The train which bore Pearl and her father to Colina had already
completed its smooth progress through smiling foot hills and had begun a
steep and winding ascent among wild gorges and great overhanging rocks
before she noticed the change.
For the greater part of the journey she had sat motionless, huddled in a
corner of the seat, a thick veil covering her face; but now she began to
observe the physical changes in the landscape with a somber
satisfaction, and, for the first time, accepted the mountains
listlessly, almost gratefully, instead of rebelliously. In truth any
change was grateful to her; she did not want to think of the desert or
be reminded of it, and this transition, so marked, so sharply defined as
to make the brief railway journey from the plains below seem the passage
to another world, was especially welcome.
The human desire for change is rooted in the conviction, a vain and
deceptive one, that an entirely different environment must include or
create a new world of thought and emotion. So for once the Pearl's
desire was for the hills. She who had ever exulted in the wide, free
spaces of the desert, who had found the echo of her own heart in its
eternal mutation, its luring illusions, its mystery and its beauty, now
turned to the austere, shadowed, silent mountains as if begging them to
enfold her and hold her and hide her.
It was dark when they reached Colina, but a station wagon awaited them
and in this they drove through the village, a straggling settlement, the
narrow plateau permitting only two streets, both of them continuations
of the mountain roads, and surrounded by high mountains. Scattering
lights showed here and there from lamps shining through cabin windows,
but the silence, differing in kind if not in degree from the desert
silence, was only broken at this hour of the night by the desolate,
mocking bark of the coyotes.
Clear of the village, the horses turned and began to mount the hill
which led to Gallito's isolated cabin. Their progress was necessarily
slow, for the road was rough and full of deep ruts. The velvety
blackness of a mountain night was all about them and even the late
spring air seemed icy cold. Pearl had begun to shiver in spite of her
wraps when the light from a cabin window gleamed across the road and the
driver pulled up his horses.
"Somebody's waiting for you," said the driver.
"Yes, Saint Harry," answered Gallito. "He's getting supper for us."
The door, however, was not opened for them and it was not until the
driver had turned his horses down the hill that they heard a bolt
withdrawn. Then Gallito pushed in and Pearl followed, stepping wearily
across the threshold.
The room, a large one for a mountain cabin, was warm and clean; some
logs burned brightly on the hearth; a table set for supper was placed
within the radius of that glow and a man was bending over a stove at one
side of the fireplace, while two women, who had evidently been seated on
the other side of the fire, rose and stood smiling a welcome. The air
was full of appetizing odors mingled with the fragrance of coffee.
As they entered the man turned with a quick movement. He was an
odd-looking creature, brown as a nut, with glinting, changing, glancing
eyes which can see what seem to be immeasurable distances to those
possessed of ordinary sight. He had a curiously crooked face, one eye
was higher than the other and his nose was not in the middle, but set on
one side; its sharp, inquisitive point almost at right angles with the
bridge. He had the wide, mobile mouth of the born comedian, and his chin
was as much to the right as his nose was to the left. He was extremely
light and slender in figure and his movements were like quicksilver. His
hair was black and straight and long, especially over the ears, and he
had long, slender, delicate hands, which one noticed at once for their
uncommon flexibility and deftness.
"Supper ready?" asked Gallito, without other greeting.
"Now," replied the other man. He began lifting the food he had been
preparing from the pans, arranging it on various dishes and slipping
them upon the table with a rapidity and noiselessness which suggested
sleight of hand.
Gallito gave a brief nod and advanced toward the two women, bowing low
with Spanish courtesy. A smile, a blending of pleasure and amusement,
softened his grim mouth and keen eyes as he shook hands with one, whom
he introduced to his daughter as Mrs. Nitschkan. About medium height,
she was a powerfully built creature, her open flannel shirt disclosing
the great muscles of her neck and chest. Rings of short, curly brown
hair covered her round head; and small, twinkling blue eyes shone oddly
bright in her deeply tanned face, while her frequent smile displayed
small, milk-white teeth. A short, weather-stained skirt showed her
miner's boots and a man's coat was thrown over her shoulders. A bold,
freebooting Amazon she appeared, standing there in the fire-glow, and
one to whom hardihood was a birth-right.
The other woman towered above her and even above Gallito. She was a
colossal Venus, with a face pink and white as a may-blossom. Tremulous
smiles played about her soft, babyish mouth and a joyous excitement
shone in her wide, blue eyes. Upon her head was a small, lop-sided
bonnet, from which depended a rusty crêpe veil of which she seemed
inordinately conscious, and at the throat of her black gown was a large,
pink bow.
