From Naples, Rodaja proceeded to Sicily, where he visited Palermo and

Messina; the first of these cities he admired for the advantages of its

position and its beauty, and the second for the convenience of its port;

while to the whole island he could not but offer the tribute of his

praise for that abundance which causes it to be justly denominated the

granary of all Italy.

Returning from Sicily to Naples and Rome, Rodaja thence proceeded to Our

Lady of Loretto, in whose Holy Temple he could see neither walls nor

partitions, since every part was covered with crutches, biers, shrouds,

chains, padlocks, fetters, and locks of hair; with arms, hands, legs, or

busts in wax, to say nothing of pictures and prints, all giving manifest

indication of the mercies and favours innumerable which hundreds of men

have received in that place from the hand of God, by the intercession of

his Divine Mother, whose sacred Image (there preserved) He has been

pleased to exalt and sanction by a vast number of miracles, which have

been performed in recompense of the devotion of her votaries; for by

them it is that the walls of her house have been adorned in the manner

described.[52]

[52] The _ex-votos_, or pictures and figures here described, are too

familiar to the visitor of Catholic churches to need any explanation.

Here Rodaja beheld that very chamber of the Virgin, wherein was

delivered the most stupendous embassy ever heard or witnessed by all the

heavens, all the angels, and all the archangels, or other inhabitants of

the everlasting abodes.

From this place our traveller proceeded to Ancona, where he embarked and

repaired to Venice, a city which, had Columbus never appeared in the

world, would certainly be still supposed to have no equal; but, by the

favour of heaven, and thanks to the great Fernando Cortez who conquered

Mexico, the magnificent Venice has now found a city that may be compared

to herself. The streets of these two renowned capitals, which are almost

wholly of water, make them the admiration and terror of all

mankind--that of Europe dominating the old world, and that of America

the new. For of the former it would appear that her riches are infinite,

her position impregnable, her government most wise, the abundance of her

products inexhaustible; in a word, she is herself, as a whole, and in

all her parts, entirely worthy of that fame for greatness and majesty

which has penetrated to all the regions of the world: the justice of the

praise bestowed on Venice is, besides, accredited by her renowned

arsenal, wherein are constructed her potent galleys, with other vessels

of which the number is not to be told.

To our curious traveller the delights and pastimes found in Venice had

almost proved fatal as those of Calypso, since they had nearly caused

him to forget his first intentions. Yet when he had passed a month in

that enchanting place, he found resolution to continue his journey,

passing by Ferrara, Parma, and Placentia, to Milan, that workshop of

Vulcan--that grudge and despair of France--that superb city of which

more wonders are reported than words can tell, her own grandeur being

increased by that of her famous Temple, and by the marvellous abundance

of all things necessary to human life that are to be found therein.

From Milan, Rodaja journeyed to Asti, where he arrived in very good

time, since the regiment of Don Diego was to depart for Flanders on the

following day. He was received very kindly by his friend the captain,

with whom he passed into Flanders, and arrived at Antwerp, a city no

less worthy of admiration than those which he had seen in Italy. He

visited Ghent and Brussels likewise, finding the whole country preparing

to take arms, and well disposed to enter on the campaign of the

following year.

Rodaja having now seen all that he had desired to behold, resolved to

return to his native Spain, and to the city of Salamanca, there to

complete his studies. He had no sooner determined than he instantly put

his purpose into execution, to the great regret of his friend, who,

finding him resolved to depart, entreated him at least to write him word

of his safe arrival, and likewise of his future success. This Rodaja

promised to do, and then returned to Spain through France, but he did

not see Paris, which was at that time in arms. At length he arrived at

Salamanca, where he was well received by his friends, and with the

facilities which they procured him, he continued his studies until he

finally attained to the degree of doctor of laws.

