CHAPTER II

Hanson had decided that the best way to gain certain information he

desired was to seek the bar-keeper, who, after his constitution,

gossiped as naturally and as volubly as a bird sings; so, quite early

the next morning, he sauntered into Chickasaw Pete's place.

Jimmy, who was industriously polishing the bar and singing the while one

of the more lugubrious and monotonous hymns, looked up with his

customary little chuckle.

"Feeling fine, ain't you?" he said derisively. "Want to start right out

and corral the whole desert, don't you? Think you can travel right over

to San Bernardino yonder? Looks about three miles off, don't he?"

"Me?" said Hanson, expanding his chest. "I feel like I was about

sixteen. Like I was home in Kaintucky, jumping a six-bar fence after a

breakfast of about fifty buckwheat cakes and syrup."

"That's the way it takes them all; but you just wait until about noon,

and you won't feel so gay," warned Jimmy. "What are you doin' to-day,

anyway, hunting more trouble?"

"Not me," cried the other. "I came here to the desert pearl fishing."

"That's a good one." Jimmy's chuckle expanded into a series. "But you

ain't the only one. There's Bob Flick, for instance, as you discovered

last night."

The smile went out of Hanson's eyes, his face set. He ceased to lounge

against the bar and involuntarily straightened himself:

"What about Bob Flick?" he asked.

"Lots about Bob." Jimmy's tone was equable, but he shot Hanson a quick

glance. "He was our faro dealer for a while, but he's interested in

mines now. He's dead sure. Come to think of it, he's a lot of dead

things," he mused; "but don't ever confuse him with a dead one." Delight

at his own wit expressed itself in mirthful chuckles. "He's dead game,

and he's a dead shot, two important things for a man that's playing to

win when in certain localities, and he's dead certain that he's the

God-appointed guardeen of the Black Pearl."

"What's she got to say about it?" growled Hanson.

The bar-keeper shrugged his shoulders. "Ask me what the desert out

there's thinking, and I'll tell you what's going on inside the Pearl's

head. Say," animatedly, "I told you to ask me about those emeralds last

night, didn't I?"

The manager laughed shortly. "I saw 'em close, son, after I left you. I

know stones. Square cut emeralds. Lord! They sure cost some good man his

pile, and he was no piker, either."

"Bob Flick," said Jimmy, with a glow of local pride. "Kind of thank

offering, when the Pearl found him in the desert after he'd been lost

three days. Bob was new to this country then and reckless, like a

tenderfoot is, and the first thing he did was to go and get lost. Well,

they had several searching parties looking for him, but the Pearl, she

got on her horse and went after him alone, and, by George! she found

him, lying about gone in a dry arroyo.

"Bob said he'd been wandering round crazy as a loon, seeing three big

lions with eyes like coals of fire stalking him night and day, and him

always trying to dodge 'em. He says at last they came nearer and nearer

until he stumbled and fell, and then he felt their hot breath on his

cheek, and he knew nothing more until he finally realized that some one

was trying to pour water down his throat and he kind of half come to

himself; and suddenly, he said, that awful gray desert, worse than any

hell a man ever feared, seemed all kind and tender like a mother, and

then, some way, it burst into bloom, and that bloom was the Black Pearl

bending over him. Oh, you ought to hear him tell it! Well--she got him

up on her horse and got him home, and her and her mother nursed him back

to health. And since that time Bob ain't never felt the same about the

desert. You couldn't drive him away now.

"When he was well enough to travel, he went to 'Frisco and ordered a

jeweler there to get him the handsomest string of matched emeralds that

money could buy. The fellow was a year matching them, had to make two

trips to the other side. They do say," Jimmy lowered his voice

cautiously, "that Bob's father was a rich man and left him a nice little

fortune, and that he blew every cent of it in on those stones. The

Pearl certainly likes jewels. All the rings and things that she wears

were given her by the boys."

