CHAPTER X

AN OLD-FASHIONED COUNTRY SALE

A WEEK later Phares and Phoebe drove into the barnyard of a farm six

miles from Greenwald, where the old-fashioned sale was scheduled to be

held.

"We are not the first, after all," said the preacher as he saw the

number of conveyances in and about the barnyard. He smiled

good-humoredly as he led the way--he could afford to smile when he was

with Phoebe.

All about the big yard of the farm were placed articles to be sold at

public auction. It was a miscellaneous collection. A cradle with

miniature puffy feather pillows, straw tick and an old patchwork quilt

of pink and white calico stood near an old wood-stove which bore the

inscription, CONOWINGO FURNACE. Corn-husk shoe-mats, a quilting frame,

rocking-chairs, two spinning-wheels, copper kettles, rolls of hand-woven

rag carpet, old oval hat-boxes and an old chest stood about a huge table

which was laden with jars of jellies. Chests, filled with linens and

antique woolen coverlets, afforded a resting place for the fortunate

ones who had arrived earliest. A few antique chairs and tables, a

mahogany highboy in excellent condition and an antique corner-cupboard

of wild-cherry wood occupied prominent places among the collection.

Truly, the sale warranted the attention it was receiving.

"I'd like to bid on something--I'm going to do it!" Phoebe said as they

looked about. "When I was a little girl and went to sales with Aunt

Maria I coaxed to bid, just for the excitement of bidding. But she

always made me tell what I wanted and then she bid on it."

"What do you want to buy?" asked the preacher.

"Oh, I don't know. I don't want any apple-butter in crocks, or any

chairs. Oh, I'll have some fun, Phares! I'll bid on the third article

they put up for sale! I heard a man say the dishes are going to be sold

first, so I'll probably get a cracked plate or a saucer without a cup,

but whatever it is, the third article is going to be mine."

"That is rather rash," warned Phares. "It may be a bed or a chest."

"You can't scare me. I'm going to have some real thrills at this sale."

The preacher entered into the spirit of the girl and smiled at her

promise to bid on the third thing put up for sale.

"Oh, look at the highboy," she exclaimed to him.

"Do you like it?" he asked.

"Yes. See how it's inlaid with hollywood and cherry and how fine the

lines of it are! I wonder how much it will bring. But Aunt Maria'd scold

if I brought any furniture home, so I can't buy it."

"The price will depend upon the number of bidders and the size of their

pocketbooks. If any dealers in antiques are here it may run way up. We

used to buy homespun linen and fine old furniture very cheap at sales,

but the antique dealers changed that."

By that time the number of people was steadily increasing. They came

singly and in groups, in carriages, farm wagons, automobiles and afoot.

Some of the curious went about examining each article in the motley

collection in the yard.

Phoebe watched it all with an amused smile; finally she broke into merry

laughter.

Phares looked up inquiringly: "What is it?"

"This is great sport! I haven't been to a good sale for several years.

That old man has knocked his fist upon every chair and table, has tested

every piece of furniture, has opened all the bureau drawers, even the

case of the old clock, and just a moment ago he rocked the cradle

furiously to convince himself that it is in good working condition. Here

he comes with a pewter plate in his hand--let's hear what he has to say

about it."

The old man's cracked harsh voice rose above the confusion of other

sounds as he leaned against a table near Phoebe and Phares and spoke to

another man:

"Here now, Eph, is one of them pewter plates that folks fuss so about

just now, and I hear they put them in their dinin'-rooms along the wall!

Why, when I was a boy my granny had a lot of 'em and we'd knock 'em

around any way. Ha, ha," he laughed loudly, "I can tell you a good one,

Eph, about one of them pewter dishes."

He slapped the plate against his knee, but the thud was instantly

drowned by his quick, "Ach, Jimminy, I hit myself pretty hard that time!

But I'll tell you about it, Eph. You heard of the fellows from the city

who go around the country hunting up old relics, all old truck, and sell

it again in the city? Well, one of them fellows come to my house the

other week and asked if I had anything old-fashioned I would sell. Now

if Lizzie'd been home we might got rid of some of the old things we have

on the garret, but I was alone and I didn't know what I dared sell--you

know how the women is. So I said, 'What kind of old things do you want?'

