignity, and that is to give in to him

at once, with a shrug of the shoulders.

Thus, Miss King, entering upon the final stage of her journey to

Ballymoy, reaped the benefit of belonging to a conquering and imperial

race. She was, indeed, put into her compartment, a first-class one,

ten minutes before the train started; but her door, alone of all the

doors, was left unlocked. The last solemn minutes before the departure

of the train passed slowly. Grave men in uniform paraded the platform,

glancing occasionally at their watches. The engine-driver watched from

his cabin for the waving of the green flag which would authorise him to

push over his levers and start the train. The great moment had almost

arrived. The guard held his whistle to his lips, and had the green

flag ready to be unfurled, in his left hand. Then a totally

unexpected, almost an unprecedented, thing occurred. A passenger

walked into the station and approached the train with the evident

intention of getting into it. He was a clergyman, shabbily dressed,

imperfectly shaved, red-haired, and wearing a red moustache. He

carried a battered Gladstone bag in one hand. The guard glanced at him

and then distended his cheeks with air, meaning to blow his whistle.

"Hold on a minute," said the clergyman. "I'm thinking of travelling by

this train."

The audacity of this statement shook the self-possession of the guard.

"Can't wait," he said. "Time's up. You ought to have been here

sooner."

To say this he was obliged to take the whistle from his lips; and the

engine-driver, who had a strict sense of duty, was unable to start.

"As a matter of fact," said the clergyman, "I'm not only here soon

enough, I'm an hour and a half too soon. The train I intended to catch

is the next one."

The guard put his whistle to his lips again.

"If you blow that thing," said the clergyman, "before I'm in the train,

I'll take an action against the company for assault and battery."

The guard hesitated. He did not see how such an action could be

sustained in court; but he felt the necessity of thinking over his

position carefully before running any risks. The law, especially in

Ireland, is a curious thing, and no wise man entangles himself with it

if he can help it. Railway guards are all wise men, otherwise they

would not have risen to their high positions.

"Now that I am here," said the clergyman, "I may as well go by this

train. Excuse me one moment; I want to get a few newspapers."

This was gross impertinence, and the guard was in no mood to stand it.

He blew his whistle. The engine shrieked excitedly, and the train

started with a violent jerk.

The clergyman seized a handful of newspapers from the bookstall.

Clinging to them and his bag he ran across the platform. He tried the

doors of two third-class compartments as they passed him, and found

them locked. He happened next upon that which was occupied by Miss

King, opened the door, and tumbled in.

"I've only got a third-class ticket," he said cheerfully; "but I shall

travel first class the whole way now, and I shan't pay a penny of

excess fare."

"Won't they make you?" said Miss King.

She realised that she had found an unexpectedly early opportunity of

studying the peculiarities of the Irish character, and determined to

make the most of it.

"Certainly not," said the clergyman. "The position is this. I have a

through ticket--I bought it yesterday--which entitles me to travel on

this railway to Donard. If the doors of all the third-class carriages

are locked when I arrive at the station, I take it that the company

means me to travel first class. Their own action is a clear indication

of their intention. There isn't a jury in Ireland would give it

against me, even if the case came into court, which, of course, it

won't."

"I'm going to Donard, too," said Miss King.

"Are you? It's a wretched hole of a place. I don't advise you to stop

there long."

"I'm not staying there at all. I'm driving straight on to Ballymoy."

"If you're at all familiar with Ballymoy, I expect you've heard of me.

My name's Meldon, the Reverend J. J. Meldon, B.A. I was curate of

Ballymoy once, and everybody who was there in my time will be talking

about me still. I'm going back there now for a holiday."

"But I'm quite a stranger," said Miss King. "I've never been in

Ballymoy."

Meldon glanced at the bag which lay on the seat before her. There was

no label on it, but it bore the initials M. K. in gold letters on its

side.

"I suppose," he said, "that you're not by any chance a sister or a

niece of Major Kent's?"

"No. I'm not. I don't even know Major Kent. My name is King.

Millicent King."