"Make you acquainted with Mis' Thomas, Miss Gallito," said Mrs.
Nitschkan heartily. "Marthy's one of my oldest friends an' one of my
newest converts. She's all right if she could let the boys alone, an'
not be always tangled up in some flirtation that her friends has got to
sit up nights scheming to get her out of. That pink bow an' that crêpe
veil shows she ain't got the right idea of her responsibilities as a
widow. So I brought her up to my little cabin, just a quarter of a mile
through the trees there, hopin' I'd get her mind turned on more sensible
things than men. Gosh a'mighty! She's got a chance to shoot bear here."
"I don't think you got any call to introduce me to the Black Pearl
that-a-way, Sadie." Mrs. Thomas's eyes filled with ready tears. "It
ain't manners. I wouldn't have come with her, Miss Gallito, but I got to
see pretty plain that the gentleman," here she blushed and bridled,
"that was courting me was awful anxious to get hold of the money and the
cabin that my last husband, in his grave 'most six months now, left me."
She wiped the tears from her eyes on the back of her hand, a movement
hampered somewhat by the fact that her handkerchief had been fashioned
into a bag to hold some chocolate creams and was tied tightly to her
thumb.
"That's what you get for cavorting around with a spindle-shanked,
knock-kneed, mush-brained jack-rabbit of a man," muttered Mrs. Nitschkan
scornfully.
But this thrust was ignored by Mrs. Thomas. The color had risen on her
cheeks and there was a light in her eyes. Shyly, yet gleefully, she drew
a letter from her pocket. "I got a letter from him to-day with an awful
cute motto in it. Look!" She showed it proudly to Pearl, José and
Gallito. "It's on cream-tinted paper, with a red and blue border, an',"
simpering consciously, "it says in black and gold letters, 'A Little
Widow Is a Dangerous Thing.'"
The little group seemed for the moment too stunned to speak. Mrs.
Nitschkan was the first to recover herself. "Gosh a'mighty!" she
murmured in an awed whisper, and allowed her glance to travel slowly
over Mrs. Thomas's well-cushioned, six feet of womanhood,
"A--little--widow!" huskily.
Gallito seized the opportunity here to direct Pearl's attention to the
bandit, who had been nudging him and whispering to him for the last
moment or so.
"Pearl, this is--" he hesitated a moment, "José."
Mrs. Nitschkan looked up at him in quick astonishment. "Gosh a'mighty,"
she cried, "ain't that kind o' reckless?"
But José nodded a quick, cynical approval and, with a sudden turn,
executed a deep bow to the Pearl, one hand on the heart, expressing
gallantry, fealty, the humblest admiration; all these sincere and yet
permeated with a subtle and volatile mockery.
"Better so, Francisco," he said in a voice which scarcely betrayed an
accent, and indeed this was not strange considering that he spoke the
patois of many people, being a born linguist. His father had been a
Frenchman, a Gascon, but his mother was a daughter of Seville. "But you
have not said all." He drew himself up with haughty and self-conscious
pride and, with a sweeping gesture of his long fingers, lifted the hair
from his ears and stood thus, leering like Pan.
"Crop-eared José!" cried Pearl, falling back a pace or two and looking
from her father to the two women in wide-eyed astonishment. "Why, they
are still looking for him. Are you not afraid?" She looked from one to
the other as if asking the question of all. She was not shocked, nor, to
tell the truth, particularly surprised after the first moment of wonder.
She had been used to strange company all her life, and ever since her
childhood, on her brief visits to her father's cabin, she had been
accustomed to his cronies, lean, brown, scarred pirates and picaroons,
full of strange Spanish oaths.
"You will not mention this in letters to your mother," ordered Gallito,
glooming at her with fierce eyes. "You know her. Caramba! If she should
guess, the world would know it."
"Lord, yes!" agreed Pearl uninterestedly. "You needn't be afraid of me,"
to José, "I don't tell what I know."
"That is true," commended Gallito, motioning her at the same time to the
table.
It seems a pity to record that such a supper was set before a woman
suffering from a wound of the heart. Women at all times are held to be
lacking in that epicurean appreciation of good food which man justly
extols; but when a woman's whole being is absorbed in a disappointment
in love, nectar and ambrosia are as sawdust to her.