"'Oh,' he said, 'I buy old furniture, dishes, linen, pewter----'

"'Pewter?' I said. 'Who wants that?'

"'There is a great demand for it,' he said, 'and I will give you a good

price for any you have.'

"'Well,' I laughed, 'I have just one piece of pewter.'

"'Where is it?'

"'Why, the cats have been eating out of it for a few years.'

"'May I see it?' he asks.

"So I took him out to the barn and showed him the big pewter bowl the

cats eat out of and he said, 'I'll give you fifty cents for that dish.'

"Gosh, I said to him, 'Mister, I was just fooling with you. I know you

don't want a cat-dish.'

"But he said again, 'I'll give you fifty cents for that dish.'

"So when I saw that he really meant it and wanted the dish I wrapped

the old pewter dish in a paper and he gave me half a dollar for it. When

I told Lizzie about it she laughed good and said the city folks must be

dumb if they want pewter dishes when you can buy such nice ones for ten

cents. Yes, Eph, that's the fellow's going to auctioneer. He's a good

one, you bet; he keeps things lively all the time. All his folks is good

talkers. Lizzie says his mom can talk the legs off an iron pot. But then

he needs a good tongue in this business; it takes a lot of wind to be an

auctioneer, specially at a big sale like this. He says it's going to be

a wonderful sale, that he ain't had one like it for years. There's

things here belonged to the family for three generations, been handed

down and handed down and now to-day it'll get scattered all over

Lancaster County, mebbe further. This saving up things and not using 'em

is all nonsense. I tell Lizzie we'll use what we got and get new when

it's worn out and not let a lot back for the young ones to fight over or

other people to buy."

Here the auctioneer climbed upon a big box, clapped his hands and called

loudly, "Attention, attention! This sale is about to begin. We have here

a collection of fine things, all in good condition. The terms of the

sale are cash. Now, folks, bid up fast and talk loud when you bid so I

can hear you. We have here some of the finest antique dishes in the

country, also some furniture that can't be duplicated in any store

to-day. We'll begin on this cherry table."

He lifted a spindle-legged table in the air and went on talking.

"Now that's a fine table to begin with! All solid cherry, no screws

loose--and that's more than you can say about some people--now what's

bid for this table? Fine and good as the day it came out of a good

workman's shop; no scratches on it--the Brubaker people knew how to take

care of furniture. Who bids? How much for it do you bid? Fifty

cents--fifty, all right--make it sixty--sixty cents I'm bid. Sixty,

sixty, sixty--seventy--go ahead, eighty--go on--ninety, one dollar, one

dollar ten, twenty, thirty--keep on--one dollar thirty, make it forty,

forty, forty, forty, I have a dollar forty for this table--all done?

Going--all done--all done?"

All was said in one breathless succession of words. He paused an instant

to gather fresh impetus, then resumed, "All done--any more? Gone at a

dollar forty to----"

"Lizzie Brubaker."

"Sold to Lizzie Brubaker."

"There," whispered the preacher to Phoebe, "that's one."

She smiled and nodded her head.

"Here now," called the auctioneer, "here's a fine set of chairs. Bid on

them; wink to me if you don't want to call out. My wife said she don't

care how many ladies wink to me this afternoon at this sale, but after

that she won't have it--now then; go ahead! Give me one of the chairs,

Sam, so the people can see it--ah, ain't that a beauty! Six in all, all

solid wood, too, none of your cane seats that you have to be afraid to

sit in. All solid wood, and every one alike, all painted green and

every one with fine hand-painted flowers on the back. Where can you beat

such chairs? Don't make them any more these days, real antiques they

are! Bid up now, friends; how much a piece? The six go together, it

would be a shame to part them. Fifteen cents did I hear?--Say, I'm

ashamed to take a bid like that! Twenty, that's a little better--thirty,

thirty, forty over here? Forty cents I have, fifty, sixty, seventy,

seventy-five, eighty, eighty, eighty cents I'm bid; I'm bid eighty

cents--make it ninety--ninety I'm bid, make it a dollar--ninety,

ninety--all done at ninety? Guess we'll let Jonas Erb have them at

ninety cents a piece, and real bargains they are!"

"Here's where I bid," said Phoebe, her cheeks rosy from excitement.

"Shall I release you from your promise?" offered the preacher.

"No, I'll bid."