A clergyman is, necessarily, more or less educated. Mr. Meldon had

proclaimed himself a bachelor of arts. It was natural to suppose that

he would have known the name, even the real name, of a famous living

novelist. Apparently he did not. Miss King felt a little disappointed.

"I daresay," said Meldon, without showing any signs of being impressed,

"that you're going to stop with the Resident Magistrate."

"No," said Miss King decisively.

"You don't look like the sort of person who'd be going on a visit to

the rectory."

Miss King was handsomely dressed. She appeared to be a lady of high

fashion; not at all likely to be an inmate of the shabby little rectory

at Ballymoy. She shook her head. Then, because she did not like being

cross-questioned, she put an end to the conversation by opening her bag

and taking out a bundle of typewritten papers. She was quite prepared

to study Mr. Meldon as a type, but she saw no reason why Mr. Meldon

should study her. He appeared to be filled with an ill-bred curiosity

which she determined not to satisfy.

Meldon did not seem to resent her silence in the least. He leaned back

in his seat and unfolded one of the papers he had snatched from the

bookstall. It was a London evening paper of the day before, and

contained a full account of the last scene of a sensational trial which

had occupied the attention of the public for some time. A Mrs. Lorimer

was charged with the murder of her husband. Her methods, if she had

done the deed, were cold-blooded and abominable; but she was a young

and good-looking woman, and the public was very anxious that she should

be acquitted. The judge, Sir Gilbert Hawkesby, summed up very strongly

against her; but the jury, after a prolonged absence from court, found

her "not guilty." The paper published a portrait of Mrs. Lorimer, at

which Meldon glanced. Suddenly his face assumed an expression of great

interest. He studied the portrait carefully, and then looked at Miss

King. She sat at the other end of the carriage, and he saw her face in

profile as she bent over her papers. Mrs. Lorimer's side face was

represented in the picture; and she, too, was bending over something.

Meldon laid down the paper and took up another, this time an Irish

morning paper. It contained an interview with Mrs. Lorimer, secured by

an enterprising reporter after the trial. Meldon read this, and then

turned to the magazine page and studied the picture of the lady which

appeared there. In it Mrs. Lorimer wore a hat, and it was again her

side face which was represented. Meldon looked from it to Miss King.

The likeness was quite unmistakable. He took up a third paper, a

profusely illustrated penny daily. He found, as he expected, a picture

of Mrs. Lorimer. This was a full-length portrait, but the face came

out clearly. Meldon took up the Irish paper again, and re-read very

carefully the interview with the reporter on the evening of the trial.

Then he folded up all three papers and leaned over towards Miss King.

"You must excuse me," he said, "if I didn't recognise you just now.

You put me out by giving your name as Miss King. I'm much more

familiar with your other name. Everybody is, you know."

Miss King was mollified by the apology. She looked up from her papers

and smiled.

"How did you find me out?" she asked.

"By your picture in the papers," he said. "If you'll allow me to say

so, it's a particularly good likeness and well reproduced. Of course,

in your case, they'd take particular care not to print the usual kind

of smudge."

Miss King was strongly inclined to ask for the papers. Her portrait

had, she knew, appeared in the _Illustrated London News_ and in two

literary journals. She did not know that it had been reproduced in the

daily press. The news excited and pleased her greatly. She had a

short struggle with herself, in which self-respect triumphed. She did

not ask for the papers, but assumed an air of bored indifference.

"They're always publishing my photograph," she said. "I can't imagine

why they do it."

"I quite understand now," said Meldon, "why you're going down to

Ballymoy. You couldn't go to a better place for privacy and quiet;

complete quiet. I'm sure you want it."

"Yes," said Miss King. "I feel that I do. Now that you know who I am,

you will understand. I chose Ballymoy because it seemed so very remote

from everywhere."

She did not think it necessary to mention that she wanted to study the

Irish character. Now that Meldon was talking in an interesting way she

felt inclined to encourage him to reveal himself.

