"The result is, that the history of all these worlds actually travels

through space, never entirely disappearing; that all past events are

present and indestructible in the bosom of the infinite.

"The universe will endure forever. The Earth will come to an end, and

some day will be nothing but a tomb. But there will be new suns and new

earths, new springs and new smiles, and life will always bloom afresh in

the limitless and endless universe.

"I wanted to show you," said she, after a pause, "how eternal time is!

You have felt the infinity of space, you have understood the grandeur of

the universe. Now your celestial journey is over. We must go back to the

earth and your own home again.

"For yourself," she added, "know that study is the one source of any

intellectual value; be neither rich nor poor; keep yourself from all

ambition as well as from all servitude; be independent,--independence is

the rarest gift and the first condition of happiness."

Urania was still speaking in her gentle voice; but my brain was so

confused by the commotion aroused in it by so many extraordinary scenes

that I was seized by a fit of trembling. A shiver ran over me from head

to foot, which was probably the cause of my abrupt awakening in a state

of great agitation. Alas! the delightful celestial journey had ended.

I looked about for Urania, but could not find her. A bright moonbeam

shining through my bedroom window lightly touched the edge of a curtain

and seemed vaguely to outline the aerial form of my heavenly guide; but

it was only a moonbeam.

* * * * *

When I went back to the observatory the next morning, my first impulse

was to find some pretext for going to the director's study to see the

charming Muse again who had rewarded me by such a dream....

The clock had disappeared!

In its place stood a white marble bust of the illustrious astronomer.

I looked through the other rooms, even the private apartments, under a

thousand different excuses; but she was nowhere to be found.

I searched for days and weeks, but could neither find her nor learn what

had become of her.

I had a friend and confidant, very near my own age, although appearing

older, from his sprouting beard; he too was very fond of the ideal, and

perhaps even more of a dreamer,--besides, he was the only person at the

observatory with whom I was ever on intimate terms. He shared my joys

and griefs. We had the same tastes, the same ideas, the same feelings.

He understood my youthful admiration for the statue, the personality

with which my imagination had invested her, and my unhappiness at having

thus suddenly lost my dearest Urania just when I was most attached to

her. He had more than once admired with me the effect of the light upon

her celestial countenance, and smiled at my ecstasies like a big

brother, even teasing me a little sharply about my affection for an

idol, going so far as to call me "Camille Pygmalion." But at heart I

knew that he too loved her.

This friend--who, alas! was to be torn from me a few years later, in the

very flower of his youth, kind George Spero, exalted mind, noble heart,

whose memory will be ever dear to me--was the director's private

secretary; and his sincere affection for me was proved in this instance

by an act of kindness as graceful as it was unexpected.

When I went home one day I saw with a half-incredulous bewilderment the

famous clock standing on my chimney-piece there, just in front of me!

It was really she! How did she come there? What brought her there? Where

did she come from?

I learned that the celebrated discoverer of Neptune had sent it to one

of the principal clock-makers in Paris to be repaired; that the latter

had received a most interesting antique astronomical clock from China

and had offered it in exchange, which had been accepted; and that George

Spero, to whom the transaction had been intrusted, had re-purchased

Pradier's work as a gift for me. His parents were glad of an opportunity

to please me, in remembrance of some lessons in mathematics which I had

given George for his special examination.

[Illustration]

What joy it was to see my Urania again! How happy I was to feast my eyes

on her once more! That charming personification of the Muse of heaven

has never left me since. In my studious hours the beautiful statue

always stood before me, seeming to remind me of the goddess's

conversation,--to tell me the destinies of astronomy, to direct me in

my youthful scientific aspirations. Since then more passionate emotions

have beguiled me, captivated me, and troubled my senses; but I shall

never forget the ideal sentiment with which the Muse of the stars had

inspired me, the celestial journey on which she bore me away, the

unexpected panoramas she unrolled before my eyes, the truths she

revealed to me as to the extent of the universe, nor the happiness she

gave me by definitively settling my mind on the calm contemplation of

Nature and science as a career.

