LITERARY NOTICES.

_The Spanish Conquest in America, and its Relation to the History

of Slavery and to the Government of Colonies_. By ARTHUR HELPS. Vols.

I. and II. London, 1855. Vol. III. London, 1857.

This work has a double claim to attention in America;--first, on

account of its great intrinsic merit as a narrative of the

beginnings of the European settlement of this continent; secondly,

as containing a thorough and exceedingly able account of the

planting of Slavery in America, and the origin of that system which

has been and is the great blight of the civilization of the New World.

Mr. Helps is endowed in large measure with the qualities of an

historian of the highest order. A clear and comprehensive vision, a

wide knowledge and careful study of human nature, free and generous

sympathies are united in him with a penetrative imagination which

vivifies the life of past times, with a reverence for truth which

excludes prejudice and prepossession, and with a profoundly

religious spirit. The tone of his thought is manly and vigorous, and

his style, with the beauty of which the readers of his essays have

long been familiar, is marked by quiet grace and unpretending

strength. There are many passages in these volumes of wise

reflection and of pleasant humor. In the drawing of character and in

the narration of events Mr. Helps is equally happy. The pages of his

book are full of lifelike portraits of the great soldiers and great

priests of the time, and of animated pictures of the scenes in which

they were engaged.

Mr. Helps has investigated his subject with zeal, industry, and

patience. He has sought out the original authorities, has brought to

light many important facts, has redeemed some great memories from

unjust oblivion, and has presented a new view of several of the

chief features of the history. In a graceful advertisement to the

third volume he says, "The reader will observe that there is

scarcely any allusion in this work to the kindred works of modern

writers on the same subject. This is not from any want of respect for

the able historians who have written upon the discovery or the

conquest of America. I felt, however, from the first, that my object

in investigating this portion of history was different from theirs;

and I wished to keep my mind clear from the influence which these

eminent persons might have exercised upon it."

A considerable space in these volumes is devoted to an investigation

of the character and condition of the native races of the continent

at the period of the Spanish Conquest. This subject is treated with

peculiar skill and learning, and with unusual power of sympathetic

analysis and appreciation of remote and obscure developments of

society. Another portion of the history, which his plan has led

Mr. Helps to treat at length and with exhaustive thoroughness, is

the early relations between the conquerors and the conquered,

embracing the method of settlement of the different countries, the

whole disastrous system of _ripartimientos_ and _encomiendas_, which,

in its full development, led to the destruction of the native

population of Hispaniola, and to the introduction of negroes into

this and the other West India islands to supply the demand for

laborers.

Another most interesting portion of his subject, and one which has

never till now been fairly exhibited, relates to the labors of the

Dominican and Franciscan monks, and their admirable and unwearied

efforts to counteract and to remedy some of the bitterest evils of

the conquest. Theirs were the first protests that were raised

against slavery in America, and their ranks afforded the first

martyrs in the cause of the Indian and the Negro. Las Casas has

found an eloquent and just biographer, and Mr. Helps has the

satisfaction of having securely placed his name among the few that

deserve the lasting honor and remembrance of the world. The

narrative of Las Casas's life is one of strong dramatic interest.

His life was a varied and remarkable one, even for those times of

striking contrasts and varieties in the fortunes of men; and in

Mr. Helps's pages one sees the man himself, with his simplicity and

elevation of purpose, his honesty of motive, his energy, his

impetuosity, his courage, and his faith.

The three volumes already published embrace the progress of Spanish

conquest from the first discoveries of Columbus to Pizarro's

incursion into Peru. It is sincerely to be hoped that Mr. Helps may

continue his work, at least to the period when the Spanish conquest

and colonization were met and limited by the conquest and the

colonization of the other European nations. Its importance, as a wise,

thoughtful, unpolemic investigation of the origin and the results of

Slavery, is hardly to be overestimated. The space allowed to a

critical notice does not permit us to render it full justice. We can

do little more than recommend it warmly to the readers of history

and to the students of the most difficult and the darkest social

problem of the age.