On the outer rim of that circle which knew him but slightly, or merely
knew of him, the causes of the charmed life which José bore were a
matter of frequent speculation, also continual wonder was expressed that
his friends would sometimes take incredible risks in effecting the
escape of this rogue after one of his reckless escapades. But José had
certain positive qualities, had these gossips but known it, which
endeared him to his companions; although among them could never be
numbered gratitude, a lively appreciation of benefits received or a
tried and true affection.
Certainly a dog-like fidelity was not among José's virtues. He would
lift the purse of his best friend or his rescuer from a desperate
impasse, provided it were sufficiently heavy. A favor of a nature to put
him under obligations for a lifetime he forgot as soon as it was
accepted. He caricatured a benefactor to his face, nor ever dreamed of
sparing friend or foe his light, pointed jibes which excoriated the
surface of the smoothest vanity.
No, the only virtues which could be accredited to José, and these were
sufficient, were an unfailing lightness of heart, the facile and
fascinating gift of yarn-spinning--for he was a born raconteur, with a
varied experience to draw upon--a readiness for high play, at which he
lost and won with the same gay and unruffled humor, and an incomparable
and heaven-bestowed gift of cookery.
To-night the very sight of the supper set before him softened Gallito's
harsh face. Brook trout, freshly caught that afternoon from the rushing
mountain stream not far away from the cabin, and smoking hot from the
frying pan; an omelette, golden brown and buttercup yellow, of a fluff,
a fragrance, with savories hidden beneath its surface, a conserve of
fruits, luscious, amber and subtly biting, the coffee of dreams and a
bottle of red wine, smooth as honey.
"I hope you don't think that we're the kind of wolves that's always
gatherin' round wherever there's a snack of food," murmured Mrs. Thomas
softly as she took a seat beside Pearl. "We got our own cabin just a
piece up in the woods, but José, he kind of wanted to make a celebration
of your coming up."
Pearl did not answer, but slipped languidly out of her cloak, untwisted
her heavy veil, removed her hat, José's eyes as well as Mrs. Thomas's
following her the while with unmixed admiration, and sat down.
José immediately began to roll cigarettes and smoke them while he ate.
"Well, what is the news?" asked Gallito, as he, at least, began his
evening meal with every evidence of appreciation; "good fishing, good
hunting, good prospecting, eh, Mrs. Nitschkan?"
The gipsy, for she was one by birth as well as by inclination, nodded
and showed her teeth in a satisfied smile. "So good that it looks like
we'd be kep' here even longer than I expected when we come." She drew
some bits of quartz from her pocket and threw them out on the table
before him. "Some specimens I chipped off in my new prospect," she said,
her eyes upon him.
"So," he said, examining them with interest, "your luck, Mrs. Nitschkan,
as usual. Where--? Excuse me," a dark flush rose on his parchment skin
at this breach of mining-camp etiquette which he had almost committed.
For a few moments they talked exclusively of the mining interests of
the locality. It is this feverish, inexhaustible topic that is almost
exclusively dwelt upon in mining camps, all other topics seeming tame
and commonplace beside this fascinating subject, presided over by the
golden fairy of fortune and involving her. To-day she tempts and eludes,
she tantalizes and mocks and flies her thousands of wooers who follow
her to the rocks, seeking her with back-breaking toil and dreaming ever
of her by day and by night. Variable and cruel, deaf to all beseeching,
she picks out her favorites by some rule of caprice which none but
herself understands.
Supper over, Gallito ensconced his two feminine visitors in easy chairs
and took one himself, while José, with noiseless deftness, cleared away
the remains of food. Pearl had wandered to the window and, drawing the
curtain aside, stood gazing out into the featureless, black expanse of
the night.
"Quite a few things has happened since I saw you last, Gallito," said
Mrs. Nitschkan conversationally, filling a short and stubby black pipe
with loose tobacco from the pocket of her coat. "For one, I got
converted."
"Ah!" returned Gallito with his unvarying courtesy, although his raised
eyebrows showed some perplexity, "to--to--a religion?"
"'Course." Mrs. Nitschkan leaned forward, her arms upon her knees. "This
world's the limit, Gallito, and queer things is going to happen whether
you're looking for 'em or not. About a year ago Jack and the boys went
off on a long prospectin' spell, the girls you know are all married and
have homes of their own, an' there was me left free as air with a dandy
spell of laziness right in front of me ready to be catched up 'twixt my
thumb and forefinger and put in my pipe and smoked, and I hadn't even
the spirit to grab it."