"Quite right. It is. I don't know a remoter place. Nobody will know

you there, and if anybody guesses, I'll make it my business to put them

off the scent at once. But there'll be no necessity for that. There

isn't a man in the place will connect Miss King with the other lady.

All the same, I don't think I'd stop too long at Doyle's hotel if I

were you. Doyle is frightfully curious about people."

"I'm not stopping there," said Miss King. "I have taken a house."

"What house? I know Ballymoy pretty well, and there isn't a house in

it you could take furnished, except the place that belonged to old Sir

Giles Buckley."

"I've taken that for two months," said Miss King.

Meldon whistled softly. He was surprised. Ballymoy House, even if let

at a low rent, is an expensive place to live in.

"My servants went down there yesterday," said Miss King. She opened

her bag and groped among the contents as she spoke.

"Would you be very much shocked if I smoked a cigarette?" she asked.

"Not in the least," said Meldon. "I smoke myself."

"I was afraid--being a clergyman--you are a clergyman, aren't you?

Some people are so prejudiced against ladies smoking."

"I'm not," said Meldon. "I'm remarkably free from prejudices of any

kind. I pride myself on being open-minded. My wife doesn't smoke, but

that's merely because she doesn't like it. If she did, I shouldn't

make the slightest objection. All the same, you oughtn't to go puffing

cigarettes about the streets of Ballymoy. The Major's a bit

old-fashioned in some ways, and I don't expect Doyle is accustomed to

see ladies smoking. You'll have to be very careful. If you start

people talking they may find out who you are, and then there will

certainly be unpleasantness."

"Would they disapprove of me?"

"Almost sure to. We Irish have the name of being a wild lot, I know;

but--well, if you don't mind my saying so, most of us would be rather

shy of you. I don't mind you myself in the least, of course. I'm not

that kind of man. Still, your reputation! You've been a good deal in

the papers, haven't you?"

Miss King, curiously enough, seemed pleased at this account of her

reputation. It is gratifying to a novelist to be famous, and even

notoriety is pleasant. She felt that, having braved the censure of

Lady Hawkesby, she could afford to despise the morality of the people

of Ballymoy.

"The Major?" she said. "You've mentioned him once or twice. What sort

of man is he? Does my work shock him?"

"I expect it does," said Meldon. "I haven't seen him for some time,

and so we haven't discussed you. But from what I know of him I should

say that your work, as you call it, will shock him frightfully. You

can't altogether blame him. He's a bachelor, and has very strict ideas

about a wife's duty to her husband."

Miss King was moved by a desire to startle Meldon. She was really

engaged on quite an innocent novel, but she chose to pretend that she

was going on in her old way.

"What will he say," she said, "when he finds out that I'm going on with

my work under his very eyes, so to speak, in Ballymoy?"

Meldon sat up suddenly.

"You don't mean that? Surely you can't intend--"

"Now you're shocked," said Miss King, "and you said you wouldn't be."

"I am a little. I didn't think I could be. But I am. I never

imagined--"

"But that's exactly what I'm going to Ballymoy for. I want complete

quiet in a lonely place where I shan't be disturbed."

"Of course, it's no business of mine," said Meldon. "But don't you

think that perhaps you've done enough?"

"No. I have a great deal to do yet. If it were simply a question of

earning money--"

Meldon looked at her. She was very well dressed. The bag which lay

open at her side was fitted with silver-topped bottles. Her cigarette

case appeared to be of gold. She was travelling first class. She had

taken Ballymoy House for two months. He was quite ready to believe

that she did not want money.

"Do you mean to say that you're doing it simply for amusement?" he

asked.

"No. Not amusement." Her voice dropped to a kind of solemn whisper.

"For the love of my art."

Miss King took herself very seriously indeed, and was accustomed to

talk a good deal about her art. Literary people who might have known

better, and critics who certainly did know better, encouraged her.

They also talked about her art.

"Of course, if you look at it that way," said Meldon, "there's no more

to be said; but you mustn't expect me to help you."

"You!"