_Handbook of Railroad Construction, for the Use of American

Engineers. Containing the Necessary Rules, Tables, and Formulae for

the Location, Construction, Equipment, and Management of Railroads,

as built in the United States_. With 158 Illustrations. By GEORGE L.

VOSE, Civil Engineer. Boston: James Munroe & Co. 1857. 12 mo. pp. 480.

All who trust their persons to railroad cars, or their estates to

railroad stocks, will welcome every effort to enlighten that

irresponsible body of railroad builders and managers in whose wits

we put our faith.

The work which we here notice is intended for uneducated American

engineers, of whom there are unfortunately too many. The rapidity

with which our railroads have been built, and the experimental

character of this new branch of engineering, have obliged us to

resort to such native ability and mother wit as our people could

afford. The great body of our railroad engineers have had no training

but the experience they have blundered through; and even our

railroad financiers are men more distinguished for courage and

energy than for experimental skill. Mr. Vose's book will doubtless

be of great service in remedying these evils, by bringing within the

reach of every intelligent man a valuable and very carefully

prepared summary of such rules, formulas, and statistics as our

railroad experiences have furnished and proved.

Railroad engineering and management have united almost every branch

of mechanical and financial science, and have developed several new

and peculiar arts; so that the successful construction, equipment,

and management of a railroad require a rare combination of

accomplishments. Managers hitherto have been too little acquainted

with their business to settle many questions of economy, but they

are now beginning to look upon their enterprises with cooler

judgments.

The "Handbook" discusses several questions of economy, but seeks,

especially in its rules and formulas, to avoid those risks by which

economy has often been turned into the most ruinous extravagance. On

the question of fuel, our author advocates the use of coke as the

most economical and convenient, and every way preferable where it

can be readily obtained. He also urges, on economical grounds, a

more moderate rate of speed in railroad travel; thus showing that we

may save our forests, our lives, and a considerable expense all at

the same time.

The style is clear, and, for a work not professing to be a complete

treatise, but only a manual of useful facts, the arrangement is

admirable. The book is thoroughly practical, and touches upon such

matters, and for the most part upon such matters only, as are likely

to be of service to the practical man; yet it is quite elementary in

its character, and free from unnecessary technicalities.

The book has, however, one great fault. It is full of errata. No

carefully prepared table of corrections can make amends for such a

fault in a book in which typographical correctness is of the

greatest importance. To insert in their places with a pen more than

two hundred published corrections is a labor which no reader would

willingly undertake. We hope, therefore, that a new and correct

edition will soon be published.

_The Life of Handel_. By VICTOR SCHOELCHER. Reprinted from the

London Edition. New York: Mason, Brothers.

It is a remarkable fact, and one not very creditable to the musical

public of England, that the works of Mainwaring, Hawkins, Barney,

and Coxe should remain for almost an entire century after the death

of Handel our main sources of information concerning his career, and

that the first attempt to write a complete biography of that great

composer, correcting the errors, reconciling the contradictions, and

supplying the deficiencies of those authors, should be from the pen

of a French exile. And yet during all this time materials have been

accumulating, the fame of the composer has been extending, the demand

for such a work increasing, and the number of intelligent and

elegant English writers upon music growing greater.

M. Schoelcher's work, though perhaps the most valuable contribution

to musical historical literature which has for many years appeared

from the English press, leaves much to be desired. Excepting a

correction of the chronology of Handel's visit to Italy, very little,

if anything, of importance is added to what we already possessed in

regard to the early history of the composer. We look in vain for the

means of tracing the development of his genius. The impression left

upon the mind of the reader is, that his powers showed themselves

suddenly in full splendor, and that at a single bound he placed

himself at the head of the dramatic composers of his age. This was

not true of Hasse, Mozart, Gluck, Cherubini, Weber, in dramatic

composition; nor of Bach, Haydn, Beethoven, in other branches of the

musical art. However great a man's genius may be, he must live and

learn. To attain the highest excellence, long continued study is

necessary; and Handel, as we believe, was no exception to the

general law.

