ACT I

Produced by David Widger

FIRST SERIES PLAYS

By John Galsworthy

Contents:

THE SILVER BOX

JOY

STRIFE

THE SILVER BOX

A COMEDY IN THREE ACTS

PERSONS OF THE PLAY

JOHN BARTHWICK, M.P., a wealthy Liberal

MRS. BARTHWICK, his wife

JACK BARTHWICK, their son

ROPER, their solicitor

MRS. JONES, their charwoman

MARLOW, their manservant

WHEELER, their maidservant

JONES, the stranger within their gates

MRS. SEDDON, a landlady

SNOW, a detective

A POLICE MAGISTRATE

AN UNKNOWN LADY, from beyond

TWO LITTLE GIRLS, homeless

LIVENS, their father

A RELIEVING OFFICER

A MAGISTRATE'S CLERK

AN USHER

POLICEMEN, CLERKS, AND OTHERS

TIME: The present. The action of the first two Acts takes place on

Easter Tuesday; the action of the third on Easter Wednesday week.

ACT I.

SCENE I. Rockingham Gate. John Barthwick's dining-room.

SCENE II. The same.

SCENE III. The same.

ACT II.

SCENE I. The Jones's lodgings, Merthyr Street.

SCENE II. John Barthwick's dining-room.

ACT III. A London police court.

ACT I

SCENE I

The curtain rises on the BARTHWICK'S dining-room, large,

modern, and well furnished; the window curtains drawn.

Electric light is burning. On the large round dining-table is

set out a tray with whisky, a syphon, and a silver

cigarette-box. It is past midnight.

A fumbling is heard outside the door. It is opened suddenly;

JACK BARTHWICK seems to fall into the room. He stands holding

by the door knob, staring before him, with a beatific smile.

He is in evening dress and opera hat, and carries in his hand a

sky-blue velvet lady's reticule. His boyish face is freshly

coloured and clean-shaven. An overcoat is hanging on his arm.

JACK. Hello! I've got home all ri----[Defiantly.] Who says I

sh'd never 've opened th' door without 'sistance. [He staggers in,

fumbling with the reticule. A lady's handkerchief and purse of

crimson silk fall out.] Serve her joll' well right--everything

droppin' out. Th' cat. I 've scored her off--I 've got her bag.

[He swings the reticule.] Serves her joly' well right. [He takes a

cigarette out of the silver box and puts it in his mouth.] Never

gave tha' fellow anything! [He hunts through all his pockets and

pulls a shilling out; it drops and rolls away. He looks for it.]

Beastly shilling! [He looks again.] Base ingratitude! Absolutely

nothing. [He laughs.] Mus' tell him I've got absolutely nothing.

[He lurches through the door and down a corridor, and presently

returns, followed by JONES, who is advanced in liquor. JONES,

about thirty years of age, has hollow cheeks, black circles

round his eyes, and rusty clothes: He looks as though he might

be unemployed, and enters in a hang-dog manner.]

JACK. Sh! sh! sh! Don't you make a noise, whatever you do. Shu'

the door, an' have a drink. [Very solemnly.] You helped me to open

the door--I 've got nothin, for you. This is my house. My father's

name's Barthwick; he's Member of Parliament--Liberal Member of

Parliament: I've told you that before. Have a drink! [He pours out

whisky and drinks it up.] I'm not drunk [Subsiding on a sofa.]

Tha's all right. Wha's your name? My name's Barthwick, so's my

father's; I'm a Liberal too--wha're you?

JONES. [In a thick, sardonic voice.] I'm a bloomin' Conservative.

My name's Jones! My wife works 'ere; she's the char; she works

'ere.

JACK. Jones? [He laughs.] There's 'nother Jones at College with

me. I'm not a Socialist myself; I'm a Liberal--there's ve--lill

difference, because of the principles of the Lib--Liberal Party.

We're all equal before the law--tha's rot, tha's silly. [Laughs.]

Wha' was I about to say? Give me some whisky.

[JONES gives him the whisky he desires, together with a squirt

of syphon.]

Wha' I was goin' tell you was--I 've had a row with her. [He waves

the reticule.] Have a drink, Jonessh 'd never have got in without

you--tha 's why I 'm giving you a drink. Don' care who knows I've

scored her off. Th' cat! [He throws his feet up on the sofa.]

Don' you make a noise, whatever you do. You pour out a drink--you

make yourself good long, long drink--you take cigarette--you take

anything you like. Sh'd never have got in without you. [Closing

his eyes.] You're a Tory--you're a Tory Socialist. I'm Liberal

myself--have a drink--I 'm an excel'nt chap.

[His head drops back. He, smiling, falls asleep, and JONES

stands looking at him; then, snatching up JACK's glass, he

drinks it off. He picks the reticule from off JACK'S

shirt-front, holds it to the light, and smells at it.]

JONES. Been on the tiles and brought 'ome some of yer cat's fur.

[He stuffs it into JACK's breast pocket.]

JACK. [Murmuring.] I 've scored you off! You cat!

[JONES looks around him furtively; he pours out whisky and

drinks it. From the silver box he takes a cigarette, puffs at

it, and drinks more whisky. There is no sobriety left in him.]

JONES. Fat lot o' things they've got 'ere! [He sees the crimson

purse lying on the floor.] More cat's fur. Puss, puss! [He

fingers it, drops it on the tray, and looks at JACK.] Calf! Fat

calf! [He sees his own presentment in a mirror. Lifting his hands,

with fingers spread, he stares at it; then looks again at JACK,

clenching his fist as if to batter in his sleeping, smiling face.

Suddenly he tilts the rest o f the whisky into the glass and drinks

it. With cunning glee he takes the silver box and purse and pockets

them.] I 'll score you off too, that 's wot I 'll do!

[He gives a little snarling laugh and lurches to the door. His

shoulder rubs against the switch; the light goes out. There is

a sound as of a closing outer door.]

The curtain falls.

The curtain rises again at once.

SCENE II

In the BARTHWICK'S dining-room. JACK is still asleep; the

morning light is coming through the curtains. The time is

half-past eight. WHEELER, brisk person enters with a dust-pan,

and MRS. JONES more slowly with a scuttle.

WHEELER. [Drawing the curtains.] That precious husband of yours

was round for you after you'd gone yesterday, Mrs. Jones. Wanted

your money for drink, I suppose. He hangs about the corner here

half the time. I saw him outside the "Goat and Bells" when I went

to the post last night. If I were you I would n't live with him. I

would n't live with a man that raised his hand to me. I wouldn't

put up with it. Why don't you take your children and leave him? If

you put up with 'im it'll only make him worse. I never can see why,

because a man's married you, he should knock you about.

MRS. JONES. [Slim, dark-eyed, and dark-haired; oval-faced, and with

a smooth, soft, even voice; her manner patient, her way of talking

quite impersonal; she wears a blue linen dress, and boots with

holes.] It was nearly two last night before he come home, and he

wasn't himself. He made me get up, and he knocked me about; he

didn't seem to know what he was saying or doing. Of course I would

leave him, but I'm really afraid of what he'd do to me. He 's such

a violent man when he's not himself.

WHEELER. Why don't you get him locked up? You'll never have any

peace until you get him locked up. If I were you I'd go to the

police court tomorrow. That's what I would do.

MRS. JONES. Of course I ought to go, because he does treat me so

badly when he's not himself. But you see, Bettina, he has a very

hard time--he 's been out of work two months, and it preys upon his

mind. When he's in work he behaves himself much better. It's when

he's out of work that he's so violent.

WHEELER. Well, if you won't take any steps you 'll never get rid of

him.

MRS. JONES. Of course it's very wearing to me; I don't get my sleep

at nights. And it 's not as if I were getting help from him,

because I have to do for the children and all of us. And he throws

such dreadful things up at me, talks of my having men to follow me

about. Such a thing never happens; no man ever speaks to me. And

of course, it's just the other way. It's what he does that's wrong

and makes me so unhappy. And then he 's always threatenin' to cut

my throat if I leave him. It's all the drink, and things preying on

his mind; he 's not a bad man really. Sometimes he'll speak quite

kind to me, but I've stood so much from him, I don't feel it in me

to speak kind back, but just keep myself to myself. And he's all

right with the children too, except when he's not himself.

WHEELER. You mean when he's drunk, the beauty.

MRS. JONES. Yes. [Without change of voice] There's the young

gentleman asleep on the sofa.

[They both look silently at Jack.]

MRS. JONES. [At last, in her soft voice.] He does n't look quite

himself.

WHEELER. He's a young limb, that's what he is. It 's my belief he

was tipsy last night, like your husband. It 's another kind of

bein' out of work that sets him to drink. I 'll go and tell Marlow.

This is his job.

[She goes.]

[Mrs. Jones, upon her knees, begins a gentle sweeping.]

JACK. [Waking.] Who's there? What is it?

MRS. JONES. It's me, sir, Mrs. Jones.

JACK. [Sitting up and looking round.] Where is it--what--what time

is it?

MRS. JONES. It's getting on for nine o'clock, sir.

JACK. For nine! Why--what! [Rising, and loosening his tongue;

putting hands to his head, and staring hard at Mrs. Jones.] Look

here, you, Mrs.----Mrs. Jones--don't you say you caught me asleep

here.

MRS. JONES. No, sir, of course I won't sir.

JACK. It's quite an accident; I don't know how it happened. I must

have forgotten to go to bed. It's a queer thing. I 've got a most

beastly headache. Mind you don't say anything, Mrs. Jones.

[Goes out and passes MARLOW in the doorway. MARLOW is young

and quiet; he is cleanshaven, and his hair is brushed high from

his forehead in a coxcomb. Incidentally a butler, he is first

a man. He looks at MRS. JONES, and smiles a private smile.]

MARLOW. Not the first time, and won't be the last. Looked a bit

dicky, eh, Mrs. Jones?

MRS. JONES. He did n't look quite himself. Of course I did n't

take notice.

MARLOW. You're used to them. How's your old man?

MRS. JONES. [Softly as throughout.] Well, he was very bad last

night; he did n't seem to know what he was about. He was very late,

and he was most abusive. But now, of course, he's asleep.

MARLOW. That's his way of finding a job, eh?

MRS. JONES. As a rule, Mr. Marlow, he goes out early every morning

looking for work, and sometimes he comes in fit to drop--and of

course I can't say he does n't try to get it, because he does.

Trade's very bad. [She stands quite still, her fan and brush before

her, at the beginning and the end of long vistas of experience,

traversing them with her impersonal eye.] But he's not a good

husband to me--last night he hit me, and he was so dreadfully

abusive.

MARLOW. Bank 'oliday, eh! He 's too fond of the "Goat and Bells,"

that's what's the matter with him. I see him at the corner late

every night. He hangs about.

MRS. JONES. He gets to feeling very low walking about all day after

work, and being refused so often, and then when he gets a drop in

him it goes to his head. But he shouldn't treat his wife as he

treats me. Sometimes I 've had to go and walk about at night, when

he wouldn't let me stay in the room; but he's sorry for it

afterwards. And he hangs about after me, he waits for me in the

street; and I don't think he ought to, because I 've always been a

good wife to him. And I tell him Mrs. Barthwick wouldn't like him

coming about the place. But that only makes him angry, and he says

dreadful things about the gentry. Of course it was through me that

he first lost his place, through his not treating me right; and

that's made him bitter against the gentry. He had a very good place

as groom in the country; but it made such a stir, because of course

he did n't treat me right.

MARLOW. Got the sack?

MRS. JONES. Yes; his employer said he couldn't keep him, because

there was a great deal of talk; and he said it was such a bad

example. But it's very important for me to keep my work here; I

have the three children, and I don't want him to come about after me

in the streets, and make a disturbance as he sometimes does.

MARLOW. [Holding up the empty decanter.] Not a drain! Next time

he hits you get a witness and go down to the court----

MRS. JONES. Yes, I think I 've made up my mind. I think I ought

to.

MARLOW. That's right. Where's the ciga----?

[He searches for the silver box; he looks at MRS. JONES, who is

sweeping on her hands and knees; he checks himself and stands

reflecting. From the tray he picks two half-smoked cigarettes,

and reads the name on them.]

Nestor--where the deuce----?

[With a meditative air he looks again at MRS. JONES, and,

taking up JACK'S overcoat, he searches in the pockets.

WHEELER, with a tray of breakfast things, comes in.]

MARLOW. [Aside to WHEELER.] Have you seen the cigarette-box?

WHEELER. No.

MARLOW. Well, it's gone. I put it on the tray last night. And

he's been smoking. [Showing her the ends of cigarettes.] It's not

in these pockets. He can't have taken it upstairs this morning!

Have a good look in his room when he comes down. Who's been in

here?

WHEELER. Only me and Mrs. Jones.

MRS. JONES. I 've finished here; shall I do the drawing-room now?

WHEELER. [Looking at her doubtfully.] Have you seen----Better do

the boudwower first.

[MRS. JONES goes out with pan and brush. MARLOW and WHEELER

look each other in the face.]

MARLOW. It'll turn up.

WHEELER. [Hesitating.] You don't think she----

[Nodding at the door.]

MARLOW. [Stoutly.] I don't----I never believes anything of

anybody.

WHEELER. But the master'll have to be told.

MARLOW. You wait a bit, and see if it don't turn up. Suspicion's

no business of ours. I set my mind against it.

The curtain falls.

The curtain rises again at once.

SCENE III

BARTHWICK and MRS. BARTHWICK are seated at the breakfast table.

He is a man between fifty and sixty; quietly important, with a

bald forehead, and pince-nez, and the "Times" in his hand. She

is a lady of nearly fifty, well dressed, with greyish hair,

good features, and a decided manner. They face each other.

BARTHWICK. [From behind his paper.] The Labour man has got in at

the by-election for Barnside, my dear.

MRS. BARTHWICK. Another Labour? I can't think what on earth the

country is about.

BARTHWICK. I predicted it. It's not a matter of vast importance.

MRS. BARTHWICK. Not? How can you take it so calmly, John? To me

it's simply outrageous. And there you sit, you Liberals, and

pretend to encourage these people!

BARTHWICK. [Frowning.] The representation of all parties is

necessary for any proper reform, for any proper social policy.

MRS. BARTHWICK. I've no patience with your talk of reform--all that

nonsense about social policy. We know perfectly well what it is

they want; they want things for themselves. Those Socialists and

Labour men are an absolutely selfish set of people. They have no

sense of patriotism, like the upper classes; they simply want what

we've got.

BARTHWICK. Want what we've got! [He stares into space.] My dear,

what are you talking about? [With a contortion.] I 'm no alarmist.

MRS. BARTHWICK. Cream? Quite uneducated men! Wait until they

begin to tax our investments. I 'm convinced that when they once

get a chance they will tax everything--they 've no feeling for the

country. You Liberals and Conservatives, you 're all alike; you

don't see an inch before your noses. You've no imagination, not a

scrap of imagination between you. You ought to join hands and nip

it in the bud.

BARTHWICK. You 're talking nonsense! How is it possible for

Liberals and Conservatives to join hands, as you call it? That

shows how absurd it is for women----Why, the very essence of a

Liberal is to trust in the people!

MRS. BARTHWICK. Now, John, eat your breakfast. As if there were

any real difference between you and the Conservatives. All the

upper classes have the same interests to protect, and the same

principles. [Calmly.] Oh! you're sitting upon a volcano, John.

BARTHWICK. What!

MRS. BARTHWICK. I read a letter in the paper yesterday. I forget

the man's name, but it made the whole thing perfectly clear. You

don't look things in the face.

BARTHWICK. Indeed! [Heavily.] I am a Liberal! Drop the subject,

please!

MRS. BARTHWICK. Toast? I quite agree with what this man says:

Education is simply ruining the lower classes. It unsettles them,

and that's the worst thing for us all. I see an enormous difference

in the manner of servants.

BARTHWICK, [With suspicious emphasis.] I welcome any change that

will lead to something better. [He opens a letter.] H'm! This is

that affair of Master Jack's again. "High Street, Oxford. Sir, We

have received Mr. John Barthwick, Senior's, draft for forty pounds!"

Oh! the letter's to him! "We now enclose the cheque you cashed with

us, which, as we stated in our previous letter, was not met on

presentation at your bank. We are, Sir, yours obediently, Moss and

Sons, Tailors." H 'm! [Staring at the cheque.] A pretty business

altogether! The boy might have been prosecuted.

MRS. BARTHWICK. Come, John, you know Jack did n't mean anything; he

only thought he was overdrawing. I still think his bank ought to

have cashed that cheque. They must know your position.

BARTHWICK. [Replacing in the envelope the letter and the cheque.]

Much good that would have done him in a court of law.

[He stops as JACK comes in, fastening his waistcoat and

staunching a razor cut upon his chin.]

JACK. [Sitting down between them, and speaking with an artificial

joviality.] Sorry I 'm late. [He looks lugubriously at the

dishes.] Tea, please, mother. Any letters for me? [BARTHWICK

hands the letter to him.] But look here, I say, this has been

opened! I do wish you would n't----

BARTHWICK. [Touching the envelope.] I suppose I 'm entitled to

this name.

JACK. [Sulkily.] Well, I can't help having your name, father! [He

reads the letter, and mutters.] Brutes!

BARTHWICK. [Eyeing him.] You don't deserve to be so well out of

that.

JACK. Haven't you ragged me enough, dad?

MRS. BARTHWICK. Yes, John, let Jack have his breakfast.

BARTHWICK. If you hadn't had me to come to, where would you have

been? It's the merest accident--suppose you had been the son of a

poor man or a clerk. Obtaining money with a cheque you knew your

bank could not meet. It might have ruined you for life. I can't

see what's to become of you if these are your principles. I never

did anything of the sort myself.

