CHAPTER I

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MEN, WOMEN, AND BOATS

By Stephen Crane

Edited With an Introduction by Vincent Starrett

NOTE

A Number of the tales and sketches here brought together appear now for

the first time between covers; others for the first time between covers

in this country. All have been gathered from out-of-print volumes and

old magazine files.

"The Open Boat," one of Stephen Crane's finest stories, is used with

the courteous permission of Doubleday, Page & Co., holders of the

copyright. Its companion masterpiece, "The Blue Hotel," because of

copyright complications, has had to be omitted, greatly to the regret

of the editor.

After the death of Stephen Crane, a haphazard and undiscriminating

gathering of his earlier tales and sketches appeared in London under

the misleading title, "Last Words." From this volume, now rarely met

with, a number of characteristic minor works have been selected, and

these will be new to Crane's American admirers; as follows: "The

Reluctant Voyagers," "The End of the Battle," "The Upturned Face," "An

Episode of War," "A Desertion," "Four Men in a Cave," "The Mesmeric

Mountain," "London Impressions," "The Snake."

Three of our present collection, printed by arrangement, appeared in

the London (1898) edition of "The Open Boat and Other Stories,"

published by William Heinemann, but did not occur in the American

volume of that title. They are "An Experiment in Misery," "The Duel

that was not Fought," and "The Pace of Youth."

For the rest, "A Dark Brown Dog," "A Tent in Agony," and "The Scotch

Express," are here printed for the first time in a book.

For the general title of the present collection, the editor alone is

responsible.

V. S.

MEN, WOMEN AND BOATS

CONTENTS

STEPHEN CRANE: _An Estimate_

THE OPEN BOAT

THE RELUCTANT VOYAGERS

THE END OF THE BATTLE

THE UPTURNED FACE

AN EPISODE OF WAR

AN EXPERIMENT IN MISERY

THE DUEL THAT WAS NOT FOUGHT

A DESERTION

THE DARK-BROWN DOG

THE PACE OF YOUTH

SULLIVAN COUNTY SKETCHES

A TENT IN AGONY

FOUR MEN IN A CAVE

THE MESMERIC MOUNTAIN

THE SNAKE

LONDON IMPRESSIONS

THE SCOTCH EXPRESS

STEPHEN CRANE: _AN ESTIMATE_

It hardly profits us to conjecture what Stephen Crane might have

written about the World War had he lived. Certainly, he would have been

in it, in one capacity or another. No man had a greater talent for war

and personal adventure, nor a finer art in describing it. Few writers

of recent times could so well describe the poetry of motion as

manifested in the surge and flow of battle, or so well depict the

isolated deed of heroism in its stark simplicity and terror.

To such an undertaking as Henri Barbusse's "Under Fire," that powerful,

brutal book, Crane would have brought an analytical genius almost

clairvoyant. He possessed an uncanny vision; a descriptive ability

photographic in its clarity and its care for minutiae--yet

unphotographic in that the big central thing often is omitted, to be

felt rather than seen in the occult suggestion of detail. Crane would

have seen and depicted the grisly horror of it all, as did Barbusse,

but also he would have seen the glory and the ecstasy and the wonder of

it, and over that his poetry would have been spread.

While Stephen Crane was an excellent psychologist, he was also a true

poet. Frequently his prose was finer poetry than his deliberate essays

in poesy. His most famous book, "The Red Badge of Courage," is

essentially a psychological study, a delicate clinical dissection of

the soul of a recruit, but it is also a _tour de force_ of the

imagination. When he wrote the book he had never seen a battle: he had

to place himself in the situation of another. Years later, when he came

out of the Greco-Turkish _fracas_, he remarked to a friend: "'The Red

Badge' is all right."

Written by a youth who had scarcely passed his majority, this book has

been compared with Tolstoy's "Sebastopol" and Zola's "La Débâcle," and

with some of the short stories of Ambrose Bierce. The comparison with

Bierce's work is legitimate; with the other books, I think, less so.

Tolstoy and Zola see none of the traditional beauty of battle; they

apply themselves to a devoted--almost obscene--study of corpses and

carnage generally; and they lack the American's instinct for the rowdy

commonplace, the natural, the irreverent, which so materially aids his

realism. In "The Red Badge of Courage" invariably the tone is kept down

where one expects a height: the most heroic deeds are accomplished with

studied awkwardness.

Crane was an obscure free-lance when he wrote this book. The effort, he

says, somewhere, "was born of pain--despair, almost." It was a better

piece of work, however, for that very reason, as Crane knew. It is far

from flawless. It has been remarked that it bristles with as many

grammatical errors as with bayonets; but it is a big canvas, and I am

certain that many of Crane's deviations from the rules of polite

rhetoric were deliberate experiments, looking to effect--effect which,

frequently, he gained.

Stephen Crane "arrived" with this book. There are, of course, many who

never have heard of him, to this day, but there was a time when he was

very much talked of. That was in the middle nineties, following

publication of "The Red Badge of Courage," although even before that he

had occasioned a brief flurry with his weird collection of poems called

"The Black Riders and Other Lines." He was highly praised, and highly

abused and laughed at; but he seemed to be "made." We have largely

forgotten since. It is a way we have.

Personally, I prefer his short stories to his novels and his poems;

those, for instance, contained in "The Open Boat," in "Wounds in the

Rain," and in "The Monster." The title-story in that first collection

is perhaps his finest piece of work. Yet what is it? A truthful record

of an adventure of his own in the filibustering days that preceded our

war with Spain; the faithful narrative of the voyage of an open boat,

manned by a handful of shipwrecked men. But Captain Bligh's account of

_his_ small boat journey, after he had been sent adrift by the

mutineers of the _Bounty_, seems tame in comparison, although of the

two the English sailor's voyage was the more perilous.

In "The Open Boat" Crane again gains his effects by keeping down the

tone where another writer might have attempted "fine writing" and have

been lost. In it perhaps is most strikingly evident the poetic cadences

of his prose: its rhythmic, monotonous flow is the flow of the gray

water that laps at the sides of the boat, that rises and recedes in

cruel waves, "like little pointed rocks." It is a desolate picture, and

the tale is one of our greatest short stories. In the other tales that

go to make up the volume are wild, exotic glimpses of Latin-America. I

doubt whether the color and spirit of that region have been better

rendered than in Stephen Crane's curious, distorted, staccato sentences.

"War Stories" is the laconic sub-title of "Wounds in the Rain." It was

not war on a grand scale that Crane saw in the Spanish-American

complication, in which he participated as a war correspondent; no such

war as the recent horror. But the occasions for personal heroism were

no fewer than always, and the opportunities for the exercise of such

powers of trained and appreciative understanding and sympathy as Crane

possessed, were abundant. For the most part, these tales are episodic,

reports of isolated instances--the profanely humorous experiences of

correspondents, the magnificent courage of signalmen under fire, the

forgotten adventure of a converted yacht--but all are instinct with the

red fever of war, and are backgrounded with the choking smoke of

battle. Never again did Crane attempt the large canvas of "The Red

Badge of Courage." Before he had seen war, he imagined its immensity

and painted it with the fury and fidelity of a Verestchagin; when he

was its familiar, he singled out its minor, crimson passages for

briefer but no less careful delineation.

In this book, again, his sense of the poetry of motion is vividly

evident. We see men going into action, wave on wave, or in scattering

charges; we hear the clink of their accoutrements and their breath

whistling through their teeth. They are not men going into action at

all, but men going about their business, which at the moment happens to

be the capture of a trench. They are neither heroes nor cowards. Their

faces reflect no particular emotion save, perhaps, a desire to get

somewhere. They are a line of men running for a train, or following a

fire engine, or charging a trench. It is a relentless picture, ever

changing, ever the same. But it contains poetry, too, in rich,

memorable passages.

In "The Monster and Other Stories," there is a tale called "The Blue

Hotel". A Swede, its central figure, toward the end manages to get

himself murdered. Crane's description of it is just as casual as that.

The story fills a dozen pages of the book; but the social injustice of

the whole world is hinted in that space; the upside-downness of

creation, right prostrate, wrong triumphant,--a mad, crazy world. The

incident of the murdered Swede is just part of the backwash of it all,

but it is an illuminating fragment. The Swede was slain, not by the

gambler whose knife pierced his thick hide: he was the victim of a

condition for which he was no more to blame than the man who stabbed

him. Stephen Crane thus speaks through the lips of one of the

characters:--

"We are all in it! This poor gambler isn't even

a noun. He is a kind of an adverb. Every sin is

the result of a collaboration. We, five of us, have

collaborated in the murder of this Swede. Usually

there are from a dozen to forty women really involved

in every murder, but in this case it seems

to be only five men--you, I, Johnnie, Old Scully,

and that fool of an unfortunate gambler came

merely as a culmination, the apex of a human movement,

and gets all the punishment."

And then this typical and arresting piece of irony:--

"The corpse of the Swede, alone in the saloon,

had its eyes fixed upon a dreadful legend that

dwelt atop of the cash-machine: 'This registers the

amount of your purchase.'"

In "The Monster," the ignorance, prejudice and cruelty of an entire

community are sharply focussed. The realism is painful; one blushes for

mankind. But while this story really belongs in the volume called

"Whilomville Stories," it is properly left out of that series. The

Whilomville stories are pure comedy, and "The Monster" is a hideous

tragedy.

Whilomville is any obscure little village one may happen to think of.

To write of it with such sympathy and understanding, Crane must have

done some remarkable listening in Boyville. The truth is, of course, he

was a boy himself--"a wonderful boy," somebody called him--and was

possessed of the boy mind. These tales are chiefly funny because they

are so true--boy stories written for adults; a child, I suppose, would

find them dull. In none of his tales is his curious understanding of

human moods and emotions better shown.

A stupid critic once pointed out that Crane, in his search for striking

effects, had been led into "frequent neglect of the time-hallowed

rights of certain words," and that in his pursuit of color he "falls

occasionally into almost ludicrous mishap." The smug pedantry of the

quoted lines is sufficient answer to the charges, but in support of

these assertions the critic quoted certain passages and phrases. He

objected to cheeks "scarred" by tears, to "dauntless" statues, and to

"terror-stricken" wagons. The very touches of poetic impressionism that

largely make for Crane's greatness, are cited to prove him an

ignoramus. There is the finest of poetic imagery in the suggestions

subtly conveyed by Crane's tricky adjectives, the use of which was as

deliberate with him as his choice of a subject. But Crane was an

imagist before our modern imagists were known.

This unconventional use of adjectives is marked in the Whilomville

tales. In one of them Crane refers to the "solemn odor of burning

turnips." It is the most nearly perfect characterization of burning

turnips conceivable: can anyone improve upon that "solemn odor"?

Stephen Crane's first venture was "Maggie: A Girl of the Streets." It

was, I believe, the first hint of naturalism in American letters. It

was not a best-seller; it offers no solution of life; it is an episodic

bit of slum fiction, ending with the tragic finality of a Greek drama.

It is a skeleton of a novel rather than a novel, but it is a powerful

outline, written about a life Crane had learned to know as a newspaper

reporter in New York. It is a singularly fine piece of analysis, or a

bit of extraordinarily faithful reporting, as one may prefer; but not a

few French and Russian writers have failed to accomplish in two volumes

what Crane achieved in two hundred pages. In the same category is

"George's Mother," a triumph of inconsequential detail piling up with a

cumulative effect quite overwhelming.

Crane published two volumes of poetry--"The Black Riders" and "War is

Kind." Their appearance in print was jeeringly hailed; yet Crane was

only pioneering in the free verse that is today, if not definitely

accepted, at least more than tolerated. I like the following love poem

as well as any rhymed and conventionally metrical ballad that I know:--

"Should the wide world roll away,

Leaving black terror,

Limitless night,

Nor God, nor man, nor place to stand

Would be to me essential,

If thou and thy white arms were there

And the fall to doom a long way."

"If war be kind," wrote a clever reviewer, when the second volume

appeared, "then Crane's verse may be poetry, Beardsley's black and

white creations may be art, and this may be called a book";--a smart

summing up that is cherished by cataloguers to this day, in describing

the volume for collectors. Beardsley needs no defenders, and it is

fairly certain that the clever reviewer had not read the book, for

certainly Crane had no illusions about the kindness of war. The

title-poem of the volume is an amazingly beautiful satire which answers

all criticism.

"Do not weep, maiden, for war is kind.

Because your lover threw wild hands toward the sky

And the affrighted steed ran on alone,

Do not weep.

War is kind.

"Hoarse, booming drums of the regiment,

Little souls who thirst for fight,

These men were born to drill and die.

The unexplained glory flies above them,

Great is the battle-god, and his kingdom--

A field where a thousand corpses lie.

* * * * *

"Mother whose heart hung humble as a button

On the bright splendid shroud of your son,

Do not weep.

War is kind."

Poor Stephen Crane! Like most geniuses, he had his weaknesses and his

failings; like many, if not most, geniuses, he was ill. He died of

tuberculosis, tragically young. But what a comrade he must have been,

with his extraordinary vision, his keen, sardonic comment, his

fearlessness and his failings!

Just a glimpse of Crane's last days is afforded by a letter written

from England by Robert Barr, his friend--Robert Barr, who collaborated

with Crane in "The 0' Ruddy," a rollicking tale of old Ireland, or,

rather, who completed it at Crane's death, to satisfy his friend's

earnest request. The letter is dated from Hillhead, Woldingham, Surrey,

June 8, 1900, and runs as follows:--

"My Dear ----

"I was delighted to hear from you, and was much

interested to see the article on Stephen Crane you

sent me. It seems to me the harsh judgment of an

unappreciative, commonplace person on a man of

genius. Stephen had many qualities which lent

themselves to misapprehension, but at the core he

was the finest of men, generous to a fault, with

something of the old-time recklessness which used

to gather in the ancient literary taverns of London.

I always fancied that Edgar Allan Poe revisited the

earth as Stephen Crane, trying again, succeeding

again, failing again, and dying ten years sooner

than he did on the other occasion of his stay on

earth.

"When your letter came I had just returned from

Dover, where I stayed four days to see Crane off

for the Black Forest. There was a thin thread of

hope that he might recover, but to me he looked like

a man already dead. When he spoke, or, rather,

whispered, there was all the accustomed humor in

his sayings. I said to him that I would go over to

the Schwarzwald in a few weeks, when he was getting

better, and that we would take some convalescent

rambles together. As his wife was listening

he said faintly: 'I'll look forward to that,' but he

smiled at me, and winked slowly, as much as to say:

'You damned humbug, you know I'll take no more

rambles in this world.' Then, as if the train of

thought suggested what was looked on before as the

crisis of his illness, he murmured: 'Robert, when

you come to the hedge--that we must all go over--

it isn't bad. You feel sleepy--and--you don't

care. Just a little dreamy curiosity--which world

you're really in--that's all.'