"Umm-m-hum. Great story!" he nodded perfunctorily. "Guess I'll take a

walk." He strolled toward the door.

"Bet I know which way you're going," chuckled Jimmy, as he disappeared.

The unspoken surmise was perfectly correct. Hanson took his way slowly

and with apparent abstraction in the direction of the Gallito home, and

it was not until he was at the very gate that he paused and looked up

with a start of well simulated surprise.

The house stood beyond a garden of brilliant flowers, and in the shadow

of the long porch--a porch facing the desert and not the mountains--sat

Pearl, swinging back and forth in a rocking chair and talking

impartially to the blind boy, who sat on the step beneath her, and a

gorgeous crimson and green parrot, which walked back and forth in its

pigeon-toed fashion on the arm of her chair, muttering, occasionally

screaming, and sometimes inclining its head to be scratched.

"Good morning," called Hanson in his blithest, most assured fashion.

"Can I come in?"

"Sure," drawled the Pearl. "Hughie and I were just waiting for company,

weren't we, Hughie?"

The boy tossed his head impatiently, but made no answer. From the moment

Hanson had spoken he had assumed an air of immobile and concentrated

attention, tense as that of an Indian listening and sighting in a

forest, or of a highly trained dog on guard.

"Take you at your word," laughed Hanson, and swung up the path, a big,

dominant presence, as vital as the morning. "Howdy," he shook hands with

Pearl and then turned to the boy, but Hugh drew quickly away from that

extended hand, quite as if he saw it before him.

Hanson raised his eyebrows in involuntary surprise, but his good humor

was unabated. "What's the good word with Hughie?" he asked genially. "I

can't call you anything else, because I don't know your last name."

"My name is Hugh Braddock," said the boy coldly.

Again Hanson lifted his brows, this time humorously, as at a child's

unexpected rebuff, and looked at Pearl, and again he experienced a

feeling of surprise, for she was gazing at Hugh with a puzzled frown,

which held a faint touch of apprehension.

"Then," Hanson looked from one to the other, but spoke to Pearl, "you

ain't brother and sister?"

"No," said Pearl, and it disturbed Hanson more than he would have

dreamed to notice the change in voice and manner. The warm, provocative,

inherent coquetry was gone from both smile and eyes; instead of a soft,

alluring girl ready to play with him a baffling, blood-stirring game of

flirtation, she was again the sphynx of last night, whose unrevealing

eyes seemed to have looked out over the desert for centuries, until its

infinite heart was as an open page to her, and she repressed in the

scarlet curves of her mouth its eternal, secret enigma.

"We are brother and sister." Hugh edged along the step until he could

lay his head against Pearl's knee. "But we're not blood relations, if

you're curious to know." The insolence of his tone was barely veiled.

"My mother was a circus woman that Mrs. Gallito knew. She deserted me

when I was a baby, and Mrs. Gallito has been all the mother I ever had

or wanted, and Pearl the only sister. I was born blind."

"Oh, Hughie," remonstrated Pearl, "you've got no call to say that. He

don't see with his eyes," she turned to Hanson, "but I never saw anybody

that could see so much."

"How's that?" asked Hanson easily. He was used from long experience to

the temperamental, emotional people of the stage, and he had no

intention of being daunted by any moods these two might exhibit.

"Hughie, what color are Mr. Hanson's clothes?" asked Pearl.

Still with a petulant, disdainful expression, the boy leaned forward and

ran his long, slender fingers with their cushioned tips over Hanson's

coat. "Brown," he replied indifferently.

"He can tell you the color of every flower in the garden, just by

touching them," explained Pearl. "He knows all the different kinds of

birds just by the whirr of their wings. He can tell the color of every

dress I wear. He--"

But Hugh had risen. "I don't like you to tell strangers about me," he

cried with passionate petulance, "and you know it. I'm going to find

mother."

"Well, tell her that Mr. Hanson's here," called Pearl after him,

unaffected by his outburst. "He hasn't taken a shine to you," she

remarked frankly to Hanson.