"Attention," called the auctioneer. "Attention, everybody! Here we have

a real antique, something worth bidding on!"

Phoebe held her breath.

"Here now, Sam, give it a lift so everybody can see--ah, there you are!"

He shouted the last words as two men held above the crowd--the old

wooden cradle!

Phoebe groaned and looked at Phares--he was smiling. The old aversion to

ridicule swelled in her; he should not have reason to laugh at her; she

would show him that she was equal to the occasion--she would bid on the

cradle!

"Start it, hurry up, somebody. How much is bid for the cradle? Sam here

says it's been in the Brubaker family for years and years. Think of all

the babies that were rocked to sleep in it--it's a real relic."

Phoebe, unacquainted with the value of cradles, was silently endeavoring

to determine the proper amount for a first bid. She was relieved to hear

a woman's voice call, "Twenty-five cents."

"Twenty-five I have, twenty-five," called the auctioneer. "Make it

thirty."

"Thirty," said Phoebe.

"Forty," came from the other woman.

"Make it fifty, Miss." He pointed a fat finger at Phoebe.

"Fifty," she responded.

"Fifty, fifty, anybody make it sixty? Fifty cents--all done at fifty?

Then it goes at fifty cents to"--Phoebe repeated her name--"to Phoebe

Metz."

He proceeded with the sale. Phoebe turned triumphantly to the

preacher--"I kept my promise."

"You did," he said. "The cradle is yours--what are you going to do with

it?"

"Gracious! Why, I never thought of that! I don't want it. I just wanted

the fun of bidding. Can't I pay it and leave it and they can sell it

over again?"

"You bid rashly," the preacher said, though his eyes were smiling and

his usual tone of admonition was absent from his voice. "I think you may

be able to sell it to the woman who was bidding against you."

"I'll find her and give it to her."

She elbowed her way through the crowd until she reached the place from

which the opposing voice had come. She looked about a moment, then

addressed a woman near her. "Do you know who was bidding on the cradle?"

"Yes, it was Hetty here, the one with the white waist. Here, Hetty, this

lady wants to talk to you."

"To me?" echoed the rival bidder for the cradle.

"Did you bid on the cradle?" asked Phoebe.

"Yes, but I didn't get it. I only wanted it because it was in the family

so long. I'm a Brubaker. I said I wouldn't give more than fifty cents

for it, for it would just stand up in the garret anyway, and be one more

thing to move around at housecleaning time. Yet I'd liked to have it. I

don't know who got it."

"I did, but I don't want it. I'd like to give it to you."

"Why"--the woman was amazed--"what did you bid on it for?"

"Just for the fun of bidding," said Phoebe, laughing. "Will you let me

give it to you?"

"I'll give you half a dollar for it," offered the woman.

"No, I mean it. I want to give it to you. I'll consider it a favor if

you'll take it from me."

"Well, if you want it that way. But don't you want the quilt and the

feather pillows?"

"No, take it just as it is."

"Why, thanks," said the woman as she went to the spot where the cradle

stood. She soon walked away with the clumsy gift in her arm. "Now don't

it beat all," she said as she set it down near her friends. "I just knew

that I'd get a present to-day. This morning I put my stocking on wrong

side out and I just left it for they say still that it means you'll get

a present before the day is over, and here I get this cradle!"

With a bright smile illumining her face, Phoebe rejoined the preacher.

"I see you disposed of the cradle," he greeted her.

"Yes. But I felt like a hypocrite when she thanked me, for I was giving

her what I didn't want."

Here the busy auctioneer called again, "Attention, everybody! This piece

of furniture we are going to sell now dates back to ante-bellum days."

"Ach, it don't," Phoebe heard a voice exclaim. "That never belonged to

any person called Bellem; that was old Amanda Brubaker's for years and

she used to tell me that it belonged to her grandmother once. That man

don't know what he's saying, but that's the way these auctioneers do;

you can't believe half they say at a sale half the time."

Phoebe looked up at Phares; both smiled, but the loquacious auctioneer,

not knowing the comments he was causing, went on serenely:

"Yes, sir, this is a real old piece of furniture, a real antique. Look

at this, everybody--a chest of drawers, a highboy, some people call it,

but it's pretty by any name. All of it is genuine mahogany trimmed with

inlaid pieces of white wood. Start it up, somebody. What will you give

for the finest thing we have here at this sale to-day? What's bid? Good!

