CHAPTER IV.

_THE FACTS IN REFERENCE TO MR. BUTTERWICK'S HORSE_.

Mr. Butterwick is not a good judge of horses, but a brief while ago he

thought he would like to own a good horse, and so he went to a sale at

a farm over in Tulpehocken township, and for some reason that has not

yet been revealed he bid upon the forlornest wreck of a horse that

ever retained vitality. It was knocked down to him before he had a

chance to think, and he led it home with something like a feeling of

dismay. The purchase in a day or two got to be the joke of the whole

village, and people poked fun at Butterwick in the most merciless

manner. But he was inclined to take a philosophical view of the

matter, and to present it in rather a novel and interesting light.

When I spoke to him of the unkind things that were said about the

horse, he said,

"Oh, I know that they say he has the heaves; but one of the things I

bought him for was because he breathes so loud. That is a sign that he

has a plenty of wind. You take any ordinary horse, and you can't hear

him draw a breath; his lungs are frail and he daren't inflate 'em. But

my horse fills his up and blows 'em out again vigorously, so people

can hear for themselves how he enjoys the fresh air. Now, I'll let you

into a secret, only mind you don't go to whispering it about: When you

want to buy a horse, go and stand off a quarter of a mile and see if

you can hear him kinder sighing. If you can, why go for that horse;

he's worth his weight in gold. That's strictly between you and me, now

mind!

"And you know that old idiot, Potts, was trying to joke me because the

horse was sprung in the knees, as if that was not the very thing that

made me resolve to have that horse if I ran him up to five hundred

dollars! You are a young man with no experience in the world, and I'll

tell you why I like such legs: They give the horse more leverage. Do

you see? When a horse's leg is straight, the more he bears on it,

the more likely he is to fracture the bone. But you curve that leg a

little to the front, and the upper bone bears obliquely on the

lower bone, the pressure is distributed and the horse has plenty of

purchase. It is the well-known principle of the arch, you know. If

it's good in building a house, why isn't it good in getting up a

horse? Sprung in the knees! Why, good gracious, man! a horse that is

not sprung is not any horse at all; he is only fit for soap-fat and

glue. Now, that's as true as my name's Butterwick.

"And as for his tail, that they talk so much about! Who'n the thunder

wanted a long tail on the horse? I knew well enough it was short and

had only six or seven hairs on it. But the Romans and Egyptians made

their horses bob-tailed, and why? Maybe you ain't up in ancient

history? Why, those old Romans knew that a horse with a fifteen-inch

tail had more meat on him than a horse with a four-inch tail, and

consequently required more nourishment. They knew that more muscular

force is expended in brandishing a long tail than a short one, and

muscular force is made by food, so they chopped off their horses'

tails to make 'em eat less. They had level heads in those times. They

were up in scientific knowledge. But what do these idiots around this

town know about such things? Let 'em laugh. I can stand a tail that

saves me a couple of bushels of oats a year. I'll bet you anything

that there's millions and millions of dollars wasted--just thrown

away--in this country every year furnishing nutriment to tails that

are of no earthly use to the horses after they're nourished. You can

depend on that. I've examined the government statistics, and they're

enough to make a man cry to see how wasteful the American people are.

"And when you talk about his ribs showing so plainly through his

sides, you prove that you have a very singular want of taste. Which is

handsomer, a flat wall or a wall with a surface varied with columns

and pilasters? Well, then, when you take a horse, no man who loves art

wants to see him smooth and even from stem to stern. What you want is

a varied surface--a little bit of hill and a little bit of valley; and

you get it in a horse like mine. Most horses are monotonous. They tire

on you. But swell out the ribs, and there you have a horse that always

pleases the eye and appeals to the finer sensibilities of the mind.

Besides, you are always perfectly certain that he has his full number

of ribs, and that the man you buy him of is not keeping back a single,

solitary bone. Your horse is all there, and you go to bed at night

comfortable because you know it. That's the way I look at it; and

without caring to have it mentioned around, I don't mind telling you

that I know a man who came all the way from Georgia to buy my horse

simply because he heard that his ribs stuck out. I got my bid in ahead

of him, and he went home the worst disgusted man you ever saw.

"And about his having glanders and botts and blind staggers and a raw

shoulder, I can tell you that those things never attack any but a

thoroughbred horse; and for my part, I made up my mind years ago, when

I was a child, that if any man ever offered me a horse that hadn't

blind staggers I wouldn't take him as a gift. Now, that's as true as

you're alive. Professor Owen says that so far from regarding glanders

as a disease he considers it the crowning glory of a good horse, and

he wants the English government to pass a law inoculating every horse

on the island with it. You write to him and ask him if that ain't so."