Now it chanced that, about this time, there arrived in Salamanca one of

those ladies who belong to all the points of the compass; she was

besides well furnished with devices of every colour. To the whistle and

bird-call of this fowler there instantly came flocking all the birds of

the place; nor was there a _vade mecum_[53] who refrained from paying a

visit to that gay decoy. Among the rest our Thomas was informed that the

Señora said she had been in Italy and Flanders when he, to ascertain if

he were acquainted with the dame, likewise paid her a visit. She, on her

part, immediately fell in love with Rodaja, but he rejected her

advances, and never approached her house but when led thither by others,

and almost by force. Attending much more zealously to his studies than

his amusements, he did not in any manner return her affection, even when

she had made it known to him by the offer of her hand and all her

possessions.

[53] Student: they are so called from the name given to the portfolio in

which they carry their books and papers to the university, and which

they always have with them.

Seeing herself thus scorned, and perceiving that she could not bend the

will of Rodaja by ordinary means, the woman determined to seek others,

which in her opinion would be more efficacious, and must, as she

thought, ensure the desired effect. So, by the advice of a Morisca

woman, she took a Toledan quince, and in that fruit she gave him one of

those contrivances called charms, thinking that she was thereby forcing

him to love her; as if there were, in this world, herbs, enchantments,

or words of power, sufficient to enchain the free-will of any creature.

These things are called charms, but they are in fact poisons: and those

who administer them are actual poisoners, as has been proved by sundry

experiences.

In an unhappy moment Rodaja ate the quince, but had scarcely done so

when he began to tremble from head to foot as if struck by apoplexy,

remaining many hours before he could be brought to himself. At the end

of that time he partially recovered, but appeared to have become almost

an idiot. He complained, with a stammering tongue and feeble voice, that

a quince which he had eaten had poisoned him, and also found means to

intimate by whom it had been given, when justice at once began to move

in quest of the criminal; but she, perceiving the failure of her

attempt, took care to hide herself, and never appeared again.

Six months did Thomas remain confined to his bed; and during that time

he not only became reduced to a skeleton, but seemed also to have lost

the use of his faculties. Every remedy that could be thought of was

tried in his behalf; but although the physicians succeeded in curing the

physical malady, they could not remove that of the mind; so that when he

was at last pronounced cured, he was still afflicted with the strangest

madness that was ever heard of among the many kinds by which humanity

has been assailed. The unhappy man imagined that he was entirely made of

glass; and, possessed with this idea, when any one approached him he

would utter the most terrible outcries, begging and beseeching them not

to come near him, or they would assuredly break him to pieces, as he was

not like other men but entirely of glass from head to foot.

In the hope of rousing him from this strange hallucination, many

persons, without regard to his prayers and cries, threw themselves upon

him and embraced him, bidding him observe that he was not broken for all

that. But all they gained by this was to see the poor creature sink to

the earth, uttering lamentable moans, and instantly fall into a fainting

fit, from which he could not be recovered for several hours; nay, when

he did recover, it was but to renew his complaints, from which he never

desisted but to implore that such a misfortune might not be suffered to

happen again.

He exhorted every one to speak to him from a great distance; declaring

that on this condition they might ask him what they pleased, and that he

could reply with all the more effect, now he was a man of glass and not

of flesh and bones, since glass, being a substance of more delicate

subtlety, permits the soul to act with more promptitude and efficacy

than it can be expected to do in the heavier body formed of mere earth.

Certain persons then desiring to ascertain if what he had said were

true, asked him many questions of great difficulty respecting various

circumstances; to all these he replied with the utmost acuteness,

insomuch that his answers awakened astonishment in the most learned

professors of medicine and philosophy whom that university could boast.

And well they might be amazed at seeing a man who was subject to so

strange an hallucination as that of believing himself to be made of

glass, still retain such extraordinary judgment on other points as to be

capable of answering difficult questions with the marvellous propriety

and truth which distinguished the replies of Rodaja.

The poor man had often entreated that some case might be given to him

wherein he might enclose the brittle vase of his body, so that he might

not break it in putting on the ordinary clothing. He was consequently

furnished with a surplice of ample width, and a cloth wrapper, which he

folded around him with much care, confining it to his waist with a

girdle of soft cotton, but he would not wear any kind of shoes. The

method he adopted to prevent any one from approaching him when they

brought him food, was to fix an earthen pot into the cleft of a stick

prepared for that purpose, and in this vessel he would receive such

fruits as the season presented. He would not eat flesh or fish; nor

would he drink anything but the water of the river, which he lapped from

his hands.