"To-morrow, Saturday, the 9th, I go again to

Dover to meet his body. He will rest for a little

while in England, a country that was always good

to him, then to America, and his journey will be

ended.

"I've got the unfinished manuscript of his last

novel here beside me, a rollicking Irish tale, different

from anything he ever wrote before. Stephen

thought I was the only person who could finish it,

and he was too ill for me to refuse. I don't know

what to do about the matter, for I never could work

up another man's ideas. Even your vivid imagination

could hardly conjecture anything more ghastly

than the dying man, lying by an open window overlooking

the English channel, relating in a sepulchral

whisper the comic situations of his humorous hero

so that I might take up the thread of his story.

"From the window beside which I write this I

can see down in the valley Ravensbrook House,

where Crane used to live and where Harold Frederic,

he and I spent many a merry night together. When

the Romans occupied Britain, some of their legions,

parched with thirst, were wandering about these dry

hills with the chance of finding water or perishing.

They watched the ravens, and so came to the stream

which rises under my place and flows past Stephen's

former home; hence the name, Ravensbrook.

"It seems a strange coincidence that the greatest

modern writer on war should set himself down

where the greatest ancient warrior, Caesar, probably

stopped to quench his thirst.

"Stephen died at three in the morning, the same

sinister hour which carried away our friend Frederic

nineteen months before. At midnight, in Crane's

fourteenth-century house in Sussex, we two tried

to lure back the ghost of Frederic into that house of

ghosts, and to our company, thinking that if reappearing

were ever possible so strenuous a man as

Harold would somehow shoulder his way past the

guards, but he made no sign. I wonder if the less

insistent Stephen will suggest some ingenious method

by which the two can pass the barrier. I can imagine

Harold cursing on the other side, and welcoming

the more subtle assistance of his finely fibred

friend.

"I feel like the last of the Three Musketeers, the

other two gone down in their duel with Death. I

am wondering if, within the next two years, I also

shall get the challenge. If so, I shall go to the competing

ground the more cheerfully that two such

good fellows await the outcome on the other side.

"Ever your friend,

"ROBERT BARR."

The last of the Three Musketeers is gone, now, although he outlived his

friends by some years. Robert Barr died in 1912. Perhaps they are still

debating a joint return.

There could be, perhaps, no better close for a paper on Stephen Crane

than the subjoined paragraph from a letter written by him to a

Rochester editor:--

"The one thing that deeply pleases me is the

fact that men of sense invariably believe me to be

sincere. I know that my work does not amount to

a string of dried beans--I always calmly admit it--but

I also know that I do the best that is in me

without regard to praise or blame. When I was

the mark for every humorist in the country, I went

ahead; and now when I am the mark for only fifty

per cent of the humorists of the country, I go

ahead; for I understand that a man is born into the

world with his own pair of eyes, and he is not at all

responsible for his vision--he is merely responsible

for his quality of personal honesty. To keep

close to this personal honesty is my supreme ambition."

VINCENT STARRETT.

THE OPEN BOAT

A Tale intended to be after the fact. Being the experience of four men

from the sunk steamer "Commodore"

I

None of them knew the color of the sky. Their eyes glanced level, and

were fastened upon the waves that swept toward them. These waves were

of the hue of slate, save for the tops, which were of foaming white,

and all of the men knew the colors of the sea. The horizon narrowed and

widened, and dipped and rose, and at all times its edge was jagged with

waves that seemed thrust up in points like rocks. Many a man ought to

have a bath-tub larger than the boat which here rode upon the sea.

These waves were most wrongfully and barbarously abrupt and tall, and

each froth-top was a problem in small-boat navigation.

The cook squatted in the bottom and looked with both eyes at the six

inches of gunwale which separated him from the ocean. His sleeves were

rolled over his fat forearms, and the two flaps of his unbuttoned vest

dangled as he bent to bail out the boat. Often he said: "Gawd! That was

a narrow clip." As he remarked it he invariably gazed eastward over the

broken sea.

The oiler, steering with one of the two oars in the boat, sometimes

raised himself suddenly to keep clear of water that swirled in over the

stern. It was a thin little oar and it seemed often ready to snap.

The correspondent, pulling at the other oar, watched the waves and

wondered why he was there.

The injured captain, lying in the bow, was at this time buried in that

profound dejection and indifference which comes, temporarily at least,

to even the bravest and most enduring when, willy nilly, the firm

fails, the army loses, the ship goes down. The mind of the master of a

vessel is rooted deep in the timbers of her, though he commanded for a

day or a decade, and this captain had on him the stern impression of a

scene in the greys of dawn of seven turned faces, and later a stump of

a top-mast with a white ball on it that slashed to and fro at the

waves, went low and lower, and down. Thereafter there was something

strange in his voice. Although steady, it was, deep with mourning, and

of a quality beyond oration or tears.

"Keep 'er a little more south, Billie," said he.

"'A little more south,' sir," said the oiler in the stern.

A seat in this boat was not unlike a seat upon a bucking broncho, and

by the same token, a broncho is not much smaller. The craft pranced and

reared, and plunged like an animal. As each wave came, and she rose for

it, she seemed like a horse making at a fence outrageously high. The

manner of her scramble over these walls of water is a mystic thing,

and, moreover, at the top of them were ordinarily these problems in

white water, the foam racing down from the summit of each wave,

requiring a new leap, and a leap from the air. Then, after scornfully

bumping a crest, she would slide, and race, and splash down a long

incline, and arrive bobbing and nodding in front of the next menace.

A singular disadvantage of the sea lies in the fact that after

successfully surmounting one wave you discover that there is another

behind it just as important and just as nervously anxious to do

something effective in the way of swamping boats. In a ten-foot dingey

one can get an idea of the resources of the sea in the line of waves

that is not probable to the average experience which is never at sea in

a dingey. As each slatey wall of water approached, it shut all else

from the view of the men in the boat, and it was not difficult to

imagine that this particular wave was the final outburst of the ocean,

the last effort of the grim water. There was a terrible grace in the

move of the waves, and they came in silence, save for the snarling of

the crests.

In the wan light, the faces of the men must have been grey. Their eyes

must have glinted in strange ways as they gazed steadily astern. Viewed

from a balcony, the whole thing would doubtless have been weirdly

picturesque. But the men in the boat had no time to see it, and if they

had had leisure there were other things to occupy their minds. The sun

swung steadily up the sky, and they knew it was broad day because the

color of the sea changed from slate to emerald-green, streaked with

amber lights, and the foam was like tumbling snow. The process of the

breaking day was unknown to them. They were aware only of this effect

upon the color of the waves that rolled toward them.

In disjointed sentences the cook and the correspondent argued as to the

difference between a life-saving station and a house of refuge. The

cook had said: "There's a house of refuge just north of the Mosquito

Inlet Light, and as soon as they see us, they'll come off in their boat

and pick us up."

"As soon as who see us?" said the correspondent.

"The crew," said the cook.

"Houses of refuge don't have crews," said the correspondent. "As I

understand them, they are only places where clothes and grub are stored

for the benefit of shipwrecked people. They don't carry crews."

"Oh, yes, they do," said the cook.

"No, they don't," said the correspondent.

"Well, we're not there yet, anyhow," said the oiler, in the stern.

"Well," said the cook, "perhaps it's not a house of refuge that I'm

thinking of as being near Mosquito Inlet Light. Perhaps it's a

life-saving station."

"We're not there yet," said the oiler, in the stern.

II

As the boat bounced from the top of each wave, the wind tore through

the hair of the hatless men, and as the craft plopped her stern down

again the spray splashed past them. The crest of each of these waves

was a hill, from the top of which the men surveyed, for a moment, a

broad tumultuous expanse, shining and wind-riven. It was probably

splendid. It was probably glorious, this play of the free sea, wild

with lights of emerald and white and amber.

"Bully good thing it's an on-shore wind," said the cook; "If not, where

would we be? Wouldn't have a show."

"That's right," said the correspondent.

The busy oiler nodded his assent.

Then the captain, in the bow, chuckled in a way that expressed humor,

contempt, tragedy, all in one. "Do you think We've got much of a show

now, boys?" said he.

Whereupon the three were silent, save for a trifle of hemming and

hawing. To express any particular optimism at this time they felt to be

childish and stupid, but they all doubtless possessed this sense of the

situation in their mind. A young man thinks doggedly at such times. On

the other hand, the ethics of their condition was decidedly against any

open suggestion of hopelessness. So they were silent.

"Oh, well," said the captain, soothing his children, "We'll get ashore

all right."

But there was that in his tone which made them think, so the oiler

quoth: "Yes! If this wind holds!"

The cook was bailing: "Yes! If we don't catch hell in the surf."

Canton flannel gulls flew near and far. Sometimes they sat down on the

sea, near patches of brown seaweed that rolled on the waves with a

movement like carpets on a line in a gale. The birds sat comfortably in

groups, and they were envied by some in the dingey, for the wrath of

the sea was no more to them than it was to a covey of prairie chickens

a thousand miles inland. Often they came very close and stared at the

men with black bead-like eyes. At these times they were uncanny and

sinister in their unblinking scrutiny, and the men hooted angrily at

them, telling them to be gone. One came, and evidently decided to

alight on the top of the captain's head. The bird flew parallel to the

boat and did not circle, but made short sidelong jumps in the air in

chicken-fashion. His black eyes were wistfully fixed upon the captain's

head. "Ugly brute," said the oiler to the bird. "You look as if you

were made with a jack-knife." The cook and the correspondent swore

darkly at the creature. The captain naturally wished to knock it away

with the end of the heavy painter; but he did not dare do it, because

anything resembling an emphatic gesture would have capsized this

freighted boat, and so with his open hand, the captain gently and

carefully waved the gull away. After it had been discouraged from the

pursuit the captain breathed easier on account of his hair, and others

breathed easier because the bird struck their minds at this time as

being somehow grewsome and ominous.

In the meantime the oiler and the correspondent rowed And also they

rowed.

They sat together in the same seat, and each rowed an oar. Then the

oiler took both oars; then the correspondent took both oars; then the

oiler; then the correspondent. They rowed and they rowed. The very

ticklish part of the business was when the time came for the reclining

one in the stern to take his turn at the oars. By the very last star of

truth, it is easier to steal eggs from under a hen than it was to

change seats in the dingey. First the man in the stern slid his hand

along the thwart and moved with care, as if he were of Sèvres. Then the

man in the rowing seat slid his hand along the other thwart. It was all

done with most extraordinary care. As the two sidled past each other,

the whole party kept watchful eyes on the coming wave, and the captain

cried: "Look out now! Steady there!"

The brown mats of seaweed that appeared from time to time were like

islands, bits of earth. They were traveling, apparently, neither one

way nor the other. They were, to all intents, stationary. They informed

the men in the boat that it was making progress slowly toward the land.

The captain, rearing cautiously in the bow, after the dingey soared on

a great swell, said that he had seen the light-house at Mosquito Inlet.

Presently the cook remarked that he had seen it. The correspondent was

at the oars then, and for some reason he too wished to look at the

lighthouse, but his back was toward the far shore and the waves were

important, and for some time he could not seize an opportunity to turn

his head. But at last there came a wave more gentle than the others,

and when at the crest of it he swiftly scoured the western horizon.

"See it?" said the captain.

"No," said the correspondent slowly, "I didn't see anything."

"Look again," said the captain. He pointed. "It's exactly in that

direction."

At the top of another wave, the correspondent did as he was bid, and

this time his eyes chanced on a small still thing on the edge of the

swaying horizon. It was precisely like the point of a pin. It took an

anxious eye to find a light house so tiny.

"Think we'll make it, captain?"

"If this wind holds and the boat don't swamp, we can't do much else,"

said the captain.

The little boat, lifted by each towering sea, and splashed viciously by

the crests, made progress that in the absence of seaweed was not

apparent to those in her. She seemed just a wee thing wallowing,

miraculously top-up, at the mercy of five oceans. Occasionally, a great

spread of water, like white flames, swarmed into her.

"Bail her, cook," said the captain serenely.

"All right, captain," said the cheerful cook.

III

It would be difficult to describe the subtle brotherhood of men that

was here established on the seas. No one said that it was so. No one

mentioned it. But it dwelt in the boat, and each man felt it warm him.

They were a captain, an oiler, a cook, and a correspondent, and they

were friends, friends in a more curiously iron-bound degree than may be

common. The hurt captain, lying against the water-jar in the bow, spoke

always in a low voice and calmly, but he could never command a more

ready and swiftly obedient crew than the motley three of the dingey. It

was more than a mere recognition of what was best for the common

safety. There was surely in it a quality that was personal and

heartfelt. And after this devotion to the commander of the boat there

was this comradeship that the correspondent, for instance, who had been

taught to be cynical of men, knew even at the time was the best

experience of his life. But no one said that it was so. No one

mentioned it.

"I wish we had a sail," remarked the captain. "We might try my overcoat

on the end of an oar and give you two boys a chance to rest." So the

cook and the correspondent held the mast and spread wide the overcoat.

The oiler steered, and the little boat made good way with her new rig.

Sometimes the oiler had to scull sharply to keep a sea from breaking

into the boat, but otherwise sailing was a success.

Meanwhile the lighthouse had been growing slowly larger. It had now

almost assumed color, and appeared like a little grey shadow on the

sky. The man at the oars could not be prevented from turning his head

rather often to try for a glimpse of this little grey shadow.

At last, from the top of each wave the men in the tossing boat could

see land. Even as the lighthouse was an upright shadow on the sky, this

land seemed but a long black shadow on the sea. It certainly was

thinner than paper. "We must be about opposite New Smyrna," said the

cook, who had coasted this shore often in schooners. "Captain, by the

way, I believe they abandoned that life-saving station there about a

year ago."

"Did they?" said the captain.

The wind slowly died away. The cook and the correspondent were not now

obliged to slave in order to hold high the oar. But the waves continued

their old impetuous swooping at the dingey, and the little craft, no

longer under way, struggled woundily over them. The oiler or the

correspondent took the oars again.

Shipwrecks are _à propos_ of nothing. If men could only train for them

and have them occur when the men had reached pink condition, there

would be less drowning at sea. Of the four in the dingey none had slept

any time worth mentioning for two days and two nights previous to

embarking in the dingey, and in the excitement of clambering about the

deck of a foundering ship they had also forgotten to eat heartily.