Again he was disturbed to notice that she seemed to give this obvious

fact some weight. She had rested her chin on her hand and was gazing

meditatively at the gay garden. A shadow of disappointment was on her

face, and more than a touch of it in her voice.

"That don't bother me," affirmed Hanson confidently. "All that I'm

caring about is whether some one else shares his opinion." His bold, gay

eyes looked straight into hers.

"I wonder who?" drawled Pearl. The gleam of her eyes shining through

narrowed lids and black, tangled lashes flicked him like the tang of a

whip. "Maybe you mean Lolita?"

The parrot, which had perched on her shoulder and was tweaking her ear,

now hearing its name, looked up, fluttered its wings, and called out in

a gruff, masculine voice: "Mi jasmin, Pearl. Mi corazon."

"He's talking for me, sure," said Hanson, who knew enough Spanish to

make out.

"Oh, damn," said the parrot disgustedly; "why the hell can't you shut

up?"

Hanson gave a great burst of laughter. "Lolita and Hughie are well

matched when it comes to politeness."

"They got the artistic temperament, and me, too, and mom, also," said

Pearl. "That's what the newspaper boys always wrote about me when I was

on the road."

The manager did not miss the opening. "Look here," he said earnestly;

"ain't you tired loafing around here? I guess you know what I'm in

Paloma for. I've made no secret of it. Now all you got to do is to show

me your contract with Sweeney and I'll double what he gave you, play you

over a bigger circuit, and advertise you, so's before your contract with

me's expired you'll be asked to do a few turns on the Metropolitan Opera

stage of New York City, New York."

"Love me to-day," sang Lolita, meltingly, if with grating harshness.

"That's right, Lolita, sing your pretty song," coaxed Pearl. "Come on,

I'll sing with you." She lifted her languorous eyes and sang softly,

almost under her breath, but straight at Hanson:

"Love me to-day,

Love me an hour;

Love is a flower,

Fading alway."

The blood surged to his temples at the direct challenge, he half rose

and leaned toward her. Then, as she laughed at him, he sat down. "Treble

Sweeney's offer, by God!" he said hoarsely. "Cash down beforehand." He

brought his fist down on the arm of the chair with a crash.

"Oh, I ain't ready to make any plans yet," Pearl announced

indifferently. "I want to talk things over with Pop first. He'll be down

from the mines before long, maybe to-day."

She sat for a few moments in silence, her eyes fixed on the far purple

hazes of the desert. "Oh, I wish there weren't so many of me," she said

at last and wistfully. "After I'm 'out' a while, I'll get to longing so

for the desert that I'm likely to raise any kind of a row and break any

old contract just to get here. I can't breathe. I feel as if everything,

buildings and people and all, were crowding me so's if I didn't have a

place to stand; and then, after I'm here a while, I got to see the

footlights, I got to hear them clapping, I got to dance for the big

crowds. Oh, Lord! life's awful funny, always trying to chain you up to

one thing or another. But I won't be tied. I got to be free, and I will

be free." She threw out her arms with a passionate gesture.

"You'd be free with me," he cried.

But, if she heard him, she gave no indication of having done so. "Can

you ride?" she asked presently.

"You bet," said Hanson eagerly. "I was born in Kaintucky. Just tell me

where I can get a horse here, and--"

"I'll lend you one of mine, and we'll have some rides. I'll take you out

on the desert. It ain't safe to go alone. You see those sand hills

yonder? Do you think you could walk out to them and back?"

"Sure," said Hanson confidently and looking at her in some surprise.

Pearl laughed. "Oh, Lolita!" she cried; "a tenderfoot is sure funny. The

chances are, Mr. Hanson, that if you started to walk around those dunes

you'd never get back. Goodness! ain't that mirage pretty?"