"Why didn't you think about getting yourself some new clothes, like any
other woman would?" asked José, eyeing her curiously.
"What I got's good enough for me," she returned shortly.
"You should have gave your place a nice cleaning and cooked a little for
a change, Sadie," said Mrs. Thomas softly and virtuously.
"Such things look worse'n dying to me," replied the gipsy. "And,"
turning again to Gallito, "the taste goin' out of my tea and coffee
wasn't the worst. It went out of my pipe, too. Gosh a'mighty, Gallito!
I'll never forget the night I sat beside my dyin' fire and felt that I
didn't even take no interest in winnin' their money from the boys; and
then suddenly most like a voice from outside somep'n in me says: 'What's
the matter with you, Sadie Nitschkan, is that you're a reapin' the
harvest you've sowed, gipsyin' and junketin', fightin' and gamblin' with
no thought of the serious side of life?'"
"And what is the serious side of life, Nitschkan?" asked José, sipping
delicately his glass of wine as if to taste to the full its ambrosial
flavors, like the epicure he was. "I have not yet discovered it."
"You will soon." There was meaning in the gipsy's tone and in the
glance she bestowed upon him. "It's doin' good. I tell you boys when I
realized that I'd probably have to change myself within and without and
be like some of the pious folks I'd seen, it give me a gone feeling in
the pit of my stomach. But you can't keep me down, and after I'd saw I
was a sinner and repented 'cause I was so bad, I saw that the whole
trouble was this, I'd tried everything else, but I hadn't never tried
doin' good."
"No, Sadie, you sure hadn't made duty the watch-word of your life,"
agreed Mrs. Thomas.
Mrs. Nitschkan ignored this. "Now doin' good, for I know you don't know
what that means, José, is seein' the right path and makin' other folks
walk in it whether they're a mind to or not. Well I cert'ny gave the
sinners of Zenith a run for their money."
She smoked a moment or two in silence, sunk in agreeable remembrance.
She had been true to her word and, having decided to reform as much of
the community as in her estimation needed that trial as by fire, she had
plunged into her self-appointed task with lusty enthusiasm. As soon as
her conversion and the outlet she had chosen for her superabundant
energy were noised abroad, there was an immediate and noticeable change
in the entire deportment of the camp. Those long grown careless drew
forth their old morals and manners, brushed the moths from them,
burnished the rust and wore them with undeniable self-consciousness, but
without ostentation.
Upon these lukewarm and conforming souls Mrs. Nitschkan cast a darkling
eye. It was the recalcitrant, the defiant, the professing sinner upon
whom she concentrated her energies.
"So you see, Gallito," rousing herself from pleasant contemplation of
past triumphs, "it wasn't only a chance to hunt and prospect that
brought me. I heard from Bob Flick that José was still here and I see a
duty before me."
"She could not keep away from me," José rolled his eyes sentimentally.
"You see beneath that rough old jacket of her husband's which she wears
there beats a heart."
"I got some'p'n else that can beat and that's a fist." She stretched out
her arm and drew it back, gazing with pride at her great, swelling
muscles.
"But never me, who will tidy your cabin and cook half your meals for
you." He smiled ingratiatingly at Mrs. Thomas, who grew deeply pink
under his admiring smile. "Why do you not convert Saint Harry?"
"Harry's all right," she said. "You need convertin', he don't. I got an
idea that he's been right through the fiery furnace like them Bible boys
in their asbestos coats, he's smelted."
"Harry got my telegram?" asked Gallito, speaking in a low tone, after
first glancing toward Pearl, "and you have made a room ready for her?"
"Clean as a convent cell," said José, with his upcurling, mordant smile.
"The wind has roared through it all day and swept away every trace of
tobacco and my thoughts."
"That is well," replied Gallito with a sardonic twist of the mouth,
"and where do you sleep to-night?"
"In Saint Harry's cabin."
"So," Gallito nodded as if content. "That will be best."