For these reasons, and for others, neither the oiler nor the

correspondent was fond of rowing at this time. The correspondent

wondered ingenuously how in the name of all that was sane could there

be people who thought it amusing to row a boat. It was not an

amusement; it was a diabolical punishment, and even a genius of mental

aberrations could never conclude that it was anything but a horror to

the muscles and a crime against the back. He mentioned to the boat in

general how the amusement of rowing struck him, and the weary-faced

oiler smiled in full sympathy. Previously to the foundering, by the

way, the oiler had worked double-watch in the engine-room of the ship.

"Take her easy, now, boys," said the captain. "Don't spend yourselves.

If we have to run a surf you'll need all your strength, because we'll

sure have to swim for it. Take your time."

Slowly the land arose from the sea. From a black line it became a line

of black and a line of white, trees and sand. Finally, the captain said

that he could make out a house on the shore. "That's the house of

refuge, sure," said the cook. "They'll see us before long, and come out

after us."

The distant lighthouse reared high. "The keeper ought to be able to

make us out now, if he's looking through a glass," said the captain.

"He'll notify the life-saving people."

"None of those other boats could have got ashore to give word of the

wreck," said the oiler, in a low voice. "Else the lifeboat would be out

hunting us."

Slowly and beautifully the land loomed out of the sea. The wind came

again. It had veered from the north-east to the south-east. Finally, a

new sound struck the ears of the men in the boat. It was the low

thunder of the surf on the shore. "We'll never be able to make the

lighthouse now," said the captain. "Swing her head a little more north,

Billie," said he.

"'A little more north,' sir," said the oiler.

Whereupon the little boat turned her nose once more down the wind, and

all but the oarsman watched the shore grow. Under the influence of this

expansion doubt and direful apprehension was leaving the minds of the

men. The management of the boat was still most absorbing, but it could

not prevent a quiet cheerfulness. In an hour, perhaps, they would be

ashore.

Their backbones had become thoroughly used to balancing in the boat,

and they now rode this wild colt of a dingey like circus men. The

correspondent thought that he had been drenched to the skin, but

happening to feel in the top pocket of his coat, he found therein eight

cigars. Four of them were soaked with sea-water; four were perfectly

scathless. After a search, somebody produced three dry matches, and

thereupon the four waifs rode impudently in their little boat, and with

an assurance of an impending rescue shining in their eyes, puffed at

the big cigars and judged well and ill of all men. Everybody took a

drink of water.

IV

"Cook," remarked the captain, "there don't seem to be any signs of life

about your house of refuge."

"No," replied the cook. "Funny they don't see us!"

A broad stretch of lowly coast lay before the eyes of the men. It was

of dunes topped with dark vegetation. The roar of the surf was plain,

and sometimes they could see the white lip of a wave as it spun up the

beach. A tiny house was blocked out black upon the sky. Southward, the

slim lighthouse lifted its little grey length.

Tide, wind, and waves were swinging the dingey northward. "Funny they

don't see us," said the men.

The surf's roar was here dulled, but its tone was, nevertheless,

thunderous and mighty. As the boat swam over the great rollers, the men

sat listening to this roar. "We'll swamp sure," said everybody.

It is fair to say here that there was not a life-saving station within

twenty miles in either direction, but the men did not know this fact,

and in consequence they made dark and opprobrious remarks concerning

the eyesight of the nation's life-savers. Four scowling men sat in the

dingey and surpassed records in the invention of epithets.

"Funny they don't see us."

The lightheartedness of a former time had completely faded. To their

sharpened minds it was easy to conjure pictures of all kinds of

incompetency and blindness and, indeed, cowardice. There was the shore

of the populous land, and it was bitter and bitter to them that from it

came no sign.

"Well," said the captain, ultimately, "I suppose we'll have to make a

try for ourselves. If we stay out here too long, we'll none of us have

strength left to swim after the boat swamps."

And so the oiler, who was at the oars, turned the boat straight for the

shore. There was a sudden tightening of muscle. There was some thinking.

"If we don't all get ashore--" said the captain. "If we don't all get

ashore, I suppose you fellows know where to send news of my finish?"

They then briefly exchanged some addresses and admonitions. As for the

reflections of the men, there was a great deal of rage in them.

Perchance they might be formulated thus: "If I am going to be

drowned--if I am going to be drowned--if I am going to be drowned, why,

in the name of the seven mad gods who rule the sea, was I allowed to

come thus far and contemplate sand and trees? Was I brought here merely

to have my nose dragged away as I was about to nibble the sacred cheese

of life? It is preposterous. If this old ninny-woman, Fate, cannot do

better than this, she should be deprived of the management of men's

fortunes. She is an old hen who knows not her intention. If she has

decided to drown me, why did she not do it in the beginning and save me

all this trouble? The whole affair is absurd.... But no, she cannot

mean to drown me. She dare not drown me. She cannot drown me. Not after

all this work." Afterward the man might have had an impulse to shake

his fist at the clouds: "Just you drown me, now, and then hear what I

call you!"

The billows that came at this time were more formidable. They seemed

always just about to break and roll over the little boat in a turmoil

of foam. There was a preparatory and long growl in the speech of them.

No mind unused to the sea would have concluded that the dingey could

ascend these sheer heights in time. The shore was still afar. The oiler

was a wily surfman. "Boys," he said swiftly, "she won't live three

minutes more, and we're too far out to swim. Shall I take her to sea

again, captain?"

"Yes! Go ahead!" said the captain.

This oiler, by a series of quick miracles, and fast and steady

oarsmanship, turned the boat in the middle of the surf and took her

safely to sea again.

There was a considerable silence as the boat bumped over the furrowed

sea to deeper water. Then somebody in gloom spoke. "Well, anyhow, they

must have seen us from the shore by now."

The gulls went in slanting flight up the wind toward the grey desolate

east. A squall, marked by dingy clouds, and clouds brick-red, like

smoke from a burning building, appeared from the south-east.

"What do you think of those life-saving people? Ain't they peaches?'

"Funny they haven't seen us."

"Maybe they think we're out here for sport! Maybe they think we're

fishin'. Maybe they think we're damned fools."

It was a long afternoon. A changed tide tried to force them southward,

but the wind and wave said northward. Far ahead, where coast-line, sea,

and sky formed their mighty angle, there were little dots which seemed

to indicate a city on the shore.

"St. Augustine?"

The captain shook his head. "Too near Mosquito Inlet."

And the oiler rowed, and then the correspondent rowed. Then the oiler

rowed. It was a weary business. The human back can become the seat of

more aches and pains than are registered in books for the composite

anatomy of a regiment. It is a limited area, but it can become the

theatre of innumerable muscular conflicts, tangles, wrenches, knots,

and other comforts.

"Did you ever like to row, Billie?" asked the correspondent.

"No," said the oiler. "Hang it!"

When one exchanged the rowing-seat for a place in the bottom of the

boat, he suffered a bodily depression that caused him to be careless of

everything save an obligation to wiggle one finger. There was cold

sea-water swashing to and fro in the boat, and he lay in it. His head,

pillowed on a thwart, was within an inch of the swirl of a wave crest,

and sometimes a particularly obstreperous sea came in-board and

drenched him once more. But these matters did not annoy him. It is

almost certain that if the boat had capsized he would have tumbled

comfortably out upon the ocean as if he felt sure that it was a great

soft mattress.

"Look! There's a man on the shore!"

"Where?"

"There! See 'im? See 'im?"

"Yes, sure! He's walking along."

"Now he's stopped. Look! He's facing us!"

"He's waving at us!"

"So he is! By thunder!"

"Ah, now we're all right! Now we're all right! There'll be a boat out

here for us in half-an-hour."

"He's going on. He's running. He's going up to that house there."

The remote beach seemed lower than the sea, and it required a searching

glance to discern the little black figure. The captain saw a floating

stick and they rowed to it. A bath-towel was by some weird chance in

the boat, and, tying this on the stick, the captain waved it. The

oarsman did not dare turn his head, so he was obliged to ask questions.

"What's he doing now?"

"He's standing still again. He's looking, I think.... There he goes

again. Toward the house.... Now he's stopped again."

"Is he waving at us?"

"No, not now! he was, though."

"Look! There comes another man!"

"He's running."

"Look at him go, would you."

"Why, he's on a bicycle. Now he's met the other man. They're both

waving at us. Look!"

"There comes something up the beach."

"What the devil is that thing?"

"Why it looks like a boat."

"Why, certainly it's a boat."

"No, it's on wheels."

"Yes, so it is. Well, that must be the life-boat. They drag them along

shore on a wagon."

"That's the life-boat, sure."

"No, by ----, it's--it's an omnibus."

"I tell you it's a life-boat."

"It is not! It's an omnibus. I can see it plain. See? One of these big

hotel omnibuses."

"By thunder, you're right. It's an omnibus, sure as fate. What do you

suppose they are doing with an omnibus? Maybe they are going around

collecting the life-crew, hey?"

"That's it, likely. Look! There's a fellow waving a little black flag.

He's standing on the steps of the omnibus. There come those other two

fellows. Now they're all talking together. Look at the fellow with the

flag. Maybe he ain't waving it."

"That ain't a flag, is it? That's his coat. Why, certainly, that's his

coat."

"So it is. It's his coat. He's taken it off and is waving it around his

head. But would you look at him swing it."

"Oh, say, there isn't any life-saving station there. That's just a

winter resort hotel omnibus that has brought over some of the boarders

to see us drown."

"What's that idiot with the coat mean? What's he signaling, anyhow?"

"It looks as if he were trying to tell us to go north. There must be a

life-saving station up there."

"No! He thinks we're fishing. Just giving us a merry hand. See? Ah,

there, Willie!"

"Well, I wish I could make something out of those signals. What do you

suppose he means?"

"He don't mean anything. He's just playing."

"Well, if he'd just signal us to try the surf again, or to go to sea

and wait, or go north, or go south, or go to hell--there would be some

reason in it. But look at him. He just stands there and keeps his coat

revolving like a wheel. The ass!"

"There come more people."

"Now there's quite a mob. Look! Isn't that a boat?"

"Where? Oh, I see where you mean. No, that's no boat."

"That fellow is still waving his coat."

"He must think we like to see him do that. Why don't he quit it? It

don't mean anything."

"I don't know. I think he is trying to make us go north. It must be

that there's a life-saving station there somewhere."

"Say, he ain't tired yet. Look at 'im wave."

"Wonder how long he can keep that up. He's been revolving his coat ever

since he caught sight of us. He's an idiot. Why aren't they getting men

to bring a boat out? A fishing boat--one of those big yawls--could come

out here all right. Why don't he do something?"

"Oh, it's all right, now."

"They'll have a boat out here for us in less than no time, now that

they've seen us."

A faint yellow tone came into the sky over the low land. The shadows on

the sea slowly deepened. The wind bore coldness with it, and the men

began to shiver.

"Holy smoke!" said one, allowing his voice to express his impious mood,

"if we keep on monkeying out here! If we've got to flounder out here

all night!"

"Oh, we'll never have to stay here all night! Don't you worry. They've

seen us now, and it won't be long before they'll come chasing out after

us."

The shore grew dusky. The man waving a coat blended gradually into this

gloom, and it swallowed in the same manner the omnibus and the group of

people. The spray, when it dashed uproariously over the side, made the

voyagers shrink and swear like men who were being branded.

"I'd like to catch the chump who waved the coat. I feel like soaking

him one, just for luck."

"Why? What did he do?"

"Oh, nothing, but then he seemed so damned cheerful."

In the meantime the oiler rowed, and then the correspondent rowed, and

then the oiler rowed. Grey-faced and bowed forward, they mechanically,

turn by turn, plied the leaden oars. The form of the lighthouse had

vanished from the southern horizon, but finally a pale star appeared,

just lifting from the sea. The streaked saffron in the west passed

before the all-merging darkness, and the sea to the east was black. The

land had vanished, and was expressed only by the low and drear thunder

of the surf.

"If I am going to be drowned--if I am going to be drowned--if I am

going to be drowned, why, in the name of the seven mad gods who rule

the sea, was I allowed to come thus far and contemplate sand and trees?

Was I brought here merely to have my nose dragged away as I was about

to nibble the sacred cheese of life?"

The patient captain, drooped over the water-jar, was sometimes obliged

to speak to the oarsman.

"Keep her head up! Keep her head up!"

"'Keep her head up,' sir." The voices were weary and low.

This was surely a quiet evening. All save the oarsman lay heavily and

listlessly in the boat's bottom. As for him, his eyes were just capable

of noting the tall black waves that swept forward in a most sinister

silence, save for an occasional subdued growl of a crest.

The cook's head was on a thwart, and he looked without interest at the

water under his nose. He was deep in other scenes. Finally he spoke.

"Billie," he murmured, dreamfully, "what kind of pie do you like best?"

V

"Pie," said the oiler and the correspondent, agitatedly. "Don't talk

about those things, blast you!"

"Well," said the cook, "I was just thinking about ham sandwiches, and--"

A night on the sea in an open boat is a long night. As darkness settled

finally, the shine of the light, lifting from the sea in the south,

changed to full gold. On the northern horizon a new light appeared, a

small bluish gleam on the edge of the waters. These two lights were the

furniture of the world. Otherwise there was nothing but waves.

Two men huddled in the stern, and distances were so magnificent in the

dingey that the rower was enabled to keep his feet partly warmed by

thrusting them under his companions. Their legs indeed extended far

under the rowing-seat until they touched the feet of the captain

forward. Sometimes, despite the efforts of the tired oarsman, a wave

came piling into the boat, an icy wave of the night, and the chilling

water soaked them anew. They would twist their bodies for a moment and

groan, and sleep the dead sleep once more, while the water in the boat

gurgled about them as the craft rocked.

The plan of the oiler and the correspondent was for one to row until he

lost the ability, and then arouse the other from his sea-water couch in

the bottom of the boat.

The oiler plied the oars until his head drooped forward, and the

overpowering sleep blinded him. And he rowed yet afterward. Then he

touched a man in the bottom of the boat, and called his name. "Will you

spell me for a little while?" he said, meekly.

"Sure, Billie," said the correspondent, awakening and dragging himself

to a sitting position. They exchanged places carefully, and the oiler,

cuddling down in the sea-water at the cook's side, seemed to go to

sleep instantly.

The particular violence of the sea had ceased. The waves came without

snarling. The obligation of the man at the oars was to keep the boat

headed so that the tilt of the rollers would not capsize her, and to

preserve her from filling when the crests rushed past. The black waves

were silent and hard to be seen in the darkness. Often one was almost

upon the boat before the oarsman was aware.

In a low voice the correspondent addressed the captain. He was not sure

that the captain was awake, although this iron man seemed to be always

awake. "Captain, shall I keep her making for that light north, sir?"

The same steady voice answered him. "Yes. Keep it about two points off

the port bow."