In passing through the streets, Rodaja was in the habit of walking

carefully in the middle of them, lest a tile should fall from the houses

upon his head and break it. In the summer he slept in the open air, and

in the winter he lodged at one of the inns, where he buried himself in

straw to his throat, remarking that this was the most proper and secure

bed for men of glass. When it thundered, Rodaja trembled like an aspen

leaf, and would rush out into the fields, not returning to the city

until the storm had passed.

His friends kept him shut up for some time, but perceiving that his

malady increased, they at last complied with his earnest request that

they would let him go about freely; and he might be seen walking through

the streets of the city, dressed as we have described, to the

astonishment and regret of all who knew him.

The boys soon got about him, but he kept them off with his staff,

requesting them to speak to him from a distance, lest they should break

him, seeing that he, being a man of glass, was exceedingly tender and

brittle. But far from listening to his request, the boys, who are the

most perverse generation in the world, soon began to throw various

missiles and even stones at him, notwithstanding all his prayers and

exclamations. They declared that they wished to see if he were in truth

of glass, as he affirmed; but the lamentations and outcries of the poor

maniac induced the grown persons who were near to reprove and even beat

the boys, whom they drove away for the moment, but who did not fail to

return at the next opportunity.

One day, that a horde of these tormentors had pursued him with more than

their usual pertinacity, and had worn out his patience, he turned to

them, saying--"What do you want with me you varlets? more obstinate than

flies, more disgusting than _Chinches_,[54] and bolder than the boldest

fleas. Am I, perchance, the Monte Testacio[55] of Rome, that you cast

upon me so many potsherds and tiles?" But Rodaja was followed by many

who kept about him for the purpose of hearing him reply to the questions

asked, or reprove the questioner, as the case might be. And after a

time, even the boys found it more amusing to listen to his words than to

throw tiles at him; when they gave him, for the most part, somewhat less

annoyance.

[54] The reader will be pleased to guess the name of that insufferable

insect which the Spaniards denominate _Chinche_, and with the English

equivalent of which I am unwilling to offend his eyes. Happy, indeed, if

he cannot guess; but then he cannot have seen either Seville or Granada,

and one might almost encounter an acquaintance with the animal called

_Chinche_ rather than renounce _them_.

[55] Such of our readers as have visited Rome, will remember that

enormous mound which is seen rising on the right hand as you leave the

city, by the Porta Salaria, and is said to have been formed by the

numberless fragments of pottery cast on the spot from time immemorial.

The maniac Bodaja was one day passing through the Ropery at Salamanca,

when a woman who was working there accosted him, and said, "By my soul,

Señor Doctor, I am sorry for your misfortune, but what shall I do for

you, since, try as I may, I cannot weep?" To which Rodaja, fixedly

regarding her, gravely replied, "_Filiæ Jerusalem, plorate super vos et

super filios vestros_." The husband of the ropeworker was standing by,

and comprehending the reply, he said to Rodaja, "Brother Glasscase, for

so they tell me you are to be called, you have more of the rogue than

the fool in you!" "You are not called on to give me an obolus," rejoined

Rodaja, "for I have not a grain of the fool about me!" One day that he

was passing near a house well known as the resort of thieves and other

disorderly persons, he saw several of the inhabitants assembled round

the door, and called out, "See, here you have baggage belonging to the

army of Satan, and it is lodged in the house of hell accordingly."

A man once asked him what advice he should give to a friend whose wife

had left him for another, and who was in great sorrow for her loss. "You

shall bid him thank God," replied Rodaja, "for the favour he has

obtained, in that his enemy is removed from his house."

"Then you would not have him go seek her?" inquired the other.

"Let him not even think of doing so," returned Rodaja, "for if he find

her, what will he have gained but the perpetual evidence of his

dishonour?"