"Best for both," agreed José, a flicker of mirth on his face. "My
constant companionship is good for Harry. It is not well to think you
have shown the Devil the door, kicked him down the hill and forgotten
him; and that he has taken his beating, learned his lesson and gone
forever. It is then that the Devil is dangerous. It is better, Gallito,
believe me, to remain on good terms with him, to humor him and to pass
the time of day. Humility is a great virtue and you should be willing to
learn something even of the Devil, not set yourself up on a high, cold,
sharp mountain peak, where you keep his fingers itching from morning to
night to throw you off. I have observed these things through the years
of my life, and the middle course is ever the safest. Give to the
church, observe her laws as a true and obedient son, in so far as
possible, and only so far. Let her get her foot on your neck and she
will demand such sacrifices!" He lifted his hands and rolled his eyes
upward, "but the Devil is more reasonable; treat him civilly, be a good
comrade to him and he will let you alone. But Saint Harry does not
understand that. Saint Harry on his ice peak, and the Devil straddling
around trying to find a foothold so that he can climb up to Harry and
seize him with those itching fingers. Ho, ho!" José's laughter rang loud
and shrill.
Pearl, hearing it, turned from the window with a disturbed frown and
began to walk up and down the far end of the room, and Mrs. Nitschkan
frowned ominously. "That's enough of your talk, José," she said
peremptorily. "It sounds like blasphemin' to me, talkin' about the Devil
that light way. Remember one of the reasons I come here. Gallito, you'd
better lay out the cards and let's get down to our game. What's the
limit?"
"Does Mrs. Thomas play as high as you?" asked Gallito.
"I don't care much for a tame game," said Mrs. Thomas modestly, with
lowered lids. "They're too many long, sad winters in the mountains when
gentl--, I mean friends, can't cross the trails to see you, an' you got
to fill up your heart with cards and religion and things like that."
José had paused to watch, with a keen appreciation, the grace of Pearl's
movements. "Caramba!" he muttered. "How sprang that flower of Spain from
such a gnarled old tree as you, Gallito? Dios! But she is salado!"
Gallito frowned a little, which did not in the least disconcert José,
and, rising, he moved a small table forward, opened it and then going to
a cupboard in the wall drew from it a short, squat bottle, four glasses
and a pack of cards. "Your room is just beyond this," he said, turning
to Pearl. "José says that you will find everything ready for you. You
must be tired. You had better go to bed."
Pearl twitched her shoulders impatiently. "I am not sleepy," she said
sullenly. She threw herself in the chair that Gallito had vacated and
lay there watching the fire with somber, wild eyes.
José threw another log on the fire and then the two men and two women
sat down to their cards. A clock ticked steadily, monotonously, on the
mantel-piece, but whether an hour or ten minutes passed while she sat
there watching the brilliant, soaring flame of the pine logs Pearl could
not have told, when suddenly the stillness of the night was broken by
the sound of someone whistling along the road. It seemed a long way off
at first, but gradually came nearer and nearer, tuneful and clear as the
song of a bobolink.
"Saint Harry, by all the saints or devils!" cried José with a burst of
his shrill laughter. "Ah, Francisco, the devil is a shrewd fellow; when
he can't manage a job himself, he always gets a woman to help him." His
glancing, twinkling eyes sought Pearl, who had barely turned her head as
her father rose to open the door for the newcomer, exclaiming with some
show of cordiality:
"Ah, Seagreave, come in, come in."
"Thanks," said an agreeable voice. "I got home late and found that José
had made preparations to lighten my loneliness. Then I saw the light in
your window and thought I would come down. You see I suspected pleasant
company."
He advanced into the room and then, seeing Pearl, who had twisted about
in her chair and was gazing at him with the first show of interest she
had yet exhibited, he paused and looked rather hesitatingly at Gallito.
"We have a guest," said José softly and in Spanish.
"My daughter has returned with me," said Gallito. "Pearl, this is Mr.
Seagreave."
"Saint Harry," said José more softly still.
Mr. Seagreave bowed, although one who knew him well might have seen that
his astonishment increased rather than abated at the sight of Pearl. As
for her, she merely nodded and let her lashes lie the more wearily and
indifferently upon her cheek.
"Really, I wouldn't have intruded," said Seagreave in his pleasant
English voice. "I had an idea from your telegram, Gallito, that Hughie
was coming with you. Sha'n't I go?"
For answer Gallito pushed forward a chair and threw another log upon the
fire. "My daughter is tired," he said. "She will soon retire; but when a
man has been from home for a fortnight, and in the desert!" he raised
his brows expressively, "Pah! He wishes to hear of everything which has
happened during his absence and particularly, Mr. Seagreave, do I wish
to talk to you about that lower drift. José tells me that you have
examined it."