The cook had tied a life-belt around himself in order to get even the

warmth which this clumsy cork contrivance could donate, and he seemed

almost stove-like when a rower, whose teeth invariably chattered wildly

as soon as he ceased his labor, dropped down to sleep.

The correspondent, as he rowed, looked down at the two men sleeping

under-foot. The cook's arm was around the oiler's shoulders, and, with

their fragmentary clothing and haggard faces, they were the babes of

the sea, a grotesque rendering of the old babes in the wood.

Later he must have grown stupid at his work, for suddenly there was a

growling of water, and a crest came with a roar and a swash into the

boat, and it was a wonder that it did not set the cook afloat in his

life-belt. The cook continued to sleep, but the oiler sat up, blinking

his eyes and shaking with the new cold.

"Oh, I'm awful sorry, Billie," said the correspondent contritely.

"That's all right, old boy," said the oiler, and lay down again and was

asleep.

Presently it seemed that even the captain dozed, and the correspondent

thought that he was the one man afloat on all the oceans. The wind had

a voice as it came over the waves, and it was sadder than the end.

There was a long, loud swishing astern of the boat, and a gleaming

trail of phosphorescence, like blue flame, was furrowed on the black

waters. It might have been made by a monstrous knife.

Then there came a stillness, while the correspondent breathed with the

open mouth and looked at the sea.

Suddenly there was another swish and another long flash of bluish

light, and this time it was alongside the boat, and might almost have

been reached with an oar. The correspondent saw an enormous fin speed

like a shadow through the water, hurling the crystalline spray and

leaving the long glowing trail.

The correspondent looked over his shoulder at the captain. His face was

hidden, and he seemed to be asleep. He looked at the babes of the sea.

They certainly were asleep. So, being bereft of sympathy, he leaned a

little way to one side and swore softly into the sea.

But the thing did not then leave the vicinity of the boat. Ahead or

astern, on one side or the other, at intervals long or short, fled the

long sparkling streak, and there was to be heard the whirroo of the

dark fin. The speed and power of the thing was greatly to be admired.

It cut the water like a gigantic and keen projectile.

The presence of this biding thing did not affect the man with the same

horror that it would if he had been a picnicker. He simply looked at

the sea dully and swore in an undertone.

Nevertheless, it is true that he did not wish to be alone. He wished

one of his companions to awaken by chance and keep him company with it.

But the captain hung motionless over the water-jar, and the oiler and

the cook in the bottom of the boat were plunged in slumber.

VI

"If I am going to be drowned--if I am going to be drowned--if I am

going to be drowned, why, in the name of the seven mad gods who rule

the sea, was I allowed to come thus far and contemplate sand and trees?"

During this dismal night, it may be remarked that a man would conclude

that it was really the intention of the seven mad gods to drown him,

despite the abominable injustice of it. For it was certainly an

abominable injustice to drown a man who had worked so hard, so hard.

The man felt it would be a crime most unnatural. Other people had

drowned at sea since galleys swarmed with painted sails, but still--

When it occurs to a man that nature does not regard him as important,

and that she feels she would not maim the universe by disposing of him,

he at first wishes to throw bricks at the temple, and he hates deeply

the fact that there are no brick and no temples. Any visible expression

of nature would surely be pelleted with his jeers.

Then, if there be no tangible thing to hoot he feels, perhaps, the

desire to confront a personification and indulge in pleas, bowed to one

knee, and with hands supplicant, saying: "Yes, but I love myself."

A high cold star on a winter's night is the word he feels that she says

to him. Thereafter he knows the pathos of his situation.

The men in the dingey had not discussed these matters, but each had, no

doubt, reflected upon them in silence and according to his mind. There

was seldom any expression upon their faces save the general one of

complete weariness. Speech was devoted to the business of the boat.

To chime the notes of his emotion, a verse mysteriously entered the

correspondent's head. He had even forgotten that he had forgotten this

verse, but it suddenly was in his mind.

"A soldier of the Legion lay dying in Algiers,

There was a lack of woman's nursing, there was dearth of

woman's tears;

But a comrade stood beside him, and he took that comrade's hand,

And he said: 'I shall never see my own, my native land.'"

In his childhood, the correspondent had been made acquainted with the

fact that a soldier of the Legion lay dying in Algiers, but he had

never regarded the fact as important. Myriads of his school-fellows had

informed him of the soldier's plight, but the dinning had naturally

ended by making him perfectly indifferent. He had never considered it

his affair that a soldier of the Legion lay dying in Algiers, nor had

it appeared to him as a matter for sorrow. It was less to him than the

breaking of a pencil's point.

Now, however, it quaintly came to him as a human, living thing. It was

no longer merely a picture of a few throes in the breast of a poet,

meanwhile drinking tea and warming his feet at the grate; it was an

actuality--stern, mournful, and fine.

The correspondent plainly saw the soldier. He lay on the sand with his

feet out straight and still. While his pale left hand was upon his

chest in an attempt to thwart the going of his life, the blood came

between his fingers. In the far Algerian distance, a city of low square

forms was set against a sky that was faint with the last sunset hues.

The correspondent, plying the oars and dreaming of the slow and slower

movements of the lips of the soldier, was moved by a profound and

perfectly impersonal comprehension. He was sorry for the soldier of the

Legion who lay dying in Algiers.

The thing which had followed the boat and waited, had evidently grown

bored at the delay. There was no longer to be heard the slash of the

cut-water, and there was no longer the flame of the long trail. The

light in the north still glimmered, but it was apparently no nearer to

the boat. Sometimes the boom of the surf rang in the correspondent's

ears, and he turned the craft seaward then and rowed harder. Southward,

some one had evidently built a watch-fire on the beach. It was too low

and too far to be seen, but it made a shimmering, roseate reflection

upon the bluff back of it, and this could be discerned from the boat.

The wind came stronger, and sometimes a wave suddenly raged out like a

mountain-cat, and there was to be seen the sheen and sparkle of a

broken crest.

The captain, in the bow, moved on his water-jar and sat erect. "Pretty

long night," he observed to the correspondent. He looked at the shore.

"Those life-saving people take their time."

"Did you see that shark playing around?"

"Yes, I saw him. He was a big fellow, all right."

"Wish I had known you were awake."

Later the correspondent spoke into the bottom of the boat.

"Billie!" There was a slow and gradual disentanglement. "Billie, will

you spell me?"

"Sure," said the oiler.

As soon as the correspondent touched the cold comfortable sea-water in

the bottom of the boat, and had huddled close to the cook's life-belt

he was deep in sleep, despite the fact that his teeth played all the

popular airs. This sleep was so good to him that it was but a moment

before he heard a voice call his name in a tone that demonstrated the

last stages of exhaustion. "Will you spell me?"

"Sure, Billie."

The light in the north had mysteriously vanished, but the correspondent

took his course from the wide-awake captain.

Later in the night they took the boat farther out to sea, and the

captain directed the cook to take one oar at the stern and keep the

boat facing the seas. He was to call out if he should hear the thunder

of the surf. This plan enabled the oiler and the correspondent to get

respite together. "We'll give those boys a chance to get into shape

again," said the captain. They curled down and, after a few preliminary

chatterings and trembles, slept once more the dead sleep. Neither knew

they had bequeathed to the cook the company of another shark, or

perhaps the same shark.

As the boat caroused on the waves, spray occasionally bumped over the

side and gave them a fresh soaking, but this had no power to break

their repose. The ominous slash of the wind and the water affected them

as it would have affected mummies.

"Boys," said the cook, with the notes of every reluctance in his voice,

"she's drifted in pretty close. I guess one of you had better take her

to sea again." The correspondent, aroused, heard the crash of the

toppled crests.

As he was rowing, the captain gave him some whisky-and-water, and this

steadied the chills out of him. "If I ever get ashore and anybody shows

me even a photograph of an oar--"

At last there was a short conversation.

"Billie.... Billie, will you spell me?"

"Sure," said the oiler.

VII

When the correspondent again opened his eyes, the sea and the sky were

each of the grey hue of the dawning. Later, carmine and gold was

painted upon the waters. The morning appeared finally, in its splendor,

with a sky of pure blue, and the sunlight flamed on the tips of the

waves.

On the distant dunes were set many little black cottages, and a tall

white windmill reared above them. No man, nor dog, nor bicycle appeared

on the beach. The cottages might have formed a deserted village.

The voyagers scanned the shore. A conference was held in the boat.

"Well," said the captain, "if no help is coming we might better try a

run through the surf right away. If we stay out here much longer we

will be too weak to do anything for ourselves at all." The others

silently acquiesced in this reasoning. The boat was headed for the

beach. The correspondent wondered if none ever ascended the tall

wind-tower, and if then they never looked seaward. This tower was a

giant, standing with its back to the plight of the ants. It represented

in a degree, to the correspondent, the serenity of nature amid the

struggles of the individual--nature in the wind, and nature in the

vision of men. She did not seem cruel to him then, nor beneficent, nor

treacherous, nor wise. But she was indifferent, flatly indifferent. It

is, perhaps, plausible that a man in this situation, impressed with the

unconcern of the universe, should see the innumerable flaws of his

life, and have them taste wickedly in his mind and wish for another

chance. A distinction between right and wrong seems absurdly clear to

him, then, in this new ignorance of the grave-edge, and he understands

that if he were given another opportunity he would mend his conduct and

his words, and be better and brighter during an introduction or at a

tea.

"Now, boys," said the captain, "she is going to swamp, sure. All we can

do is to work her in as far as possible, and then when she swamps, pile

out and scramble for the beach. Keep cool now, and don't jump until she

swamps sure."

The oiler took the oars. Over his shoulders he scanned the surf.

"Captain," he said, "I think I'd better bring her about, and keep her

head-on to the seas and back her in."

"All right, Billie," said the captain. "Back her in." The oiler swung

the boat then and, seated in the stern, the cook and the correspondent

were obliged to look over their shoulders to contemplate the lonely and

indifferent shore.

The monstrous in-shore rollers heaved the boat high until the men were

again enabled to see the white sheets of water scudding up the slanted

beach. "We won't get in very close," said the captain. Each time a man

could wrest his attention from the rollers, he turned his glance toward

the shore, and in the expression of the eyes during this contemplation

there was a singular quality. The correspondent, observing the others,

knew that they were not afraid, but the full meaning of their glances

was shrouded.

As for himself, he was too tired to grapple fundamentally with the

fact. He tried to coerce his mind into thinking of it, but the mind was

dominated at this time by the muscles, and the muscles said they did

not care. It merely occurred to him that if he should drown it would be

a shame.

There were no hurried words, no pallor, no plain agitation. The men

simply looked at the shore. "Now, remember to get well clear of the

boat when you jump," said the captain.

Seaward the crest of a roller suddenly fell with a thunderous crash,

and the long white comber came roaring down upon the boat.

"Steady now," said the captain. The men were silent. They turned their

eyes from the shore to the comber and waited. The boat slid up the

incline, leaped at the furious top, bounced over it, and swung down the

long back of the wave. Some water had been shipped and the cook bailed

it out.

But the next crest crashed also. The tumbling, boiling flood of white

water caught the boat and whirled it almost perpendicular. Water

swarmed in from all sides. The correspondent had his hands on the

gunwale at this time, and when the water entered at that place he

swiftly withdrew his fingers, as if he objected to wetting them.

The little boat, drunken with this weight of water, reeled and snuggled

deeper into the sea.

"Bail her out, cook! Bail her out," said the captain.

"All right, captain," said the cook.

"Now, boys, the next one will do for us, sure," said the oiler. "Mind

to jump clear of the boat."

The third wave moved forward, huge, furious, implacable. It fairly

swallowed the dingey, and almost simultaneously the men tumbled into

the sea. A piece of lifebelt had lain in the bottom of the boat, and as

the correspondent went overboard he held this to his chest with his

left hand.

The January water was icy, and he reflected immediately that it was

colder than he had expected to find it on the coast of Florida. This

appeared to his dazed mind as a fact important enough to be noted at

the time. The coldness of the water was sad; it was tragic. This fact

was somehow so mixed and confused with his opinion of his own situation

that it seemed almost a proper reason for tears. The water was cold.

When he came to the surface he was conscious of little but the noisy

water. Afterward he saw his companions in the sea. The oiler was ahead

in the race. He was swimming strongly and rapidly. Off to the

correspondent's left, the cook's great white and corked back bulged out

of the water, and in the rear the captain was hanging with his one good

hand to the keel of the overturned dingey.

There is a certain immovable quality to a shore, and the correspondent

wondered at it amid the confusion of the sea.

It seemed also very attractive, but the correspondent knew that it was

a long journey, and he paddled leisurely. The piece of life-preserver

lay under him, and sometimes he whirled down the incline of a wave as

if he were on a handsled.

But finally he arrived at a place in the sea where travel was beset

with difficulty. He did not pause swimming to inquire what manner of

current had caught him, but there his progress ceased. The shore was

set before him like a bit of scenery on a stage, and he looked at it

and understood with his eyes each detail of it.

As the cook passed, much farther to the left, the captain was calling

to him, "Turn over on your back, cook! Turn over on your back and use

the oar."

"All right, sir." The cook turned on his back, and, paddling with an

oar, went ahead as if he were a canoe.

Presently the boat also passed to the left of the correspondent with

the captain clinging with one hand to the keel. He would have appeared

like a man raising himself to look over a board fence, if it were not

for the extraordinary gymnastics of the boat. The correspondent

marvelled that the captain could still hold to it.

They passed on, nearer to shore--the oiler, the cook, the captain--and

following them went the water-jar, bouncing gaily over the seas.

The correspondent remained in the grip of this strange new enemy--a

current. The shore, with its white slope of sand and its green bluff,

topped with little silent cottages, was spread like a picture before

him. It was very near to him then, but he was impressed as one who in a

gallery looks at a scene from Brittany or Holland.

He thought: "I am going to drown? Can it be possible Can it be

possible? Can it be possible?" Perhaps an individual must consider his

own death to be the final phenomenon of nature.

But later a wave perhaps whirled him out of this small, deadly current,

for he found suddenly that he could again make progress toward the

shore. Later still, he was aware that the captain, clinging with one

hand to the keel of the dingey, had his face turned away from the shore

and toward him, and was calling his name. "Come to the boat! Come to

the boat!"

In his struggle to reach the captain and the boat, he reflected that

when one gets properly wearied, drowning must really be a comfortable

arrangement, a cessation of hostilities accompanied by a large degree

of relief, and he was glad of it, for the main thing in his mind for

some months had been horror of the temporary agony. He did not wish to

be hurt.

Presently he saw a man running along the shore. He was undressing with

most remarkable speed. Coat, trousers, shirt, everything flew magically

off him.

