GENERAL GRANT'S GRAMMAR

(Written in 1886. Delivered at an Army and Navy Club dinner in New York

City)

Lately a great and honored author, Matthew Arnold, has been finding fault

with General Grant's English. That would be fair enough, maybe, if the

examples of imperfect English averaged more instances to the page in

General Grant's book than they do in Arnold's criticism on the book--but

they do not. It would be fair enough, maybe, if such instances were

commoner in General Grant's book than they are in the works of the

average standard author--but they are not. In fact, General Grant's

derelictions in the matter of grammar and construction are not more

frequent than such derelictions in the works of a majority of the

professional authors of our time, and of all previous times--authors as

exclusively and painstakingly trained to the literary trade as was

General Grant to the trade of war. This is not a random statement: it is

a fact, and easily demonstrable. I have a book at home called Modern

English Literature: Its Blemishes and Defects, by Henry H. Breen, a

countryman of Mr. Arnold. In it I find examples of bad grammar and

slovenly English from the pens of Sydney Smith, Sheridan, Hallam,

Whately, Carlyle, Disraeli, Allison, Junius, Blair, Macaulay,

Shakespeare, Milton, Gibbon, Southey, Lamb, Landor, Smollett, Walpole,

Walker (of the dictionary), Christopher North, Kirk White, Benjamin

Franklin, Sir Walter Scott, and Mr. Lindley Murray (who made the

grammar).

In Mr. Arnold's criticism on General Grant's book we find two grammatical

crimes and more than several examples of very crude and slovenly English,

enough of them to entitle him to a lofty place in the illustrious list of

delinquents just named.

The following passage all by itself ought to elect him:

"Meade suggested to Grant that he might wish to have immediately

under him Sherman, who had been serving with Grant in the West. He

begged him not to hesitate if he thought it for the good of the

service. Grant assured him that he had not thought of moving him,

and in his memoirs, after relating what had passed, he adds, etc."

To read that passage a couple of times would make a man dizzy; to read it

four times would make him drunk.

Mr. Breen makes this discriminating remark: "To suppose that because a

man is a poet or a historian he must be correct in his grammar is to

suppose that an architect must be a joiner, or a physician a compounder

of medicine."

People may hunt out what microscopic motes they please, but, after all,

the fact remains, and cannot be dislodged, that General Grant's book is a

great and, in its peculiar department, a unique and unapproachable

literary masterpiece. In their line there is no higher literature than

those modest, simple memoirs. Their style is at least flawless and no

man could improve upon it, and great books are weighed and measured by

their style and matter, and not by the trimmings and shadings of their

grammar.

There is that about the sun which makes us forget his spots, and when we

think of General Grant our pulses quicken and his grammar vanishes; we

only remember that this is the simple soldier who, all untaught of the

silken phrase-makers, linked words together with an art surpassing the

art of the schools and put into them a something which will still bring

to American ears, as long as America shall last, the roll of his vanished

drums and the tread of his marching hosts. What do we care for grammar

when we think of those thunderous phrases, "Unconditional and immediate

surrender," "I propose to move immediately upon your works," "I propose

to fight it out on this line if it takes all summer." Mr. Arnold would

doubtless claim that that last phrase is not strictly grammatical, and

yet it did certainly wake up this nation as a hundred million tons of

A-number-one fourth-proof, hard-boiled, hide-bound grammar from another

mouth could not have done. And finally we have that gentler phrase, that

one which shows you another true side of the man, shows you that in his

soldier heart there was room for other than gory war mottoes and in his

tongue the gift to fitly phrase them: "Let us have peace."

Mark Twain: A Biography. Volume III, Part 2: 1907-1910 · 第 170 / 186 题