JACK. I expect you always had lots of money. If you've got plenty

of money, of course----

BARTHWICK. On the contrary, I had not your advantages. My father

kept me very short of money.

JACK. How much had you, dad?

BARTHWICK. It's not material. The question is, do you feel the

gravity of what you did?

JACK. I don't know about the gravity. Of course, I 'm very sorry

if you think it was wrong. Have n't I said so! I should never have

done it at all if I had n't been so jolly hard up.

BARTHWICK. How much of that forty pounds have you got left, Jack?

JACK. [Hesitating.] I don't know--not much.

BARTHWICK. How much?

JACK. [Desperately.] I have n't got any.

BARTHWICK. What?

JACK. I know I 've got the most beastly headache.

[He leans his head on his hand.]

MRS. BARTHWICK. Headache? My dear boy! Can't you eat any

breakfast?

JACK. [Drawing in his breath.] Too jolly bad!

MRS. BARTHWICK. I'm so sorry. Come with me; dear; I'll give you

something that will take it away at once.

[They leave the room; and BARTHWICK, tearing up the letter,

goes to the fireplace and puts the pieces in the fire. While

he is doing this MARLOW comes in, and looking round him, is

about quietly to withdraw.]

BARTHWICK. What's that? What d 'you want?

MARLOW. I was looking for Mr. John, sir.

BARTHWICK. What d' you want Mr. John for?

MARLOW. [With hesitation.] I thought I should find him here, sir.

BARTHWICK. [Suspiciously.] Yes, but what do you want him for?

MARLOW. [Offhandedly.] There's a lady called--asked to speak to

him for a minute, sir.

BARTHWICK. A lady, at this time in the morning. What sort of a

lady?

MARLOW. [Without expression in his voice.] I can't tell, sir; no

particular sort. She might be after charity. She might be a Sister

of Mercy, I should think, sir.

BARTHWICK. Is she dressed like one?

MARLOW. No, sir, she's in plain clothes, sir.

BARTHWICK. Did n't she say what she wanted?

MARLOW. No sir.

BARTHWICK. Where did you leave her?

MARLOW. In the hall, sir.

BARTHWICK. In the hall? How do you know she's not a thief--not got

designs on the house?

MARLOW. No, sir, I don't fancy so, sir.

BARTHWICK. Well, show her in here; I'll see her myself.

[MARLOW goes out with a private gesture of dismay. He soon

returns, ushering in a young pale lady with dark eyes and

pretty figure, in a modish, black, but rather shabby dress, a

black and white trimmed hat with a bunch of Parma violets

wrongly placed, and fuzzy-spotted veil. At the Sight of MR.

BARTHWICK she exhibits every sign of nervousness. MARLOW goes

out.]

UNKNOWN LADY. Oh! but--I beg pardon there's some mistake--I [She

turns to fly.]

BARTHWICK. Whom did you want to see, madam?

UNKNOWN. [Stopping and looking back.] It was Mr. John Barthwick I

wanted to see.

BARTHWICK. I am John Barthwick, madam. What can I have the

pleasure of doing for you?

UNKNOWN. Oh! I--I don't [She drops her eyes. BARTHWICK

scrutinises her, and purses his lips.]

BARTHWICK. It was my son, perhaps, you wished to see?

UNKNOWN. [Quickly.] Yes, of course, it's your son.

BARTHWICK. May I ask whom I have the pleasure of speaking to?

UNKNOWN. [Appeal and hardiness upon her face.] My name is----oh!

it does n't matter--I don't want to make any fuss. I just want to

see your son for a minute. [Boldly.] In fact, I must see him.

BARTHWICK. [Controlling his uneasiness.] My son is not very well.

If necessary, no doubt I could attend to the matter; be so kind as

to let me know----

UNKNOWN. Oh! but I must see him--I 've come on purpose--[She bursts

out nervously.] I don't want to make any fuss, but the fact is,

last--last night your son took away--he took away my [She stops.]

BARTHWICK. [Severely.] Yes, madam, what?

UNKNOWN. He took away my--my reticule.

BARTHWICK. Your reti----?

UNKNOWN. I don't care about the reticule; it's not that I want--I

'm sure I don't want to make any fuss--[her face is quivering]--but

--but--all my money was in it!

BARTHWICK. In what--in what?

UNKNOWN. In my purse, in the reticule. It was a crimson silk

purse. Really, I wouldn't have come--I don't want to make any fuss.

But I must get my money back--mustn't I?

BARTHWICK. Do you tell me that my son----?

UNKNOWN. Oh! well, you see, he was n't quite I mean he was

[She smiles mesmerically.]

BARTHWICK. I beg your pardon.

UNKNOWN. [Stamping her foot.] Oh! don't you see--tipsy! We had a

quarrel.

BARTHWICK. [Scandalised.] How? Where?

UNKNOWN. [Defiantly.] At my place. We'd had supper at the----and

your son----

BARTHWICK. [Pressing the bell.] May I ask how you knew this house?

Did he give you his name and address?

UNKNOWN. [Glancing sidelong.] I got it out of his overcoat.

BARTHWICK. [Sardonically.] Oh! you got it out of his overcoat.

And may I ask if my son will know you by daylight?

UNKNOWN. Know me? I should jolly--I mean, of course he will!

[MARLOW comes in.]

BARTHWICK. Ask Mr. John to come down.

[MARLOW goes out, and BARTHWICK walks uneasily about.]

And how long have you enjoyed his acquaintanceship?

UNKNOWN. Only since--only since Good Friday.

BARTHWICK. I am at a loss--I repeat I am at a----

[He glances at this unknown lady, who stands with eyes cast

down, twisting her hands And suddenly Jack appears. He stops

on seeing who is here, and the unknown lady hysterically

giggles. There is a silence.]

BARTHWICK. [Portentously.] This young--er--lady says that last

night--I think you said last night madam--you took away----

UNKNOWN. [Impulsively.] My reticule, and all my money was in a

crimson silk purse.

JACK. Reticule. [Looking round for any chance to get away.] I

don't know anything about it.

BARTHWICK. [Sharply.] Come, do you deny seeing this young lady

last night?

JACK. Deny? No, of course. [Whispering.] Why did you give me

away like this? What on earth did you come here for?

UNKNOWN. [Tearfully.] I'm sure I didn't want to--it's not likely,

is it? You snatched it out of my hand--you know you did--and the

purse had all my money in it. I did n't follow you last night

because I did n't want to make a fuss and it was so late, and you

were so----

BARTHWICK. Come, sir, don't turn your back on me--explain!

JACK. [Desperately.] I don't remember anything about it. [In a

low voice to his friend.] Why on earth could n't you have written?

UNKNOWN. [Sullenly.] I want it now; I must have, it--I 've got to

pay my rent to-day. [She looks at BARTHWICK.] They're only too glad

to jump on people who are not--not well off.

JACK. I don't remember anything about it, really. I don't remember

anything about last night at all. [He puts his hand up to his

head.] It's all--cloudy, and I 've got such a beastly headache.

UNKNOWN. But you took it; you know you did. You said you'd score

me off.

JACK. Well, then, it must be here. I remember now--I remember

something. Why did I take the beastly thing?

BARTHWICK. Yes, why did you take the beastly----[He turns abruptly

to the window.]

UNKNOWN. [With her mesmeric smile.] You were n't quite were you?

JACK. [Smiling pallidly.] I'm awfully sorry. If there's anything

I can do----

BARTHWICK. Do? You can restore this property, I suppose.

JACK. I'll go and have a look, but I really don't think I 've got

it.

[He goes out hurriedly. And BARTHWICK, placing a chair,

motions to the visitor to sit; then, with pursed lips, he

stands and eyes her fixedly. She sits, and steals a look at

him; then turns away, and, drawing up her veil, stealthily

wipes her eyes. And Jack comes back.]

JACK. [Ruefully holding out the empty reticule.] Is that the

thing? I 've looked all over--I can't find the purse anywhere. Are

you sure it was there?

UNKNOWN. [Tearfully.] Sure? Of course I'm sure. A crimson silk

purse. It was all the money I had.

JACK. I really am awfully sorry--my head's so jolly bad. I 've

asked the butler, but he has n't seen it.

UNKNOWN. I must have my money----

JACK. Oh! Of course--that'll be all right; I'll see that that's

all right. How much?

UNKNOWN. [Sullenly.] Seven pounds-twelve--it's all I 've got in

the world.

JACK. That'll be all right; I'll--send you a cheque.

UNKNOWN. [Eagerly.] No; now, please. Give me what was in my

purse; I've got to pay my rent this morning. They won't' give me

another day; I'm a fortnight behind already.

JACK. [Blankly.] I'm awfully sorry; I really have n't a penny in

my pocket.

[He glances stealthily at BARTHWICK.]

UNKNOWN. [Excitedly.] Come I say you must--it's my money, and you

took it. I 'm not going away without it. They 'll turn me out of

my place.

JACK. [Clasping his head.] But I can't give you what I have n't

got. Don't I tell you I have n't a beastly cent.

UNKNOWN. [Tearing at her handkerchief.] Oh! do give it me! [She

puts her hands together in appeal; then, with sudden fierceness.]

If you don't I'll summons you. It's stealing, that's what it is!

BARTHWICK. [Uneasily.] One moment, please. As a matter of---er

--principle, I shall settle this claim. [He produces money.] Here is

eight pounds; the extra will cover the value of the purse and your

cab fares. I need make no comment--no thanks are necessary.

[Touching the bell, he holds the door ajar in silence. The

unknown lady stores the money in her reticule, she looks from

JACK to BARTHWICK, and her face is quivering faintly with a

smile. She hides it with her hand, and steals away. Behind

her BARTHWICK shuts the door.]

BARTHWICK. [With solemnity.] H'm! This is nice thing to happen!

JACK. [Impersonally.] What awful luck!

BARTHWICK. So this is the way that forty pounds has gone! One

thing after another! Once more I should like to know where you 'd

have been if it had n't been for me! You don't seem to have any

principles. You--you're one of those who are a nuisance to society;

you--you're dangerous! What your mother would say I don't know.

Your conduct, as far as I can see, is absolutely unjustifiable.

It's--it's criminal. Why, a poor man who behaved as you've done

--d' you think he'd have any mercy shown him? What you want is a good

lesson. You and your sort are--[he speaks with feeling]--a nuisance

to the community. Don't ask me to help you next time. You're not

fit to be helped.

JACK. [Turning upon his sire, with unexpected fierceness.] All

right, I won't then, and see how you like it. You would n't have

helped me this time, I know, if you had n't been scared the thing

would get into the papers. Where are the cigarettes?

BARTHWICK. [Regarding him uneasily.] Well I 'll say no more about

it. [He rings the bell.] I 'll pass it over for this once, but----

[MARLOW Comes in.] You can clear away.

[He hides his face behind the "Times."]

JACK. [Brightening.] I say, Marlow, where are the cigarettes?

MARLOW. I put the box out with the whisky last night, sir, but this

morning I can't find it anywhere.

JACK. Did you look in my room?

MARLOW. Yes, sir; I've looked all over the house. I found two

Nestor ends in the tray this morning, so you must have been smokin'

last night, sir. [Hesitating.] I 'm really afraid some one's

purloined the box.

JACK. [Uneasily.] Stolen it!

BARTHWICK. What's that? The cigarette-box! Is anything else

missing?

MARLOW. No, sir; I 've been through the plate.

BARTHWICK. Was the house all right this morning? None of the

windows open?

MARLOW. No, sir. [Quietly to JACK.] You left your latch-key in

the door last night, sir.

[He hands it back, unseen by BARTHWICK]

JACK. Tst!

BARTHWICK. Who's been in the room this morning?

MARLOW. Me and Wheeler, and Mrs. Jones is all, sir, as far as I

know.

BARTHWICK. Have you asked Mrs. Barthwick?

[To JACK.] Go and ask your mother if she's had it; ask her to look

and see if she's missed anything else.

[JACK goes upon this mission.]

Nothing is more disquieting than losing things like this.

MARLOW. No, sir.

BARTHWICK. Have you any suspicions?

MARLOW, No, sir.

BARTHWICK. This Mrs. Jones--how long has she been working here?

MARLOW. Only this last month, sir.

BARTHWICK. What sort of person?

MARLOW. I don't know much about her, sir; seems a very quiet,

respectable woman.

BARTHWICK. Who did the room this morning?

MARLOW. Wheeler and Mrs. Jones, Sir.

BARTHWICK. [With his forefinger upraised.] Now, was this Mrs.

Jones in the room alone at any time?

MARLOW. [Expressionless.] Yes, Sir.

BARTHWICK. How do you know that?

MARLOW. [Reluctantly.] I found her here, sir.

BARTHWICK. And has Wheeler been in the room alone?

MARLOW. No, sir, she's not, sir. I should say, sir, that Mrs.

Jones seems a very honest----

BARTHWICK. [Holding up his hand.] I want to know this: Has this

Mrs. Jones been here the whole morning?

MARLOW. Yes, sir--no, sir--she stepped over to the greengrocer's

for cook.

BARTHWICK. H'm! Is she in the house now?

MARLOW. Yes, Sir.

BARTHWICK. Very good. I shall make a point of clearing this up.

On principle I shall make a point of fixing the responsibility; it

goes to the foundations of security. In all your interests----

MARLOW. Yes, Sir.

BARTHWICK. What sort of circumstances is this Mrs. Jones in? Is

her husband in work?

MARLOW. I believe not, sir.

BARTHWICK. Very well. Say nothing about it to any one. Tell

Wheeler not to speak of it, and ask Mrs. Jones to step up here.

MARLOW. Very good, sir.

[MARLOW goes out, his face concerned; and BARTHWICK stays, his

face judicial and a little pleased, as befits a man conducting

an inquiry. MRS. BARTHWICK and hey son come in.]

BARTHWICK. Well, my dear, you've not seen it, I suppose?

MRS. BARTHWICK. No. But what an extraordinary thing, John!

Marlow, of course, is out of the question. I 'm certain none of the

maids as for cook!

BARTHWICK. Oh, cook!

MRS. BARTHWICK. Of course! It's perfectly detestable to me to

suspect anybody.

BARTHWICK. It is not a question of one's feelings. It's a question

of justice. On principle----

MRS. BARTHWICK. I should n't be a bit surprised if the charwoman

knew something about it. It was Laura who recommended her.

BARTHWICK. [Judicially.] I am going to have Mrs. Jones up. Leave

it to me; and--er--remember that nobody is guilty until they're

proved so. I shall be careful. I have no intention of frightening

her; I shall give her every chance. I hear she's in poor

circumstances. If we are not able to do much for them we are bound

to have the greatest sympathy with the poor. [MRS. JONES comes in.]

[Pleasantly.] Oh! good morning, Mrs. Jones.

MRS. JONES. [Soft, and even, unemphatic.] Good morning, sir! Good

morning, ma'am!

BARTHWICK. About your husband--he's not in work, I hear?

MRS. JONES. No, sir; of course he's not in work just now.

BARTHWICK. Then I suppose he's earning nothing.

MRS. JONES. No, sir, he's not earning anything just now, sir.

BARTHWICK. And how many children have you?

MRS. JONES. Three children; but of course they don't eat very much

sir. [A little silence.]

BARTHWICK. And how old is the eldest?

MRS. JONES. Nine years old, sir.

BARTHWICK. Do they go to school?

MRS. JONES, Yes, sir, they all three go to school every day.

BARTHWICK. [Severely.] And what about their food when you're out

at work?

MRS. JONES. Well, Sir, I have to give them their dinner to take

with them. Of course I 'm not always able to give them anything;

sometimes I have to send them without; but my husband is very good

about the children when he's in work. But when he's not in work of

course he's a very difficult man.

BARTHWICK. He drinks, I suppose?

MRS. JONES. Yes, Sir. Of course I can't say he does n't drink,

because he does.

BARTHWICK. And I suppose he takes all your money?

MRS. JONES. No, sir, he's very good about my money, except when

he's not himself, and then, of course, he treats me very badly.

BARTHWICK. Now what is he--your husband?

MRS. JONES. By profession, sir, of course he's a groom.

BARTHWICK. A groom! How came he to lose his place?

MRS. JONES. He lost his place a long time ago, sir, and he's never

had a very long job since; and now, of course, the motor-cars are

against him.

BARTHWICK. When were you married to him, Mrs. Jones?

MRS. JONES. Eight years ago, sir that was in----

MRS. BARTHWICK. [Sharply.] Eight? You said the eldest child was

nine.

MRS. JONES. Yes, ma'am; of course that was why he lost his place.

He did n't treat me rightly, and of course his employer said he

couldn't keep him because of the example.

BARTHWICK. You mean he--ahem----

MRS. JONES. Yes, sir; and of course after he lost his place he

married me.

MRS. BARTHWICK. You actually mean to say you--you were----

BARTHWICK. My dear----

MRS. BARTHWICK. [Indignantly.] How disgraceful!

BARTHWICK. [Hurriedly.] And where are you living now, Mrs. Jones?

MRS. JONES. We've not got a home, sir. Of course we've been

obliged to put away most of our things.

BARTHWICK. Put your things away! You mean to--to--er--to pawn

them?

MRS. JONES. Yes, sir, to put them away. We're living in Merthyr

Street--that is close by here, sir--at No. 34. We just have the one

room.

BARTHWICK. And what do you pay a week?

MRS. JONES. We pay six shillings a week, sir, for a furnished room.

BARTHWICK. And I suppose you're behind in the rent?

MRS. JONES. Yes, sir, we're a little behind in the rent.