"Come to the boat," called the captain.

"All right, captain." As the correspondent paddled, he saw the captain

let himself down to bottom and leave the boat. Then the correspondent

performed his one little marvel of the voyage. A large wave caught him

and flung him with ease and supreme speed completely over the boat and

far beyond it. It struck him even then as an event in gymnastics, and a

true miracle of the sea. An over-turned boat in the surf is not a

plaything to a swimming man.

The correspondent arrived in water that reached only to his waist, but

his condition did not enable him to stand for more than a moment. Each

wave knocked him into a heap, and the under-tow pulled at him.

Then he saw the man who had been running and undressing, and undressing

and running, come bounding into the water. He dragged ashore the cook,

and then waded towards the captain, but the captain waved him away, and

sent him to the correspondent. He was naked, naked as a tree in winter,

but a halo was about his head, and he shone like a saint. He gave a

strong pull, and a long drag, and a bully heave at the correspondent's

hand. The correspondent, schooled in the minor formulae, said: "Thanks,

old man." But suddenly the man cried: "What's that?" He pointed a swift

finger. The correspondent said: "Go."

In the shallows, face downward, lay the oiler. His forehead touched

sand that was periodically, between each wave, clear of the sea.

The correspondent did not know all that transpired afterward. When he

achieved safe ground he fell, striking the sand with each particular

part of his body. It was as if he had dropped from a roof, but the thud

was grateful to him.

It seems that instantly the beach was populated with men with blankets,

clothes, and flasks, and women with coffeepots and all the remedies

sacred to their minds. The welcome of the land to the men from the sea

was warm and generous, but a still and dripping shape was carried

slowly up the beach, and the land's welcome for it could only be the

different and sinister hospitality of the grave.

When it came night, the white waves paced to and fro in the moonlight,

and the wind brought the sound of the great sea's voice to the men on

shore, and they felt that they could then be interpreters.

THE RELUCTANT VOYAGERS

CHAPTER I

Two men sat by the sea waves.

"Well, I know I'm not handsome," said one gloomily. He was poking holes

in the sand with a discontented cane.

The companion was watching the waves play. He seemed overcome with

perspiring discomfort as a man who is resolved to set another man right.

Suddenly his mouth turned into a straight line.

"To be sure you are not," he cried vehemently.

"You look like thunder. I do not desire to be unpleasant, but I must

assure you that your freckled skin continually reminds spectators of

white wall paper with gilt roses on it. The top of your head looks like

a little wooden plate. And your figure--heavens!"

For a time they were silent. They stared at the waves that purred near

their feet like sleepy sea-kittens.

Finally the first man spoke.

"Well," said he, defiantly, "what of it?"

"What of it?" exploded the other. "Why, it means that you'd look like

blazes in a bathing-suit."

They were again silent. The freckled man seemed ashamed. His tall

companion glowered at the scenery.

"I am decided," said the freckled man suddenly. He got boldly up from

the sand and strode away. The tall man followed, walking sarcastically

and glaring down at the round, resolute figure before him.

A bath-clerk was looking at the world with superior eyes through a hole

in a board. To him the freckled man made application, waving his hands

over his person in illustration of a snug fit. The bath-clerk thought

profoundly. Eventually, he handed out a blue bundle with an air of

having phenomenally solved the freckled man's dimensions.

The latter resumed his resolute stride.

"See here," said the tall man, following him, "I bet you've got a

regular toga, you know. That fellow couldn't tell--"

"Yes, he could," interrupted the freckled man, "I saw correct

mathematics in his eyes."

"Well, supposin' he has missed your size. Supposin'--"

"Tom," again interrupted the other, "produce your proud clothes and

we'll go in."

The tall man swore bitterly. He went to one of a row of little wooden

boxes and shut himself in it. His companion repaired to a similar box.

At first he felt like an opulent monk in a too-small cell, and he

turned round two or three times to see if he could. He arrived finally

into his bathing-dress. Immediately he dropped gasping upon a

three-cornered bench. The suit fell in folds about his reclining form.

There was silence, save for the caressing calls of the waves without.

Then he heard two shoes drop on the floor in one of the little coops.

He began to clamor at the boards like a penitent at an unforgiving door.

"Tom," called he, "Tom--"

A voice of wrath, muffled by cloth, came through the walls. "You go t'

blazes!"

The freckled man began to groan, taking the occupants of the entire row

of coops into his confidence.

"Stop your noise," angrily cried the tall man from his hidden den. "You

rented the bathing-suit, didn't you? Then--"

"It ain't a bathing-suit," shouted the freckled man at the boards.

"It's an auditorium, a ballroom, or something. It isn't a bathing-suit."

The tall man came out of his box. His suit looked like blue skin. He

walked with grandeur down the alley between the rows of coops. Stopping

in front of his friend's door, he rapped on it with passionate knuckles.

"Come out of there, y' ol' fool," said he, in an enraged whisper. "It's

only your accursed vanity. Wear it anyhow. What difference does it

make? I never saw such a vain ol' idiot!"

As he was storming the door opened, and his friend confronted him. The

tall man's legs gave way, and he fell against the opposite door.

The freckled man regarded him sternly.

"You're an ass," he said.

His back curved in scorn. He walked majestically down the alley. There

was pride in the way his chubby feet patted the boards. The tall man

followed, weakly, his eyes riveted upon the figure ahead.

As a disguise the freckled man had adopted the stomach of importance.

He moved with an air of some sort of procession, across a board walk,

down some steps, and out upon the sand.

There was a pug dog and three old women on a bench, a man and a maid

with a book and a parasol, a seagull drifting high in the wind, and a

distant, tremendous meeting of sea and sky. Down on the wet sand stood

a girl being wooed by the breakers.

The freckled man moved with stately tread along the beach. The tall

man, numb with amazement, came in the rear. They neared the girl.

Suddenly the tall man was seized with convulsions. He laughed, and the

girl turned her head.

She perceived the freckled man in the bathing-suit. An expression of

wonderment overspread her charming face. It changed in a moment to a

pearly smile.

This smile seemed to smite the freckled man. He obviously tried to

swell and fit his suit. Then he turned a shrivelling glance upon his

companion, and fled up the beach. The tall man ran after him, pursuing

with mocking cries that tingled his flesh like stings of insects. He

seemed to be trying to lead the way out of the world. But at last he

stopped and faced about.

"Tom Sharp," said he, between his clenched teeth, "you are an

unutterable wretch! I could grind your bones under my heel."

The tall man was in a trance, with glazed eyes fixed on the

bathing-dress. He seemed to be murmuring: "Oh, good Lord! Oh, good

Lord! I never saw such a suit!"

The freckled man made the gesture of an assassin.

"Tom Sharp, you--"

The other was still murmuring: "Oh, good Lord! I never saw such a suit!

I never--"

The freckled man ran down into the sea.

CHAPTER II

The cool, swirling waters took his temper from him, and it became a

thing that is lost in the ocean. The tall man floundered in, and the

two forgot and rollicked in the waves.

The freckled man, in endeavoring to escape from mankind, had left all

save a solitary fisherman under a large hat, and three boys in

bathing-dress, laughing and splashing upon a raft made of old spars.

The two men swam softly over the ground swells.

The three boys dived from their raft, and turned their jolly faces

shorewards. It twisted slowly around and around, and began to move

seaward on some unknown voyage. The freckled man laid his face to the

water and swam toward the raft with a practised stroke. The tall man

followed, his bended arm appearing and disappearing with the precision

of machinery.

The craft crept away, slowly and wearily, as if luring. The little

wooden plate on the freckled man's head looked at the shore like a

round, brown eye, but his gaze was fixed on the raft that slyly

appeared to be waiting. The tall man used the little wooden plate as a

beacon.

At length the freckled man reached the raft and climbed aboard. He lay

down on his back and puffed. His bathing-dress spread about him like a

dead balloon. The tall man came, snorted, shook his tangled locks and

lay down by the side of his companion.

They were overcome with a delicious drowsiness. The planks of the raft

seemed to fit their tired limbs. They gazed dreamily up into the vast

sky of summer.

"This is great," said the tall man. His companion grunted blissfully.

Gentle hands from the sea rocked their craft and lulled them to peace.

Lapping waves sang little rippling sea-songs about them. The two men

issued contented groans.

"Tom," said the freckled man.

"What?" said the other.

"This is great."

They lay and thought.

A fish-hawk, soaring, suddenly, turned and darted at the waves. The

tall man indolently twisted his head and watched the bird plunge its

claws into the water. It heavily arose with a silver gleaming fish.

"That bird has got his feet wet again. It's a shame," murmured the tall

man sleepily. "He must suffer from an endless cold in the head. He

should wear rubber boots. They'd look great, too. If I was him,

I'd--Great Scott!"

He had partly arisen, and was looking at the shore.

He began to scream. "Ted! Ted! Ted! Look!"

"What's matter?" dreamily spoke the freckled man. "You remind me of

when I put the bird-shot in your leg." He giggled softly.

The agitated tall man made a gesture of supreme eloquence. His

companion up-reared and turned a startled gaze shoreward.

"Lord!" he roared, as if stabbed.

The land was a long, brown streak with a rim of green, in which

sparkled the tin roofs of huge hotels. The hands from the sea had

pushed them away. The two men sprang erect, and did a little dance of

perturbation.

"What shall we do? What shall we do?" moaned the freckled man,

wriggling fantastically in his dead balloon.

The changing shore seemed to fascinate the tall man, and for a time he

did not speak.

Suddenly he concluded his minuet of horror. He wheeled about and faced

the freckled man. He elaborately folded his arms.

"So," he said, in slow, formidable tones. "So! This all comes from your

accursed vanity, your bathing-suit, your idiocy; you have murdered your

best friend."

He turned away. His companion reeled as if stricken by an unexpected

arm.

He stretched out his hands. "Tom, Tom," wailed he, beseechingly, "don't

be such a fool."

The broad back of his friend was occupied by a contemptuous sneer.

Three ships fell off the horizon. Landward, the hues were blending. The

whistle of a locomotive sounded from an infinite distance as if tooting

in heaven.

"Tom! Tom! My dear boy," quavered the freckled man, "don't speak that

way to me."

"Oh, no, of course not," said the other, still facing away and throwing

the words over his shoulder. "You suppose I am going to accept all this

calmly, don't you? Not make the slightest objection? Make no protest at

all, hey?"

"Well, I--I----" began the freckled man.

The tall man's wrath suddenly exploded. "You've abducted me! That's the

whole amount of it! You've abducted me!"

"I ain't," protested the freckled man. "You must think I'm a fool."

The tall man swore, and sitting down, dangled his legs angrily in the

water. Natural law compelled his companion to occupy the other end of

the raft.

Over the waters little shoals of fish spluttered, raising tiny

tempests. Languid jelly-fish floated near, tremulously waving a

thousand legs. A row of porpoises trundled along like a procession of

cog-wheels. The sky became greyed save where over the land sunset

colors were assembling.

The two voyagers, back to back and at either end of the raft,

quarrelled at length.

"What did you want to follow me for?" demanded the freckled man in a

voice of indignation.

"If your figure hadn't been so like a bottle, we wouldn't be here,"

replied the tall man.

CHAPTER III

The fires in the west blazed away, and solemnity spread over the sea.

Electric lights began to blink like eyes. Night menaced the voyagers

with a dangerous darkness, and fear came to bind their souls together.

They huddled fraternally in the middle of the raft.

"I feel like a molecule," said the freckled man in subdued tones.

"I'd give two dollars for a cigar," muttered the tall man.

A V-shaped flock of ducks flew towards Barnegat, between the voyagers

and a remnant of yellow sky. Shadows and winds came from the vanished

eastern horizon.

"I think I hear voices," said the freckled man.

"That Dollie Ramsdell was an awfully nice girl," said the tall man.

When the coldness of the sea night came to them, the freckled man found

he could by a peculiar movement of his legs and arms encase himself in

his bathing-dress. The tall man was compelled to whistle and shiver. As

night settled finally over the sea, red and green lights began to dot

the blackness. There were mysterious shadows between the waves.

"I see things comin'," murmured the freckled man.

"I wish I hadn't ordered that new dress-suit for the hop to-morrow

night," said the tall man reflectively.

The sea became uneasy and heaved painfully, like a lost bosom, when

little forgotten heart-bells try to chime with a pure sound. The

voyagers cringed at magnified foam on distant wave crests. A moon came

and looked at them.

"Somebody's here," whispered the freckled man.

"I wish I had an almanac," remarked the tall man, regarding the moon.

Presently they fell to staring at the red and green lights that

twinkled about them.

"Providence will not leave us," asserted the freckled man.

"Oh, we'll be picked up shortly. I owe money," said the tall man.

He began to thrum on an imaginary banjo.

"I have heard," said he, suddenly, "that captains with healthy ships

beneath their feet will never turn back after having once started on a

voyage. In that case we will be rescued by some ship bound for the

golden seas of the south. Then, you'll be up to some of your confounded

devilment and we'll get put off. They'll maroon us! That's what they'll

do! They'll maroon us! On an island with palm trees and sun-kissed

maidens and all that. Sun-kissed maidens, eh? Great! They'd--"

He suddenly ceased and turned to stone. At a distance a great, green

eye was contemplating the sea wanderers.

They stood up and did another dance. As they watched the eye grew

larger.

Directly the form of a phantom-like ship came into view. About the

great, green eye there bobbed small yellow dots. The wanderers could

hear a far-away creaking of unseen tackle and flapping of shadowy

sails. There came the melody of the waters as the ship's prow thrust

its way.

The tall man delivered an oration.

"Ha!" he exclaimed, "here come our rescuers. The brave fellows! How I

long to take the manly captain by the hand! You will soon see a white

boat with a star on its bow drop from the side of yon ship. Kind

sailors in blue and white will help us into the boat and conduct our

wasted frames to the quarter-deck, where the handsome, bearded captain,

with gold bands all around, will welcome us. Then in the hard-oak

cabin, while the wine gurgles and the Havanas glow, we'll tell our tale

of peril and privation."

The ship came on like a black hurrying animal with froth-filled maw.

The two wanderers stood up and clasped hands. Then they howled out a

wild duet that rang over the wastes of sea.

The cries seemed to strike the ship.

Men with boots on yelled and ran about the deck. They picked up heavy

articles and threw them down. They yelled more. After hideous creakings

and flappings, the vessel stood still.

In the meantime the wanderers had been chanting their song for help.

Out in the blackness they beckoned to the ship and coaxed.

A voice came to them.

"Hello," it said.

They puffed out their cheeks and began to shout. "Hello! Hello! Hello!"

"Wot do yeh want?" said the voice.