And so Butterwick put his phenomenal horse in his stable, hired an

Irishman to take care of it, and possessed his soul in peace. However,

before he fairly had a chance to enjoy his purchase, he was summoned

to St. Louis to look after some business matters, and he was detained

there for about six weeks. During his absence Mrs. Butterwick assumed

the responsibility for the management of the horse; and as she knew

as much about taking care of horses as she did about conducting the

processes of the sidereal system, the result was that Mr. Butterwick's

horse was the unconscious parent of infinite disaster. When Butterwick

returned and had kissed his wife and talked over his journey, the

following conversation ensued. Mrs. Butterwick said,

"You know our horse, dearest?"

"Yes, sweet; how is he getting along?"

"Not so _very_ well; he has cost a great deal of money since you've

been away."

"Indeed?"

"Yes; besides his regular feed and Patrick's wages as hostler, I have

on hand unpaid bills to the amount of two thousand dollars on his

account."

"Two thousand! Why, Emma, you amaze me! What on earth does it mean?"

"I'll tell you the whole story, love. Just after you left he took a

severe cold, and he coughed incessantly. You could hear him cough for

miles. All the neighbors complained of it, and Mr. Potts, next door,

was so mad that he shot at the horse four times. Patrick said it was

whooping-cough."

"Whooping-cough, darling! Impossible! A horse _never_ has

whooping-cough."

"Well, Patrick said so. And as I always give paregoric to the children

when they cough, I concluded that it would be good for the horse, so I

bought a bucketful and gave it to him with sugar."

"A bucketful of paregoric, my love! It was enough to kill him."

"Patrick said that was a regular dose for a horse of sedentary habits;

and it didn't kill him: it put him to sleep. You will be surprised,

dear, to learn that the horse slept straight ahead for four weeks.

Never woke up once. I was frightened about it, but Patrick told me

that it was a sign of a good horse. He said that Dexter often slept

six months on a stretch, and that once they took Goldsmith Maid to

a race while she was sound asleep and she trotted a mile in 2:15, I

think he said, without getting awake."

"Patrick said that, did he?"

"Yes; that was at the end of the second week. But as the horse didn't

rouse up, Patrick said it couldn't be the paregoric that kept him

asleep so long; and he came to me and asked me not to mention it, but

he had suspicions that Mr. Fogg had mesmerized him."

"I never heard of a horse being mesmerized, dearest."

"Neither did I, but Patrick said it was a common thing with the better

class of horses. And when he kept on sleeping, dear, I got frightened,

and Patrick consulted the horse-doctor, who came over with a galvanic

battery, which he said would wake the horse. They fixed the wires to

his leg and turned on the current. It did rouse him. He got up and

kicked fourteen boards out of the side of the stable and then jumped

the fence into Mr. Potts' yard, where he trod on a litter of young

pigs, kicked two cows to death and bit the tops off of eight apple

trees. Patrick said he tried to swallow Mrs. Potts' baby, but I didn't

see him do that. Patrick may have exaggerated. I don't know. It seems

hardly likely, does it, that the horse would actually try to eat a

child?"

"The man that sold him to me didn't mention that he was fond of

babies."

"But he got over the attack. The only effect was that the paregoric or

the electricity, or something, turned his hair all the wrong way, and

he looks the queerest you ever saw. Oh yes; it did seem to affect his

appetite, too. He appeared to be always hungry. He ate up the hay-rack

and two sets of harness. And one night he broke out and nibbled off

all the door-knobs on the back of the house."

"Door-knobs, Emma? Has he shown a fondness for door-knobs?"

"Yes; and he ate Louisa's hymn-book, too. She left it lying on the

table on the porch. Patrick said he knew a man in Ireland whose horse

would starve to death unless they fed him on Bibles. If he couldn't

get Bibles, he'd take Testaments; but unless he got Scriptures of some

kind, he was utterly intractable."

"I would like to have had a look at that horse, sweet."

"So we got the horse-doctor again, and he said that what the poor

animal wanted was a hypodermic injection of morphia to calm his

nerves. He told Patrick to get a machine for placing the morphia under

the horse's skin. But Patrick said that he could do it without the

machine. So one day he got the morphia, and began to bore a hole in

the horse with a gimlet."

"A gimlet, Emma?"

"An ordinary gimlet. But it seemed unpleasant to the horse, and so he

kicked Patrick through the partition, breaking three of his ribs. Then

I got the doctor to perform the operation properly, and the horse

after that appeared right well, excepting that Patrick said that he

had suddenly acquired an extraordinary propensity for standing on his

head."

"He is the first horse that ever wanted to do that, love."

"Patrick said not. He told me about a man he worked for in Oshkosh who

had a team of mules which always stood on their heads when they were

not at work. He said all the mules in Oshkosh did. So Patrick tied a

heavy stone to our horse's tail to Balance him and keep him straight.