I'm bid five dollars to begin; shows you know a good thing when you see

it. Five dollars--make it ten?"

"Ten," answered Phares Eby.

Phoebe gave a start of surprise as the preacher's voice came in answer

to the entreaty of the auctioneer.

"Phares," she whispered, "I didn't mean that I want to buy it."

"I am buying it," he said calmly, an inscrutable smile in his eyes. "You

like it, don't you?"

She felt a vague uneasiness at his words, at the new sound of tenderness

in his voice.

"Yes, I like it, but----"

"Then we'll talk about that some other day soon," he returned, and

looked again at the busy auctioneer.

"Ten dollars, ten, ten," came the eager call of the man on the

box. "Who makes it fifteen? That's it--fifteen I have--sixteen,

eighteen--twenty--twenty-five, thirty--thirty, thirty, come on, who

makes it more? Not done yet? Not going for that little bit? Who makes

it thirty-five?"

"Thirty-five," said Phares.

"Thirty-five," the auctioneer caught at the words. "That's the way to

bid."

"Thirty-eight," came a voice from the crowd.

"Thirty-eight," the auctioneer smiled broadly at the bid. "Some person

is going to get a fine antique--keep it up, the highest bidder gets

it--thirty-eight----"

"Forty," offered Phares.

"Forty, forty dollars--I have forty dollars offered for the highboy--all

done at forty----"

There was a tense silence.

"Forty dollars--all done at forty--last call--going--going--gone. Gone

at forty dollars to Phares Eby."

Phoebe turned to the preacher. "Did you bid just for the fun of

bidding?" she asked.

"Well," he replied slowly, "the cases are not exactly alike. You like

the highboy, don't you?"

"Yes--but what has that to do with it?" She looked up, but turned her

head away quickly. What did he mean? Surely Phares was not given to

foolishness or love-making to her!

She was glad that he suggested moving to the edge of the crowd after his

successful bidding was completed. There a welcome diversion came in the

form of the old man who had previously amused them by his talk about the

pewter plate.

"There now, Eph," he was saying, "what do you think of paying forty

dollars for that old chest of drawers? To be sure it's good and all the

drawers work yet--I tried 'em before the sale commenced. But forty

dollars--whew!"

The stupidity and extravagance of some people silenced him for a moment,

then he continued: "My Lizzie, now, she knows better how to spend money.

She bought ten dollars' worth of flavors and soap and things like that

and she got in the bargain a big chest of drawers bigger than this old

one, and it was polished up finer and had a looking-glass on the top

yet. That man must have a lot of money to give forty dollars for one

piece of furniture! Ach"--in answer to a remonstrance from his

companion--"they can't hear me. I don't talk loud, and anyhow, they're

listening to the auctioneer. That girl with him has a funny streak too.

She bought the old cradle and then I heard her tell Hetty that she just

bought it for fun and she gave it to Hetty. So, is that man Phares Eby

from near Greenwald? Well, I thought he'd have too much sense to buy

such a thing for forty dollars, but some people gets crazy when they get

to a sale. Who ever heard of a person buying a cradle for fun and giving

it away? But I guess that cradles went out of style some time ago. My

girl Lizzie wasn't raised with funny notions like some girls have

nowadays, but when she was married and had her first baby and we told

her she could borrow the old cradle she was rocked in to put her baby

in, she said she didn't want it, for cradles ain't healthy for babies,

it is bad to rock babies! I guess that was her man's dumb notion, for

he's a professor in the High School where they live, but he's just Jake

Forney's John. They get along fine, but they do some dumb things. They

let that baby yell till he found out that he wouldn't get rocked. It

made her mom quite sick when we were up to visit them, and sometimes

we'd sneak rocking it a little, just so the little fellow'd know there

is such a thing as getting rocked. They don't want any person to kiss

that baby, neither. Course I ain't in favor of everybody kissing a baby,

but I can't see the hurt of its own people kissing it. We used to take

it behind the door and kiss it good, and it's living yet. Ain't, Eph,

it's a wonder we ever growed up, the way we were bounced and rocked and

joggled and kissed! I say it ain't right to go back on cradles; they

belong to babies. But look, Eph, there she's buying them old copper

sheep bells! Wonder if she keeps sheep."