Thus urged, Seagreave sat down. He was tall and slight and fair, so very
fair that his age was difficult to guess. His hair, with a silvery sheen
on it, swept in a wing across his forehead, and he had a habit of
pushing it back from his brow; his eyes were of a vivid blue, peculiarly
luminous, and his features, which were regular, showed a fine finish of
modeling. His age, as has been said, was a matter of conjecture, but
judging from his appearance he might have been anywhere from twenty to
forty.
"Don't let me interrupt your game," he said. "It is early yet, and if
Miss Gallito isn't too tired, and if she will let me, I will talk to her
while you play."
José smiled to himself and picked up the cards. The game went on.
Seagreave, receiving no encouragement from Pearl, made no attempt at
conversation, until at last, stirred by some impulse of curiosity, she
lifted her eyes. It was this question of age she wished to decide. In
that first, quick glance of hers she had taken it for granted that he
was twenty, but in a second stolen look she had noted certain lines
about the mouth and eyes which added years to his blonde youthfulness.
Then her quick ear had caught José's "Saint Harry," and to her, who knew
many men, those lines about mouth and eyes did not suggest a past of
saintship.
Her surreptitious glance encountered that of Seagreave, for he, too, had
withdrawn his eyes from the fire for a moment to let his puzzled gaze
rest upon her. He had known vaguely that Gallito had a daughter, and he
remembered in the same indefinite way that some one had told him that
she was an actress, but, even so, he could not reconcile this--his mind
sought a simile to express her--this exotic, with Gallito, these two
mountain women, a mountain cabin, and an equally unpretentious home in
the desert. She lay listlessly in her chair, a long and slender shape in
a dull black gown which fell about her in those statuesque folds which
all drapery assumed immediately she donned it; beneath it showed her
feet in black satin slippers and the gleam of the satin seemed repeated
in her blue-black hair. Her cheek was unwontedly pale. A monotone she
appeared, half-within and half-without the zone of the firelight; but
the individuality of her could not be thus subdued. It found expression
in the concentration of light and color focused in the splendid rings
which sparkled on the long, brown fingers of both her hands.
Her narrow eyes met his sombrously. On either side it was a glance of
curiosity, of scrutiny. She, as usual, made no effort to begin a
conversation, and he, searching for a polite commonplace, said
presently:
"Have you ever been in Colina before?"
"Often, but not in the last two years," she answered tonelessly, "not
since you've been here, I guess. I hate the mountains."
"I have been here nearly two years," he vouchsafed, "and I feel as if I
would never go away. But you live in the desert, don't you?"
"Sometimes, that is, when I'm not out on the road. The desert is the
place. You can breathe there, you can live there," there was a
passionate vibration in her voice, "but these old, cold mountains make
you feel all the time as if they were going to fall on you and crush
you."
"Do they make you feel that way?" He pulled his chair nearer to her so
that his back was turned to the two men, and José, who saw everything,
smiled faintly, mordaciously. "How strange!" It was not a conventional
expression, he seemed really to find it strange, unbelievably so.
"And you, how do they make you feel?" she asked wearily, a touch of
scorn in her glance.
A light seemed to glow over his face. "Ah, I do not know that I can tell
you," he said, and she was conscious of some immediate change in him,
which she apprehended but could never have defined. It was as if he had
withdrawn mentally to incalculable distances.
Pearl did not notice his evasion; she was not interested in his view of
the mountains. What she instinctively resented, even in her dulled
state, was his impersonal attitude toward herself. She was not used to
it from any man. She did not understand it. She wondered, without any
particular interest in the matter, but still following her instinctive
and customary mode of thought, if he had not noticed that she was
beautiful. Was he so stupid that he did not think her so? But there was
no hint in his manner or look in his eyes of an intention on his part of
playing the inevitable game, even a remembrance of it seemed as lacking
as desire. The game of challenge and elusion on her part, of perpetual
and ever more ardent advance on his. He was interested, she knew that,
but, as she felt with a surge of surprise, not in the way she had always
encountered and had learned to expect.
"Isn't it strange," she realized that he was speaking again, "that I
haven't been drawn to the desert, because so many have had to turn to
it? I have only seen it from traveling across it, and then it repelled
me, perhaps it frightened me." He seemed to consider this.
For the moment Pearl forgot the inevitable game. "Frightened you!" she
cried. "It is the mountains that frighten me; but the desert is always
different. It--" she struggled for expression, "it is always you."