The list of works consulted by M. Schoelcher, prefixed to the

biography, shows that he has by no means exhausted the German

authorities which may be profitably used in writing upon the early

history of Handel: indeed, the author, though of German descent, is

unacquainted with the German language. We can learn from them the

state of dramatic music at that time in Berlin, Leipsic, Brunswick,

Hanover, Köthen; we can form from them some correct idea of the

powers of Keiser, Steffani, Graupner, Schieferdecker, Telemann,

Grünwald, and others, then in possession of the lyric stage; we can

thus estimate the influences which led Handel from the path that

Bach so successfully followed, into that which he pursued with equal

success; and though the amount of matter relating to him personally

be small, much that throws light upon his early life still remains

inaccessible to the English reader.

The biography of a great creative artist must in great measure

consist of a history of his works; and the great value of the

book before us arises from the searching examination to which

M. Schoelcher has subjected the several collections of Handel's

manuscripts which are preserved in England, one of which, in some

respects the most valuable, has fallen into his own possession. This

examination, for the first time made, together with the first careful

and thorough search for whatever might afford a ray of light in the

various periodicals of Handel's time, has enabled the author to

correct innumerable errors in previous writers, and trace step by

step the rapid succession of opera, anthem, serenata, and oratorio,

which filled the years of the composer's manhood. For the general

reader, perhaps, M. Schoelcher has been drawn too far into detail,

and some passages of his work might have been better reserved for

his "Catalogue of Handel's Works"; but these details are of the

highest value to the student of musical literature, and, indeed,

form for him the principal charm of the work. The importance of the

author's labors can be duly appreciated only by those who have had

occasion to study somewhat extensively the musical history of the

last century. For them the results of those labors as here presented

are invaluable.

_Sermons of the_ REV. C. H. SPURGEON, of London. Third Series.

New York: Sheldon, Blakeman & Co.

There can be no doubt of the merit of these sermons, considered as

examples of method and embodiments of character. Whatever elements

of Christianity may be left unexpressed in them, it is certain that

Mr. Spurgeon has succeeded in expressing himself. His discourses at

least give us Christianity as he understands, feels, and lives it.

They should be studied by all clergymen who desire to master the

secret of influencing masses of men. They will afford valuable hints

in respect to method, even when their spirit, tone, and teaching

present no proper model for imitation. Mr. Spurgeon, we suppose,

would be classed among Calvinists, but he is not merely that.

Without any force, depth, amplitude, or originality of thought, he

has considerable force and originality of nature. He detaches from

their relations certain doctrines of Calvinism which especially

interest him, and so emphasizes and intensifies them, so blends them

with his personal being and experience, that the impression he

stamps upon the mind is rather of Spurgeonism than Calvinism. He

gives vivid reality to his doctrines, because they are incorporated

with his nature,--and not merely with his spiritual, but with his

animal nature. He is thoroughly in earnest from the fact that he

preaches himself. His converts, therefore, are likely to mistake

being Spurgeonized for being Christianized; for the Christianity he

preaches is not so much vital Christianity as it is Christianity

passed through the vitalities of his own nature, and essentially

modified and lowered in the process. To understand, then, the kind

of influence he exerts, we have simply to inquire, What kind of man

is Mr. Spurgeon?

The answer to this question is given on every page of his sermons.

He has no reserves, but lets his character transpire in every

sentence. He is a bold, eager, earnest, devout, passionate,

well-intentioned man, with considerable experience in the sphere of

the religious emotions, full of sympathy with rough natures, full of

mother wit and practical sagacity, but, as a theologian, coarse,

ignorant, narrow-minded, and strikingly deficient in fine spiritual

perceptions. These qualities inhere in a nature of singular vigor,

intensity, and directness, that sends out words like bullets. Warmth

of feeling combined with narrowness of mind makes him a bigot; but

his bigotry is not the sour assertion of an opinion, but the racy

utterance of a nature. He believes in Spurgeonism so thoroughly and

so simply that toleration is out of the question, and doctrines

opposed to his own he refers, with instantaneous and ingenuous

dogmatism, to folly or wickedness. "I think," he says, in one of his

sermons, "I have none here so profoundly stupid as to be Puseyites.