The desert, which had lain vast, dun-colored and unbroken before their

eyes, had vanished; instead, a sapphire sea sparkled in the sunshine,

its white-capped waves breaking upon the beach. Upon one side of it

spread a city with white domes and fairy towers, and palm trees

uplifting their graceful fronds among them.

Hanson rubbed his eyes and looked again. It was the first time that he

had ever seen one of these miracles of illusion, and he became so

absorbed in it that he failed to notice that some one else had entered

the gate and was making a leisurely progress toward the house.

It was Bob Flick, and Rudolf Hanson could not repress a slight scowl at

this unexpected appearance of one whom he was constrained to regard as

more or less of an enemy, and certainly this morning as a blot upon the

landscape.

Without a smile, but politely enough, Flick greeted him, after speaking

to Pearl, who looked at the newcomer with a sort of resigned

resentfulness. Lolita, however, made up what was lacking in cordiality.

With a loud squawk of welcome she flew to Flick's shoulder, uttering

gutteral and incoherent expressions doubtless meant to convey

endearment.

"Call Mom, Bob," commanded Pearl lazily, and Flick obediently stepped

inside of the door in search of Mrs. Gallito. She must have been near at

hand, for she and Flick emerged before the manager could do more than

give Pearl a glance of eloquent disappointment, which she returned with

teasing mockery.

Mrs. Gallito had evidently been making a toilet, and it is to be

regretted for her own sake that she might not have reserved all of her

appearances for the evening, for this brilliant desert sunshine was

pitiless in revealing those artificial aids with which she strove to

recreate and hold her vanished youth and bloom.

Bob Flick she evidently regarded as a matter of course, but at the sight

of Hanson she showed unmistakable pleasure.

"Hughie told me you were here," she said, sitting down beside him and

patting somewhat anxiously the mass of canary-colored puffs on the back

of her head; "and I been hurrying to get out before you got away."

"I wouldn't have thought of going before you came," Hanson assured her.

She smiled and bridled a little, evidently well pleased.

"Has Pearl told you that her Pop'll probably be down to-day?" she leaned

across Hanson to speak to Flick.

"No, is that so?" he asked in his smooth, pleasant tones.

"Where are the mines that Mr. Gallito is interested in?" asked Hanson,

determined to keep in the conversation.

"Up in Colina." It was Mrs. Gallito that spoke.

An up-darting gleam of suddenly aroused interest and curiosity flashed

for a moment in Bob Flick's eyes. Was it possible that at the mention of

that name Hanson had started and that something which might have been

taken for the shadow of dismay had overfallen his face?

"Fine mining camp," Flick commented. "You know it at all, Mr. Hanson?"

Hanson had scratched a match to light his cigarette, but now he lifted

his eyes and looked across its tiny flare straight at Flick. "No," he

said indifferently, "never was in it in my life."

His tone and manner were both open and convincing, and yet the ruddy

color, as Flick noticed with merciless satisfaction, had not returned to

his face.

"He's an awful queer man," confided Mrs. Gallito in a low voice to

Hanson. "I suppose," with a sigh, "it's the Spanish of him. Just think,"

she spoke as one who has never overcome an unmitigated wonder, "born in

the sawdust same as me; his folks from way back all in the business, and

him with no use for it. Never rested till he got away from it. Why, he

didn't even want me to train Pearl, but," and here triumph rang in her

tones, "he couldn't help that. She took to it like a duck takes to

water. Always ready for it, never cried or complained at the long

hours."

"She's sure got cause to be grateful to you." Hanson spoke sincerely.

"I wouldn't have known what else to do with a child," said Mrs. Gallito

simply. "I always saw them trained that way. But her Pop didn't stand

for it."

During this conversation Pearl and Flick had risen and, with Lolita

still on Flick's shoulder, had sauntered down through the garden.

Seeing this, Rudolf, with his customary philosophy, made the best of the

situation. "Well," with rather vague gallantry, "I don't see how he can

stay away from a home like this."