The two wanderers gazed at each other, and sat suddenly down on the

raft. Some pall came sweeping over the sky and quenched their stars.

But almost the tall man got up and brawled miscellaneous information.

He stamped his foot, and frowning into the night, swore threateningly.

The vessel seemed fearful of these moaning voices that called from a

hidden cavern of the water. And now one voice was filled with a menace.

A number of men with enormous limbs that threw vast shadows over the

sea as the lanterns flickered, held a debate and made gestures.

Off in the darkness, the tall man began to clamor like a mob. The

freckled man sat in astounded silence, with his legs weak.

After a time one of the men of enormous limbs seized a rope that was

tugging at the stem and drew a small boat from the shadows. Three

giants clambered in and rowed cautiously toward the raft. Silver water

flashed in the gloom as the oars dipped.

About fifty feet from the raft the boat stopped. "Who er you?" asked a

voice.

The tall man braced himself and explained. He drew vivid pictures, his

twirling fingers illustrating like live brushes.

"Oh," said the three giants.

The voyagers deserted the raft. They looked back, feeling in their

hearts a mite of tenderness for the wet planks. Later, they wriggled up

the side of the vessel and climbed over the railing.

On deck they met a man.

He held a lantern to their faces. "Got any chewin' tewbacca?" he

inquired.

"No," said the tall man, "we ain't."

The man had a bronze face and solitary whiskers. Peculiar lines about

his mouth were shaped into an eternal smile of derision. His feet were

bare, and clung handily to crevices.

Fearful trousers were supported by a piece of suspender that went up

the wrong side of his chest and came down the right side of his back,

dividing him into triangles.

"Ezekiel P. Sanford, capt'in, schooner 'Mary Jones,' of N'yack, N. Y.,

genelmen," he said.

"Ah!" said the tall man, "delighted, I'm sure."

There were a few moments of silence. The giants were hovering in the

gloom and staring.

Suddenly astonishment exploded the captain.

"Wot th' devil----" he shouted. "Wot th' devil yeh got on?"

"Bathing-suits," said the tall man.

CHAPTER IV

The schooner went on. The two voyagers sat down and watched. After a

time they began to shiver. The soft blackness of the summer night

passed away, and grey mists writhed over the sea. Soon lights of early

dawn went changing across the sky, and the twin beacons on the

highlands grew dim and sparkling faintly, as if a monster were dying.

The dawn penetrated the marrow of the two men in bathing-dress.

The captain used to pause opposite them, hitch one hand in his

suspender, and laugh.

"Well, I be dog-hanged," he frequently said.

The tall man grew furious. He snarled in a mad undertone to his

companion. "This rescue ain't right. If I had known--"

He suddenly paused, transfixed by the captain's suspender. "It's goin'

to break," cried he, in an ecstatic whisper. His eyes grew large with

excitement as he watched the captain laugh. "It'll break in a minute,

sure."

But the commander of the schooner recovered, and invited them to drink

and eat. They followed him along the deck, and fell down a square black

hole into the cabin.

It was a little den, with walls of a vanished whiteness. A lamp shed an

orange light. In a sort of recess two little beds were hiding. A wooden

table, immovable, as if the craft had been builded around it, sat in

the middle of the floor. Overhead the square hole was studded with a

dozen stars. A foot-worn ladder led to the heavens.

The captain produced ponderous crackers and some cold broiled ham. Then

he vanished in the firmament like a fantastic comet.

The freckled man sat quite contentedly like a stout squaw in a blanket.

The tall man walked about the cabin and sniffed. He was angered at the

crudeness of the rescue, and his shrinking clothes made him feel too

large. He contemplated his unhappy state.

Suddenly, he broke out. "I won't stand this, I tell you! Heavens and

earth, look at the--say, what in the blazes did you want to get me in

this thing for, anyhow? You're a fine old duffer, you are! Look at that

ham!"

The freckled man grunted. He seemed somewhat blissful. He was seated

upon a bench, comfortably enwrapped in his bathing-dress.

The tall man stormed about the cabin.

"This is an outrage! I'll see the captain! I'll tell him what I think

of--"

He was interrupted by a pair of legs that appeared among the stars. The

captain came down the ladder. He brought a coffee pot from the sky.

The tall man bristled forward. He was going to denounce everything.

The captain was intent upon the coffee pot, balancing it carefully, and

leaving his unguided feet to find the steps of the ladder.

But the wrath of the tall man faded. He twirled his fingers in

excitement, and renewed his ecstatic whisperings to the freckled man.

"It's going to break! Look, quick, look! It'll break in a minute!"

He was transfixed with interest, forgetting his wrongs in staring at

the perilous passage.

But the captain arrived on the floor with triumphant suspenders.

"Well," said he, "after yeh have eat, maybe ye'd like t'sleep some! If

so, yeh can sleep on them beds."

The tall man made no reply, save in a strained undertone. "It'll break

in about a minute! Look, Ted, look quick!"

The freckled man glanced in a little bed on which were heaped boots and

oilskins. He made a courteous gesture.

"My dear sir, we could not think of depriving you of your beds. No,

indeed. Just a couple of blankets if you have them, and we'll sleep

very comfortable on these benches."

The captain protested, politely twisting his back and bobbing his head.

The suspenders tugged and creaked. The tall man partially suppressed a

cry, and took a step forward.

The freckled man was sleepily insistent, and shortly the captain gave

over his deprecatory contortions. He fetched a pink quilt with yellow

dots on it to the freckled man, and a black one with red roses on it to

the tall man.

Again he vanished in the firmament. The tall man gazed until the last

remnant of trousers disappeared from the sky. Then he wrapped himself

up in his quilt and lay down. The freckled man was puffing contentedly,

swathed like an infant. The yellow polka-dots rose and fell on the vast

pink of his chest.

The wanderers slept. In the quiet could be heard the groanings of

timbers as the sea seemed to crunch them together. The lapping of water

along the vessel's side sounded like gaspings. A hundred spirits of the

wind had got their wings entangled in the rigging, and, in soft voices,

were pleading to be loosened.

The freckled man was awakened by a foreign noise. He opened his eyes

and saw his companion standing by his couch.

His comrade's face was wan with suffering. His eyes glowed in the

darkness. He raised his arms, spreading them out like a clergyman at a

grave. He groaned deep in his chest.

"Good Lord!" yelled the freckled man, starting up. "Tom, Tom, what's

th' matter?"

The tall man spoke in a fearful voice. "To New York," he said, "to New

York in our bathing-suits."

The freckled man sank back. The shadows of the cabin threw mysteries

about the figure of the tall man, arrayed like some ancient and potent

astrologer in the black quilt with the red roses on it.

CHAPTER V

Directly the tall man went and lay down and began to groan.

The freckled man felt the miseries of the world upon him. He grew angry

at the tall man awakening him. They quarrelled.

"Well," said the tall man, finally, "we're in a fix."

"I know that," said the other, sharply.

They regarded the ceiling in silence.

"What in the thunder are we going to do?" demanded the tall man, after

a time. His companion was still silent. "Say," repeated he, angrily,

"what in the thunder are we going to do?"

"I'm sure I don't know," said the freckled man in a dismal voice.

"Well, think of something," roared the other. "Think of something, you

old fool. You don't want to make any more idiots of yourself, do you?"

"I ain't made an idiot of myself."

"Well, think. Know anybody in the city?"

"I know a fellow up in Harlem," said the freckled man.

"You know a fellow up in Harlem," howled the tall man. "Up in Harlem!

How the dickens are we to--say, you're crazy!"

"We can take a cab," cried the other, waxing indignant.

The tall man grew suddenly calm. "Do you know any one else?" he asked,

measuredly.

"I know another fellow somewhere on Park Place."

"Somewhere on Park Place," repeated the tall man in an unnatural

manner. "Somewhere on Park Place." With an air of sublime resignation

he turned his face to the wall.

The freckled man sat erect and frowned in the direction of his

companion. "Well, now, I suppose you are going to sulk. You make me

ill! It's the best we can do, ain't it? Hire a cab and go look that

fellow up on Park--What's that? You can't afford it? What nonsense! You

are getting--Oh! Well, maybe we can beg some clothes of the captain.

Eh? Did I see 'im? Certainly, I saw 'im. Yes, it is improbable that a

man who wears trousers like that can have clothes to lend. No, I won't

wear oilskins and a sou'-wester. To Athens? Of course not! I don't know

where it is. Do you? I thought not. With all your grumbling about other

people, you never know anything important yourself. What? Broadway?

I'll be hanged first. We can get off at Harlem, man alive. There are no

cabs in Harlem. I don't think we can bribe a sailor to take us ashore

and bring a cab to the dock, for the very simple reason that we have

nothing to bribe him with. What? No, of course not. See here, Tom

Sharp, don't you swear at me like that. I won't have it. What's that? I

ain't, either. I ain't. What? I am not. It's no such thing. I ain't.

I've got more than you have, anyway. Well, you ain't doing anything so

very brilliant yourself--just lying there and cussin'." At length the

tall man feigned prodigiously to snore. The freckled man thought with

such vigor that he fell asleep.

After a time he dreamed that he was in a forest where bass drums grew

on trees. There came a strong wind that banged the fruit about like

empty pods. A frightful din was in his ears.

He awoke to find the captain of the schooner standing over him.

"We're at New York now," said the captain, raising his voice above the

thumping and banging that was being done on deck, "an' I s'pose you

fellers wanta go ashore." He chuckled in an exasperating manner. "Jes'

sing out when yeh wanta go," he added, leering at the freckled man.

The tall man awoke, came over and grasped the captain by the throat.

"If you laugh again I'll kill you," he said.

The captain gurgled and waved his legs and arms.

"In the first place," the tall man continued, "you rescued us in a

deucedly shabby manner. It makes me ill to think of it. I've a mind to

mop you 'round just for that. In the second place, your vessel is bound

for Athens, N. Y., and there's no sense in it. Now, will you or will

you not turn this ship about and take us back where our clothes are, or

to Philadelphia, where we belong?"

He furiously shook the captain. Then he eased his grip and awaited a

reply.

"I can't," yelled the captain, "I can't. This vessel don't belong to

me. I've got to--"

"Well, then," interrupted the tall man, "can you lend us some clothes?"

"Hain't got none," replied the captain, promptly. His face was red, and

his eyes were glaring.

"Well, then," said the tall man, "can you lend us some money?"

"Hain't got none," replied the captain, promptly. Something overcame

him and he laughed.

"Thunderation," roared the tall man. He seized the captain, who began

to have wriggling contortions. The tall man kneaded him as if he were

biscuits. "You infernal scoundrel," he bellowed, "this whole affair is

some wretched plot, and you are in it. I am about to kill you."

The solitary whisker of the captain did acrobatic feats like a strange

demon upon his chin. His eyes stood perilously from his head. The

suspender wheezed and tugged like the tackle of a sail.

Suddenly the tall man released his hold. Great expectancy sat upon his

features. "It's going to break!" he cried, rubbing his hands.

But the captain howled and vanished in the sky.

The freckled man then came forward. He appeared filled with sarcasm.

"So!" said he. "So, you've settled the matter. The captain is the only

man in the world who can help us, and I daresay he'll do anything he

can now."

"That's all right," said the tall man. "If you don't like the way I run

things you shouldn't have come on this trip at all."

They had another quarrel.

At the end of it they went on deck. The captain stood at the stern

addressing the bow with opprobrious language. When he perceived the

voyagers he began to fling his fists about in the air.

"I'm goin' to put yeh off!" he yelled. The wanderers stared at each

other.

"Hum," said the tall man.

The freckled man looked at his companion. "He's going to put us off,

you see," he said, complacently.

The tall man began to walk about and move his shoulders. "I'd like to

see you do it," he said, defiantly.

The captain tugged at a rope. A boat came at his bidding.

"I'd like to see you do it," the tall man repeated, continually. An

imperturbable man in rubber boots climbed down in the boat and seized

the oars. The captain motioned downward. His whisker had a triumphant

appearance.

The two wanderers looked at the boat. "I guess we'll have to get in,"

murmured the freckled man.

The tall man was standing like a granite column. "I won't," said he. "I

won't! I don't care what you do, but I won't!"

"Well, but--" expostulated the other. They held a furious debate.

In the meantime the captain was darting about making sinister gestures,

but the back of the tall man held him at bay. The crew, much depleted

by the departure of the imperturbable man into the boat, looked on from

the bow.

"You're a fool," the freckled man concluded his argument.

"So?" inquired the tall man, highly exasperated.

"So! Well, if you think you're so bright, we'll go in the boat, and

then you'll see."

He climbed down into the craft and seated himself in an ominous manner

at the stern.

"You'll see," he said to his companion, as the latter floundered

heavily down. "You'll see!"

The man in rubber boots calmly rowed the boat toward the shore. As they

went, the captain leaned over the railing and laughed. The freckled man

was seated very victoriously.

"Well, wasn't this the right thing after all?" he inquired in a

pleasant voice. The tall man made no reply.

CHAPTER VI

As they neared the dock something seemed suddenly to occur to the

freckled man.

"Great heavens!" he murmured. He stared at the approaching shore.

"My, what a plight, Tommy!" he quavered.

"Do you think so?" spoke up the tall man. "Why, I really thought you

liked it." He laughed in a hard voice. "Lord, what a figure you'll cut."

This laugh jarred the freckled man's soul. He became mad.

"Thunderation, turn the boat around!" he roared. "Turn 'er round,

quick! Man alive, we can't--turn 'er round, d'ye hear!"

The tall man in the stern gazed at his companion with glowing eyes.

"Certainly not," he said. "We're going on. You insisted Upon it." He

began to prod his companion with words.

The freckled man stood up and waved his arms.

"Sit down," said the tall man. "You'll tip the boat over."

The other man began to shout.

"Sit down!" said the tall man again.

Words bubbled from the freckled man's mouth. There was a little torrent

of sentences that almost choked him. And he protested passionately with

his hands.

But the boat went on to the shadow of the docks. The tall man was

intent upon balancing it as it rocked dangerously during his comrade's

oration.

"Sit down," he continually repeated.

"I won't," raged the freckled man. "I won't do anything." The boat

wobbled with these words.

"Say," he continued, addressing the oarsman, "just turn this boat

round, will you? Where in the thunder are you taking us to, anyhow?"

The oarsman looked at the sky and thought. Finally he spoke. "I'm doin'

what the cap'n sed."

"Well, what in th' blazes do I care what the cap'n sed?" demanded the

freckled man. He took a violent step. "You just turn this round or--"

The small craft reeled. Over one side water came flashing in. The

freckled man cried out in fear, and gave a jump to the other side. The

tall man roared orders, and the oarsman made efforts. The boat acted

for a moment like an animal on a slackened wire. Then it upset.