I can scarcely believe that I have been the means of attracting one

person here so utterly devoid of one remnant of brain as to believe

the doctrine of baptismal regeneration." The doctrine, indeed, is so

nonsensical to him, that, after some caricatures of it, he asserts

that it would discredit Scripture with all sensible men, if it were

taught in Scripture. God himself could not make Mr. Spurgeon believe

it; and doubtless there are many High Churchmen who would retort,

that nothing short of a miracle could make them assent to some of

the dogmas of their assailant. Indeed, the incapacity of our

preacher to discern, or mentally to reproduce, a religious character

differing in creed from his own, makes him the most amusingly

intolerant of Popes, not because he is malignant, but because he is

Spurgeon. If he had learning or largeness of mind, he would probably

lose the greater portion of his power. He gets his hearers into a

corner, limits the range of their vision to the doctrine he is

expounding, refuses to listen to any excuses or palliations, and

then screams out to them, "Believe or be damned!" In his own mind he

is sure they will be damned, if they do not believe. So far as

regards his influence over those minds whose religious emotions are

strong, but whose religious principles are weak, every limitation of

his mind is an increase of his force.

This theological narrowness is unaccompanied with theological rancor.

A rough but genuine benevolence is at the heart of Mr. Spurgeon's

system. He wishes his opponents to be converted, not condemned. He

very properly feels, that, with his ideas of the Divine Government,

he would be the basest of criminals, if he spared himself, or spared

either entreaty or denunciation, in the great work of saving souls.

He throws himself with such passionate earnestness into his business,

that his sermons boil over with the excitement of his feelings.

Indeed, it is difficult to say whether our impressions of him,

derived from the written page, come to us more from the eye than the

ear. His very style foams, rages, prays, entreats, adjures, weeps,

screams, warns, and execrates. His words are words that everybody

understands,--bold, blunt, homely, quaint, level to his nature, all

alive with passion, and directed with the single purpose of carrying

the fortresses of sin by assault. The reader who contrives to

preserve his calmness amid this storm of words cannot but be vexed

that rhetoric so efficient should frequently be combined with notions

so narrow, with bigotry so besotted, with religious principles so

materialized; that the man who is loudly proclaimed as the greatest

living orator of the pulpit should have so little of that Christian

spirit which refines when it inflames, which exalts, enlarges, and

purifies the natures it moves. For Mr. Spurgeon is, after all,

little more than a theological stump-orator, a Protestant Dominican,

easy of comprehension because he leaves out the higher elements of

his themes, and not hesitating to vulgarize Christianity, if he may

thereby extend it among the vulgar. It has been attempted to justify

him by the examples of Luther and Bunyan, to neither of whom does

he bear more than the most superficial resemblance. He is, to be sure,

as natural as Luther, but then his nature happens to be a puny

nature as compared with that of the great Reformer; and, not to

insist on specific differences, it is certain that Luther, if alive,

would have the same objection to Mr. Spurgeon's bringing down the

doctrines of Christianity to the supposed mental condition of his

hearers, as he had to the Romanists of his day, who corrupted

religion in order that the public "might be more generally

accommodated." Bunyan's phraseology is homely, but Bunyan's

celestializing imagination kept his "familiar grasp of things divine"

from being an irreverent pawing of things divine. Mr. Spurgeon's

nature works on a low level of influence. Deficient in imagination,

and with a mind coarse and unspiritualized, though religiously

impressed, he animalizes his creed in attempting to give it

sensuous reality and impressiveness. If it be said that by this

process he feels his way into hearts which could not be affected by

more spiritual means, the answer is, that the multitude who listened

to the Sermon on the Mount were not of a more elevated cast of mind

than the multitude who listened to Mr. Spurgeon's sermon on

"Regeneration." But the truth is, that Mr. Spurgeon's preaching is

liked, not simply because it rouses sinners to repentance, but

because it gives sinners a certain enjoyment. It is racy, original,

exciting, and comes directly from the character of the preacher. It

is relished, as Mr. Spurgeon tells us in his Preface, by "princes of

every nation and nobles of every rank," as well as by humbler people.