BARTHWICK. But you're in good work, aren't you?

MRS. JONES. Well, Sir, I have a day in Stamford Place Thursdays.

And Mondays and Wednesdays and Fridays I come here. But to-day, of

course, is a half-day, because of yesterday's Bank Holiday.

BARTHWICK. I see; four days a week, and you get half a crown a day,

is that it?

MRS. JONES. Yes, sir, and my dinner; but sometimes it's only half

a day, and that's eighteen pence.

BARTHWICK. And when your husband earns anything he spends it in

drink, I suppose?

MRS. JONES. Sometimes he does, sir, and sometimes he gives it to me

for the children. Of course he would work if he could get it, sir,

but it seems there are a great many people out of work.

BARTHWICK. Ah! Yes. We--er--won't go into that.

[Sympathetically.] And how about your work here? Do you find it

hard?

MRS. JONES. Oh! no, sir, not very hard, sir; except of course,

when I don't get my sleep at night.

BARTHWICK. Ah! And you help do all the rooms? And sometimes, I

suppose, you go out for cook?

MRS. JONES. Yes, Sir.

BARTHWICK. And you 've been out this morning?

MRS. JONES. Yes, sir, of course I had to go to the greengrocer's.

BARTHWICK. Exactly. So your husband earns nothing? And he's a bad

character.

MRS. JONES. No, Sir, I don't say that, sir. I think there's a

great deal of good in him; though he does treat me very bad

sometimes. And of course I don't like to leave him, but I think I

ought to, because really I hardly know how to stay with him. He

often raises his hand to me. Not long ago he gave me a blow here

[touches her breast] and I can feel it now. So I think I ought to

leave him, don't you, sir?

BARTHWICK. Ah! I can't help you there. It's a very serious thing

to leave your husband. Very serious thing.

MRS. JONES. Yes, sir, of course I 'm afraid of what he might do to

me if I were to leave him; he can be so very violent.

BARTHWICK. H'm! Well, that I can't pretend to say anything about.

It's the bad principle I'm speaking of----

MRS. JONES. Yes, Sir; I know nobody can help me. I know I must

decide for myself, and of course I know that he has a very hard

life. And he's fond of the children, and its very hard for him to

see them going without food.

BARTHWICK. [Hastily.] Well--er--thank you, I just wanted to hear

about you. I don't think I need detain you any longer, Mrs. Jones.

MRS. JONES. No, sir, thank you, sir.

BARTHWICK. Good morning, then.

MRS. JONES. Good morning, sir; good morning, ma'am.

BARTHWICK. [Exchanging glances with his wife.] By the way, Mrs.

Jones--I think it is only fair to tell you, a silver cigarette-box

--er--is missing.

MRS. JONES. [Looking from one face to the other.] I am very sorry,

sir.

BARTHWICK. Yes; you have not seen it, I suppose?

MRS. JONES. [Realising that suspicion is upon her; with an uneasy

movement.] Where was it, sir; if you please, sir?

BARTHWICK. [Evasively.] Where did Marlow say? Er--in this room,

yes, in this room.

MRS. JONES. No, Sir, I have n't seen it--of course if I 'd seen it

I should have noticed it.

BARTHWICK. [Giving hey a rapid glance.] You--you are sure of that?

MRS. JONES. [Impassively.] Yes, Sir. [With a slow nodding of her

head.] I have not seen it, and of course I don't know where it is.

[She turns and goes quietly out.]

BARTHWICK. H'm!

[The three BARTHWICKS avoid each other's glances.]

The curtain falls.

ACT II

SCENE I

The JONES's lodgings, Merthyr Street, at half-past two o'clock.

The bare room, with tattered oilcloth and damp, distempered

walls, has an air of tidy wretchedness. On the bed lies JONES,

half-dressed; his coat is thrown across his feet, and muddy

boots are lying on the floor close by. He is asleep. The door

is opened and MRS. JONES comes in, dressed in a pinched black

jacket and old black sailor hat; she carries a parcel wrapped

up in the "Times." She puts her parcel down, unwraps an apron,

half a loaf, two onions, three potatoes, and a tiny piece of

bacon. Taking a teapot from the cupboard, she rinses it,

shakes into it some powdered tea out of a screw of paper, puts

it on the hearth, and sitting in a wooden chair quietly begins

to cry.

JONES. [Stirring and yawning.] That you? What's the time?

MRS. JONES. [Drying her eyes, and in her usual voice.] Half-past

two.

JONES. What you back so soon for?

MRS. JONES. I only had the half day to-day, Jem.

JONES. [On his back, and in a drowsy voice.] Got anything for

dinner?

MRS. JONES. Mrs. BARTHWICK's cook gave me a little bit of bacon.

I'm going to make a stew. [She prepares for cooking.] There's

fourteen shillings owing for rent, James, and of course I 've only

got two and fourpence. They'll be coming for it to-day.

JONES. [Turning towards her on his elbow.] Let 'em come and find

my surprise packet. I've had enough o' this tryin' for work. Why

should I go round and round after a job like a bloomin' squirrel in

a cage. "Give us a job, sir"--"Take a man on"--"Got a wife and

three children." Sick of it I am! I 'd sooner lie here and rot.

"Jones, you come and join the demonstration; come and 'old a flag,

and listen to the ruddy orators, and go 'ome as empty as you came."

There's some that seems to like that--the sheep! When I go seekin'

for a job now, and see the brutes lookin' me up an' down, it's like

a thousand serpents in me. I 'm not arskin' for any treat. A man

wants to sweat hisself silly and not allowed that's a rum start,

ain't it? A man wants to sweat his soul out to keep the breath in

him and ain't allowed--that's justice that's freedom and all the

rest of it! [He turns his face towards the wall.] You're so milky

mild; you don't know what goes on inside o' me. I'm done with the

silly game. If they want me, let 'em come for me!

[MRS. JONES stops cooking and stands unmoving at the table.]

I've tried and done with it, I tell you. I've never been afraid of

what 's before me. You mark my words--if you think they've broke my

spirit, you're mistook. I 'll lie and rot sooner than arsk 'em

again. What makes you stand like that--you long-sufferin',

Gawd-forsaken image--that's why I can't keep my hands off you. So

now you know. Work! You can work, but you have n't the spirit of a

louse!

MRS. JONES. [Quietly.] You talk more wild sometimes when you're

yourself, James, than when you 're not. If you don't get work, how

are we to go on? They won't let us stay here; they're looking to

their money to-day, I know.

JONES. I see this BARTHWICK o' yours every day goin' down to

Pawlyment snug and comfortable to talk his silly soul out; an' I see

that young calf, his son, swellin' it about, and goin' on the

razzle-dazzle. Wot 'ave they done that makes 'em any better than

wot I am? They never did a day's work in their lives. I see 'em

day after day.

MRS. JONES. And I wish you wouldn't come after me like that, and

hang about the house. You don't seem able to keep away at all, and

whatever you do it for I can't think, because of course they notice

it.

JONES. I suppose I may go where I like. Where may I go? The other

day I went to a place in the Edgware Road. "Gov'nor," I says to the

boss, "take me on," I says. "I 'aven't done a stroke o' work not

these two months; it takes the heart out of a man," I says; "I 'm

one to work; I 'm not afraid of anything you can give me!" "My good

man," 'e says, "I 've had thirty of you here this morning. I took

the first two," he says, "and that's all I want." "Thank you, then

rot the world!" I says. "Blasphemin'," he says, "is not the way to

get a job. Out you go, my lad!" [He laughs sardonically.] Don't

you raise your voice because you're starvin'; don't yer even think

of it; take it lyin' down! Take it like a sensible man, carn't you?

And a little way down the street a lady says to me: [Pinching his

voice] "D' you want to earn a few pence, my man?" and gives me her

dog to 'old outside a shop-fat as a butler 'e was--tons o' meat had

gone to the makin' of him. It did 'er good, it did, made 'er feel

'erself that charitable, but I see 'er lookin' at the copper

standin' alongside o' me, for fear I should make off with 'er

bloomin' fat dog. [He sits on the edge of the bed and puts a boot

on. Then looking up.] What's in that head o' yours? [Almost

pathetically.] Carn't you speak for once?

[There is a knock, and MRS. SEDDON, the landlady, appears, an

anxious, harassed, shabby woman in working clothes.]

MRS. SEDDON. I thought I 'eard you come in, Mrs. Jones. I 've

spoke to my 'usband, but he says he really can't afford to wait

another day.

JONES. [With scowling jocularity.] Never you mind what your

'usband says, you go your own way like a proper independent woman.

Here, jenny, chuck her that.

[Producing a sovereign from his trousers pocket, he throws it

to his wife, who catches it in her apron with a gasp. JONES

resumes the lacing of his boots.]

MRS. JONES. [Rubbing the sovereign stealthily.] I'm very sorry

we're so late with it, and of course it's fourteen shillings, so if

you've got six that will be right.

[MRS. SEDDON takes the sovereign and fumbles for the change.]

JONES. [With his eyes fixed on his boots.] Bit of a surprise for

yer, ain't it?

MRS. SEDDON. Thank you, and I'm sure I'm very much obliged. [She

does indeed appear surprised.] I 'll bring you the change.

JONES. [Mockingly.] Don't mention it.

MRS. SEDDON. Thank you, and I'm sure I'm very much obliged. [She

slides away.]

[MRS. JONES gazes at JONES who is still lacing up his boots.]

JONES. I 've had a bit of luck. [Pulling out the crimson purse and

some loose coins.] Picked up a purse--seven pound and more.

MRS. JONES. Oh, James!

JONES. Oh, James! What about Oh, James! I picked it up I tell

you. This is lost property, this is!

MRS. JONES. But is n't there a name in it, or something?

JONES. Name? No, there ain't no name. This don't belong to such

as 'ave visitin' cards. This belongs to a perfec' lidy. Tike an'

smell it. [He pitches her the purse, which she puts gently to her

nose.] Now, you tell me what I ought to have done. You tell me

that. You can always tell me what I ought to ha' done, can't yer?

MRS. JONES. [Laying down the purse.] I can't say what you ought to

have done, James. Of course the money was n't yours; you've taken

somebody else's money.

JONES. Finding's keeping. I 'll take it as wages for the time I

've gone about the streets asking for what's my rights. I'll take

it for what's overdue, d' ye hear? [With strange triumph.] I've

got money in my pocket, my girl.

[MRS. JONES goes on again with the preparation of the meal,

JONES looking at her furtively.]

Money in my pocket! And I 'm not goin' to waste it. With this 'ere

money I'm goin' to Canada. I'll let you have a pound.

[A silence.]

You've often talked of leavin' me. You 've often told me I treat

you badly--well I 'ope you 'll be glad when I 'm gone.

MRS. JONES. [Impassively.] You have, treated me very badly, James,

and of course I can't prevent your going; but I can't tell whether I

shall be glad when you're gone.

JONES. It'll change my luck. I 've 'ad nothing but bad luck since

I first took up with you. [More softly.] And you've 'ad no

bloomin' picnic.

MRS. JONES. Of course it would have been better for us if we had

never met. We were n't meant for each other. But you're set

against me, that's what you are, and you have been for a long time.

And you treat me so badly, James, going after that Rosie and all.

You don't ever seem to think of the children that I 've had to bring

into the world, and of all the trouble I 've had to keep them, and

what 'll become of them when you're gone.

JONES. [Crossing the room gloomily.] If you think I want to leave

the little beggars you're bloomin' well mistaken.

MRS. JONES. Of course I know you're fond of them.

JONES. [Fingering the purse, half angrily.] Well, then, you stow

it, old girl. The kids 'll get along better with you than when I 'm

here. If I 'd ha' known as much as I do now, I 'd never ha' had one

o' them. What's the use o' bringin' 'em into a state o' things like

this? It's a crime, that's what it is; but you find it out too late;

that's what's the matter with this 'ere world.

[He puts the purse back in his pocket.]

MRS. JONES. Of course it would have been better for them, poor

little things; but they're your own children, and I wonder at you

talkin' like that. I should miss them dreadfully if I was to lose

them.

JONES. [Sullenly.] An' you ain't the only one. If I make money

out there--[Looking up, he sees her shaking out his coat--in a

changed voice.] Leave that coat alone!

[The silver box drops from the pocket, scattering the

cigarettes upon the bed. Taking up the box she stares at it;

he rushes at her and snatches the box away.]

MRS. JONES. [Cowering back against the bed.] Oh, Jem! oh, Jem!

JONES. [Dropping the box onto the table.] You mind what you're

sayin'! When I go out I 'll take and chuck it in the water along

with that there purse. I 'ad it when I was in liquor, and for what

you do when you 're in liquor you're not responsible-and that's

Gawd's truth as you ought to know. I don't want the thing--I won't

have it. I took it out o' spite. I 'm no thief, I tell you; and

don't you call me one, or it'll be the worse for you.

MRS. JONES. [Twisting her apron strings.] It's Mr. Barthwick's!

You've taken away my reputation. Oh, Jem, whatever made you?

JONES. What d' you mean?

MRS. JONES. It's been missed; they think it's me. Oh! whatever

made you do it, Jem?

JONES. I tell you I was in liquor. I don't want it; what's the

good of it to me? If I were to pawn it they'd only nab me. I 'm no

thief. I 'm no worse than wot that young Barthwick is; he brought

'ome that purse that I picked up--a lady's purse--'ad it off 'er in

a row, kept sayin' 'e 'd scored 'er off. Well, I scored 'im off.

Tight as an owl 'e was! And d' you think anything'll happen to him?

MRS. JONES. [As though speaking to herself.] Oh, Jem! it's the

bread out of our mouths!

JONES. Is it then? I'll make it hot for 'em yet. What about that

purse? What about young BARTHWICK?

[MRS. JONES comes forward to the table and tries to take the box;

JONES prevents her.] What do you want with that? You drop it, I

say!

MRS. JONES. I 'll take it back and tell them all about it. [She

attempts to wrest the box from him.]

JONES. Ah, would yer?

[He drops the box, and rushes on her with a snarl. She slips

back past the bed. He follows; a chair is overturned. The

door is opened; Snow comes in, a detective in plain clothes and

bowler hat, with clipped moustaches. JONES drops his arms,

MRS. JONES stands by the window gasping; SNOW, advancing

swiftly to the table, puts his hand on the silver box.]

SNOW. Doin' a bit o' skylarkin'? Fancy this is what I 'm after.

J. B., the very same. [He gets back to the door, scrutinising the

crest and cypher on the box. To MRS. JONES.] I'm a police officer.

Are you Mrs. Jones?

MRS. JONES. Yes, Sir.

SNOW. My instructions are to take you on a charge of stealing this

box from J. BARTHWICK, Esquire, M.P., of 6, Rockingham Gate.

Anything you say may be used against you. Well, Missis?

MRS. JONES. [In her quiet voice, still out of breath, her hand

upon her breast.] Of course I did not take it, sir. I never have

taken anything that did n't belong to me; and of course I know

nothing about it.

SNOW. You were at the house this morning; you did the room in which

the box was left; you were alone in the room. I find the box 'ere.

You say you did n't take it?

MRS. JONES. Yes, sir, of course I say I did not take it, because I

did not.

SNOW. Then how does the box come to be here?

MRS. JONES. I would rather not say anything about it.

SNOW. Is this your husband?

MRS. JONES. Yes, sir, this is my husband, sir.

SNOW. Do you wish to say anything before I take her?

[JONES remains silent, with his head bend down.]

Well then, Missis. I 'll just trouble you to come along with me

quietly.

MRS. JONES. [Twisting her hands.] Of course I would n't say I had

n't taken it if I had--and I did n't take it, indeed I did n't. Of

course I know appearances are against me, and I can't tell you what

really happened: But my children are at school, and they'll be

coming home--and I don't know what they'll do without me.

SNOW. Your 'usband'll see to them, don't you worry. [He takes the

woman gently by the arm.]

JONES. You drop it--she's all right! [Sullenly.] I took the thing

myself.

SNOW. [Eyeing him] There, there, it does you credit. Come along,

Missis.

JONES. [Passionately.] Drop it, I say, you blooming teck. She's

my wife; she 's a respectable woman. Take her if you dare!

SNOW. Now, now. What's the good of this? Keep a civil tongue, and

it'll be the better for all of us.

[He puts his whistle in his mouth and draws the woman to the

door.]

JONES. [With a rush.] Drop her, and put up your 'ands, or I 'll

soon make yer. You leave her alone, will yer! Don't I tell yer, I

took the thing myself.

SNOW. [Blowing his whistle.] Drop your hands, or I 'll take you

too. Ah, would you?

[JONES, closing, deals him a blow. A Policeman in uniform

appears; there is a short struggle and JONES is overpowered.

MRS. JONES raises her hands avid drops her face on them.]

The curtain falls.

SCENE II

The BARTHWICKS' dining-room the same evening. The BARTHWICKS

are seated at dessert.

MRS. BARTHWICK. John! [A silence broken by the cracking of nuts.]

John!

BARTHWICK. I wish you'd speak about the nuts they're uneatable.

[He puts one in his mouth.]

MRS. BARTHWICK. It's not the season for them. I called on the

Holyroods.

[BARTHWICK fills his glass with port.]

JACK. Crackers, please, Dad.

[BARTHWICK passes the crackers. His demeanour is reflective.]

MRS. BARTHWICK. Lady Holyrood has got very stout. I 've noticed it

coming for a long time.

BARTHWICK. [Gloomily.] Stout? [He takes up the crackers--with

transparent airiness.] The Holyroods had some trouble with their

servants, had n't they?

JACK. Crackers, please, Dad.

BARTHWICK. [Passing the crackers.] It got into the papers. The

cook, was n't it?