Part Second.

GEORGE SPERO.

[Illustration]

I.

LIFE.

An intense evening glow floated in the atmosphere like a wondrous golden

radiance. From the heights of Passy the view extended over the whole of

the great city, which at that time, more than ever before, was not a

city, but a world. The Universal Exhibition of 1867 had lavished all the

attractions and delights of the century on imperial Paris. The flowers

of civilization were blooming in their most brilliant tints, wasting

themselves away by the very ardor of their perfume,--fading, dying in

the full fever of youth. The crowned heads of Europe had just heard a

deafening trumpet-blast there, which was the last of the monarchy;

science, arts, industry had sowed their newest creations broadcast, with

an inexhaustible prodigality. It was a general delirium of men and

things. Regiments were marching, with music at their heads;

swift-rolling vehicles crossed each other from all directions; thousands

of people were moving about in the dust on the avenues, _quais_, and

boulevards: but the very dust, gilded by the rays of the setting sun,

crowned the splendid city like an aureole. The tall buildings, towers,

and steeples were ablaze with reflections from the fiery orb; tones from

a distant orchestra, mingled with a confused murmur of voices and other

sounds,--the brilliant, fit ending of a dazzling summer day,--poured

into the soul an undefined feeling of contentment, happiness, and

satisfaction. There was a kind of symbolical summing-up about it of the

evidences of the vitality of a great people in the zenith of its life

and fortune.

From the heights of Passy, where we are, on a terrace in a garden

overhanging the careless current of the stream, as in the old days at

Babylon, two persons, leaning on the stone balustrade, watch the noisy

scene, looking down on the restless surface of the human sea, happier in

their sweet solitude than all the atoms of that seething whirlpool; they

do not belong to the every-day world, but soar above all that restless

activity in the limpid atmosphere of their own joy. Their spirits feel,

their hearts love; or to express the same fact more completely, their

souls live.

[Illustration]

In the maidenly beauty of her eighteenth spring, the young girl's glance

wanders dreamily over the apotheosis of the setting sun. Happy to be

alive, happier still to love, she gives no thought to the thousands of

people moving about at her feet; she looks with unseeing eyes at the

sun's ardent disk sinking below the purple western clouds; she breathes

the perfumed air from garlands of roses in the garden, and feels through

her whole being the peace of perfect happiness, singing a hymn of

unutterable love in her heart. The blond hair waves about her brow like

a misty aureole, and falls in thick tresses over her slender form; her

blue eyes, fringed by long dark lashes, are like a reflection of the

azure sky; her neck and arms give glimpses of the snowy whiteness of

her skin; her cheeks, her ears, are softly colored; her whole person

recalls somewhat the dainty marchionesses whom the painters of the

eighteenth century loved to depict, who were born to an unknown life

which they were not long destined to enjoy. She is standing. Her

companion, whose arm a moment ago encircled her waist as they were

looking at the picture of Paris and listening to the strains of melody

flooding the air from the Imperial Guard, had seated himself by her

side. His eyes had forgotten Paris and the setting sun; now they see

nothing but the beautiful girl. He looks at her unconsciously with a

strange, fixed gaze, as though he saw her now for the first time, and

could not keep his eyes from her exquisite profile, enveloping her in a

long look like a magnetic caress.

[Illustration]

The young student was absorbed in his contemplation. Was he still a

student at twenty-five? Is one ever anything more? And our own master

then, M. de Chevreul, does he not call himself now, in his one hundred

and third year, the senior of the students of France? George Spero had

finished his lyceum studies at a very early age; but they teach nothing,

unless it be how to work, and he continued to investigate the great

problems of natural science with indefatigable ardor. Astronomy

especially had at first attracted his interest. I had known him (as the

reader of the first part of this book may remember) at the Paris

Observatory, which he had entered at the age of sixteen, and

where he had somewhat distinguished himself by a rather strange

peculiarity,--that of having no ambition and no desire whatever for

advancement.