"Sit down!" said the tall man, in a final roar as he was plunged into

the water. The oarsman dropped his oars to grapple with the gunwale. He

went down saying unknown words. The freckled man's explanation or

apology was strangled by the water.

Two or three tugs let off whistles of astonishment, and continued on

their paths. A man dozing on a dock aroused and began to caper.

The passengers on a ferry-boat all ran to the near railing. A

miraculous person in a small boat was bobbing on the waves near the

piers. He sculled hastily toward the scene. It was a swirl of waters in

the midst of which the dark bottom of the boat appeared, whale-like.

Two heads suddenly came up.

"839," said the freckled man, chokingly. "That's it! 839!"

"What is?" said the tall man.

"That's the number of that feller on Park Place. I just remembered."

"You're the bloomingest--" the tall man said.

"It wasn't my fault," interrupted his companion. "If you hadn't--" He

tried to gesticulate, but one hand held to the keel of the boat, and

the other was supporting the form of the oarsman. The latter had fought

a battle with his immense rubber boots and had been conquered.

The rescuer in the other small boat came fiercely. As his craft glided

up, he reached out and grasped the tall man by the collar and dragged

him into the boat, interrupting what was, under the circumstances, a

very brilliant flow of rhetoric directed at the freckled man. The

oarsman of the wrecked craft was taken tenderly over the gunwale and

laid in the bottom of the boat. Puffing and blowing, the freckled man

climbed in.

"You'll upset this one before we can get ashore," the other voyager

remarked.

As they turned toward the land they saw that the nearest dock was lined

with people. The freckled man gave a little moan.

But the staring eyes of the crowd were fixed on the limp form of the

man in rubber boots. A hundred hands reached down to help lift the body

up. On the dock some men grabbed it and began to beat it and roll it. A

policeman tossed the spectators about. Each individual in the heaving

crowd sought to fasten his eyes on the blue-tinted face of the man in

the rubber boots. They surged to and fro, while the policeman beat them

indiscriminately.

The wanderers came modestly up the dock and gazed shrinkingly at the

throng. They stood for a moment, holding their breath to see the first

finger of amazement levelled at them.

But the crowd bended and surged in absorbing anxiety to view the man in

rubber boots, whose face fascinated them. The sea-wanderers were as

though they were not there.

They stood without the jam and whispered hurriedly.

"839," said the freckled man.

"All right," said the tall man.

Under the pommeling hands the oarsman showed signs of life. The

voyagers watched him make a protesting kick at the leg of the crowd,

the while uttering angry groans.

"He's better," said the tall man, softly; "let's make off."

Together they stole noiselessly up the dock. Directly in front of it

they found a row of six cabs.

The drivers on top were filled with a mighty curiosity. They had driven

hurriedly from the adjacent ferry-house when they had seen the first

running sign of an accident. They were straining on their toes and

gazing at the tossing backs of the men in the crowd.

The wanderers made a little detour, and then went rapidly towards a

cab. They stopped in front of it and looked up.

"Driver," called the tall man, softly.

The man was intent.

"Driver," breathed the freckled man. They stood for a moment and gazed

imploringly.

The cabman suddenly moved his feet. "By Jimmy, I bet he's a gonner," he

said, in an ecstacy, and he again relapsed into a statue.

The freckled man groaned and wrung his hands. The tall man climbed into

the cab.

"Come in here," he said to his companion. The freckled man climbed in,

and the tall man reached over and pulled the door shut. Then he put his

head out the window.

"Driver," he roared, sternly, "839 Park Place--and quick."

The driver looked down and met the eye of the tall man. "Eh?--Oh--839?

Park Place? Yessir." He reluctantly gave his horse a clump on the back.

As the conveyance rattled off the wanderers huddled back among the

dingy cushions and heaved great breaths of relief.

"Well, it's all over," said the freckled man, finally. "We're about out

of it. And quicker than I expected. Much quicker. It looked to me

sometimes that we were doomed. I am thankful to find it not so. I am

rejoiced. And I hope and trust that you--well, I don't wish to--perhaps

it is not the proper time to--that is, I don't wish to intrude a moral

at an inopportune moment, but, my dear, dear fellow, I think the time

is ripe to point out to you that your obstinacy, your selfishness, your

villainous temper, and your various other faults can make it just as

unpleasant for your ownself, my dear boy, as they frequently do for

other people. You can see what you brought us to, and I most sincerely

hope, my dear, dear fellow, that I shall soon see those signs in you

which shall lead me to believe that you have become a wiser man."

THE END OF THE BATTLE

A sergeant, a corporal, and fourteen men of the Twelfth Regiment of the

Line had been sent out to occupy a house on the main highway. They

would be at least a half of a mile in advance of any other picket of

their own people. Sergeant Morton was deeply angry at being sent on

this duty. He said that he was over-worked. There were at least two

sergeants, he claimed furiously, whose turn it should have been to go

on this arduous mission. He was treated unfairly; he was abused by his

superiors; why did any damned fool ever join the army? As for him he

would get out of it as soon as possible; he was sick of it; the life of

a dog. All this he said to the corporal, who listened attentively,

giving grunts of respectful assent. On the way to this post two

privates took occasion to drop to the rear and pilfer in the orchard of

a deserted plantation. When the sergeant discovered this absence, he

grew black with a rage which was an accumulation of all his

irritations. "Run, you!" he howled. "Bring them here! I'll show them--"

A private ran swiftly to the rear. The remainder of the squad began to

shout nervously at the two delinquents, whose figures they could see in

the deep shade of the orchard, hurriedly picking fruit from the ground

and cramming it within their shirts, next to their skins. The

beseeching cries of their comrades stirred the criminals more than did

the barking of the sergeant. They ran to rejoin the squad, while

holding their loaded bosoms and with their mouths open with aggrieved

explanations.

Jones faced the sergeant with a horrible cancer marked in bumps on his

left side. The disease of Patterson showed quite around the front of

his waist in many protuberances. "A nice pair!" said the sergeant, with

sudden frigidity. "You're the kind of soldiers a man wants to choose

for a dangerous outpost duty, ain't you?"

The two privates stood at attention, still looking much aggrieved. "We

only--" began Jones huskily.

"Oh, you 'only!'" cried the sergeant. "Yes, you 'only.' I know all

about that. But if you think you are going to trifle with me--"

A moment later the squad moved on towards its station. Behind the

sergeant's back Jones and Patterson were slyly passing apples and pears

to their friends while the sergeant expounded eloquently to the

corporal. "You see what kind of men are in the army now. Why, when I

joined the regiment it was a very different thing, I can tell you. Then

a sergeant had some authority, and if a man disobeyed orders, he had a

very small chance of escaping something extremely serious. But now!

Good God! If I report these men, the captain will look over a lot of

beastly orderly sheets and say--'Haw, eh, well, Sergeant Morton, these

men seem to have very good records; very good records, indeed. I can't

be too hard on them; no, not too hard.'" Continued the sergeant: "I

tell you, Flagler, the army is no place for a decent man."

Flagler, the corporal, answered with a sincerity of appreciation which

with him had become a science. "I think you are right, sergeant," he

answered.

Behind them the privates mumbled discreetly. "Damn this sergeant of

ours. He thinks we are made of wood. I don't see any reason for all

this strictness when we are on active service. It isn't like being at

home in barracks! There is no great harm in a couple of men dropping

out to raid an orchard of the enemy when all the world knows that we

haven't had a decent meal in twenty days."

The reddened face of Sergeant Morton suddenly showed to the rear. "A

little more marching and less talking," he said.

When he came to the house he had been ordered to occupy the sergeant

sniffed with disdain. "These people must have lived like cattle," he

said angrily. To be sure, the place was not alluring. The ground floor

had been used for the housing of cattle, and it was dark and terrible.

A flight of steps led to the lofty first floor, which was denuded but

respectable. The sergeant's visage lightened when he saw the strong

walls of stone and cement. "Unless they turn guns on us, they will

never get us out of here," he said cheerfully to the squad. The men,

anxious to keep him in an amiable mood, all hurriedly grinned and

seemed very appreciative and pleased. "I'll make this into a fortress,"

he announced. He sent Jones and Patterson, the two orchard thieves, out

on sentry-duty. He worked the others, then, until he could think of no

more things to tell them to do. Afterwards he went forth, with a

major-general's serious scowl, and examined the ground in front of his

position. In returning he came upon a sentry, Jones, munching an apple.

He sternly commanded him to throw it away.

The men spread their blankets on the floors of the bare rooms, and

putting their packs under their heads and lighting their pipes, they

lived an easy peace. Bees hummed in the garden, and a scent of flowers

came through the open window. A great fan-shaped bit of sunshine smote

the face of one man, and he indolently cursed as he moved his primitive

bed to a shadier place.

Another private explained to a comrade: "This is all nonsense anyhow.

No sense in occupying this post. They--"

"But, of course," said the corporal, "when she told me herself that she

cared more for me than she did for him, I wasn't going to stand any of

his talk--" The corporal's listener was so sleepy that he could only

grunt his sympathy.

There was a sudden little spatter of shooting. A cry from Jones rang

out. With no intermediate scrambling, the sergeant leaped straight to

his feet. "Now," he cried, "let us see what you are made of! If," he

added bitterly, "you are made of anything!"

A man yelled: "Good God, can't you see you're all tangled up in my

cartridge belt?"

Another man yelled: "Keep off my legs! Can't you walk on the floor?"

To the windows there was a blind rush of slumberous men, who brushed

hair from their eyes even as they made ready their rifles. Jones and

Patterson came stumbling up the steps, crying dreadful information.

Already the enemy's bullets were spitting and singing over the house.

The sergeant suddenly was stiff and cold with a sense of the importance

of the thing. "Wait until you see one," he drawled loudly and calmly,

"then shoot."

For some moments the enemy's bullets swung swifter than lightning over

the house without anybody being able to discover a target. In this

interval a man was shot in the throat. He gurgled, and then lay down on

the floor. The blood slowly waved down the brown skin of his neck while

he looked meekly at his comrades.

There was a howl. "There they are! There they come!" The rifles

crackled. A light smoke drifted idly through the rooms. There was a

strong odor as if from burnt paper and the powder of firecrackers. The

men were silent. Through the windows and about the house the bullets of

an entirely invisible enemy moaned, hummed, spat, burst, and sang.

The men began to curse. "Why can't we see them?" they muttered through

their teeth. The sergeant was still frigid. He answered soothingly as

if he were directly reprehensible for this behavior of the enemy. "Wait

a moment. You will soon be able to see them. There! Give it to them!" A

little skirt of black figures had appeared in a field. It was really

like shooting at an upright needle from the full length of a ballroom.

But the men's spirits improved as soon as the enemy--this mysterious

enemy--became a tangible thing, and far off. They had believed the foe

to be shooting at them from the adjacent garden.

"Now," said the sergeant ambitiously, "we can beat them off easily if

you men are good enough."

A man called out in a tone of quick, great interest. "See that fellow

on horseback, Bill? Isn't he on horseback? I thought he was on

horseback."

There was a fusilade against another side of the house. The sergeant

dashed into the room which commanded the situation. He found a dead

soldier on the floor. He rushed out howling: "When was Knowles killed?

When was Knowles killed? When was Knowles killed? Damn it, when was

Knowles killed?" It was absolutely essential to find out the exact

moment this man died. A blackened private turned upon his sergeant and

demanded: "How in hell do I know?" Sergeant Morton had a sense of anger

so brief that in the next second he cried: "Patterson!" He had even

forgotten his vital interest in the time of Knowles' death.

"Yes?" said Patterson, his face set with some deep-rooted quality of

determination. Still, he was a mere farm boy.

"Go in to Knowles' window and shoot at those people," said the sergeant

hoarsely. Afterwards he coughed. Some of the fumes of the fight had

made way to his lungs.

Patterson looked at the door into this other room. He looked at it as

if he suspected it was to be his death-chamber. Then he entered and

stood across the body of Knowles and fired vigorously into a group of

plum trees.

"They can't take this house," declared the sergeant in a contemptuous

and argumentative tone. He was apparently replying to somebody. The man

who had been shot in the throat looked up at him. Eight men were firing

from the windows. The sergeant detected in a corner three wounded men

talking together feebly. "Don't you think there is anything to do?" he

bawled. "Go and get Knowles' cartridges and give them to somebody who

can use them! Take Simpson's too." The man who had been shot in the

throat looked at him. Of the three wounded men who had been talking,

one said: "My leg is all doubled up under me, sergeant." He spoke

apologetically.

Meantime the sergeant was re-loading his rifle. His foot slipped in the

blood of the man who had been shot in the throat, and the military boot

made a greasy red streak on the floor.

"Why, we can hold this place!" shouted the sergeant jubilantly. "Who

says we can't?"

Corporal Flagler suddenly spun away from his window and fell in a heap.

"Sergeant," murmured a man as he dropped to a seat on the floor out of

danger, "I can't stand this. I swear I can't. I think we should run

away."

Morton, with the kindly eyes of a good shepherd, looked at the man.

"You are afraid, Johnston, you are afraid," he said softly. The man

struggled to his feet, cast upon the sergeant a gaze full of

admiration, reproach, and despair, and returned to his post. A moment

later he pitched forward, and thereafter his body hung out of the

window, his arms straight and the fists clenched. Incidentally this

corpse was pierced afterwards by chance three times by bullets of the

enemy.

The sergeant laid his rifle against the stonework of the window-frame

and shot with care until his magazine was empty. Behind him a man,

simply grazed on the elbow, was wildly sobbing like a girl. "Damn it,

shut up!" said Morton, without turning his head. Before him was a vista

of a garden, fields, clumps of trees, woods, populated at the time with

little fleeting figures.

He grew furious. "Why didn't he send me orders?" he cried aloud. The

emphasis on the word "he" was impressive. A mile back on the road a

galloper of the Hussars lay dead beside his dead horse.

The man who had been grazed on the elbow still set up his bleat.

Morton's fury veered to this soldier. "Can't you shut up? Can't you

shut up? Can't you shut up? Fight! That's the thing to do. Fight!"

A bullet struck Morton, and he fell upon the man who had been shot in

the throat. There was a sickening moment. Then the sergeant rolled off

to a position upon the bloody floor. He turned himself with a last

effort until he could look at the wounded who were able to look at him.

"Kim up, the Kickers," he said thickly. His arms weakened and he

dropped on his face.

After an interval a young subaltern of the enemy's infantry, followed

by his eager men, burst into this reeking interior. But just over the

threshold he halted before the scene of blood and death. He turned with

a shrug to his sergeant. "God, I should have estimated them at least

one hundred strong."