MRS. BARTHWICK. No, the lady's maid. I was talking it over with

Lady Holyrood. The girl used to have her young man to see her.

BARTHWICK. [Uneasily.] I'm not sure they were wise----

MRS. BARTHWICK. My dear John, what are you talking about? How

could there be any alternative? Think of the effect on the other

servants!

BARTHWICK. Of course in principle--I wasn't thinking of that.

JACK. [Maliciously.] Crackers, please, Dad.

[BARTHWICK is compelled to pass the crackers.]

MRS. BARTHWICK. Lady Holyrood told me: "I had her up," she said; "I

said to her, 'You'll leave my house at once; I think your conduct

disgraceful. I can't tell, I don't know, and I don't wish to know,

what you were doing. I send you away on principle; you need not

come to me for a character.' And the girl said: 'If you don't give

me my notice, my lady, I want a month's wages. I'm perfectly

respectable. I've done nothing.'"'--Done nothing!

BARTHWICK. H'm!

MRS. BARTHWICK. Servants have too much license. They hang together

so terribly you never can tell what they're really thinking; it's as

if they were all in a conspiracy to keep you in the dark. Even with

Marlow, you feel that he never lets you know what's really in his

mind. I hate that secretiveness; it destroys all confidence. I

feel sometimes I should like to shake him.

JACK. Marlow's a most decent chap. It's simply beastly every one

knowing your affairs.

BARTHWICK. The less you say about that the better!

MRS. BARTHWICK. It goes all through the lower classes. You can not

tell when they are speaking the truth. To-day when I was shopping

after leaving the Holyroods, one of these unemployed came up and

spoke to me. I suppose I only had twenty yards or so to walk to the

carnage, but he seemed to spring up in the street.

BARTHWICK. Ah! You must be very careful whom you speak to in these

days.

MRS. BARTHWICK. I did n't answer him, of course. But I could see

at once that he wasn't telling the truth.

BARTHWICK. [Cracking a nut.] There's one very good rule--look at

their eyes.

JACK. Crackers, please, Dad.

BARTHWICK. [Passing the crackers.] If their eyes are

straight-forward I sometimes give them sixpence. It 's against my

principles, but it's most difficult to refuse. If you see that

they're desperate, and dull, and shifty-looking, as so many of them

are, it's certain to mean drink, or crime, or something

unsatisfactory.

MRS. BARTHWICK. This man had dreadful eyes. He looked as if he

could commit a murder. "I 've 'ad nothing to eat to-day," he said.

Just like that.

BARTHWICK. What was William about? He ought to have been waiting.

JACK. [Raising his wine-glass to his nose.] Is this the '63, Dad?

[BARTHWICK, holding his wine-glass to his eye, lowers it and

passes it before his nose.]

MRS. BARTHWICK. I hate people that can't speak the truth. [Father

and son exchange a look behind their port.] It 's just as easy to

speak the truth as not. I've always found it easy enough. It makes

it impossible to tell what is genuine; one feels as if one were

continually being taken in.

BARTHWICK. [Sententiously.] The lower classes are their own

enemies. If they would only trust us, they would get on so much

better.

MRS. BARTHWICK. But even then it's so often their own fault. Look

at that Mrs. Jones this morning.

BARTHWICK. I only want to do what's right in that matter. I had

occasion to see Roper this afternoon. I mentioned it to him. He's

coming in this evening. It all depends on what the detective says.

I've had my doubts. I've been thinking it over.

MRS. BARTHWICK. The woman impressed me most unfavourably. She

seemed to have no shame. That affair she was talking about--she and

the man when they were young, so immoral! And before you and Jack!

I could have put her out of the room!

BARTHWICK. Oh! I don't want to excuse them, but in looking at

these matters one must consider----

MRS. BARTHWICK. Perhaps you'll say the man's employer was wrong in

dismissing him?

BARTHWICK. Of course not. It's not there that I feel doubt. What

I ask myself is----

JACK. Port, please, Dad.

BARTHWICK. [Circulating the decanter in religious imitation of the

rising and setting of the sun.] I ask myself whether we are

sufficiently careful in making inquiries about people before we

engage them, especially as regards moral conduct.

JACK. Pass the-port, please, Mother!

MRS. BARTHWICK. [Passing it.] My dear boy, are n't you drinking

too much?

[JACK fills his glass.]

MARLOW. [Entering.] Detective Snow to see you, Sir.

BARTHWICK. [Uneasily.] Ah! say I'll be with him in a minute.

MRS. BARTHWICK. [Without turning.] Let him come in here, Marlow.

[SNOW enters in an overcoat, his bowler hat in hand.]

BARTHWICK. [Half-rising.] Oh! Good evening!

SNOW. Good evening, sir; good evening, ma'am. I 've called round to

report what I 've done, rather late, I 'm afraid--another case took

me away. [He takes the silver box out o f his pocket, causing a

sensation in the BARTHWICK family.] This is the identical article,

I believe.

BARTHWICK. Certainly, certainly.

SNOW. Havin' your crest and cypher, as you described to me, sir, I

'd no hesitation in the matter.

BARTHWICK. Excellent. Will you have a glass of [he glances at the

waning port]--er--sherry-[pours out sherry]. Jack, just give Mr.

Snow this.

[JACK rises and gives the glass to SNOW; then, lolling in his

chair, regards him indolently.]

SNOW. [Drinking off wine and putting down the glass.] After seeing

you I went round to this woman's lodgings, sir. It's a low

neighborhood, and I thought it as well to place a constable below

--and not without 'e was wanted, as things turned out.

BARTHWICK. Indeed!

SNOW. Yes, Sir, I 'ad some trouble. I asked her to account for the

presence of the article. She could give me no answer, except to

deny the theft; so I took her into custody; then her husband came

for me, so I was obliged to take him, too, for assault. He was very

violent on the way to the station--very violent--threatened you and

your son, and altogether he was a handful, I can till you.

MRS. BARTHWICK. What a ruffian he must be!

SNOW. Yes, ma'am, a rough customer.

JACK. [Sipping his mine, bemused.] Punch the beggar's head.

SNOW. Given to drink, as I understand, sir.

MRS. BARTHWICK. It's to be hoped he will get a severe punishment.

SNOW. The odd thing is, sir, that he persists in sayin' he took the

box himself.

BARTHWICK. Took the box himself! [He smiles.] What does he think

to gain by that?

SNOW. He says the young gentleman was intoxicated last night

[JACK stops the cracking of a nut, and looks at SNOW.]

[BARTHWICK, losing his smile, has put his wine-glass down;

there is a silence--SNOW, looking from face to face, remarks]

--took him into the house and gave him whisky; and under the

influence of an empty stomach the man says he took the box.

MRS. BARTHWICK. The impudent wretch!

BARTHWICK. D' you mean that he--er--intends to put this forward

to-morrow?

SNOW. That'll be his line, sir; but whether he's endeavouring to

shield his wife, or whether [he looks at JACK] there's something in

it, will be for the magistrate to say.

MRS. BARTHWICK. [Haughtily.] Something in what? I don't

understand you. As if my son would bring a man like that into the

house!

BARTHWICK. [From the fireplace, with an effort to be calm.] My son

can speak for himself, no doubt. Well, Jack, what do you say?

MRS. BARTHWICK. [Sharply.] What does he say? Why, of course, he

says the whole story's stuff!

JACK. [Embarrassed.] Well, of course, I--of course, I don't know

anything about it.

MRS. BARTHWICK. I should think not, indeed! [To Snow.] The man is

an audacious ruffian!

BARTHWICK. [Suppressing jumps.] But in view of my son's saying

there's nothing in this--this fable--will it be necessary to proceed

against the man under the circumstances?

SNOW. We shall have to charge him with the assault, sir. It would

be as well for your son to come down to the Court. There'll be a

remand, no doubt. The queer thing is there was quite a sum of money

found on him, and a crimson silk purse.

[BARTHWICK starts; JACK rises and sits dozen again.]

I suppose the lady has n't missed her purse?

BARTHWICK. [Hastily.] Oh, no! Oh! No!

JACK. No!

MRS. BARTHWICK. [Dreamily.] No! [To SNOW.] I 've been inquiring

of the servants. This man does hang about the house. I shall feel

much safer if he gets a good long sentence; I do think we ought to

be protected against such ruffians.

BARTHWICK. Yes, yes, of course, on principle but in this case we

have a number of things to think of. [To SNOW.] I suppose, as you

say, the man must be charged, eh?

SNOW. No question about that, sir.

BARTHWICK. [Staring gloomily at JACK.] This prosecution goes very

much against the grain with me. I have great sympathy with the

poor. In my position I 'm bound to recognise the distress there is

amongst them. The condition of the people leaves much to be

desired. D' you follow me? I wish I could see my way to drop it.

MRS. BARTHWICK. [Sharply.] John! it's simply not fair to other

people. It's putting property at the mercy of any one who likes to

take it.

BARTHWICK. [Trying to make signs to her aside.] I 'm not defending

him, not at all. I'm trying to look at the matter broadly.

MRS. BARTHWICK. Nonsense, John, there's a time for everything.

SNOW. [Rather sardonically.] I might point out, sir, that to

withdraw the charge of stealing would not make much difference,

because the facts must come out [he looks significantly at JACK] in

reference to the assault; and as I said that charge will have to go

forward.

BARTHWICK. [Hastily.] Yes, oh! exactly! It's entirely on the

woman's account--entirely a matter of my own private feelings.

SNOW. If I were you, sir, I should let things take their course.

It's not likely there'll be much difficulty. These things are very

quick settled.

BARTHWICK. [Doubtfully.] You think so--you think so?

JACK. [Rousing himself.] I say, what shall I have to swear to?

SNOW. That's best known to yourself, sir. [Retreating to the

door.] Better employ a solicitor, sir, in case anything should

arise. We shall have the butler to prove the loss of the article.

You'll excuse me going, I 'm rather pressed to-night. The case may

come on any time after eleven. Good evening, sir; good evening,

ma'am. I shall have to produce the box in court to-morrow, so if

you'll excuse me, sir, I may as well take it with me.

[He takes the silver box and leaves them with a little bow.]

[BARTHWICK makes a move to follow him, then dashing his hands

beneath his coat tails, speaks with desperation.]

BARTHWICK. I do wish you'd leave me to manage things myself. You

will put your nose into matters you know nothing of. A pretty mess

you've made of this!

MRS. BARTHWICK. [Coldly.] I don't in the least know what you're

talking about. If you can't stand up for your rights, I can. I 've

no patience with your principles, it's such nonsense.

BARTHWICK. Principles! Good Heavens! What have principles to do

with it for goodness sake? Don't you know that Jack was drunk last

night!

JACK. Dad!

MRS. BARTHWICK. [In horror rising.] Jack!

JACK. Look here, Mother--I had supper. Everybody does. I mean to

say--you know what I mean--it's absurd to call it being drunk. At

Oxford everybody gets a bit "on" sometimes----

MRS. BARTHWICK. Well, I think it's most dreadful! If that is

really what you do at Oxford?

JACK. [Angrily.] Well, why did you send me there? One must do as

other fellows do. It's such nonsense, I mean, to call it being

drunk. Of course I 'm awfully sorry. I 've had such a beastly

headache all day.

BARTHWICK. Tcha! If you'd only had the common decency to remember

what happened when you came in. Then we should know what truth

there was in what this fellow says--as it is, it's all the most

confounded darkness.

JACK. [Staring as though at half-formed visions.] I just get a--

and then--it 's gone----

MRS. BARTHWICK. Oh, Jack! do you mean to say you were so tipsy you

can't even remember----

JACK. Look here, Mother! Of course I remember I came--I must have

come----

BARTHWICK. [Unguardedly, and walking up and down.] Tcha!--and that

infernal purse! Good Heavens! It'll get into the papers. Who on

earth could have foreseen a thing like this? Better to have lost a

dozen cigarette-boxes, and said nothing about it. [To his wife.]

It's all your doing. I told you so from the first. I wish to

goodness Roper would come!

MRS. BARTHWICK. [Sharply.] I don't know what you're talking about,

John.

BARTHWICK. [Turning on her.] No, you--you--you don't know

anything! [Sharply.] Where the devil is Roper? If he can see a

way out of this he's a better man than I take him for. I defy any

one to see a way out of it. I can't.

JACK. Look here, don't excite Dad--I can simply say I was too

beastly tired, and don't remember anything except that I came in and

[in a dying voice] went to bed the same as usual.

BARTHWICK. Went to bed? Who knows where you went--I 've lost all

confidence. For all I know you slept on the floor.

JACK. [Indignantly.] I did n't, I slept on the----

BARTHWICK. [Sitting on the sofa.] Who cares where you slept; what

does it matter if he mentions the--the--a perfect disgrace?

MRS. BARTHWICK. What? [A silence.] I insist on knowing.

JACK. Oh! nothing.

MRS. BARTHWICK. Nothing? What do you mean by nothing, Jack?

There's your father in such a state about it!

JACK. It's only my purse.

MRS. BARTHWICK. Your purse! You know perfectly well you have n't

got one.

JACK. Well, it was somebody else's--it was all a joke--I did n't

want the beastly thing.

MRS. BARTHWICK. Do you mean that you had another person's purse,

and that this man took it too?

BARTHWICK. Tcha! Of course he took it too! A man like that Jones

will make the most of it. It'll get into the papers.

MRS. BARTHWICK. I don't understand. What on earth is all the fuss

about? [Bending over JACK, and softly.] Jack now, tell me dear!

Don't be afraid. What is it? Come!

JACK. Oh, don't Mother!

MRS. BARTHWICK. But don't what, dear?

JACK. It was pure sport. I don't know how I got the thing. Of

course I 'd had a bit of a row--I did n't know what I was doing--I

was--I Was--well, you know--I suppose I must have pulled the bag out

of her hand.

MRS. BARTHWICK. Out of her hand? Whose hand? What bag--whose bag?

JACK. Oh! I don't know--her bag--it belonged to--[in a desperate

and rising voice] a woman.

MRS. BARTHWICK. A woman? Oh! Jack! No!

JACK. [Jumping up.] You would have it. I did n't want to tell

you. It's not my fault.

[The door opens and MARLOW ushers in a man of middle age,

inclined to corpulence, in evening dress. He has a ruddy, thin

moustache, and dark, quick-moving little eyes. His eyebrows

aye Chinese.]

MARLOW. Mr. Roper, Sir. [He leaves the room.]

ROPER. [With a quick look round.] How do you do?

[But neither JACK nor MRS. BARTHWICK make a sign.]

BARTHWICK. [Hurrying.] Thank goodness you've come, Roper. You

remember what I told you this afternoon; we've just had the

detective here.

ROPER. Got the box?

BARTHWICK. Yes, yes, but look here--it was n't the charwoman at

all; her drunken loafer of a husband took the things--he says that

fellow there [he waves his hand at JACK, who with his shoulder

raised, seems trying to ward off a blow] let him into the house last

night. Can you imagine such a thing.

[Roper laughs. ]

BARTHWICK. [With excited emphasis.]. It's no laughing matter,

Roper. I told you about that business of Jack's too--don't you see

the brute took both the things--took that infernal purse. It'll get

into the papers.

ROPER. [Raising his eyebrows.] H'm! The purse! Depravity in high

life! What does your son say?

BARTHWICK. He remembers nothing. D--n! Did you ever see such a

mess? It 'll get into the papers.

MRS. BARTHWICK. [With her hand across hey eyes.] Oh! it's not

that----

[BARTHWICK and ROPER turn and look at her.]

BARTHWICK. It's the idea of that woman--she's just heard----

[ROPER nods. And MRS. BARTHWICK, setting her lips, gives a

slow look at JACK, and sits down at the table.]

What on earth's to be done, Roper? A ruffian like this Jones will

make all the capital he can out of that purse.

MRS. BARTHWICK. I don't believe that Jack took that purse.

BARTHWICK. What--when the woman came here for it this morning?

MRS. BARTHWICK. Here? She had the impudence? Why was n't I told?

[She looks round from face to face--no one answers hey, there

is a pause.]

BARTHWICK. [Suddenly.] What's to be done, Roper?

ROPER. [Quietly to JACK.] I suppose you did n't leave your

latch-key in the door?

JACK. [Sullenly.] Yes, I did.

BARTHWICK. Good heavens! What next?

MRS. BARTHWICK. I 'm certain you never let that man into the house,

Jack, it's a wild invention. I'm sure there's not a word of truth

in it, Mr. Roper.

ROPER. [Very suddenly.] Where did you sleep last night?

JACK. [Promptly.] On the sofa, there--[hesitating]--that is--I----

BARTHWICK. On the sofa? D' you mean to say you did n't go to bed?

JACK.[Sullenly.] No.

BARTHWICK. If you don't remember anything, how can you remember

that?

JACK. Because I woke up there in the morning.

MRS. BARTHWICK. Oh, Jack!

BARTHWICK. Good Gracious!

JACK. And Mrs. Jones saw me. I wish you would n't bait me so.

ROPER. Do you remember giving any one a drink?

JACK. By Jove, I do seem to remember a fellow with--a fellow with

[He looks at Roper.] I say, d' you want me----?

ROPER. [Quick as lightning.] With a dirty face?

JACK. [With illumination.] I do--I distinctly remember his----

[BARTHWICK moves abruptly; MRS. BARTHWICK looks at ROPER

angrily, and touches her son's arm.]

MRS. BARTHWICK. You don't remember, it's ridiculous! I don't

believe the man was ever here at all.

BARTHWICK. You must speak the truth, if it is the truth. But if

you do remember such a dirty business, I shall wash my hands of you

altogether.