"And what shall I do to keep peace with my own wife?" inquired the same

person.

"Give her all that she can need or rightfully claim," said the maniac,

"and let her be mistress of every person and thing thy house contains,

but take care that she be not mistress of thyself."

A boy one day said to him, "Señor Glasscase, I have a mind to run away

from my father, and leave my home for ever, because he beats me." "I

would have thee beware, boy," replied Rodaja; "the stripes given by a

father are no dishonour to the son, and may save him from those of the

hangman, which are indeed a disgrace."

Intelligence of his peculiar state, with a description of the replies he

gave, and the remarks he uttered, was much spread abroad, more

especially among those who had known him in different parts, and great

sorrow was expressed for the loss of a man who had given so fair a

promise of distinction. A person of high rank then at Court wrote to a

friend of his at Salamanca, begging that Rodaja might be sent to him at

Valladolid, and charging his friend to make all needful arrangements for

that purpose. The gentleman consequently accosted Vidriera the next time

he met him, and said, "Señor Glasscase, you are to know that a great

noble of the Court is anxious to have you go to Valladolid;" whereupon

Rodaja replied, "Your worship will excuse me to that nobleman, and say

that I am not fit to dwell at Court, nor in the Palace, because I have

some sense of shame left, and do not know how to flatter." He was

nevertheless persuaded to go, and the mode in which he travelled was as

follows: a large pannier of that kind in which glass is transported was

prepared, and in this Rodaja was placed, well defended by straw, which

was brought up to his neck, the opposite pannier being carefully

balanced by means of stones, among which appeared the necks of bottles,

since Rodaja desired it to be understood that he was sent as a vessel of

glass. In this fashion he journeyed to Valladolid, which city he entered

by night, and was not unpacked until he had first been carefully

deposited in the house of the noble who had requested his presence.

By this gentleman he was received with much kindness, and the latter

said to him, "You are extremely welcome, Doctor Glasscase; I hope you

have had a pleasant journey." Rodaja replied, that no journey could be

called a bad one if it took you safe to your end, unless indeed it were

that which led to the gallows.

Being one day shown the Falconry, wherein were numerous falcons and

other birds of similar kind, he remarked that the sport pursued by means

of those birds was entirely suitable to great nobles, since the cost was

as two thousand to one of the profit.

When it pleased Rodaja to go forth into the city, the nobleman caused

him to be attended by a servant, whose office it was to protect him from

intrusion, and see that he was not molested by the boys of the place, by

whom he was at once remarked; indeed but few days had elapsed before he

became known to the whole city, since he never failed to find a reply

for all who questioned or consulted him.

Among those of the former class, there once came a student, who inquired

if he were a poet, to which Rodaja replied, that up to the moment they

had then arrived at, he had neither been so stupid nor so bold as to

become a poet. "I do not understand what you mean by so stupid or so

bold, Señor Glasscase," rejoined the student; to which Rodaja made

answer, "I am not so stupid as to be a bad poet, nor so bold as to think

myself capable of being a good one." The student then inquired in what

estimation he held poets, to which he answered that he held the poets

themselves in but little esteem; but as to their art, that he esteemed

greatly. His hearer inquiring further what he meant by that, Rodaja said

that among the innumerable poets, by courtesy so called, the number of

good ones was so small as scarcely to count at all, and that as the bad

were not true poets, he could not admire them: but that he admired and

even reverenced greatly the art of poetry, which does in fact comprise

every other in itself, since it avails itself of all things, and

purifies and beautifies all things, bringing its own marvellous

productions to light for the advantage, the delectation, and the wonder

of the world, which it fills with its benefits. He added further, "I

know thoroughly to what extent, and for what qualities, we ought to

estimate the good poet, since I perfectly well remember those verses of

Ovid, wherein he says:--

"'Cura ducum fuerunt olim regumque poetæ,

Præmiaque antiqui magna tulere chori.

Sanctaque majestas, et erat venerabile nomen

Vatibus; et largæ sæpe dabantur opes.'

