7. THE LAW OF INTERCHANGE.

227. Closely connected with the law of contrast is a law which enforces

the unity of opposite things, by giving to each a portion of the

character of the other. If, for instance, you divide a shield into two

masses of color, all the way down--suppose blue and white, and put a

bar, or figure of an animal, partly on one division, partly on the

other, you will find it pleasant to the eye if you make the part of the

animal blue which comes upon the white half, and white which comes upon

the blue half. This is done in heraldry, partly for the sake of perfect

intelligibility, but yet more for the sake of delight in interchange of

color, since, in all ornamentation whatever, the practice is continual,

in the ages of good design.

228. Sometimes this alternation is merely a reversal of contrasts; as

that, after red has been for some time on one side, and blue on the

other, red shall pass to blue's side and blue to red's. This kind of

alternation takes place simply in four-quartered shields; in more subtle

pieces of treatment, a little bit only of each color is carried into the

other, and they are as it were dovetailed together. One of the most

curious facts which will impress itself upon you, when you have drawn

some time carefully from Nature in light and shade, is the appearance of

intentional artifice with which contrasts of this alternate kind are

produced by her; the artistry with which she will darken a tree trunk as

long as it comes against light sky, and throw sunlight on it precisely

at the spot where it comes against a dark hill, and similarly treat all

her masses of shade and color, is so great, that if you only follow her

closely, every one who looks at your drawing with attention will think

that you have been inventing the most artificially and unnaturally

delightful interchanges of shadow that could possibly be devised by

human wit.

229. You will find this law of interchange insisted upon at length by

Prout in his Lessons on Light and Shade: it seems of all his principles

of composition to be the one he is most conscious of; many others he

obeys by instinct, but this he formally accepts and forcibly declares.

The typical purpose of the law of interchange is, of course, to teach us

how opposite natures may be helped and strengthened by receiving each,

as far as they can, some impress or reflection, or imparted power, from

the other.

The Elements of Drawing, in Three Letters to Beginners · 第 45 / 71 题