Something in this seemed to strike him. "Perhaps I have that to learn."
Again he meditated a few moments, then looked up with a smile. "You must
tell me all that you find in the desert and I will tell you all that I
find in the mountains. It will be jolly to talk to a woman again." He
spoke with a satisfaction thoroughly genuine.
She glanced at him suspiciously. She was uncertain how to meet this
frank acceptance of comradeship, free yet from the intrusion of sex.
"Maybe," she acquiesced a little doubtfully. Then she drew her brows
together. "I don't want to learn anything about the mountains," she
cried, all the heaviness and the dumb revolt of her spirit finding a
voice. "And I don't want ever to go back to the desert again; and I
don't even want to dance," looking at him in a sort of wild wonder as if
this were unbelievable, "not even to dance."
He realized that she was suffering from some grief against which she
struggled, and which she refused to accept. "You will not feel so
always," he said. "It is because you are unhappy now."
There was consolation in his sincerity, in his sympathy, in his entire
belief in what he was saying, and it was with difficulty that she
repressed an outburst of her sullen sorrow. "Yes," her mouth worked, "I
am unhappy, and I won't be, I won't be. I never was before. It is all in
here, like a dead weight, a drag, a cold hand clutching me." She pressed
both hands to her heart. Then she drew back as if furious at having so
far revealed herself.
"That heals." He leaned forward to speak. "I am telling you the truth!
That heals and is forgotten. I know that that is so."
"I know who you are," she said suddenly. "I have been trying to think
ever since I heard him," she nodded toward José, bent over his cards,
"say 'Saint Harry.' I remember now. I have heard Hughie often speak of
you. They say that you are good, that if any one is sick you nurse him,
and that if any one is broke you help him. They all come to you."
"Yes, 'Saint Harry'!" he laughed. "Oh, it's funny, but let them call me
any name they please as long as it amuses them. What difference does it
make? I am glad Hughie is coming up, I want some music. He puts the
mountains into music for me."
"And for me." She smiled and then sighed bitterly, gazing drearily into
the fire, now a bed of glowing embers. Then latent and feminine
curiosity stirred in her thoughts and voiced itself. "Why are you here?"
she said. "Why does a man like you stay here?"
His elbow rested on the arm of his chair, his chin in his hand, his gaze
too upon the fading embers. "I don't know," he said in a low voice, "I
had to come."
"Where from?" she still followed her instinct of curiosity.
"From the husks"--he turned his head and smiled at her--"from a far
country where I had wasted my substance in riotous living."
She frowned a little. She was not used to this type of man, nor had she
met any one who used hyperbole in conversation. At first she fancied
that he might be chaffing her, but she was too intelligent to harbor
that idea, so convincing was his innate sincerity; but nevertheless, she
meant to go cautiously.
Again she questioned him: "From what far country?"
He had fallen to musing again, and it is doubtful if he heard her. He
saw before him immense, primeval forests, black, shadowy; vast, sluggish
rivers, above which hung a thick and fever-laden air; trees from whose
topmost branches swung gorgeous, ephemeral flowers; and then long
stretches of yellow beach, where a brazen ocean tumbled and hissed. Then
many cities, squalid and splendid, colorful and fantastic as the
erection of a dream, and through all these he saw himself ever passing,
appearing and reappearing, and ever scattering his substance, not the
substance of money alone; that was still left him; but the substance of
youth, of early promise, of illusion and hopes.
Pearl waited a long time, it seemed to her, for him to speak. At last
she broke the silence. "And then?" she said.
He roused from his preoccupations and brushed back the wing of hair from
his brow. "I realized that I was living, had always lived on husks, and
that was what caused the restless fever in my blood, my heart was
always restless; and then I began to dream down there in the tropics,
really dream at night of these mountains just as you see them here, and
in the day time I thought of them and longed for them, as a man whose
throat is dry with thirst longs for cool water. Then, presently, I began
to have brief, fleeting visions of them by day. And gradually the
longing for the hills became so intense that I started out in search of
them. I traveled about a good bit, and then drifted here. The place
suited me, so I stayed."
She looked at him puzzled and half-fearfully, wondering if he was quite
sane. "And will you stay here always?" she asked.
"Oh, as to that, I can't say. Perhaps. I hope so. Life is full here."
"Full!" she interrupted him. "And life! You call this life?" She laughed
in harsh scorn.