JACK. [Glaring at them.] Well, what the devil----

MRS. BARTHWICK. Jack!

JACK. Well, Mother, I--I don't know what you do want.

MRS. BARTHWICK. We want you to speak the truth and say you never

let this low man into the house.

BARTHWICK. Of course if you think that you really gave this man

whisky in that disgraceful way, and let him see what you'd been

doing, and were in such a disgusting condition that you don't

remember a word of it----

ROPER. [Quick.] I've no memory myself--never had.

BARTHWICK. [Desperately.] I don't know what you're to say.

ROPER. [To JACK.] Say nothing at all! Don't put yourself in a

false position. The man stole the things or the woman stole the

things, you had nothing to do with it. You were asleep on the sofa.

MRS. BARTHWICK. Your leaving the latch-key in the door was quite

bad enough, there's no need to mention anything else. [Touching his

forehead softly.] My dear, how hot your head is!

JACK. But I want to know what I 'm to do. [Passionately.] I won't

be badgered like this.

[MRS. BARTHWICK recoils from him.]

ROPER. [Very quickly.] You forget all about it. You were asleep.

JACK. Must I go down to the Court to-morrow?

ROPER. [Shaking his head.] No.

BARTHWICK. [In a relieved voice.] Is that so?

ROPER. Yes.

BARTHWICK. But you'll go, Roper.

ROPER. Yes.

JACK. [With wan cheerfulness.] Thanks, awfully! So long as I

don't have to go. [Putting his hand up to his head.] I think if

you'll excuse me--I've had a most beastly day. [He looks from his

father to his mother.]

MRS. BARTHWICK. [Turning quickly.] Goodnight, my boy.

JACK. Good-night, Mother.

[He goes out. MRS. BARTHWICK heaves a sigh. There is a

silence.]

BARTHWICK. He gets off too easily. But for my money that woman

would have prosecuted him.

ROPER. You find money useful.

BARTHWICK. I've my doubts whether we ought to hide the truth----

ROPER. There'll be a remand.

BARTHWICK. What! D' you mean he'll have to appear on the remand.

ROPER. Yes.

BARTHWICK. H'm, I thought you'd be able to----Look here, Roper,

you must keep that purse out of the papers.

[ROPER fixes his little eyes on him and nods.]

MRS. BARTHWICK. Mr. Roper, don't you think the magistrate ought to

be told what sort of people these Jones's are; I mean about their

immorality before they were married. I don't know if John told you.

ROPER. Afraid it's not material.

MRS. BARTHWICK. Not material?

ROPER. Purely private life! May have happened to the magistrate.

BARTHWICK. [With a movement as if to shift a burden.] Then you'll

take the thing into your hands?

ROPER. If the gods are kind. [He holds his hand out.]

BARTHWICK. [Shaking it dubiously.] Kind eh? What? You going?

ROPER. Yes. I've another case, something like yours--most

unexpected.

[He bows to MRS. BARTHWICK, and goes out, followed by

BARTHWICK, talking to the last. MRS. BARTHWICK at the table

bursts into smothered sobs. BARTHWICK returns.]

BARTHWICK. [To himself.] There'll be a scandal!

MRS. BARTHWICK. [Disguising her grief at once.] I simply can't

imagine what Roper means by making a joke of a thing like that!

BARTHWICK. [Staring strangely.] You! You can't imagine anything!

You've no more imagination than a fly!

MRS. BARTHWICK. [Angrily.] You dare to tell me that I have no

imagination.

BARTHWICK. [Flustered.] I--I 'm upset. From beginning to end, the

whole thing has been utterly against my principles.

MRS. BARTHWICK. Rubbish! You have n't any! Your principles are

nothing in the world but sheer fright!

BARTHWICK. [Walking to the window.] I've never been frightened in

my life. You heard what Roper said. It's enough to upset one when

a thing like this happens. Everything one says and does seems to

turn in one's mouth--it's--it's uncanny. It's not the sort of thing

I've been accustomed to. [As though stifling, he throws the window

open. The faint sobbing of a child comes in.] What's that?

[They listen.]

MRS. BARTHWICK. [Sharply.] I can't stand that crying. I must send

Marlow to stop it. My nerves are all on edge. [She rings the

bell.]

BARTHWICK. I'll shut the window; you'll hear nothing. [He shuts

the window. There is silence.]

MRS. BARTHWICK. [Sharply.] That's no good! It's on my nerves.

Nothing upsets me like a child's crying.

[MARLOW comes in.]

What's that noise of crying, Marlow? It sounds like a child.

BARTHWICK. It is a child. I can see it against the railings.

MARLOW. [Opening the window, and looking out quietly.] It's Mrs.

Jones's little boy, ma'am; he came here after his mother.

MRS. BARTHWICK. [Moving quickly to the window.] Poor little chap!

John, we ought n't to go on with this!

BARTHWICK. [Sitting heavily in a chair.] Ah! but it's out of our

hands!

[MRS. BARTHWICK turns her back to the window. There is an

expression of distress on hey face. She stands motionless,

compressing her lips. The crying begins again. BARTHWICK

coveys his ears with his hands, and MARLOW shuts the window.

The crying ceases.]

The curtain falls.

ACT III

Eight days have passed, and the scene is a London Police Court

at one o'clock. A canopied seat of Justice is surmounted by

the lion and unicorn. Before the fire a worn-looking

MAGISTRATE is warming his coat-tails, and staring at two little

girls in faded blue and orange rags, who are placed before the

dock. Close to the witness-box is a RELIEVING OFFICER in an

overcoat, and a short brown beard. Beside the little girls

stands a bald POLICE CONSTABLE. On the front bench are sitting

BARTHWICK and ROPER, and behind them JACK. In the railed

enclosure are seedy-looking men and women. Some prosperous

constables sit or stand about.

MAGISTRATE. [In his paternal and ferocious voice, hissing his s's.]

Now let us dispose of these young ladies.

USHER. Theresa Livens, Maud Livens.

[The bald CONSTABLE indicates the little girls, who remain

silent, disillusioned, inattentive.]

Relieving Officer!

[The RELIEVING OFFICER Steps into the witness-box.]

USHER. The evidence you give to the Court shall be the truth, the

whole truth, and nothing but the truth, so help you God! Kiss the

book!

[The book is kissed.]

RELIEVING OFFICER. [In a monotone, pausing slightly at each

sentence end, that his evidence may be inscribed.] About ten

o'clock this morning, your Worship, I found these two little girls

in Blue Street, Fulham, crying outside a public-house. Asked where

their home was, they said they had no home. Mother had gone away.

Asked about their father. Their father had no work. Asked where

they slept last night. At their aunt's. I 've made inquiries, your

Worship. The wife has broken up the home and gone on the streets.

The husband is out of work and living in common lodging-houses. The

husband's sister has eight children of her own, and says she can't

afford to keep these little girls any longer.

MAGISTRATE. [Returning to his seat beneath the canopy of justice.]

Now, let me see. You say the mother is on the streets; what

evidence have you of that?

RELIEVING OFFICER. I have the husband here, your Worship.

MAGISTRATE. Very well; then let us see him.

[There are cries of "LIVENS." The MAGISTRATE leans forward,

and stares with hard compassion at the little girls. LIVENS

comes in. He is quiet, with grizzled hair, and a muffler for a

collar. He stands beside the witness-box.]

And you, are their father? Now, why don't you keep your little

girls at home. How is it you leave them to wander about the streets

like this?

LIVENS. I've got no home, your Worship. I'm living from 'and to

mouth. I 've got no work; and nothin' to keep them on.

MAGISTRATE. How is that?

LIVENS. [Ashamedly.] My wife, she broke my 'ome up, and pawned the

things.

MAGISTRATE. But what made you let her?

LEVINS. Your Worship, I'd no chance to stop 'er, she did it when I

was out lookin' for work.

MAGISTRATE. Did you ill-treat her?

LIVENS. [Emphatically.] I never raised my 'and to her in my life,

your Worship.

MAGISTRATE. Then what was it--did she drink?

LIVENS. Yes, your Worship.

MAGISTRATE. Was she loose in her behaviour?

LIVENS. [In a low voice.] Yes, your Worship.

MAGISTRATE. And where is she now?

LIVENS. I don't know your Worship. She went off with a man, and

after that I----

MAGISTRATE. Yes, yes. Who knows anything of her? [To the bald

CONSTABLE.] Is she known here?

RELIEVING OFFICER. Not in this district, your Worship; but I have

ascertained that she is well known----

MAGISTRATE. Yes--yes; we'll stop at that. Now [To the Father] you

say that she has broken up your home, and left these little girls.

What provision can you make for them? You look a strong man.

LIVENS. So I am, your Worship. I'm willin' enough to work, but for

the life of me I can't get anything to do.

MAGISTRATE. But have you tried?

LIVENS. I've tried everything, your Worship--I 've tried my

'ardest.

MAGISTRATE. Well, well---- [There is a silence.]

RELIEVING OFFICER. If your Worship thinks it's a case, my people are

willing to take them.

MAGISTRATE. Yes, yes, I know; but I've no evidence that this man is

not the proper guardian for his children.

[He rises oval goes back to the fire.]

RELIEVING OFFICER. The mother, your Worship, is able to get access

to them.

MAGISTRATE. Yes, yes; the mother, of course, is an improper person

to have anything to do with them. [To the Father.] Well, now what

do you say?

LIVENS. Your Worship, I can only say that if I could get work I

should be only too willing to provide for them. But what can I do,

your Worship? Here I am obliged to live from 'and to mouth in these

'ere common lodging-houses. I 'm a strong man--I'm willing to work

--I'm half as alive again as some of 'em--but you see, your Worship,

my 'airs' turned a bit, owing to the fever--[Touches his hair]--and

that's against me; and I don't seem to get a chance anyhow.

MAGISTRATE. Yes-yes. [Slowly.] Well, I think it 's a case.

[Staring his hardest at the little girls.] Now, are you willing

that these little girls should be sent to a home.

LIVENS. Yes, your Worship, I should be very willing.

MAGISTRATE. Well, I'll remand them for a week. Bring them again

to-day week; if I see no reason against it then, I 'll make an

order.

RELIEVING OFFICER. To-day week, your Worship.

[The bald CONSTABLE takes the little girls out by the

shoulders. The father follows them. The MAGISTRATE, returning

to his seat, bends over and talks to his CLERK inaudibly.]

BARTHWICK. [Speaking behind his hand.] A painful case, Roper; very

distressing state of things.

ROPER. Hundreds like this in the Police Courts.

BARTHWICK. Most distressing! The more I see of it, the more

important this question of the condition of the people seems to

become. I shall certainly make a point of taking up the cudgels in

the House. I shall move----

[The MAGISTRATE ceases talking to his CLERK.]

CLERK. Remands!

[BARTHWICK stops abruptly. There is a stir and MRS. JONES

comes in by the public door; JONES, ushered by policemen, comes

from the prisoner's door. They file into the dock.]

CLERK. James Jones, Jane Jones.

USHER. Jane Jones!

BARTHWICK. [In a whisper.] The purse--the purse must be kept out

of it, Roper. Whatever happens you must keep that out of the

papers.

[ROPER nods.]

BALD CONSTABLE. Hush!

[MRS. JONES, dressed in hey thin, black, wispy dress, and black

straw hat, stands motionless with hands crossed on the front

rail of the dock. JONES leans against the back rail of the

dock, and keeps half turning, glancing defiantly about him. He

is haggard and unshaven.]

CLERK. [Consulting with his papers.] This is the case remanded

from last Wednesday, Sir. Theft of a silver cigarette-box and

assault on the police; the two charges were taken together. Jane

Jones! James Jones!

MAGISTRATE. [Staring.] Yes, yes; I remember.

CLERK. Jane Jones.

MRS. JONES. Yes, Sir.

CLERK. Do you admit stealing a silver cigarette-box valued at five

pounds, ten shillings, from the house of John BARTHWICK, M.P.,

between the hours of 11 p.m. on Easter Monday and 8.45 a.m. on

Easter Tuesday last? Yes, or no?

MRS. JONES. [In a logy voice.] No, Sir, I do not, sir.

CLERK. James Jones? Do you admit stealing a silver cigarette-box

valued at five pounds, ten shillings, from the house of John

BARTHWICK, M.P., between the hours of 11 p.m. on Easter Monday and

8.45 A.M. on Easter Tuesday last. And further making an assault on

the police when in the execution of their duty at 3 p.m. on Easter

Tuesday? Yes or no?

JONES. [Sullenly.] Yes, but I've got a lot to say about it.

MAGISTRATE. [To the CLERK.] Yes--yes. But how comes it that these

two people are charged with the same offence? Are they husband and

wife?

CLERK. Yes, Sir. You remember you ordered a remand for further

evidence as to the story of the male prisoner.

MAGISTRATE. Have they been in custody since?

CLERK. You released the woman on her own recognisances, sir.

MAGISTRATE. Yes, yes, this is the case of the silver box; I

remember now. Well?

CLERK. Thomas Marlow.

[The cry of "THOMAS MARLOW" is repeated MARLOW comes in, and

steps into the witness-box.]

USHER. The evidence you give to the court shall be the truth, the

whole truth, and nothing but the truth, so help you God. Kiss the

book.

[The book is kissed. The silver box is handed up, and placed

on the rail.]

CLERK. [Reading from his papers.] Your name is Thomas Marlow? Are

you, butler to John BARTHWICK, M.P., of 6, Rockingham Gate?

MARLOW. Yes, Sir.

CLERK. Is that the box?

MARLOW. Yes Sir.

CLERK. And did you miss the same at 8.45 on the following morning,

on going to remove the tray?

MARLOW. Yes, Sir.

CLERK. Is the female prisoner known to you?

[MARLOW nods.]

Is she the charwoman employed at 6, Rockingham Gate?

[Again MARLOW nods.]

Did you at the time of your missing the box find her in the room

alone?

MARLOW. Yes, Sir.

CLERK. Did you afterwards communicate the loss to your employer,

and did he send you to the police station?

MARLOW. Yes, Sir.

CLERK. [To MRS. JONES.] Have you anything to ask him?

MRS. JONES. No, sir, nothing, thank you, sir.

CLERK. [To JONES.] James Jones, have you anything to ask this

witness?

JONES. I don't know 'im.

MAGISTRATE. Are you sure you put the box in the place you say at

the time you say?

MARLOW. Yes, your Worship.

MAGISTRATE. Very well; then now let us have the officer.

[MARLOW leaves the box, and Snow goes into it.]

USHER. The evidence you give to the court shall be the truth, the

whole truth, and nothing but the truth, so help you God. [The book

is kissed.]

CLERK. [Reading from his papers.] Your name is Robert Allow? You

are a detective in the X. B. division of the Metropolitan police

force? According to instructions received did you on Easter Tuesday

last proceed to the prisoner's lodgings at 34, Merthyr Street, St.

Soames's? And did you on entering see the box produced, lying on

the table?

SNOW. Yes, Sir.

CLERK. Is that the box?

Snow. [Fingering the box.] Yes, Sir.

CLERK. And did you thereupon take possession of it, and charge the

female prisoner with theft of the box from 6, Rockingham Gate? And

did she deny the same?

SNOW. Yes, Sir.

CLERK. Did you take her into custody?

Snow. Yes, Sir.

MAGISTRATE. What was her behaviour?

SNOW. Perfectly quiet, your Worship. She persisted in the denial.

That's all.

MAGISTRATE. DO you know her?

SNOW. No, your Worship.

MAGISTRATE. Is she known here?

BALD CONSTABLE. No, your Worship, they're neither of them known,

we 've nothing against them at all.

CLERK. [To MRS. JONES.] Have you anything to ask the officer?

MRS. JONES. No, sir, thank you, I 've nothing to ask him.

MAGISTRATE. Very well then--go on.

CLERK. [Reading from his papers.] And while you were taking the

female prisoner did the male prisoner interpose, and endeavour to

hinder you in the execution of your duty, and did he strike you a

blow?

SNOW. Yes, Sir.

CLERK. And did he say, "You, let her go, I took the box myself"?

SNOW. He did.

CLERK. And did you blow your whistle and obtain the assistance of

another constable, and take him into custody?

SNOW. I did.

CLERK. Was he violent on the way to the station, and did he use bad

language, and did he several times repeat that he had taken the box

himself?

[Snow nods.]

Did you thereupon ask him in what manner he had stolen the box? And

did you understand him to say he had entered the house at the

invitation of young Mr. BARTHWICK

[BARTHWICK, turning in his seat, frowns at ROPER.]

after midnight on Easter Monday, and partaken of whisky, and that

under the influence of the whisky he had taken the box?

SNOW. I did, sir.

CLERK. And was his demeanour throughout very violent?

SNOW. It was very violent.

JONES. [Breaking in.] Violent---of course it was! You put your

'ands on my wife when I kept tellin' you I took the thing myself.

MAGISTRATE. [Hissing, with protruded neck.] Now--you will have

your chance of saying what you want to say presently. Have you

anything to ask the officer?

JONES. [Sullenly.] No.

MAGISTRATE. Very well then. Now let us hear what the female

prisoner has to say first.

MRS. JONES. Well, your Worship, of course I can only say what I 've

said all along, that I did n't take the box.

MAGISTRATE. Yes, but did you know that it was taken?

MRS. JONES. No, your Worship. And, of course, to what my husband

says, your Worship, I can't speak of my own knowledge. Of course, I

know that he came home very late on the Monday night. It was past

one o'clock when he came in, and he was not himself at all.

MAGISTRATE. Had he been drinking?

MRS. JONES. Yes, your Worship.

MAGISTRATE. And was he drunk?