And this worked to a charm until I took the horse to church one

Sunday, when, while a crowd stood round him looking at him, he swung

his tail around and brained six boys with the stone."

"Brained them, love?"

"Well, I didn't see them myself, but Patrick told me, when I came out

of church, that they were as good as dead. And he said he remembered

that that Oshkosh man used to coax his mules to stand on their legs by

letting them hear music. It soothed them, he said. And so Patrick got

a friend to come around and sit in the stall and calm our horse by

playing on the accordion."

"Did it make him calmer?"

"It seemed to at first; but one day Patrick undertook to bleed him for

the blind staggers, and he must have cut the horse in the wrong place,

for the poor brute fell over on the accordion person and died, nearly

killing the musician."

"The horse is dead, then? Where is the bill?"

"I'll read it to you:

THE BILL.

Horse-doctor's fees $125 50

Paregoric for cough 80 00

Galvanic battery 10 00

Repairing stable 12 25

Potts' cow, pigs, apple trees and baby 251 00

Damage to door-knobs, etc. 175 00

Louisa's hymn-book 25

Gimlet and injections 15 00

Repairing Patrick's ribs 145 00

Music on accordion 21 00

Damages to player 184 00

Burying six boys 995 00

---------

$2,014 00

"That is all, love, is it?"

"Yes."

Then Mr. Butterwick folded the bill up and went out into the back yard

to think. Subsequently, he told me that he had concluded to repudiate

the unpaid portions of the bill, and then to try to purchase a better

horse. He said he had heard that Mr. Keyser, a farmer over in Lower

Merion, had a horse that he wanted to sell, and he asked me to go over

there with him to see about it. I agreed to do so.

When we reached the place, Mr. Keyser asked us into the parlor, and

while we were sitting there we heard Mrs. Keyser in the dining-room,

adjoining, busy preparing supper. Keyser would not sell his horse, but

he was quite sociable, and after some conversation, he said,

"Gentlemen, in 1847 I owned a hoss that never seen his equal in this

State. And that hoss once did the most extr'ordinary thing that

was ever done by an animal. One day I had him out, down yer by the

creek--"

Here Mrs. Keyser opened the door and exclaimed, shrilly,

"Keyser, if you want any supper, you'd better get me some kin'lin-wood

pretty quick."

Then Keyser turned to us and said, "Excuse me for a few moments,

gentlemen, if you please."

A moment later we heard him splitting wood in the cellar beneath, and

indulging in some very hard language with his soft pedal down, Mrs.

Keyser being the object of his objurgations. After a while he came

into the parlor again, took his seat, wiped the moisture from his

brow, put his handkerchief in his hat, his hat on the floor, and

resumed:

"As I was sayin', gentlemen, one day I had that hoss down yer by the

creek; it was in '47 or '48, I most forget which. But, howsomedever, I

took him down yer by the creek, and I was jest about to--"

_Mrs. Keyser_ (opening the door suddenly). "You, Keyser! there's not a

drop of water in the kitchen, and unless some's drawed there'll be no

supper in this house _this_ night, now mind _me_!"

_Keyser_ (with a look of pain upon his face). "Well, well! this is too

bad! too bad! Gentlemen, just wait half a minute. I'll be right back.

The old woman's rarin' 'round, and she won't wait."

Then we heard Keyser at work at the well-bucket; and looking out the

back window, we saw him bringing in a pail of water. On his way he

encountered a dog, and in order to give his pent-up feelings adequate

expression, he kicked the animal clear over the fence. Presently he

came into the parlor, mopped his forehead, and began again.

_Keyser_. "As I was sayin', that hoss was perfeckly astonishin'. On

the day of which I was speakin'. I was ridin' him down yer by the

creek, clost by the corn-field, and I was jest about to wade him in,

when, all of a suddent-like, he--"

_Mrs. Keyser_ (at the door, and with her voice pitched at a high key).

"ARE you goin' to fetch that ham from the smoke-house, or ARE you

goin' to set there jabberin' and go without your supper? If that ham

isn't here in short order, I'll know the reason why. You hear me?"

_Keyser_ (his face red and his manner excited). "_Gra_-SHUS! If this

isn't--Well, well! this just lays over all the--Pshaw! Mr. Butterwick,

if you'll hold on for a second, I'll be with you agin. I'll be right

back."

Then we heard Keyser slam open the smokehouse door, and presently he

emerged with a ham, which he carried in one hand, while with the other

he made a fist, which he shook threateningly at the kitchen door, as

if to menace Mrs. Keyser, who couldn't see him.

Again he entered the parlor, smelling of smoke and ham, and, crossing

his legs, he continued.