"No. As a clergyman I can't possibly do it. Nor will the Major,

unless he's greatly changed. I don't expect Doyle will either. He's

president of the local branch of the League, but I'm sure he draws the

line at--"

"But I don't want any of you to help me. Why should I?"

"I'm glad to hear that, at all events," said Meldon. "For, unless

under very exceptional circumstances, I couldn't conscientiously assist

you in any way."

"You said just now," said Miss King, "that you had no prejudices, and

that nothing shocked you."

"Very few things do," said Meldon. "In fact I can't recollect ever

having been shocked before; but this idea is a little new to me. I

candidly confess that I never--hullo! We're slowing down into a

station. Now I expect there'll be trouble about my ticket."

There was--considerable trouble. But Meldon emerged from it

victoriously. He flatly refused to move from the carriage in which he

sat. The guard, the station-master, a ticket-collector, and four

porters gathered round the door and argued with him. Meldon argued

fluently with them. In the end they took his name and address,

threatening him with prosecution. Then, because the train was a mail

train and obliged to go on, the guard blew his whistle and Meldon was

left in peace.

"It's a nuisance," he said to Miss King, "being worried by those men.

I wanted to send a telegram, but I couldn't. If I'd ventured out of

the carriage they'd never have let me back again. The Major won't be

expecting me till the next train. I only caught this one by accident."

"By accident?"

"Yes. The fact is I was up early this morning, wakened by my little

daughter, a baby not quite two years old yet. I told you I was

married, didn't I? The poor child was upset by the journey from

England, and didn't sleep properly. When she had me wakened I thought

I might as well get up. I intended to stroll up towards the station

quietly. I walked rather faster than I meant to, and when I got within

about three hundred yards of the station I discovered that I might just

catch this train by running; so, of course, I ran. I'm very glad I did

now. If I hadn't I shouldn't have met you."

"What did you do with the baby?"

"I didn't drop her on the way, if that's what you're thinking of. I'm

not that kind of man at all, and I am particularly fond of the child.

I scarcely ever complain when she keeps me awake at night, though many

men I know would want to smother her. She and my wife are stopping

with my mother-in-law in Rathmines. I'm going down for a fortnight's

yachting with the Major. I might persuade him to give you a day's

sailing, perhaps, if he doesn't find out who you are, and we succeed in

keeping it dark about your going on with your work. I daresay it would

cheer you up to go out on the bay. I expect you find your work pretty

trying."

"It is very trying. I often feel completely exhausted at the end of

the day."

"Nerve strain," said Meldon. "I don't wonder. It's a marvel how you

stand it."

"Then I can't sleep," said Miss King. "Often I can't sleep for two or

three nights together."

"It surprises me to hear that you ever sleep at all. Don't they haunt

you? I've always heard--"

"My people?"

"Yes, your people, if that's what you call them. I'd have thought

they'd never have let you alone."

"Some of them do haunt me. I often cry when I think of them. It's

very foolish, of course; but in spite of myself I cry."

"Then why on earth do you go on with it?"

"It's my art," said Miss King.

"I'm not an artist myself," said Meldon, "in any sense of the word, so

I can't exactly enter into your feelings; but I should say, speaking as

a complete outsider, that the proper thing for you would be to drop the

whole thing, take to smoking a pipe instead of those horrid scented

cigarettes, drink a bottle of porter before you go to bed, and then

sleep sound."

Miss King sighed. There was something in the ideal which Meldon set

before her which was very attractive. The details she ignored.

Bottled porter was not a drink she cared for, and no woman, however

emancipated, likes a pipe. In spite of the satisfaction she found in

her literary success, there was in her a desire for quiet and restful

ways of life. There was no doubt that she would sleep sounder at night

if she lived simply, somewhere in the country, and forgot the

excitements of the novelist's art. Meldon, indeed, did not seem to

enjoy absolutely unbroken rest at night; but Miss King's imagination,

although she wrote improper novels, did not insist on representing a

baby as an inevitable part of domesticated life. She got no further

than the dream of a peaceful house, with the figure of an inoffensive

husband somewhere in the background.

The Simpkins Plot · 第 2 / 24 章