MRS. JONES. Yes, your Worship, he was almost quite drunk.

MAGISTRATE. And did he say anything to you?

MRS. JONES. No, your Worship, only to call me names. And of course

in the morning when I got up and went to work he was asleep. And I

don't know anything more about it until I came home again. Except

that Mr. BARTHWICK--that 's my employer, your Worship--told me the

box was missing.

MAGISTRATE. Yes, yes.

MRS. JONES. But of course when I was shaking out my husband's coat

the cigarette-box fell out and all the cigarettes were scattered on

the bed.

MAGISTRATE. You say all the cigarettes were scattered on the bed?

[To SNOW.] Did you see the cigarettes scattered on the bed?

SNOW. No, your Worship, I did not.

MAGISTRATE. You see he says he did n't see them.

JONES. Well, they were there for all that.

SNOW. I can't say, your Worship, that I had the opportunity of

going round the room; I had all my work cut out with the male

prisoner.

MAGISTRATE. [To MRS. JONES.] Well, what more have you to say?

MRS. JONES. Of course when I saw the box, your Worship, I was

dreadfully upset, and I could n't think why he had done such a

thing; when the officer came we were having words about it, because

it is ruin to me, your Worship, in my profession, and I have three

little children dependent on me.

MAGISTRATE. [Protruding his neck]. Yes--yes--but what did he say

to you?

MRS. JONES. I asked him whatever came over him to do such a thing

--and he said it was the drink. He said he had had too much to drink,

and something came over him. And of course, your Worship, he had

had very little to eat all day, and the drink does go to the head

when you have not had enough to eat. Your Worship may not know, but

it is the truth. And I would like to say that all through his

married life, I have never known him to do such a thing before,

though we have passed through great hardships and [speaking with

soft emphasis] I am quite sure he would not have done it if he had

been himself at the time.

MAGISTRATE. Yes, yes. But don't you know that that is no excuse?

MRS. JONES. Yes, your Worship. I know that it is no excuse.

[The MAGISTRATE leans over and parleys with his CLERK.]

JACK. [Leaning over from his seat behind.] I say, Dad----

BARTHWICK. Tsst! [Sheltering his mouth he speaks to ROPER.]

Roper, you had better get up now and say that considering the

circumstances and the poverty of the prisoners, we have no wish to

proceed any further, and if the magistrate would deal with the case

as one of disorder only on the part of----

BALD CONSTABLE. HSSShh!

[ROPER shakes his head.]

MAGISTRATE. Now, supposing what you say and what your husband says

is true, what I have to consider is--how did he obtain access to

this house, and were you in any way a party to his obtaining access?

You are the charwoman employed at the house?

MRS. JONES. Yes, your Worship, and of course if I had let him into

the house it would have been very wrong of me; and I have never done

such a thing in any of the houses where I have been employed.

MAGISTRATE. Well--so you say. Now let us hear what story the male

prisoner makes of it.

JONES. [Who leans with his arms on the dock behind, speaks in a

slow, sullen voice.] Wot I say is wot my wife says. I 've never

been 'ad up in a police court before, an' I can prove I took it when

in liquor. I told her, and she can tell you the same, that I was

goin' to throw the thing into the water sooner then 'ave it on my

mind.

MAGISTRATE. But how did you get into the HOUSE?

JONES. I was passin'. I was goin' 'ome from the "Goat and Bells."

MAGISTRATE. The "Goat and Bells,"--what is that? A public-house?

JONES. Yes, at the corner. It was Bank 'oliday, an' I'd 'ad a drop

to drink. I see this young Mr. BARTHWICK tryin' to find the keyhole

on the wrong side of the door.

MAGISTRATE. Well?

JONES. [Slowly and with many pauses.] Well---I 'elped 'im to find

it--drunk as a lord 'e was. He goes on, an' comes back again, and

says, I 've got nothin' for you, 'e says, but come in an' 'ave a

drink. So I went in just as you might 'ave done yourself. We 'ad a

drink o' whisky just as you might have 'ad, 'nd young Mr. BARTHWICK

says to me, "Take a drink 'nd a smoke. Take anything you like, 'e

says." And then he went to sleep on the sofa. I 'ad some more

whisky--an' I 'ad a smoke--and I 'ad some more whisky--an' I carn't

tell yer what 'appened after that.

MAGISTRATE. Do you mean to say that you were so drunk that you can

remember nothing?

JACK. [Softly to his father.] I say, that's exactly what----

BARTHWICK. TSSh!

JONES. That's what I do mean.

MAGISTRATE. And yet you say you stole the box?

JONES. I never stole the box. I took it.

MAGISTRATE. [Hissing with protruded neck.] You did not steal it--

you took it. Did it belong to you--what is that but stealing?

JONES. I took it.

MAGISTRATE. You took it--you took it away from their house and you

took it to your house----

JONES. [Sullenly breaking in.] I ain't got a house.

MAGISTRATE. Very well, let us hear what this young man Mr.--Mr.

BARTHWICK has to say to your story.

[SNOW leaves the witness-box. The BALD CONSTABLE beckons JACK,

who, clutching his hat, goes into the witness-box. ROPER moves

to the table set apart for his profession.]

SWEARING CLERK. The evidence you give to the court shall be the

truth, the whole truth, and nothing but the truth, so help you God.

Kiss the book.

[The book is kissed.]

ROPER. [Examining.] What is your name?

JACK. [In a low voice.] John BARTHWICK, Junior.

[The CLERK writes it down.]

ROPER. Where do you live?

JACK. At 6, Rockingham Gate.

[All his answers are recorded by the Clerk.]

ROPER. You are the son of the owner?

JACK. [In a very low voice.] Yes.

ROPER. Speak up, please. Do you know the prisoners?

JACK. [Looking at the JONESES, in a low voice.] I 've seen Mrs.

Jones. I [in a loud voice] don't know the man.

JONES. Well, I know you!

BALD CONSTABLE. HSSh!

ROPER. Now, did you come in late on the night of Easter Monday?

JACK. Yes.

ROPER. And did you by mistake leave your latch key in the door?

JACK. Yes.

MAGISTRATE. Oh! You left your latch-key in the door?

ROPER. And is that all you can remember about your coming in?

JACK. [In a loud voice.] Yes, it is.

MAGISTRATE. Now, you have heard the male prisoner's story, what do

you say to that?

JACK. [Turning to the MAGISTRATE, speaks suddenly in a confident,

straight-forward voice.] The fact of the matter is, sir, that I 'd

been out to the theatre that night, and had supper afterwards, and I

came in late.

MAGISTRATE. Do you remember this man being outside when you came

in?

JACK. No, Sir. [He hesitates.] I don't think I do.

MAGISTRATE. [Somewhat puzzled.] Well, did he help you to open the

door, as he says? Did any one help you to open the door?

JACK. No, sir--I don't think so, sir--I don't know.

MAGISTRATE. You don't know? But you must know. It is n't a usual

thing for you to have the door opened for you, is it?

JACK. [With a shamefaced smile.] No.

MAGISTRATE. Very well, then----

JACK. [Desperately.] The fact of the matter is, sir, I'm afraid

I'd had too much champagne that night.

MAGISTRATE. [Smiling.] Oh! you'd had too much champagne?

JONES. May I ask the gentleman a question?

MAGISTRATE. Yes--yes--you may ask him what questions you like.

JONES. Don't you remember you said you was a Liberal, same as your

father, and you asked me wot I was?

JACK. [With his hand against his brow.] I seem to remember----

JONES. And I said to you, "I'm a bloomin' Conservative," I said;

an' you said to me, "You look more like one of these 'ere

Socialists. Take wotever you like," you said.

JACK. [With sudden resolution.] No, I don't. I don't remember

anything of the sort.

JONES. Well, I do, an' my word's as good as yours. I 've never

been had up in a police court before. Look 'ere, don't you remember

you had a sky-blue bag in your 'and [BARTHWICK jumps.]

ROPER. I submit to your worship that these questions are hardly to

the point, the prisoner having admitted that he himself does not

remember anything. [There is a smile on the face of Justice.] It

is a case of the blind leading the blind.

JONES. [Violently.] I've done no more than wot he 'as. I'm a poor

man; I've got no money an' no friends--he 's a toff--he can do wot I

can't.

MAGISTRATE: Now, now? All this won't help you--you must be quiet.

You say you took this box? Now, what made you take it? Were you

pressed for money?

JONES. I'm always pressed for money.

MAGISTRATE. Was that the reason you took it?

JONES. No.

MAGISTRATE. [To SNOW.] Was anything found on him?

SNOW. Yes, your worship. There was six pounds twelve shillin's

found on him, and this purse.

[The red silk purse is handed to the MAGISTRATE. BARTHWICK

rises his seat, but hastily sits down again.]

MAGISTRATE. [Staring at the purse.] Yes, yes--let me see [There is

a silence.] No, no, I 've nothing before me as to the purse. How

did you come by all that money?

JONES. [After a long pause, suddenly.] I declines to say.

MAGISTRATE. But if you had all that money, what made you take this

box?

JONES. I took it out of spite.

MAGISTRATE. [Hissing, with protruded neck.] You took it out of

spite? Well now, that's something! But do you imagine you can go

about the town taking things out of spite?

JONES. If you had my life, if you'd been out of work----

MAGISTRATE. Yes, yes; I know--because you're out of work you think

it's an excuse for everything.

JONES. [Pointing at JACK.] You ask 'im wot made 'im take the----

ROPER. [Quietly.] Does your Worship require this witness in the

box any longer?

MAGISTRATE. [Ironically.] I think not; he is hardly profitable.

[JACK leaves the witness-box, and hanging his head, resumes his

seat.]

JONES. You ask 'im wot made 'im take the lady's----

[But the BALD CONSTABLE catches him by the sleeve.]

BALD CONSTABLE. SSSh!

MAGISTRATE. [Emphatically.] Now listen to me.

I 've nothing to do with what he may or may not have taken. Why did

you resist the police in the execution of their duty?

JONES. It war n't their duty to take my wife, a respectable woman,

that 'ad n't done nothing.

MAGISTRATE. But I say it was. What made you strike the officer a

blow?

JONES. Any man would a struck 'im a blow. I'd strike 'im again, I

would.

MAGISTRATE. You are not making your case any better by violence.

How do you suppose we could get on if everybody behaved like you?

JONES. [Leaning forward, earnestly.] Well, wot, about 'er; who's

to make up to 'er for this? Who's to give 'er back 'er good name?

MRS. JONES. Your Worship, it's the children that's preying on his

mind, because of course I 've lost my work. And I've had to find

another room owing to the scandal.

MAGISTRATE. Yes, yes, I know--but if he had n't acted like this

nobody would have suffered.

JONES. [Glaring round at JACK.] I 've done no worse than wot 'e

'as. Wot I want to know is wot 's goin' to be done to 'im.

[The BALD CONSTABLE again says "HSSh"]

ROPER. Mr. BARTHWICK wishes it known, your Worship, that

considering the poverty of the prisoners, he does not press the

charge as to the box. Perhaps your Worship would deal with the case

as one of disorder.

JONES. I don't want it smothered up, I want it all dealt with fair

--I want my rights----

MAGISTRATE. [Rapping his desk.] Now you have said all you have to

say, and you will be quiet.

[There is a silence; the MAGISTRATE bends over and parleys with

his CLERK.]

Yes, I think I may discharge the woman. [In a kindly voice he

addresses MRS. JONES, who stands unmoving with her hands crossed on

the rail.] It is very unfortunate for you that this man has behaved

as he has. It is not the consequences to him but the consequences

to you. You have been brought here twice, you have lost your work--

[He glares at JONES]--and this is what always happens. Now you may

go away, and I am very sorry it was necessary to bring you here at

all.

MRS. JONES. [Softly.] Thank you very much, your Worship.

[She leaves the dock, and looking back at JONES, twists her

fingers and is still.]

MAGISTRATE. Yes, yes, but I can't pass it over. Go away, there's a

good woman.

[MRS. JONES stands back. The MAGISTRATE leans his head on his

hand; then raising it he speaks to JONES.]

Now, listen to me. Do you wish the case to be settled here, or do

you wish it to go before a jury?

JONES. [Muttering.] I don't want no jury.

MAGISTRATE. Very well then, I will deal with it here. [After a

pause.] You have pleaded guilty to stealing this box----

JONES. Not to stealin'----

BALD CONSTABLE. HSSShh!

MAGISTRATE. And to assaulting the police----

JONES. Any man as was a man----

MAGISTRATE. Your conduct here has been most improper. You give the

excuse that you were drunk when you stole the box. I tell you that

is no excuse. If you choose to get drunk and break the law

afterwards you must take the consequences. And let me tell you that

men like you, who get drunk and give way to your spite or whatever

it is that's in you, are--are--a nuisance to the community.

JACK. [Leaning from his seat.] Dad! that's what you said to me!

BARTHWICK. TSSt!

[There is a silence, while the MAGISTRATE consults his CLERK;

JONES leans forward waiting.]

MAGISTRATE. This is your first offence, and I am going to give you

a light sentence. [Speaking sharply, but without expression.] One

month with hard labour.

[He bends, and parleys with his CLERK. The BALD CONSTABLE and

another help JONES from the dock.]

JONES. [Stopping and twisting round.] Call this justice? What

about 'im? 'E got drunk! 'E took the purse--'e took the purse but

[in a muffled shout] it's 'is money got 'im off--JUSTICE!

[The prisoner's door is shut on JONES, and from the

seedy-looking men and women comes a hoarse and whispering groan.]

MAGISTRATE. We will now adjourn for lunch! [He rises from his

seat.]

[The Court is in a stir. ROPER gets up and speaks to the

reporter. JACK, throwing up his head, walks with a swagger to

the corridor; BARTHWICK follows.]

MRS. JONES. [Turning to him zenith a humble gesture.] Oh! sir!

[BARTHWICK hesitates, then yielding to his nerves, he makes a

shame-faced gesture of refusal, and hurries out of court. MRS.

JONES stands looking after him.]

The curtain falls.

JOY

A PLAY ON THE LETTER "I"

IN THREE ACTS

PERSONS OF THE PLAY

COLONEL HOPE, R.A., retired

MRS. HOPE, his wife

MISS BEECH, their old governess

LETTY, their daughter

ERNEST BLUNT, her husband

MRS. GWYN, their niece

JOY, her daughter

DICK MERTON, their young friend

HON. MAURICE LEVER, their guest

ROSE, their parlour-maid

TIME: The present. The action passes throughout midsummer day on the

lawn of Colonel Hope's house, near the Thames above Oxford.

ACT I

The time is morning, and the scene a level lawn, beyond which

the river is running amongst fields. A huge old beech tree

overshadows everything, in the darkness of whose hollow many

things are hidden. A rustic seat encircles it. A low wall

clothed in creepers, with two openings, divides this lawn from

the flowery approaches to the house. Close to the wall there is

a swing. The sky is clear and sunny. COLONEL HOPE is seated in

a garden-chair, reading a newspaper through pince-nez. He is

fifty-five and bald, with drooping grey moustaches and a

weather-darkened face. He wears a flannel suit and a hat from

Panama; a tennis racquet leans against his chair. MRS. HOPE

comes quickly through the opening of the wall, with roses in her

hands. She is going grey; she wears tan gauntlets, and no hat.

Her manner is decided, her voice emphatic, as though aware that

there is no nonsense in its owner's composition. Screened from

sight, MISS BEECH is seated behind the hollow tree; and JOY is

perched on a lower branch hidden by foliage.

MRS. HOPE. I told Molly in my letter that she'd have to walk up,

Tom.

COLONEL. Walk up in this heat? My dear, why didn't you order

Benson's fly?

MRS. HOPE. Expense for nothing! Bob can bring up her things in the

barrow. I've told Joy I won't have her going down to meet the train.

She's so excited about her mother's coming there's no doing anything

with her.

COLONEL. No wonder, after two months.

MRS. HOPE. Well, she's going home to-morrow; she must just keep

herself fresh for the dancing tonight. I'm not going to get people

in to dance, and have Joy worn out before they begin.

COLONEL. [Dropping his paper.] I don't like Molly's walking up.

MRS. HOPE. A great strong woman like Molly Gwyn! It isn't half a

mile.

COLONEL. I don't like it, Nell; it's not hospitable.

MRS. HOPE. Rubbish! If you want to throw away money, you must just

find some better investment than those wretched 3 per cents. of

yours. The greenflies are in my roses already! Did you ever see

anything so disgusting? [They bend over the roses they have grown,

and lose all sense of everything.] Where's the syringe? I saw you

mooning about with it last night, Tom.

COLONEL. [Uneasily.] Mooning!

[He retires behind his paper. MRS. HOPE enters the hollow of

the tree.]

There's an account of that West Australian swindle. Set of ruffians!

Listen to this, Nell! "It is understood that amongst the

share-holders are large numbers of women, clergymen, and Army officers."

How people can be such fools!

[Becoming aware that his absorption is unobserved, he drops his

glasses, and reverses his chair towards the tree.]

MRS. HOPE. [Reappearing with a garden syringe.] I simply won't have

Dick keep his fishing things in the tree; there's a whole potful of

disgusting worms. I can't touch them. You must go and take 'em out,

Tom.

[In his turn the COLONEL enters the hollow of the tree.]

MRS. HOPE. [Personally.] What on earth's the pleasure of it? I

can't see! He never catches anything worth eating.

[The COLONEL reappears with a paint pot full of worms; he holds

them out abstractedly.]

MRS. HOPE. [Jumping.] Don't put them near me!

MISS BEECH. [From behind the tree.] Don't hurt the poor creatures.