_Keyser_ "Excuse these little interruptions; the old woman's kinder

sing'ler, and you've got to humor her to live in peace with her. Well,

sir, as I said, I rode that extr'ordinary hoss down yer by the creek

on that day to which I am referring and after passin' the cornfield I

was goin' to wade him into the creek; just then, all of a, suddent,

what should that hoss do but--"

_Mrs. Keyser_ (at the door again). "Keyser, you lazy vagabone! Why

don't you 'tend to milkin' them cows? Not one mossel of supper do you

put in your mouth this night unless you do the milkin' right off. You

sha'n't touch a crust, or my name's not Emeline Keyser!"

Then Keyser leaped to his feet in a perfect frenzy of rage and hurled

the chair at Mrs. Keyser; whereupon she seized the poker and came

toward him with savage earnestness. Then we adjourned to the front

yard suddenly; and as Butterwick and I got into the carriage to go

home, Keyser, with a humble expression in his eyes, said:

"Gentlemen, I'll tell you that hoss story another time, when the old

woman's calmer. Good-day."

I am going to ask him to write it out. I am anxious to know what that

horse did down at the creek.

Butterwick subsequently bought another horse from a friend of his in

the city, but the animal developed eccentricities of such a remarkable

character that he became unpopular. Butterwick, in explaining the

subject to me, said,

"I was surprised to find, when I drove him out for the first time,

that he had an irresistible propensity to back. He seemed to be

impressed with a conviction that nature had put his hind legs in

front, and that he could see with his tail; and whenever I attempted

to start him, he always proceeded backward until I whipped him

savagely, and then he would go in a proper manner, but suddenly, and

with the air of a horse who had a conviction that there was a lunatic

in the carriage who didn't know what he was about. One day, while we

were coming down the street, this theory became so strong that he

suddenly stopped and backed the carriage through the plate-glass

window of Mackey's drug-store. After that I always hitched him up

with his head toward the carriage, and then he seemed to feel better

contented, only sometimes he became too sociable, and used to put his

head over the dasher and try to chew my legs or to eat the lap-cover.

"Besides, the peculiar arrangement of the animal excited unpleasant

remark when I drove out; and when I wanted to stop and would hitch him

by the tail to a post, he had a very disagreeable way of reaching out

with his hind legs and sweeping the sidewalk whenever he saw anybody

that he felt as if he would like to kick.

"He was not much of a saddle-horse; not that he would attempt to throw

his rider, but whenever a saddle was put on him it made his back itch,

and he would always insist upon rubbing it against the first tree or

fence or corner of a house that he came to; and if he could bark the

rider's leg, he seemed to be better contented. The last time I rode

him was upon the day of Mr. Johnson's wedding. I had on my best suit,

and on the way to the festival there was a creek to be forded. When

the horse got into the middle of it, he took a drink, and then looked

around at the scenery. Then he took another drink, and gazed again at

the prospect. Then he suddenly felt tired and lay down in the water.

By the time he was sufficiently rested I was ready to go home.

[Illustration: MR. BUTTERWICK'S HORSE LIES DOWN]

"The next day he was taken sick. Patrick said it was the epizooty, and

he mixed him up some turpentine in a bucket of warm feed. That night

the horse had spasms, and kicked four of the best boards out of the

side of the stable. Jones said that horse hadn't the epizooty, but

the botts, and that the turpentine ought to have been rubbed on the

outside of him instead of going into his stomach. So we rubbed him

with turpentine, and next morning he hadn't a hair on his body.

"Colonel Coffin told me that if I wanted to know what really ailed

that horse he would tell me. It was glanders, and if he wasn't bled he

would die. So the colonel bled him for me. We took away a tubful, and

the horse thinned down so that his ribs made him look as if he had

swallowed a flour-barrel.

"Then I sent for the horse-doctor, and he said there was nothing the

matter with the horse but heaves, and he left some medicine 'to patch

up his wind.' The result was that the horse coughed for two days as if

he had gone into galloping consumption, and between two of the

coughs he kicked the hired man through the partition and bit our

black-and-tan terrier in half.

"I thought perhaps a little exercise might improve his health, so I

drove him out one day, and he proceeded in such a peculiar manner that

I was afraid he might suddenly come apart and fall to pieces. When we

reached the top of White House hill, which is very steep by the side

of the road, he stopped, gave a sort of shudder, coughed a couple of

times, kicked a fly off his side with his hind leg, and then lay down

and calmly rolled over the bank. I got out of the carriage before he

fell, and I watched him pitch clear down to the valley beneath, with

the vehicle dragging after him. When we got to him he was dead, and

the man at the farm-house close by said he had the blind staggers.

"I sold him for eight dollars to a man who wanted to make him up into

knife-handles and suspender-buttons; and since then we have walked.

I hardly think I shall buy another horse. My luck doesn't seem good

enough when I make ventures of that kind."

Elbow-Room: A Novel Without a Plot · 第 4 / 31 章