At the age of sixteen, as at twenty-five, he believed himself to be on

the verge of the grave,--judging, perhaps, that life indeed passes

quickly, and that it is useless to wish for anything beyond the

happiness of studying and knowing. He was not very talkative, although

at heart his disposition was that of a playful child. His small,

well-shaped mouth seemed to smile if one carefully examined its

corners; otherwise it looked somewhat pensive, and as though made for

silence. His eyes, whose undecided color reminded one of the

bluish-green on the sea's horizon, changed with the light and in

accordance with his moods; they were usually gentle, but on occasion

would flash like lightning, or grow as cold as steel; their glance was

deep, sometimes unfathomable, even strange and enigmatical. His ear was

small, gracefully curved, the lobe well detached and a little

raised,--which to analysts is an indication of refinement. The brow was

broad, although his head was rather small, but seemed larger from his

glistening, thickly waving hair; his beard was brown, like his hair, and

slightly curled. Of medium height, his whole effect was elegant, with a

natural ease; he dressed carefully, but without pretence or affectation.

My friends and I never had any special companionship with him. Holidays

and leisure hours he never spent with us. Always occupied with his

books, he seemed to have given himself up without reserve to hunting for

the philosopher's stone, the quadrature of the circle, or perpetual

motion. I never knew him to have a friend, unless it were myself; and

yet I am not sure that he gave me all his confidences,--though, for that

matter, perhaps there was no special event in his life except the one of

which I now make myself the historian, and which I knew all about as an

eye-witness if not as confidant.

The problem of the soul was the perpetual torment of his thought.

Sometimes he was so absorbed in his search for the unknown, with such

intense cerebral action, that he felt a sensation of tingling in his

head which seemed to exhaust all his thinking faculties. This was

especially the case when, after having analyzed the conditions of

immortality for a long time, he saw real ephemeral life suddenly

disappear, and endless immortality open before his mental being. In the

face of this aspect of the soul in full eternity he longed _to know_.

The sight of his own body, pale and stiff, wrapped in grave-clothes and

lying in its coffin, left deserted in its last mournful resting-place at

the bottom of a narrow grave under the grass where the cricket chirps,

did not appall his thought so much as the uncertainty about the future.

"What will become of me; what will become of us?" he repeated, like the

constant clashing of a fixed idea in his brain. "If we die utterly, what

an absurd farce life is, with its hopes and struggles. If we are

immortal, what do we do with ourselves through endless eternity? Where

shall I be a hundred years from now? Where will all the present dwellers

of the earth be? To die, for ever and ever; to have existed but for a

moment! What a mockery! Would it not be better a hundred times over

never to have been born? But if it be our fate to live eternally and

never to be able to change anything of the fatality that carries us

along,--having endless eternity always before us,--how can we bear the

burden of such a destiny? Is that the doom awaiting us? If we should

tire of existence, we should be forbidden to fly from it; it would be

impossible to end it. In this conception there is far more implacable

cruelty than in that of an ephemeral life vanishing away like an

insect's flight in the fresh evening breeze. Why then were we born? To

suffer uncertainty; to find after examination not a single one of our

hopes left; to live like idiots if we do not think, like fools if we do?

And yet they tell us of a 'good God!' There are religions, priests,

rabbis, bonzes. Why, mankind is but a race of dupes and duped! Religion

is the same as patriotism, and the priest is as good as the soldier. Men

of all nations arm themselves to the teeth that they may kill one

another like simpletons! Ah! it is the wisest thing they could do; the

best return they could make to Nature for the foolish gift she bestowed

in causing them to be born."

[Illustration]

I tried to lessen his pain and anxiety, having a certain philosophy of

my own which was relatively satisfactory to me. "The fear of death seems

absolutely chimerical," said I. "There are but two hypotheses to make

about it: every night it may be that we shall not wake again the next

morning; and yet, when we think of it, this idea does not prevent our

going to sleep. Now, then, first, either all being ended with life, we

do not wake again anywhere,--and in that case it is a sleep that has

not ended, but which will endure throughout eternity, so that we shall

never know anything about it,--or else, secondly, the soul outliving the

body, we shall wake up somewhere else and continue our activity. In that

case there is nothing to fear in the awakening,--it should rather

attract us. There is a reason for all things in Nature; and every

creature, the meanest as well as the noblest, finds his happiness in the

exercise of his faculties."