COLONEL. [Turning.] Hallo, Peachey? What are you doing round

there?

[He puts the worms down on the seat.]

MRS. HOPE. Tom, take the worms off that seat at once!

COLONEL. [Somewhat flurried.] Good gad! I don't know what to do

with the beastly worms!

MRS. HOPE. It's not my business to look after Dick's worms. Don't

put them on the ground. I won't have them anywhere where they can

crawl about. [She flicks some greenflies off her roses.]

COLONEL. [Looking into the pot as though the worms could tell him

where to put them.] Dash!

MISS BEECH. Give them to me.

MRS. HOPE. [Relieved.] Yes, give them to Peachey.

[There comes from round the tree Miss BEECH, old-fashioned,

barrel-shaped, balloony in the skirts. She takes the paint pot,

and sits beside it on the rustic seat.]

MISS BEECH. Poor creatures!

MRS. HOPE. Well, it's beyond me how you can make pets of worms--

wriggling, crawling, horrible things!

[ROSE, who is young and comely, in a pale print frock, comes

from the house and places letters before her on a silver

salver.]

[Taking the letters.]

What about Miss joy's frock, Rose?

ROSE. Please, 'm, I can't get on with the back without Miss Joy.

MRS. HOPE. Well, then you must just find her. I don't know where

she is.

ROSE. [In a slow, sidelong manner.] If you please, Mum, I think

Miss Joy's up in the----

[She stops, seeing Miss BEECH signing to her with both hands.]

MRS. HOPE. [Sharply.] What is it, Peachey?

MISS BEECH. [Selecting a finger.] Pricked meself!

MRS. HOPE. Let's look!

[She bends to look, but Miss BEECH places the finger in her

mouth.]

ROSE. [Glancing askance at the COLONEL.] If you please, Mum, it's

below the waist; I think I can manage with the dummy.

MRS. HOPE. Well, you can try. [Opening her letter as ROSE retires.]

Here's Molly about her train.

MISS BEECH. Is there a letter for me?

MRS. HOPE. No, Peachey.

MISS BEECH. There never is.

COLONEL. What's that? You got four by the first post.

MISS BEECH. Exceptions!

COLONEL. [Looking over his glasses.] Why! You know, you get 'em

every day!

MRS. HOPE. Molly says she'll be down by the eleven thirty. [In an

injured voice.] She'll be here in half an hour! [Reading with

disapproval from the letter.] "MAURICE LEVER is coming down by the

same train to see Mr. Henty about the Tocopala Gold Mine. Could you

give him a bed for the night?"

[Silence, slight but ominous.]

COLONEL. [Calling into his aid his sacred hospitality.] Of course

we must give him a bed!

MRS. HOPE. Just like a man! What room I should like to know!

COLONEL. Pink.

MRS. HOPE. As if Molly wouldn't have the pink!

COLONEL. [Ruefully.] I thought she'd have the blue!

MRS. HOPE. You know perfectly well it's full of earwigs, Tom. I

killed ten there yesterday morning.

MISS BEECH. Poor creatures!

MRS. HOPE. I don't know that I approve of this Mr. Lever's dancing

attendance. Molly's only thirty-six.

COLONEL. [In a high voice.] You can't refuse him a bed; I never

heard of such a thing.

MRS. HOPE. [Reading from the letter.] "This gold mine seems to be a

splendid chance. [She glances at the COLONEL.] I've put all my

spare cash into it. They're issuing some Preference shares now; if

Uncle Tom wants an investment"--[She pauses, then in a changed,

decided voice ]--Well, I suppose I shall have to screw him in

somehow.

COLONEL. What's that about gold mines? Gambling nonsense! Molly

ought to know my views.

MRS. HOPE. [Folding the letter away out of her consciousness.] Oh!

your views! This may be a specially good chance.

MISS BEECH. Ahem! Special case!

MRS. HOPE. [Paying no attention.] I 'm sick of these 3 per cent.

dividends. When you've only got so little money, to put it all into

that India Stock, when it might be earning 6 per cent. at least,

quite safely! There are ever so many things I want.

COLONEL. There you go!

MRS. HOPE. As to Molly, I think it's high time her husband came home

to look after her, instead of sticking out there in that hot place.

In fact

[Miss BEECH looks up at the tree and exhibits cerebral

excitement]

I don't know what Geoff's about; why doesn't he find something in

England, where they could live together.

COLONEL. Don't say anything against Molly, Nell!

MRS. HOPE. Well, I don't believe in husband and wife being

separated. That's not my idea of married life.

[The COLONEL whistles quizzically.]

Ah, yes, she's your niece, not mime! Molly's very----

MISS BEECH. Ouch! [She sucks her finger.]

MRS. HOPE. Well, if I couldn't sew at your age, Peachey, without

pricking my fingers! Tom, if I have Mr. Lever here, you'll just

attend to what I say and look into that mine!

COLONEL. Look into your grandmother! I have n't made a study of

geology for nothing. For every ounce you take out of a gold mine,

you put an ounce and a half in. Any fool knows that, eh, Peachey?

MISS BEECH. I hate your horrid mines, with all the poor creatures

underground.

MRS. HOPE. Nonsense, Peachey! As if they'd go there if they did n't

want to!

COLONEL. Why don't you read your paper, then you'd see what a lot of

wild-cat things there are about.

MRS. HOPE. [Abstractedly.] I can't put Ernest and Letty in the blue

room, there's only the single bed. Suppose I put Mr. Lever there,

and say nothing about the earwigs. I daresay he'll never notice.

COLONEL. Treat a guest like that!

MRS. HOPE. Then where am I to put him for goodness sake?

COLONEL. Put him in my dressing-room, I'll turn out.

MRS. HOPE. Rubbish, Tom, I won't have you turned out, that's flat.

He can have Joy's room, and she can sleep with the earwigs.

JOY. [From her hiding-place upon a lower branch of the hollow tree.]

I won't.

[MRS. HOPE and the COLONEL jump.]

COLONEL. God bless my soul!

MRS. HOPE. You wretched girl! I told you never to climb that tree

again. Did you know, Peachey? [Miss BEECH smiles.] She's always up

there, spoiling all her frocks. Come down now, Joy; there's a good

child!

JOY. I don't want to sleep with earwigs, Aunt Nell.

MISS BEECH. I'll sleep with the poor creatures.

MRS. HOPE, [After a pause.] Well, it would be a mercy if you would

for once, Peachey.

COLONEL. Nonsense, I won't have Peachey----

MRS. HOPE. Well, who is to sleep there then?

JOY. [Coaxingly.] Let me sleep with Mother, Aunt Nell, do!

MRS. HOPE. Litter her up with a great girl like you, as if we'd only

one spare room! Tom, see that she comes down--I can't stay here, I

must manage something. [She goes away towards the house.]

COLONEL. [Moving to the tree, and looking up.] You heard what your

aunt said?

JOY. [Softly.] Oh, Uncle Tom!

COLONEL. I shall have to come up after you.

JOY. Oh, do, and Peachey too!

COLONEL. [Trying to restrain a smile.] Peachey, you talk to her.

[Without waiting for MISS BEECH, however, he proceeds.] What'll your

aunt say to me if I don't get you down?

MISS BEECH. Poor creature!

JOY. I don't want to be worried about my frock.

COLONEL. [Scratching his bald head.] Well, I shall catch it.

JOY. Oh, Uncle Tom, your head is so beautiful from here! [Leaning

over, she fans it with a leafy twig.]

MISS BEECH. Disrespectful little toad!

COLONEL. [Quickly putting on his hat.] You'll fall out, and a

pretty mess that'll make on--[he looks uneasily at the ground]--my

lawn!

[A voice is heard calling "Colonel! Colonel!]"

JOY. There's Dick calling you, Uncle Tom.

[She disappears.]

DICK. [Appearing in the opening of the wall.] Ernie's waiting to

play you that single, Colonel!

[He disappears.]

JOY. Quick, Uncle Tom! Oh! do go, before he finds I 'm up here.

MISS. BEECH. Secret little creature!

[The COLONEL picks up his racquet, shakes his fist, and goes

away.]

JOY. [Calmly.] I'm coming down now, Peachey.

[Climbing down.]

Look out! I'm dropping on your head.

MISS BEECH. [Unmoved.] Don't hurt yourself!

[Joy drops on the rustic seat and rubs her shin. Told you so!]

[She hunts in a little bag for plaster.]

Let's see!

JOY. [Seeing the worms.] Ugh!

MISS BEECH. What's the matter with the poor creatures?

JOY. They're so wriggly!

[She backs away and sits down in the swing. She is just

seventeen, light and slim, brown-haired, fresh-coloured, and

grey-eyed; her white frock reaches to her ankles, she wears a

sunbonnet.] Peachey, how long were you Mother's governess.

MISS BEECH. Five years.

JOY. Was she as bad to teach as me?

MISS BEECH. Worse!

[Joy claps her hands.]

She was the worst girl I ever taught.

JOY. Then you weren't fond of her?

MISS BEECH. Oh! yes, I was.

JOY. Fonder than of me?

MISS BEECH. Don't you ask such a lot of questions.

JOY. Peachey, duckie, what was Mother's worst fault?

MISS BEECH. Doing what she knew she oughtn't.

JOY. Was she ever sorry?

MISS BEECH. Yes, but she always went on doin' it.

JOY. I think being sorry 's stupid!

MISS BEECH. Oh, do you?

JOY. It isn't any good. Was Mother revengeful, like me?

MISS BEECH. Ah! Wasn't she?

JOY. And jealous?

MISS BEECH. The most jealous girl I ever saw.

JOY. [Nodding.] I like to be like her.

MISS BEECH. [Regarding her intently.] Yes! you've got all your

troubles before you.

JOY. Mother was married at eighteen, wasn't she, Peachey? Was she--

was she much in love with Father then?

MISS BEECH. [With a sniff.] About as much as usual. [She takes the

paint pot, and walking round begins to release the worms.]

JOY. [Indifferently.] They don't get on now, you know.

MISS BEECH. What d'you mean by that, disrespectful little creature?

JOY. [In a hard voice.] They haven't ever since I've known them.

MISS BEECH. [Looks at her, and turns away again.] Don't talk about

such things.

JOY. I suppose you don't know Mr. Lever? [Bitterly.] He's such a

cool beast. He never loses his temper.

MISS BEECH. Is that why you don't like him?

JOY. [Frowning.] No--yes--I don't know.

MISS BEECH. Oh! perhaps you do like him?

JOY. I don't; I hate him.

MISS BEECH. [Standing still.] Fie! Naughty Temper!

JOY. Well, so would you! He takes up all Mother's time.

MISS BEECH. [In a peculiar voice.] Oh! does he?

JOY. When he comes I might just as well go to bed. [Passionately.]

And now he's chosen to-day to come down here, when I haven't seen her

for two months! Why couldn't he come when Mother and I'd gone home.

It's simply brutal!

MISS BEECH. But your mother likes him?

JOY. [Sullenly.] I don't want her to like him.

MISS BEECH. [With a long look at Joy.] I see!

JOY. What are you doing, Peachey?

MISS BEECH. [Releasing a worm.] Letting the poor creatures go.

JOY. If I tell Dick he'll never forgive you.

MISS BEECH. [Sidling behind the swing and plucking off Joy's

sunbonnet. With devilry.] Ah-h-h! You've done your hair up; so

that's why you wouldn't come down!

JOY. [Springing up, anal pouting.] I didn't want any one to see

before Mother. You are a pig, Peachey!

MISS BEECH. I thought there was something!

JOY. [Twisting round.] How does it look?

MISS BEECH. I've seen better.

JOY. You tell any one before Mother comes, and see what I do!

MISS BEECH. Well, don't you tell about my worms, then!

JOY. Give me my hat! [Backing hastily towards the tree, and putting

her finger to her lips.] Look out! Dick!

MISS BEECH. Oh! dear!

[She sits down on the swing, concealing the paint pot with her

feet and skirts.]

JOY. [On the rustic seat, and in a violent whisper.] I hope the

worms will crawl up your legs!

[DICK, in flannels and a hard straw hat comes in. He is a quiet

and cheerful boy of twenty. His eyes are always fixed on joy.]

DICK. [Grimacing.] The Colonel's getting licked. Hallo! Peachey,

in the swing?

JOY. [Chuckling.] Swing her, Dick!

MISS BEECH. [Quivering with emotion.] Little creature!

JOY. Swing her!

[DICK takes the ropes.]

MISS BEECH. [Quietly.] It makes me sick, young man.

DICK. [Patting her gently on the back.] All right, Peachey.

MISS BEECH. [Maliciously.] Could you get me my sewing from the

seat? Just behind Joy.

JOY. [Leaning her head against the tree.] If you do, I won't dance

with you to-night.

[DICK stands paralysed. Miss BEECH gets off the swing, picks up

the paint pot, and stands concealing it behind her.]

JOY. Look what she's got behind her, sly old thing!

MISS BEECH. Oh! dear!

JOY. Dance with her, Dick!

MISS BEECH. If he dare!

JOY. Dance with her, or I won't dance with you to-night.

[She whistles a waltz.]

DICK. [Desperately.] Come on then, Peachey. We must.

JOY. Dance, dance!

[DICK seizes Miss BEECH by the waist. She drops the paint pot.

They revolve.] [Convulsed.]

Oh, Peachey, Oh!

[Miss BEECH is dropped upon the rustic seat. DICK seizes joy's

hands and drags her up.]

No, no! I won't!

MISS BEECH. [Panting.] Dance, dance with the poor young man! [She

moves her hands.] La la-la-la la-la la la!

[DICK and JOY dance.]

DICK. By Jove, Joy! You've done your hair up. I say, how jolly!

You do look----

JOY. [Throwing her hands up to her hair.] I did n't mean you to

see!

DICK. [In a hurt voice.] Oh! didn't you? I'm awfully sorry!

JOY. [Flashing round.] Oh, you old Peachey!

[She looks at the ground, and then again at DICK.]

MISS BEECH. [Sidling round the tree.] Oh! dear!

JOY. [Whispering.] She's been letting out your worms.

[Miss BEECH disappears from view.]

Look!

DICK. [Quickly.] Hang the worms! Joy, promise me the second and

fourth and sixth and eighth and tenth and supper, to-night. Promise!

Do!

[Joy shakes her head.]

It's not much to ask.

JOY. I won't promise anything.

DICK. Why not?

JOY. Because Mother's coming. I won't make any arrangements.

DICK. [Tragically.] It's our last night.

JOY. [Scornfully.] You don't understand! [Dancing and clasping her

hands.] Mother's coming, Mother's coming!

DICK. [Violently.] I wish----Promise, Joy!

JOY. [Looking over her shoulder.] Sly old thing! If you'll pay

Peachey out, I'll promise you supper!

MISS BEECH. [From behind the tree.] I hear you.

JOY. [Whispering.] Pay her out, pay her out! She's let out all

your worms!

DICK. [Looking moodily at the paint pot.] I say, is it true that

Maurice Lever's coming with your mother? I've met him playing

cricket, he's rather a good sort.

JOY. [Flashing out.] I hate him.

DICK. [Troubled.] Do you? Why? I thought--I didn't know--if I'd

known of course, I'd have----

[He is going to say "hated him too!" But the voices of ERNEST

BLUNT and the COLONEL are heard approaching, in dispute.]

JOY. Oh! Dick, hide me, I don't want my hair seen till Mother

comes.

[She springs into the hollow tree. The COLONEL and ERNEST

appear in the opening of the wall.]

ERNEST. The ball was out, Colonel.

COLONEL. Nothing of the sort.

ERNEST. A good foot out.

COLONEL. It was not, sir. I saw the chalk fly.

[ERNEST is twenty-eight, with a little moustache, and the

positive cool voice of a young man who knows that he knows

everything. He is perfectly calm.]

ERNEST. I was nearer to it than you.

COLONEL. [In a high, hot voice.] I don't care where you were, I

hate a fellow who can't keep cool.

MISS BEECH. [From behind the hollow tree.] Fie! Fie!

ERNEST. We're two to one, Letty says the ball was out.

COLONEL. Letty's your wife, she'd say anything.

ERNEST. Well, look here, Colonel, I'll show you the very place it

pitched.

COLONEL. Gammon! You've lost your temper, you don't know what

you're talking about.

ERNEST. [coolly.] I suppose you'll admit the rule that one umpires

one's own court.

COLONEL. [Hotly.] Certainly not, in this case!

MISS BEECH. [From behind the hollow tree.] Special case!

ERNEST. [Moving chin in collar--very coolly.] Well, of course if

you won't play the game!

COLONEL. [In a towering passion.] If you lose your temper like

this, I 'll never play with you again.

[To LETTY, a pretty soul in a linen suit, approaching through

the wall.]

Do you mean to say that ball was out, Letty?

LETTY. Of course it was, Father.

COLONEL. You say that because he's your husband. [He sits on the

rustic seat.] If your mother'd been there she'd have backed me up!

LETTY. Mother wants Joy, Dick, about her frock.

DICK. I--I don't know where she is.

MISS BEECH. [From behind the hollow tree.] Ahem!

LETTY. What's the matter, Peachey?

MISS BEECH. Swallowed a fly. Poor creature!

ERNEST. [Returning to his point.] Why I know the ball was out,

Colonel, was because it pitched in a line with that arbutus tree.

COLONEL. [Rising.] Arbutus tree! [To his daughter.] Where's your

mother?

LETTY. In the blue room, Father.

ERNEST. The ball was a good foot out; at the height it was coming

when it passed me.

COLONEL. [Staring at him.] You're a--you're aa theorist! From

where you were you could n't see the ball at all. [To LETTY.]

Where's your mother?