Phoebe, triumphant bidder for a pair of hand-beaten copper sheep bells,

turned and looked at the farmer. The tenderness of a bright smile still

played about her lips and the old man, interpreting the smile as a

personal greeting to him, drew near and spoke to her.

"I can tell you what to take to clean them bells."

"Thank you," she answered cordially, "but I do not want to clean them."

"But you can make them shiny if you take----"

"You are very kind, but I really want to keep them just as they are."

The old man looked at her for a moment, then shook his head as though in

perplexity and turned away.

Several more hours of vigorous work on the part of the noisy auctioneer

resulted in the sale of the miscellaneous collection of articles.

The loquacious old farmer was often moved to whistle or to emit a low

"Gosh" as the sale progressed and seemingly valueless articles were sold

for high prices. A linen homespun table-cloth, woven in geometrical

design, occasioned spirited bidding, but the man on the box was equal to

the task and closed the bids at twenty dollars. Homespun linen towels

were bought eagerly for seven, eight, nine dollars. A genuine buffalo

robe was knocked down to a bidder at the price of eighty dollars. Cups

and saucers and plates sold for from two to four dollars each. But it

was an old blue glass bottle that provoked the greatest sensation.

"Gosh, who wants that?" said the old man as the bottle was brought

forth. "If he throws a cup or plate in with it mebbe somebody will give

a penny for it."

But a moment later, as an antique dealer started the bid at a dollar the

old man spluttered, "Jimminy pats! Why, it's just an old glass bottle!"

Some person enlightened him--it was Stiegel glass! After the first bid

on the bottle every one became attentive. The two rival bidders were

alert to every move of the auctioneer, the bids leapt up and up--ten

dollars--eleven dollars--twelve dollars--thirteen dollars--gone at

thirteen dollars!

It was late afternoon when Phoebe and the preacher turned homeward. The

preacher's purchase had to be left at the farm until he could return for

it in the big farm wagon, but Phoebe thought of the highboy as they rode

along the pleasant country roads. She remembered the expression she had

caught on the face of Phares and the remembrance troubled her. She

sought desperately for some topic of conversation that would lead the

man's thoughts from the highboy and prevent the return of the mood she

had discovered at the sale.

"You--Phares," she began confusedly, "you are going to baptize this next

time, Aunt Maria thought."

"Yes."

The preacher looked at the girl. The exhilarating influence of the early

June outdoors was visible in her countenance. Her eyes sparkled, her

cheeks glowed--she seemed the epitome of innocent, happy girlhood. The

vision charmed the preacher and caused the blood to course more swiftly

through his veins, but he bit his lip and steadied his voice to speak

naturally. "Yes, Phoebe, I want to speak to you about that."

"Oh, dear," she thought, "now I _have_ done it! Why did I start him on

that subject!" Some of the excessive color faded from her face and she

looked ahead as he spoke.

"Phoebe, the second Sunday in June I am going to baptize a number of

converts in the Chicques near your home. Are you ready to come with the

rest, and give up the vanities of the world?"

"Oh, Phares, why do you ask me? I can't wear plain clothes while I love

pretty ones. I can't be a hypocrite."

"But surely, Phoebe, you see that a simple life is more conducive to

happiness than a complex, artificial life can possibly be. It is my duty

to strive for the saving of souls and we have been friends so long that

I take a special interest in you and desire to see you safe in the

shelter of the Church."

"Phares, I'll tell you frankly, if I ever wear plain garb it will be

because I _feel_ that it is the right thing for me to do, not because

some person persuades me to."

"Of course, that is the only way to come. But can't you come now?"

"I can't. I hurt you when I say that, but I want you to be my good

friend, as always, in spite of my worldliness. Will you, Phares?"

He opened his lips to speak, but she went on quickly: "Because I am

learning every day how much I need the help and friendship of all my

friends."

He longed to throw down the reins he was holding and tell her what was

in his heart, but something in her manner, her peculiar stress on the

word "friendship" restrained him. She was, after all, only a child. Only

eighteen--too young to think of marriage. He could wait a while longer

before he told her of his love and his desire to marry her.

"I will, Phoebe," he promised. "I'll be your friend, always."