"It's the Spanish of him." This was Mrs. Gallito's explanation of all

the eccentricities in which her husband might indulge. "And," with

unwonted optimism, "maybe it's a blessing, too, 'cause he's awful queer.

And, anyway, he's what they call a man's man. Why, you might think he

lived all by himself up there in Colina; but he don't. He's got more old

Spaniards around"--she raised her eyes--"and they're the awfullest!

Cut-throats and pirates, I call 'em. They come up from the coast. And

it's funny, too," she exclaimed in a sort of querulous wonder, "because

Gallito's awful respectable himself."

"That is queer, isn't it?" His tone was politely interested, but his

errant glance strayed to where Pearl and Flick stood gazing over the

vast spaces of the desert, flooded with illimitable sunshine.

But Mrs. Gallito needed only a modicum of interest upon which to launch

her confidences. "Yes, he certainly is queer, and Pearl's like him in

lots of ways. Neither of them can stand anything holding them. They're

always wanting to be free, and they both got the strongest wills."

"And does he ever bring his cut-throat friends here?" asked Hanson.

"My, no!" cried Mrs. Gallito. "It wouldn't be safe."

"I should think it would be as safe here as in the mountains."

"He don't keep 'em there long, if they're wanted bad," whispered Mrs.

Gallito. "He knows more than one secret trail over the mountains."

Hanson was beginning to show a more genuine interest now and, spurred on

by this flattering appreciation of her revelations, Mrs. Gallito went

on.

"If you won't ever tell," she bent toward him after glancing about her

cautiously, "I'll tell you something. Of course, I'd never mention it if

I didn't feel that you're as safe as a church and one of our very best

friends."

"You haven't got a better in the world," he fervently assured her, his

curiosity really aroused now.

"Well," glowing with the importance of her news, "did you ever hear of

Crop-eared José?"

It was with difficulty that Hanson repressed a long, low whistle. "I

should say," he answered. "He's been wanted by the police of several

States for some time, and since that last big robbery they've had

sheriffs and their parties scouring the mountains."

For once Mrs. Gallito really had a piece of news which was sure to

command the most flattering attention.

Crop-eared José was a famous and slippery bandit, and his latest exploit

had been the robbery of an express car and subsequent vanishing with a

sum approximating thirty thousand dollars. It was supposed that he had

jumped the train while it was making its slow progress across the

mountains at night and had lain on the top of the car until what he

regarded as the proper moment for action had arrived. He had then

slipped down, forced the lock on the door, held up both messengers,

making one tie and gag the other, under his direction, and then himself

performed that office for the first with his own skillful hands. After

that, to open the safe, take the money and drop from the train was mere

child's play to so accomplished a professional as José.

"Gallito's got him." Mrs. Gallito enjoyed to the full the sensation she

had created, and then a sudden revulsion of fright shook her. "But, for

goodness' sake, Mr. Hanson, don't let on I told you. I--I wish I hadn't

spoke," she whispered.

"Trust me," comfortingly. "Now don't give it another thought. I'll

forget it on the spot, if you say so."

"Gallito'd kill me"--she still shook and looked at him fearfully.

"Oh, come now," his tone was infinitely reassuring, "forget it; I have

already. Such things don't interest me."

"Love me to-day,

Love me an hour;"

sang Lolita, and his eyes turned to the two at the gate, still

chaperoned by the faithful parrot. In them was a flash like fire on

steel, as they rested on Bob Flick. Then he turned again to Mrs.

Gallito. "Forget it," he said again, as he rose to take his leave; "and

believe that I have, too."

But his musings on his way back to the hotel would certainly not have

proved calming to that lady could she have but known them.

"Gosh!" he muttered, "and I thought it had broke, this blessed blind

luck of mine, when I heard 'em mention Colina; but it's holding after

all, it's holding. I guess what I know now about the whereabouts of

Crop-eared José just about offsets anything Pop Gallito may know about

me and anything that Mr. Bob Flick can discover."

The Black Pearl · 第 2 / 16 章