And still less do I forget the high quality of the poets whom Plato

calls the interpreters of the Gods, while Ovid says of them--

"'Est deus in nobis; agitante calescimus illo.'

And again--

"'At sacri vates et divum cura vocamur.'

"These things are said of good poets; but, as respects the bad ones--the

gabbling pretenders--what can we say, save only that they are the idiocy

and the arrogance of the world.

"Who is there that has not seen one of this sort when he is longing to

bring forth some sonnet to the ears of his neighbours? How he goes round

and round them with--'Will your worships excuse me if I read you a

little sonnet, which I made one night on a certain occasion; for it

appears to me, although indeed it be worth nothing, to have yet a

certain something--a _je ne scai quoi_ of pretty, and pleasing.' Then

shall he twist his lips, and arch his eyebrows, and make a thousand

antics, diving into his pockets meanwhile and bringing out half a

hundred scraps of paper, greasy and torn, as if he had made a good

million of sonnets; he then recites that which he proffered to the

company, reading it in a chanting and affected voice.

"If, perchance, those who hear him, whether because of their knowledge

or their ignorance, should fail to commend him, he says, 'Either your

worships have not listened to the verses, or I have not been able to

read them properly, for indeed and in truth they deserve to be heard;'

and he begins, as before, to recite his poem, with new gestures and

varied pauses.

"Then to hear these poetasters censure and tear one another to pieces!

And what shall I say of the thefts committed by these cubs and whelps of

modern pretence on the grave and ancient masters of the art, or of their

malevolent carpings at those excellent persons of their own day in whom

shines the true light of poetry; who, making a solace and recreation of

their arduous labours, prove the divinity of their genius and the

elevation of their thoughts to the despite and vexation of these

ignorant pretenders, who presume to judge that of which they know

nothing, and abhor the beauties which they are not able to comprehend?

What will you have me esteem in the nullity which seeks to find place

for itself under the canopy spread for others--in the ignorance which is

ever leaning for support on another man's chair?"

Rodaja was once asked how it happened that poets are always poor; to

which he replied, "That if they were poor, it was because they chose to

be so, since it was always in their power to be rich if they would only

take advantage of the opportunities in their hands. For see how rich are

their ladies," he added; "have they not all a very profusion of wealth

in their possession? Is not their hair of gold, their brows of burnished

silver, their eyes of the most precious jewels, their lips of coral,

their throats of ivory and transparent crystal? Are not their tears

liquid pearls, and where they plant the soles of their feet do not

jasmine and roses spring up at the moment, however rebellious and

sterile the earth may previously have been? Then what is their breath

but pure amber, musk, and frankincense? Yet to whom do all these things

belong, if not to the poets? They are, therefore, manifest signs and

proofs of their great riches."

In this manner he always spoke of bad poets; as to the good ones, he was

loud in their praise, and exalted them above the horns of the moon.

Being at San Francisco, he one day saw some very indifferent pictures,

by an incapable hand; whereupon he remarked that the good painters

imitate nature, while the bad ones have the impertinence to daub her

face.

Having planted himself one day in front of a bookseller's shop with

great care, to avoid being broken, he began to talk to the owner, and

said, "This trade would please me greatly, were it not for one fault

that it has." The bookseller inquiring what that might be, Rodaja

replied, "It is the tricks you play on the writers when you purchase the

copyright of a book, and the sport you make of the author if, perchance,

he desire to print at his own cost. For what is your method of

proceeding? Instead of the one thousand five hundred copies which you

agree to print for him, you print three thousand; and when the author

supposes that you are selling his books, you are but disposing of your

own."

One of those men who carry sedan-chairs, once standing by while Rodaja

was enumerating the faults committed by various trades and occupations,

remarked to the latter, "Of us, Señor Doctor, you can find nothing amiss

to say." "Nothing," replied Rodaja, "except that you are made acquainted

with more sins than are known to the confessor; but with this

difference, that the confessor learns them to keep all secret, but you

to make them the public talk of the taverns."

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