"I thought so," she breathed deeply in relief. "I knew you wouldn't fail

me. Look at that field, Phares--oh, this is a perfect day! There should

be a superlative form of perfect for a day like this! Those fields have

as many colors as the shades reflected on a copper plate: lilac, tan,

purple, rose, green and brown."

The preacher answered a mere "Yes." She turned again and looked at the

fields they were passing. "Perhaps," she thought, "before that corn is

ripe I'll be in Philadelphia!" But she did not utter the thought, for

she knew the preacher would not approve of her going to the city. He

should know nothing about it until it was definitely settled.

The thought of studying music in Philadelphia left her restless. If only

the preacher would be more talkative!

"It's just perfect to-day, isn't it, Phares?" she asked radiantly,

resolved to make him talk. But his answers were so perfunctory that she

turned her head, made a little grimace through the open side of the

carriage and mentally dubbed him "Bump-on-log." Very well, if he felt

indisposed to talk to her, she could enjoy the drive without his voice!

Suddenly she laughed outright.

"What----" he looked at her, puzzled.

"What's funny?" she finished. "You."

"I?"

"Yes, you. If sales affect you like this you must be careful to avoid

them. You've been half asleep for the last half hour. I think the horse

knows the way home; you haven't been driving at all."

"I have not been asleep," he contradicted gravely, "just thinking."

"Must be deep thoughts."

"They were--shall I tell them to you?"

"Oh, no, not to-day!" she cried. "I've had enough excitement for one

day. Some other time. Besides, we are almost home."

After that he threw off his lethargic manner and entered the girl's mood

of appreciation of the lavish loveliness of the June. Yet, as Phoebe

alighted from the carriage at the little gate of the Metz farm, and

after she had thanked him and started through the yard to the house, she

said softly to herself, "If Phares Eby isn't the queerest person I know!

Just like a clam one minute and just lovely the next!"

Maria Metz was dishing a panful of fried potatoes as Phoebe entered the

kitchen.

"Hello, daddy, Aunt Maria," exclaimed the girl.

"So you come once?" said her aunt.

"Have a good time?" asked her father.

"Yes, it was a fine sale, a real old-fashioned one."

But Aunt Maria was impatient for her supper. "Hurry," she said, "and get

washed to eat. I have everything out and it'll get cold, then it ain't

good. Did Phares like the sale? What did he have to say?"

"Um, guess he liked it," said the girl with a shrug of her shoulders.

"It's hard to tell what he likes--he's such a queer person. He said he's

going to baptize the second Sunday of June and asked me if I want to

come with the others."

"He did!" Aunt Maria could not keep the eagerness out of her voice.

"Well, let's sit down and eat."

After a short grace she turned to the girl. "Now then," she said as she

helped herself generously to sausage and potatoes and handed the dishes

across the table to Phoebe, "tell us about it."

"There isn't much to tell. I just told him that I can't renounce the

pleasures of the world before I had a chance to take hold of them. I'm

not ready yet to dress plain."

"Why aren't you ready?" asked the woman.

"Ach, don't ask me," Phoebe replied, speaking lightly in an effort to

conceal her real feeling. "I just didn't come to that state yet. I want

some more fun and pleasure before I think only of serious things."

"You're just like a big baby," her aunt said impatiently. "You can hurt

a good man like Phares Eby and come home and laugh about it."

"Now, Maria," interposed the father, "let her laugh; she'll meet with

crying soon enough, I guess."

But the woman could not be easily silenced. "Some day, Phoebe, you'll

wish you'd been nicer to Phares."

"Why, I am nice to him."

"Well, anyhow, I think it's soon time you give up the world and its

vanities," said Aunt Maria.

The girl's teasing mood fled. "I think," she said slowly, "that the

plain dress should not be worn by any one who does not realize all that

the dress stands for. If I ever turn plain I'll do so because I feel it

is the right thing to do, but just now vanity and the love of pretty

clothes are still in my heart."

After the meal was over the women washed the dishes while Jacob went out

to attend to the evening milking. Later, when the poultry houses and

stables were locked he returned to the kitchen and read the weekly

paper. After a while he turned to Phoebe.

"Will you sing for me this evening?" he asked.

"Yes," came the ready response.

"Then make the door shut," Aunt Maria directed as they went to the

sitting-room. "I want to mark my rug yet this evening and your noise

bothers me."

Patchwork: A Story of 'The Plain People' · 第 10 / 37 章