ELIZABETH STEVENSON GASKELL

(1810-1865)

[Illustration: ELIZABETH S. GASKELL]

Critics agree in placing the novels of Mrs. Gaskell on a level with

the works of Jane Austen and Charlotte Bronte. It is more than

probable that future generations will turn to her stories for correct

pictures of simple every-day life that must fade in the swift

succession of years. She has been compared to a naturalist who knows

intimately the flora and fauna of his native heath.

Elizabeth Cleghorn Stevenson was born in Chelsea, England, September

29th, 1810, the daughter of William Stevenson, a literary man,

who was keeper of the records of the Treasury. She lived with her

aunt at Knutsford in Cheshire, was sent to a private school in

Stratford-on-Avon, and visited London and Edinburgh, where her beauty

was much admired. In 1832 she was married to the Rev. William Gaskell,

minister of a Unitarian chapel in Manchester. Mrs. Gaskell did not

begin to write until she had reached middle age, and then chiefly to

distract her thoughts after the death of their only son in 1844. Her

first book, 'Mary Barton,' published anonymously in 1848, achieved

extraordinary success. This was a "novel with a purpose," for Mrs.

Gaskell believed that the hostility between employers and employed,

which constantly disturbed the manufacturing beehive of Manchester,

was caused by mutual ignorance. She therefore set herself the task of

depicting faithfully the lives of the people around her. It must be

remembered, too, that the social types chosen by her were at that

moment peculiarly interesting to a public weary of the novel of

fashionable high life. The story provoked much public discussion; and

among other critics, the social economist Mr. W. R. Greg, in his

'Essay on Mary Barton,' published in 1849, took the part of the

manufacturer. 'Mary Barton' has been translated into French, German,

and other languages, including Hungarian and Finnish. The story has

for its central theme the gradual degeneration of John Barton, a

workman who has a passionate hatred of the classes above him, and who,

embittered by poverty and the death of his son and wife, joins the

law-breakers of the town, and finally murders Henry Corson, a master

manufacturer. 'North and South,' published in 1855, was written from

the point of view of the masters, an admirable contrast to Barton

being found in Thornton, the hero of this novel.

In 1850, when Dickens was about to establish Household Words, he

invited Mrs. Gaskell to contribute. This magazine contained her story

'Lizzie Leigh' and those immortal pictures of village life known as

'Cranford.' Mrs. Gaskell's other novels are: 'Ruth,' the tragical

story of a pretty young milliner's apprentice; 'Sylvia's Lovers,'

whose scene is Monkhaven (Whitby), at the end of the last century;

'Cousin Phillis,' a simple story of a farmer's daughter, which

appeared first in the Cornhill Magazine in 1863-64; and 'Wives and

Daughters,' also contributed to the Cornhill, and left unfinished by

her death in Manchester, November 12th, 1865. By many persons the last

novel is considered her best work, owing to its strength of

characterization. Molly Gibson, the heroine; Cynthia, a heartless

coquette; Squire Hamley and his sons Roger and Osborne, of Hamley

Hall; and the Earl of Cumnor and his family at the Towers,--all are

treated with impartial skill. Her famous 'Life of Charlotte Bronte'

appeared in 1857. She became acquainted with Miss Bronte in 1850, and

they were friends at once.

A collected edition of Mrs. Gaskell's works, published in seven

volumes in 1873, includes the short stories 'The Grey Woman,' 'Morton

Hall,' 'Mr. Harrison's Confessions,' 'A Dark Night's Work,' 'The

Moorland Cottage,' 'Round the Sofa,' 'The Old Nurse's Story,' 'The

Well of Pen-Morfa,' 'The Sexton's Hero,' 'Lois the Witch,' and others.

Cranford is identified as the town of Knutsford. Its population

consists of widows and maiden ladies, in bonds to their ancient

gentility. With deft touch Mrs. Gaskell brings out the humor and

pathos of these quaint characters, her finest creation being Miss

Matty Jenkyns.

Library of the World's Best Literature, Ancient and Modern — Volume 15 · 第 224 / 261 题