[Illustration]

This reasoning seemed to calm him; but the restlessness of doubt soon

returned, pricking like thorns. Sometimes he would wander off alone

through the spacious cemeteries of Paris, seeking out the most deserted

alleys between the graves, listening to the wind among the trees, and

the rustle of the leaves in the paths. Sometimes he went away into the

woods in the suburbs of the great city, and would walk about for hours

at a time muttering to himself. At other times he would spend a whole

day in his study in the Place du Panthéon, which he used as study, work

and reception room at the same time; and there, until far into the

night, he would dissect a brain brought back from the clinic, studying

the small slices of gray substance through his microscope.

The uncertainty of the sciences called positive, the sudden halt to his

mind in the solution of these problems, threw him into fits of deepest

despair; and I have found him many times in a state of utter

prostration, his eyes set and shining, his hands burning with fever, his

pulse agitated and intermittent. In one of these crises I was obliged to

leave him for a few hours, and almost feared I should not find him alive

on my return, at about five o'clock in the morning. He had near him a

glass of cyanide of potassium, which he tried to hide as I came in; but

recovering his calmness almost at once, he said, with great serenity and

a slight smile, "What is the good? If we are immortal, it would be of no

use, and I wanted to know about it sooner." That day he acknowledged he

believed that he had been lifted painfully by his hair to the ceiling,

and allowed to drop with all his weight upon the floor.

Public indifference with regard to the great problem of human

destiny,--a question which in his eyes exceeded all others in

importance, since it treated of our continued existence or

destruction,--exasperated him to the last degree. All about him he saw

people who were occupied solely by material interests, entirely absorbed

by the foolish idea of "making money," for which they gave up all their

years, their days, their hours, their minutes, disguised under various

forms; and he found no free, independent mind living an intellectual

life. It seemed to him that sentient beings could, _should_, while

living the bodily life, since one cannot do otherwise, at least not

remain the slaves of so coarse an organization, but devote the best

moments to their intellectual life.

At the time this story begins, George Spero was already well known, and

even famed, by the original scientific books which he had published, and

also by several books of high literary merit, which had won praise for

his name in all parts of the world.

Although he had not yet completed his twenty-fifth year, thousands of

persons had read his books, which, however, were not written for the

general public, but had been so successful as to be appreciated by the

majority who desire to learn, as well as by the enlightened minority. He

had been proclaimed master of a new school, and eminent critics,

knowing neither his physical individuality nor his age, spoke of his

"doctrines."

How did it happen that this philosopher of such rare ability, this stern

student, should be at a young girl's feet at sunset on the terrace where

we met them just now? The rest of the story will tell you.

[Illustration]

[Illustration]

II.

THE APPARITION.

Their first meeting had been a very strange one. The young naturalist

was a passionate admirer of the beauties of Nature, and was always

looking for grand effects. The year before, he had made a journey to

Norway to visit the silent fiords, in which the sea was swallowed up;

the mountains, whose snow-crowned summits lift their spotless brows far

above the clouds; and to make a special study of the aurora

borealis,--that most magnificent exhibition of our planet's life. I had

accompanied him on the journey. The sunsets over the deep, calm fiords,

the rise of the splendid orb on the mountains, charmed his poetic and

artistic soul with an indescribable emotion. We remained there more than

a month, going through the picturesque region of the Scandinavian Alps.

Now, Norway was the home of that child of the North who was to exert so

strong an influence over his unawakened heart. She was there, only a few

steps away from him; and yet it was not until the very day we left that

Chance, that god of the ancients, decided to bring them together.