But we doubt whether Christianity should be vulgarized to give jaded

nobles a new "sensation," or in order to be made a fit "gospel for

the poor."

* * * * *

_Roumania: the Border Land of the Christian and the Turk.

Comprising Adventures of Travel in Eastern Europe and Western Asia_.

By JAMES O. NOYES, M. D. Surgeon in the Ottoman Army. New York: Rudd &

Carleton, 310 Broadway. 1857.

Dr. James Oscar Noyes, the author of this book, is an American all

over. He has the rapidity and eagerness of mind that the champagny

atmosphere of our northern hills gives to those who are stout enough

not to be wilted by our hot summers. For briskness, thriftiness,

energy, and alacrity, it is hard to find his match. He has made a

book of travels, and will make a hundred, unless somebody finds him

a place at home where he will have an indefinite number of

labors-of-Hercules to keep him busy,--or unless some African prince

cuts his head off, or he happens to call upon the Battas about their

Thanksgiving-time.

Here he has been streaming through Eastern Europe and Western Asia,

so hilarious and good-tempered all the time, so intensely wide-awake,

so perfectly at home everywhere, so quick at making friends, so

perfectly convinced that the world was made for American travellers,

and so apt at proving it by his own example, that his friends who

missed him for a while not only were not astonished to find that he

had been a Surgeon in the Ottoman Army, during this brief interval,

but only wondered he had not been Grand Vizier.

In this instance the book is the man, if we may so far change

Monsieur de Buffon's saying. It is full of fresh observations and

lively descriptions,--perhaps a little too overlarded and

oversprigged with prose and verse quotations,--but as lively as a

golden carp just landed. It describes scenes not familiar to most

readers, tells stories they have never heard, introduces them to new

costumes and faces, and helps itself by the aid of pictures to make

its vivacious narrative real. We are much pleased to learn that the

work has met with a very good reception; for we consider it as the

card of introduction of a gentleman whom the American people will

very probably know pretty well before he has done with them, and be

the better for the acquaintance.

* * * * *

_Dante's Hell_. Cantos I. to X. A Literal Metrical Translation.

By J. C. Peabody. Boston: Ticknor & Fields, 1857.

A man must be either conscious of poetic gifts and possessed of real

learning, or very presumptuous and ignorant, who undertakes at the

present day a _new_ translation of Dante. Mr. J. C. Peabody might

claim exemption from this _dictum_, on the ground that his

translation is not a _new_ one; but he himself does not put in this

plea, and we cannot grant to him the possession of poetic power, or

declare that he is not ignorant and presumptuous. He says in his

Preface, with a modesty, the worth of which will soon become apparent,

"The present is on a different plan from all other translations, and

must be judged accordingly. While I disclaim all intention of

disputing the palm as a poet or scholar with the least of those who

have walked with Dante before me, yet, by such labor and plodding as

their genius would not allow them to descend to, have I made a more

literal, and perhaps, therefore, a better translation than they all."

Mr. J. C. Peabody is right in supposing that none of the previous

translations of Dante could descend to _such_ labor and plodding as

his. In 1849, Dr. Carlyle published his literal prose translation of

the "Inferno." It was in many respects admirably done, and it has

afforded great assistance to the students of the poet in their first

progress. Mr. Peabody does not acknowledge any obligations to it, or

refer to it in any way. Let us, however, compare a passage or two of

the two versions. We open at line 78 of the First Canto. We do not

divide Mr. Peabody's into the lines of verse.

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