"Don't you?" He looked at her with those blue, clear eyes that seemed to
see through her and around her and beyond her.
"I!" Her glance was full of resentful passion; tightly she closed her
lips; but there was something about him which seemed to force her to
reveal herself and, presently, she began again. "I am like a coyote with
a broken paw. It goes off by itself and hides until it can limp around.
But life, real life, is all out there." She threw out her hands as
indicating the world beyond the mountains. "If you call this life,
you've never lived."
He ignored this, smiling faintly.
"What is real life to you?" he asked.
So compelling was his manner, for no one could shock Seagreave and no
one could force him to condemn, that she almost said, "To love and be
loved." But she resisted her impulse to voice this. "Until a little
while before I came here, life meant to dance. I know, though, what it
is to get tired of the very things you think you love the most. After
I've stayed a while in the desert, I've just got to see the lights of
the city streets, to smell the stage, and to dance to the big audiences;
but after a bit, the buildings and the people begin to crowd on me and
push me and I feel as if I couldn't breathe, then I've just got to get
back to the desert again."
"Dancing is your expression," he said. "All of life is love and
expression." And now there was a falling note in his voice which her ear
was quick to catch. Almost she cried:
"Love! And yet you live here alone!"
"Yes," he went on, "we must have both. They are as necessary to us as
breath. Without them--" he stopped, evidently embarrassed, as if
suddenly aware that he had been talking more to himself than to her and
that in thus forgetting her, he had been more self-revealing than he
would have wished.
She shook her head, plainly puzzled. "But you are young," she said, and
stole another glance at him, adding a little shyly, "at least not very
old, and I feel, I am sure that you too have a broken paw, but when that
is well you will go back to your own country, to cities again. You
couldn't stand it here always."
He looked at her, an enigmatic smile on his lips. "Couldn't I?" he
said. Glancing again at her as he rose, he saw that she seemed weary,
her lashes lay long on her pale cheek. "Oh," with a touch of compunction
in his tone, "I have, as usual, talked far too much. You are tired and
we must go. José," lifting his voice, "as soon as you finish that game."
"The Devil is indeed at your elbow," cried José, flinging down his
cards, "and prompts all you say. We have just this moment finished a
game and Gallito is the winner."
Gallito smiled with bleak geniality. "Has José been wise?" he asked,
rising and replenishing the dying fire.
"Fairly so," Seagreave smiled, "as far as he knows how to be. He has
been up to some of his antics, though. They are beginning to say that
this hillside is haunted."
While Gallito talked to Seagreave and Mrs. Nitschkan and José argued
over certain rules of the game they had been playing, Mrs. Thomas sidled
up to Pearl and stood looking at her with the absorbed unconsciousness
of an admiring child.
"I s'pose," she began, swaying back and forth bashfully and touching the
pink bow at her throat, "that it does look kind of queer to any one
that's so up on the styles as you are to see me wearing a pink bow at my
neck and a crêpe veil down my back?"
Pearl looked up in wearied surprise. "It does seem queer," she said
indifferently.
"'Course I know it ain't just citified," Mrs. Thomas hastened to
affirm; "but the veil and the bow together's got a meaning that I think
is real sweet." She waited a moment, almost pathetically anxious for
Pearl to see the symbolism of her two incongruous adornments, but her
listener was too genuinely bored and also too self-absorbed to make the
attempt. "It's this," said Mrs. Thomas, determined to explain. "The pink
bow kind o' shows that I'm in the world again and," bridling
coquettishly, "open to offers, while this crêpe veil shows that I ain't
forgot poor Seth in his grave and can afford to mourn for him right."
But Pearl had not waited to hear all of these explanations. Without a
word to the rest of the parting guests, and with a mere inclination of
the head toward Seagreave, she had slipped away.
Alone in her small, bare room, undressing by the light of a single
candle, the brief interest and curiosity which Seagreave had aroused in
her faded from her mind. For hours she lay sleepless upon her bed,
listening to the rushing mountain stream not far from the cabin, its
arrowy plunge and dash over the rocks softened by distance to a low,
perpetual purr, and hearing the mountain wind sigh through the pines
about the cabin: but not always did her great, dark eyes stare into the
blackness; sometimes she buried her head in the pillow and moaned, and
at last she wept, permitting herself the flood of tears that she had
held in check all day. "Rudolf, Rudolf," was the name upon her lips.