The morning light was gilding the distant summits. The young Norwegian

girl's father had brought her to one of the mountains much frequented by

excursionists, like the Righi in Switzerland, to see the sunrise, which

that day was of surpassing beauty. To better distinguish certain details

of the landscape, Icléa had mounted a little hillock a few yards farther

away, and was quite alone; when turning with her face from the sun to

embrace the whole horizon, she saw her own image, her whole figure, not

on the mountain nor the earth, but on the very sky itself. A luminous

aureole framed her head and shoulders with a shining crown of glory, and

a large aerial circle, faintly tinted with the colors of the rainbow,

surrounded the mysterious apparition.

[Illustration]

Astonished and touched by the singularity of the vision, and still under

the influence of the gorgeous sunrise, she did not at first notice that

another face, that of a man, was by the side of her own,--the motionless

silhouette of a traveller in contemplation before her, recalling the

statues of saints on their pedestals in churches. This masculine figure

and her own were framed in by the same aerial circle. Suddenly she

perceived the strange profile in the air, and thought herself the

plaything of a fantastic vision; she started back in her amazement with

a gesture of surprise, almost of fear. Her image in the air reproduced

the same gesture, and she saw the traveller's wraith put his hand to his

hat and take it off, as if he were bowing to the heavens, then lose the

clearness of its outlines, and fade away at the same time as her own

figure.

[Illustration]

The transfiguration on Mount Tabor when the disciples of Jesus suddenly

saw their Master's image on the sky, accompanied by those of Moses and

Elias, could not have caused its witnesses any greater stupefaction than

the innocent Norwegian girl felt before this _anthelion_, whose theory

is well known to all meteorologists.

This apparition fixed itself upon her mental retina like a marvellous

dream. She called her father, who had remained a few steps away from the

little mound; but when he reached her it had all disappeared. She asked

him to explain it; but he replied only by a doubt, almost a denial,

of the truth of the phenomenon. The excellent man, formerly a

field-officer, belonged to that category of distinguished sceptics who

simply deny everything of which they are ignorant or which they cannot

explain. It was all in vain that the lovely girl assured him that she

had seen her reflection in the sky, and also that of a man whom she

judged was young and good-looking; all in vain that she related the

details of the apparition, and added that the figures were much larger

than life-size, like enormous silhouettes,--he declared authoritatively

and with considerable emphasis that it was what is called an optical

illusion, produced by the imagination when one has not slept well,

particularly in youth.

But on the evening of that day, as we were going on board the steamer, I

noticed a young girl, with wind-tossed hair, who was looking at my

friend in open astonishment. She had her father's arm, and was standing

on the wharf as motionless as Lot's wife turned into a pillar of salt. I

signed to my friend; but no sooner had he turned his head towards her

than I saw her face crimson with a sudden flush: she at once turned

away, and fixed her eyes on the paddle-wheel, which was just beginning

to move. I do not know whether Spero noticed her confusion. As a fact,

we had seen nothing of that morning's aerial phenomenon, at least not

while the young girl was near us, and she had been hidden from us by a

little clump of bushes; the magnificence of the sunrise had drawn us

rather to the western side. However, he saluted Norway, which he

regretted to leave, with the same gesture with which he had greeted the

rising sun, and the pretty stranger had taken the bow for herself.

Two months later, the Comte de K---- gave a large reception in honor of

the recent successes of his compatriot, Christine Nilsson. The young

Norwegian girl and her father, who had come to Paris to pass a part of

the winter, were among the guests, who had long known each other as

fellow-countrymen, Norway and Sweden being sisters. We went there for

the first time, our invitation being due to the appearance of Spero's

latest book, which had already met with signal success. Icléa was a

dreamy, thoughtful girl, well informed, thanks to the sound education

given in Northern countries; she was eager to learn, and had read and

re-read with curiosity the somewhat mystical book in which the new

metaphysician, dissatisfied with Pascal's "Thoughts," had laid bare his

soul's anxieties. Several months before, she had successfully passed the

_brevet supérieur_ examination; and having abandoned the study of

medicine, which had at first attracted her, was beginning to look with

some curiosity into the recent investigations of psychological

physiology.

[Illustration]

Urania · 第 2 / 11 段