LETTY. [Emphatically.] In the blue room, Father!

[The COLONEL glares confusedly, and goes away towards the blue

room.]

ERNEST. [In the swing, and with a smile.] Your old Dad'll never be

a sportsman!

LETTY. [Indignantly.] I wish you wouldn't call Father old, Ernie!

What time's Molly coming, Peachey?

[ROSE has come from the house, and stands waiting for a chance

to speak.]

ERNEST. [Breaking in.] Your old Dad's only got one fault: he can't

take an impersonal view of things.

MISS BEECH. Can you find me any one who can?

ERNEST. [With a smile.] Well, Peachey!

MISS BEECH. [Ironically.] Oh! of course, there's you!

ERNEST. I don't know about that! But----

ROSE. [To LETTY,] Please, Miss, the Missis says will you and Mr.

Ernest please to move your things into Miss Peachey's room.

ERNEST. [Vexed.] Deuce of a nuisance havin' to turn out for this

fellow Lever. What did Molly want to bring him for?

MISS BEECH. Course you've no personal feeling in the matter!

ROSE. [Speaking to Miss BEECH.] The Missis says you're to please

move your things into the blue room, please Miss.

LETTY. Aha, Peachey! That settles you! Come on, Ernie!

[She goes towards the house. ERNEST, rising from the swing,

turns to Miss BEECH, who follows.]

ERNEST. [Smiling, faintly superior.] Personal, not a bit! I only

think while Molly 's out at grass, she oughtn't to----

MISS BEECH. [Sharply.] Oh! do you?

[She hustles ERNEST out through the wall, but his voice is heard

faintly from the distance: "I think it's jolly thin."]

ROSE. [To DICK.] The Missis says you're to take all your worms and

things, Sir, and put them where they won't be seen.

DICK. [Shortly.] Have n't got any!

ROSE. The Missis says she'll be very angry if you don't put your

worms away; and would you come and help kill earwigs in the blue----?

DICK. Hang! [He goes, and ROSE is left alone.]

ROSE. [Looking straight before her.] Please, Miss Joy, the Missis

says will you go to her about your frock.

[There is a little pause, then from the hollow tree joy's voice

is heard.]

JOY. No-o!

ROSE. If you did n't come, I was to tell you she was going to put

you in the blue.

[Joy looks out of the tree.]

[Immovable, but smiling.]

Oh, Miss joy, you've done your hair up! [Joy retires into the tree.]

Please, Miss, what shall I tell the Missis?

JOY. [Joy's voice is heard.] Anything you like.

ROSE. [Over her shoulder.] I shall be drove to tell her a story,

Miss.

JOY. All right! Tell it.

[ROSE goes away, and JOY comes out. She sits on the rustic seat

and waits. DICK, coming softly from the house, approaches her.]

DICK. [Looking at her intently.] Joy! I wanted to say something

[Joy does not look at him, but twists her fingers.]

I shan't see you again you know after to-morrow till I come up for

the 'Varsity match.

JOY. [Smiling.] But that's next week.

DICK. Must you go home to-morrow?

[Joy nods three times.]

[Coming closer.]

I shall miss you so awfully. You don't know how I----

[Joy shakes her head.]

Do look at me! [JOY steals a look.] Oh! Joy!

[Again joy shakes her head.]

JOY. [Suddenly.] Don't!

DICK. [Seizing her hand.] Oh, Joy! Can't you----

JOY. [Drawing the hand away.] Oh! don't.

DICK. [Bending his head.] It's--it's--so----

JOY. [Quietly.] Don't, Dick!

DICK. But I can't help it! It's too much for me, Joy, I must tell

you----

[MRS. GWYN is seen approaching towards the house.]

JOY. [Spinning round.] It's Mother--oh, Mother!

[She rushes at her.]

[MRS. GWYN is a handsome creature of thirty-six, dressed in a

muslin frock. She twists her daughter round, and kisses her.]

MRS. GWYN. How sweet you look with your hair up, Joy! Who 's this?

[Glancing with a smile at DICK.]

JOY. Dick Merton--in my letters you know.

[She looks at DICK as though she wished him gone.]

MRS. GWYN. How do you do?

DICK. [Shaking hands.] How d 'you do? I think if you'll excuse me

--I'll go in.

[He goes uncertainly.]

MRS. GWYN. What's the matter with him?

JOY. Oh, nothing! [Hugging her.] Mother! You do look such a duck.

Why did you come by the towing-path, was n't it cooking?

MRS. GWYN. [Avoiding her eyes.] Mr. Lever wanted to go into Mr.

Henty's.

[Her manner is rather artificially composed.]

JOY. [Dully.] Oh! Is he-is he really coming here, Mother?

MRS. GWYN. [Whose voice has hardened just a little.] If Aunt Nell's

got a room for him--of course--why not?

JOY. [Digging her chin into her mother's shoulder.]

[Why couldn't he choose some day when we'd gone? I wanted you

all to myself.]

MRS. GWYN. You are a quaint child--when I was your age----

JOY. [Suddenly looking up.] Oh! Mother, you must have been a

chook!

MRS. GWYN. Well, I was about twice as old as you, I know that.

JOY. Had you any--any other offers before you were married, Mother?

MRS. GWYN. [Smilingly.] Heaps!

JOY. [Reflectively.] Oh!

MRS. GWYN. Why? Have you been having any?

JOY. [Glancing at MRS. GWYN, and then down.] N-o, of course not!

MRS. GWYN. Where are they all? Where's Peachey?

JOY. Fussing about somewhere; don't let's hurry! Oh! you duckie--

duckie! Aren't there any letters from Dad?

MRS. GWYN. [In a harder voice.] Yes, one or two.

JOY. [Hesitating.] Can't I see?

MRS. GWYN. I didn't bring them. [Changing the subject obviously.]

Help me to tidy--I'm so hot I don't know what to do.

[She takes out a powder-puff bag, with a tiny looking-glass.]

JOY. How lovely it'll be to-morrow-going home!

MRS. GWYN. [With an uneasy look.] London's dreadfully stuffy, Joy.

You 'll only get knocked up again.

JOY. [With consternation.] Oh! but Mother, I must come.

MRS. GWYN. (Forcing a smile.) Oh, well, if you must, you must!

[Joy makes a dash at her.]

Don't rumple me again. Here's Uncle Tom.

JOY. [Quickly.] Mother, we're going to dance tonight; promise to

dance with me--there are three more girls than men, at least--and

don't dance too much with--with--you know--because I'm--[dropping her

voice and very still]--jealous.

MRS. GWYN. [Forcing a laugh.] You are funny!

JOY. [Very quickly.] I haven't made any engagements because of you.

[The COLONEL approaches through the wall.]

MRS. GWYN. Well, Uncle Tom?

COLONEL. [Genially.] Why, Molly! [He kisses her.] What made you

come by the towing-path?

JOY. Because it's so much cooler, of course.

COLONEL. Hallo! What's the matter with you? Phew! you've got your

hair up! Go and tell your aunt your mother's on the lawn. Cut

along!

[Joy goes, blowing a kiss.]

Cracked about you, Molly! Simply cracked! We shall miss her when

you take her off to-morrow. [He places a chair for her.] Sit down,

sit down, you must be tired in this heat. I 've sent Bob for your

things with the wheelbarrow; what have you got?--only a bag, I

suppose.

MRS. GWYN. [Sitting, with a smile.] That's all, Uncle Tom, except--

my trunk and hat-box.

COLONEL. Phew! And what's-his-name brought a bag, I suppose?

MRS. GWYN. They're all together. I hope it's not too much, Uncle

Tom.

COLONEL. [Dubiously.] Oh! Bob'll manage! I suppose you see a good

deal of--of--Lever. That's his brother in the Guards, isn't it?

MRS. GWYN. Yes.

COLONEL. Now what does this chap do?

MRS. GWYN. What should he do, Uncle Tom? He's a Director.

COLONEL. Guinea-pig! [Dubiously.] Your bringing him down was a

good idea.

[MRS. GWYN, looking at him sidelong, bites her lips.]

I should like to have a look at him. But, I say, you know, Molly--

mines, mines! There are a lot of these chaps about, whose business

is to cook their own dinners. Your aunt thinks----

MRS. GWYN. Oh! Uncle Tom, don't tell me what Aunt Nell thinks!

COLONEL. Well-well! Look here, old girl! It's my experience never

to--what I mean is--never to trust too much to a man who has to do

with mining. I've always refused to have anything to do with mines.

If your husband were in England, of course, I'd say nothing.

MRS. GWYN. [Very still.] We'd better keep him out of the question,

had n't we?

COLONEL. Of course, if you wish it, my dear.

MRS. GWYN. Unfortunately, I do.

COLONEL. [Nervously.] Ah! yes, I know; but look here, Molly, your

aunt thinks you're in a very delicate position-in fact, she thinks

you see too much of young Lever.

MRS. GWYN. [Stretching herself like an angry cat.] Does she? And

what do you think?

COLONEL. I? I make a point of not thinking. I only know that here

he is, and I don't want you to go burning your fingers, eh?

[MRS. GWYN sits with a vindictive smile.]

A gold mine's a gold mine. I don't mean he deliberately--but they

take in women and parsons, and--and all sorts of fools. [Looking

down.] And then, you know, I can't tell your feelings, my dear, and

I don't want to; but a man about town 'll compromise a woman as soon

as he'll look at her, and [softly shaking his head] I don't like

that, Molly! It 's not the thing!

[MRS. GWYN sits unmoved, smiling the same smile, and the COLONEL

gives her a nervous look.]

If--if you were any other woman I should n't care--and if--if you

were a plain woman, damme, you might do what you liked! I know you

and Geoff don't get on; but here's this child of yours, devoted to

you, and--and don't you see, old girl? Eh?

MRS. GWYN. [With a little hard laugh.] Thanks! Perfectly! I

suppose as you don't think, Uncle Tom, it never occurred to you that

I have rather a lonely time of it.

COLONEL. [With compunction.] Oh! my dear, yes, of course I know it

must be beastly.

MRS. GWYN. [Stonily.] It is.

COLONEL. Yes, yes! [Speaking in a surprised voice.] I don't know

what I 'm talking like this for! It's your aunt! She goes on at me

till she gets on my nerves. What d' you think she wants me to do

now? Put money into this gold mine! Did you ever hear such folly?

MRS. GWYN. [Breaking into laughter.] Oh! Uncle Tom!

COLONEL. All very well for you to laugh, Molly!

MRS. GWYN. [Calmly.] And how much are you going to put in?

COLONEL. Not a farthing! Why, I've got nothing but my pension and

three thousand India stock!

MRS. GWYN. Only ninety pounds a year, besides your pension! D' you

mean to say that's all you've got, Uncle Tom? I never knew that

before. What a shame!

COLONEL. [Feelingly.] It is a d--d shame! I don't suppose there's

another case in the army of a man being treated as I've been.

MRS. GWYN. But how on earth do you manage here on so little?

COLONEL. [Brooding.] Your aunt's very funny. She's a born manager.

She 'd manage the hind leg off a donkey; but if I want five shillings

for a charity or what not, I have to whistle for it. And then all of

a sudden, Molly, she'll take it into her head to spend goodness knows

what on some trumpery or other and come to me for the money. If I

have n't got it to give her, out she flies about 3 per cent., and

worries me to invest in some wild-cat or other, like your friend's

thing, the Jaco what is it? I don't pay the slightest attention to

her.

MRS. HOPE. [From the direction of the house.] Tom!

COLONEL. [Rising.] Yes, dear! [Then dropping his voice.] I say,

Molly, don't you mind what I said about young Lever. I don't want

you to imagine that I think harm of people--you know I don't--but so

many women come to grief, and--[hotly]--I can't stand men about town;

not that he of course----

MRS. HOPE, [Peremptorily.] Tom!

COLONEL. [In hasty confidence.] I find it best to let your aunt run

on. If she says anything----

MRS. HOPE. To-om!

COLONEL. Yes, dear!

[He goes hastily. MRS. GWYN sits drawing circles on the ground

with her charming parasol. Suddenly she springs to her feet,

and stands waiting like an animal at bay. The COLONEL and MRS.

HOPE approach her talking.]

MRS. HOPE. Well, how was I to know?

COLONEL. Did n't Joy come and tell you?

MRS. HOPE. I don't know what's the matter with that child? Well,

Molly, so here you are. You're before your time--that train's always

late.

MRS. GWYN. [With faint irony.] I'm sorry, Aunt Nell!

[They bob, seem to take fright, and kiss each other gingerly.]

MRS. HOPE. What have you done with Mr. Lever? I shall have to put

him in Peachey's room. Tom's got no champagne.

COLONEL. They've a very decent brand down at the George, Molly, I'll

send Bob over----

MRS. HOPE. Rubbish, Tom! He'll just have to put up with what he can

get!

MRS. GWYN. Of course! He's not a snob! For goodness sake, Aunt

Nell, don't put yourself out! I'm sorry I suggested his coming.

COLONEL. My dear, we ought to have champagne in the house--in case

of accident.

MRS. GWYN. [Shaking him gently by the coat.] No, please, Uncle

Tom!

MRS. HOPE. [Suddenly.] Now, I've told your uncle, Molly, that he's

not to go in for this gold mine without making certain it's a good

thing. Mind, I think you've been very rash. I'm going to give you a

good talking to; and that's not all--you ought n't to go about like

this with a young man; he's not at all bad looking. I remember him

perfectly well at the Fleming's dance.

[On MRS. GWYN's lips there comes a little mocking smile.]

COLONEL. [Pulling his wife's sleeve.] Nell!

MRS. HOPE. No, Tom, I'm going to talk to Molly; she's old enough to

know better.

MRS. GWYN. Yes?

MRS. HOPE. Yes, and you'll get yourself into a mess; I don't approve

of it, and when I see a thing I don't approve of----

COLONEL. [Walking about, and pulling his moustache.] Nell, I won't

have it, I simply won't have it.

MRS. HOPE. What rate of interest are these Preference shares to pay?

MRS. GWYN. [Still smiling.] Ten per cent.

MRS. HOPE. What did I tell you, Tom? And are they safe?

MRS. GWYN. You'd better ask Maurice.

MRS. HOPE. There, you see, you call him Maurice! Now supposing your

uncle went in for some of them----

COLONEL. [Taking off his hat-in a high, hot voice] I'm not going in

for anything of the sort.

MRS. HOPE. Don't swing your hat by the brim! Go and look if you can

see him coming!

[The COLONEL goes.]

[In a lower voice.] Your uncle's getting very bald. I 've only

shoulder of lamb for lunch, and a salad. It's lucky it's too hot to

eat.

[MISS BEECH has appeared while she is speaking.]

Here she is, Peachey!

MISS BEECH. I see her. [She kisses MRS. GWYN, and looks at her

intently.]

MRS. GWYN. [Shrugging her shoulders.] Well, Peachey! What d 'you

make of me?

COLONEL. [Returning from his search.] There's a white hat crossing

the second stile. Is that your friend, Molly?

[MRS. GWYN nods.]

MRS. HOPE. Oh! before I forget, Peachey--Letty and Ernest can move

their things back again. I'm going to put Mr. Lever in your room.

[Catching sight o f the paint pot on the ground.] There's that

disgusting paint pot! Take it up at once, Tom, and put it in the

tree.

[The COLONEL picks up the pot and bears it to the hollow tree

followed by MRS. HOPE; he enters.]

MRS. HOPE. [Speaking into the tree.] Not there!

COLONEL. [From within.] Well, where then?

MRS. HOPE. Why--up--oh! gracious!

[MRS. GWYN, standing alone, is smiling. LEVER approaches from

the towing-path. He is a man like a fencer's wrist, supple and

steely. A man whose age is difficult to tell, with a quick,

good-looking face, and a line between his brows; his darkish

hair is flecked with grey. He gives the feeling that he has

always had to spurt to keep pace with his own life.]

MRS. HOPE. [Also entering the hollow tree.] No-oh!

COLONEL. [From the depths, in a high voice.] Well, dash it then!

What do you want?

MRS. GWYN. Peachey, may I introduce Mr. Lever to you? Miss Beech,

my old governess.

[They shake each other by the hand.]

LEVER. How do you do? [His voice is pleasant, his manner easy.]

MISS BEECH. Pleased to meet you.

[Her manner is that of one who is not pleased. She watches.]

MRS. GWYN. [Pointing to the tree-maliciously.] This is my uncle and

my aunt. They're taking exercise, I think.

[The COLONEL and MRS. HOPE emerge convulsively. They are very

hot. LEVER and MRS. GWYN are very cool.]

MRS. HOPE. [Shaking hands with him.] So you 've got here! Are n't

you very hot?--Tom!

COLONEL. Brought a splendid day with you! Splendid!

[As he speaks, Joy comes running with a bunch of roses; seeing

LEVER, she stops and stands quite rigid.]

MISS BEECH. [Sitting in the swing.] Thunder!

COLONEL. Thunder? Nonsense, Peachey, you're always imagining

something. Look at the sky!

MISS BEECH. Thunder!

[MRS. GWYN's smile has faded. ]

MRS. HOPE. [Turning.] Joy, don't you see Mr. Lever?

[Joy, turning to her mother, gives her the roses. With a forced

smile, LEVER advances, holding out his hand.]

LEVER. How are you, Joy? Have n't seen you for an age!

JOY. [Without expression.] I am very well, thank you.

[She raises her hand, and just touches his. MRS. GWYN'S eyes

are fixed on her daughter. Miss BEECH is watching them

intently. MRS. HOPE is buttoning the COLONEL'S coat.]

The curtain falls.

Plays : First Series · 第 1 / 4 章