UPTURNED FACE

"What will we do now?" said the adjutant, troubled and excited.

"Bury him," said Timothy Lean.

The two officers looked down close to their toes where lay the body of

their comrade. The face was chalk-blue; gleaming eyes stared at the

sky. Over the two upright figures was a windy sound of bullets, and on

the top of the hill Lean's prostrate company of Spitzbergen infantry

was firing measured volleys.

"Don't you think it would be better--" began the adjutant. "We might

leave him until tomorrow."

"No," said Lean. "I can't hold that post an hour longer. I've got to

fall back, and we've got to bury old Bill."

"Of course," said the adjutant, at once. "Your men got intrenching

tools?"

Lean shouted back to his little line, and two men came slowly, one with

a pick, one with a shovel. They started in the direction of the Rostina

sharp-shooters. Bullets cracked near their ears. "Dig here," said Lean

gruffly. The men, thus caused to lower their glances to the turf,

became hurried and frightened merely because they could not look to see

whence the bullets came. The dull beat of the pick striking the earth

sounded amid the swift snap of close bullets. Presently the other

private began to shovel.

"I suppose," said the adjutant, slowly, "we'd better search his clothes

for--things."

Lean nodded. Together in curious abstraction they looked at the body.

Then Lean stirred his shoulders suddenly, arousing himself.

"Yes," he said, "we'd better see what he's got." He dropped to his

knees, and his hands approached the body of the dead officer. But his

hands wavered over the buttons of the tunic. The first button was

brick-red with drying blood, and he did not seem to dare touch it.

"Go on," said the adjutant, hoarsely.

Lean stretched his wooden hand, and his fingers fumbled the

blood-stained buttons. At last he rose with ghastly face. He had

gathered a watch, a whistle, a pipe, a tobacco pouch, a handkerchief, a

little case of cards and papers. He looked at the adjutant. There was a

silence. The adjutant was feeling that he had been a coward to make

Lean do all the grisly business.

"Well," said Lean, "that's all, I think. You have his sword and

revolver?"

"Yes," said the adjutant, his face working, and then he burst out in a

sudden strange fury at the two privates. "Why don't you hurry up with

that grave? What are you doing, anyhow? Hurry, do you hear? I never saw

such stupid--"

Even as he cried out in his passion the two men were laboring for their

lives. Ever overhead the bullets were spitting.

The grave was finished, It was not a masterpiece--a poor little shallow

thing. Lean and the adjutant again looked at each other in a curious

silent communication.

Suddenly the adjutant croaked out a weird laugh. It was a terrible

laugh, which had its origin in that part of the mind which is first

moved by the singing of the nerves. "Well," he said, humorously to

Lean, "I suppose we had best tumble him in."

"Yes," said Lean. The two privates stood waiting, bent over their

implements. "I suppose," said Lean, "it would be better if we laid him

in ourselves."

"Yes," said the adjutant. Then apparently remembering that he had made

Lean search the body, he stooped with great fortitude and took hold of

the dead officer's clothing. Lean joined him. Both were particular that

their fingers should not feel the corpse. They tugged away; the corpse

lifted, heaved, toppled, flopped into the grave, and the two officers,

straightening, looked again at each other--they were always looking at

each other. They sighed with relief.

The adjutant said, "I suppose we should--we should say something. Do

you know the service, Tim?"

"They don't read the service until the grave is filled in," said Lean,

pressing his lips to an academic expression.

"Don't they?" said the adjutant, shocked that he had made the mistake.

"Oh, well," he cried, suddenly, "let us--let us say something--while he

can hear us."

"All right," said Lean. "Do you know the service?"

"I can't remember a line of it," said the adjutant.

Lean was extremely dubious. "I can repeat two lines, but--"

"Well, do it," said the adjutant. "Go as far as you can. That's better

than nothing. And the beasts have got our range exactly."

Lean looked at his two men. "Attention," he barked. The privates came

to attention with a click, looking much aggrieved. The adjutant lowered

his helmet to his knee. Lean, bareheaded, he stood over the grave. The

Rostina sharpshooters fired briskly.

"Oh, Father, our friend has sunk in the deep waters of death, but his

spirit has leaped toward Thee as the bubble arises from the lips of the

drowning. Perceive, we beseech, O Father, the little flying bubble,

and--".

Lean, although husky and ashamed, had suffered no hesitation up to this

point, but he stopped with a hopeless feeling and looked at the corpse.

The adjutant moved uneasily. "And from Thy superb heights--" he began,

and then he too came to an end.

"And from Thy superb heights," said Lean.

The adjutant suddenly remembered a phrase in the back part of the

Spitzbergen burial service, and he exploited it with the triumphant

manner of a man who has recalled everything, and can go on.

"Oh, God, have mercy--"

"Oh, God, have mercy--" said Lean.

"Mercy," repeated the adjutant, in quick failure.

"Mercy," said Lean. And then he was moved by some violence of feeling,

for he turned suddenly upon his two men and tigerishly said, "Throw the

dirt in."

The fire of the Rostina sharpshooters was accurate and continuous.

* * * * *

One of the aggrieved privates came forward with his shovel. He lifted

his first shovel-load of earth, and for a moment of inexplicable

hesitation it was held poised above this corpse, which from its

chalk-blue face looked keenly out from the grave. Then the soldier

emptied his shovel on--on the feet.

Timothy Lean felt as if tons had been swiftly lifted from off his

forehead. He had felt that perhaps the private might empty the shovel

on--on the face. It had been emptied on the feet. There was a great

point gained there--ha, ha!--the first shovelful had been emptied on

the feet. How satisfactory!

The adjutant began to babble. "Well, of course--a man we've messed with

all these years--impossible--you can't, you know, leave your intimate

friends rotting on the field. Go on, for God's sake, and shovel, you!"

The man with the shovel suddenly ducked, grabbed his left arm with his

right hand, and looked at his officer for orders. Lean picked the

shovel from the ground. "Go to the rear," he said to the wounded man.

He also addressed the other private. "You get under cover, too; I'll

finish this business."

The wounded man scrambled hard still for the top of the ridge without

devoting any glances to the direction whence the bullets came, and the

other man followed at an equal pace; but he was different, in that he

looked back anxiously three times.

This is merely the way--often--of the hit and unhit.

Timothy Lean filled the shovel, hesitated, and then in a movement which

was like a gesture of abhorrence he flung the dirt into the grave, and

as it landed it made a sound--plop! Lean suddenly stopped and mopped

his brow--a tired laborer.

"Perhaps we have been wrong," said the adjutant. His glance wavered

stupidly. "It might have been better if we hadn't buried him just at

this time. Of course, if we advance to-morrow the body would have

been--"

"Damn you," said Lean, "shut your mouth!" He was not the senior officer.

He again filled the shovel and flung the earth. Always the earth made

that sound--plop! For a space Lean worked frantically, like a man

digging himself out of danger.

Soon there was nothing to be seen but the chalk-blue face. Lean filled

the shovel. "Good God," he cried to the adjutant. "Why didn't you turn

him somehow when you put him in? This--" Then Lean began to stutter.

The adjutant understood. He was pale to the lips. "Go on, man," he

cried, beseechingly, almost in a shout. Lean swung back the shovel. It

went forward in a pendulum curve. When the earth landed it made a

sound--plop!

AN EPISODE OF WAR

The lieutenant's rubber blanket lay on the ground, and upon it he had

poured the company's supply of coffee. Corporals and other

representatives of the grimy and hot-throated men who lined the

breastwork had come for each squad's portion.

The lieutenant was frowning and serious at this task of division. His

lips pursed as he drew with his sword various crevices in the heap

until brown squares of coffee, astoundingly equal in size, appeared on

the blanket. He was on the verge of a great triumph in mathematics, and

the corporals were thronging forward, each to reap a little square,

when suddenly the lieutenant cried out and looked quickly at a man near

him as if he suspected it was a case of personal assault. The others

cried out also when they saw blood upon the lieutenant's sleeve.

He had winced like a man stung, swayed dangerously, and then

straightened. The sound of his hoarse breathing was plainly audible. He

looked sadly, mystically, over the breastwork at the green face of a

wood, where now were many little puffs of white smoke. During this

moment the men about him gazed statue-like and silent, astonished and

awed by this catastrophe which happened when catastrophes were not

expected--when they had leisure to observe it.

As the lieutenant stared at the wood, they too swung their heads, so

that for another instant all hands, still silent, contemplated the

distant forest as if their minds were fixed upon the mystery of a

bullet's journey.

The officer had, of course, been compelled to take his sword into his

left hand. He did not hold it by the hilt. He gripped it at the middle

of the blade, awkwardly. Turning his eyes from the hostile wood, he

looked at the sword as he held it there, and seemed puzzled as to what

to do with it, where to put it. In short, this weapon had of a sudden

become a strange thing to him. He looked at it in a kind of

stupefaction, as if he had been endowed with a trident, a sceptre, or a

spade.

Finally he tried to sheath it. To sheath a sword held by the left hand,

at the middle of the blade, in a scabbard hung at the left hip, is a

feat worthy of a sawdust ring. This wounded officer engaged in a

desperate struggle with the sword and the wobbling scabbard, and during

the time of it he breathed like a wrestler.

But at this instant the men, the spectators, awoke from their

stone-like poses and crowded forward sympathetically. The

orderly-sergeant took the sword and tenderly placed it in the scabbard.

At the time, he leaned nervously backward, and did not allow even his

finger to brush the body of the lieutenant. A wound gives strange

dignity to him who bears it. Well men shy from this new and terrible

majesty. It is as if the wounded man's hand is upon the curtain which

hangs before the revelations of all existence--the meaning of ants,

potentates, wars, cities, sunshine, snow, a feather dropped from a

bird's wing; and the power of it sheds radiance upon a bloody form, and

makes the other men understand sometimes that they are little. His

comrades look at him with large eyes thoughtfully. Moreover, they fear

vaguely that the weight of a finger upon him might send him headlong,

precipitate the tragedy, hurl him at once into the dim, grey unknown.

And so the orderly-sergeant, while sheathing the sword, leaned

nervously backward.

There were others who proffered assistance. One timidly presented his

shoulder and asked the lieutenant if he cared to lean upon it, but the

latter waved him away mournfully. He wore the look of one who knows he

is the victim of a terrible disease and understands his helplessness.

He again stared over the breastwork at the forest, and then turning

went slowly rearward. He held his right wrist tenderly in his left hand

as if the wounded arm was made of very brittle glass.

And the men in silence stared at the wood, then at the departing

lieutenant--then at the wood, then at the lieutenant.

As the wounded officer passed from the line of battle, he was enabled

to see many things which as a participant in the fight were unknown to

him. He saw a general on a black horse gazing over the lines of blue

infantry at the green woods which veiled his problems. An aide galloped

furiously, dragged his horse suddenly to a halt, saluted, and presented

a paper. It was, for a wonder, precisely like an historical painting.

To the rear of the general and his staff a group, composed of a bugler,

two or three orderlies, and the bearer of the corps standard, all upon

maniacal horses, were working like slaves to hold their ground,

preserve, their respectful interval, while the shells boomed in the air

about them, and caused their chargers to make furious quivering leaps.

A battery, a tumultuous and shining mass, was swirling toward the

right. The wild thud of hoofs, the cries of the riders shouting blame

and praise, menace and encouragement, and, last the roar of the wheels,

the slant of the glistening guns, brought the lieutenant to an intent

pause. The battery swept in curves that stirred the heart; it made

halts as dramatic as the crash of a wave on the rocks, and when it fled

onward, this aggregation of wheels, levers, motors, had a beautiful

unity, as if it were a missile. The sound of it was a war-chorus that

reached into the depths of man's emotion.

The lieutenant, still holding his arm as if it were of glass, stood

watching this battery until all detail of it was lost, save the figures

of the riders, which rose and fell and waved lashes over the black mass.

Later, he turned his eyes toward the battle where the shooting

sometimes crackled like bush-fires, sometimes sputtered with

exasperating irregularity, and sometimes reverberated like the thunder.

He saw the smoke rolling upward and saw crowds of men who ran and

cheered, or stood and blazed away at the inscrutable distance.

He came upon some stragglers, and they told him how to find the field

hospital. They described its exact location. In fact, these men, no

longer having part in the battle, knew more of it than others. They

told the performance of every corps, every division, the opinion of

every general. The lieutenant, carrying his wounded arm rearward,

looked upon them with wonder.

At the roadside a brigade was making coffee and buzzing with talk like

a girls' boarding-school. Several officers came out to him and inquired

concerning things of which he knew nothing. One, seeing his arm, began

to scold. "Why, man, that's no way to do. You want to fix that thing."

He appropriated the lieutenant and the lieutenant's wound. He cut the

sleeve and laid bare the arm, every nerve of which softly fluttered

under his touch. He bound his handkerchief over the wound, scolding

away in the meantime. His tone allowed one to think that he was in the

habit of being wounded every day. The lieutenant hung his head,

feeling, in this presence, that he did not know how to be correctly

wounded.

The low white tents of the hospital were grouped around an old

school-house. There was here a singular commotion. In the foreground

two ambulances interlocked wheels in the deep mud. The drivers were

tossing the blame of it back and forth, gesticulating and berating,

while from the ambulances, both crammed with wounded, there came an

occasional groan. An interminable crowd of bandaged men were coming and

going. Great numbers sat under the trees nursing heads or arms or legs.

There was a dispute of some kind raging on the steps of the

school-house. Sitting with his back against a tree a man with a face as

grey as a new army blanket was serenely smoking a corn-cob pipe. The

lieutenant wished to rush forward and inform him that he was dying.

A busy surgeon was passing near the lieutenant. "Good-morning," he

said, with a friendly smile. Then he caught sight of the lieutenant's

arm and his face at once changed. "Well, let's have a look at it." He

seemed possessed suddenly of a great contempt for the lieutenant. This

wound evidently placed the latter on a very low social plane. The

doctor cried out impatiently, "What mutton-head had tied it up that way

anyhow?" The lieutenant answered, "Oh, a man."

When the wound was disclosed the doctor fingered it disdainfully.

"Humph," he said. "You come along with me and I'll 'tend to you." His

voice contained the same scorn as if he were saying, "You will have to

go to jail."

The lieutenant had been very meek, but now his face flushed, and he

looked into the doctor's eyes. "I guess I won't have it amputated," he

said.

"Nonsense, man! Nonsense! Nonsense!" cried the doctor. "Come along,

now. I won't amputate it. Come along. Don't be a baby."

"Let go of me," said the lieutenant, holding back wrathfully, his

glance fixed upon the door of the old school-house, as sinister to him

as the portals of death.

And this is the story of how the lieutenant lost his arm. When he

reached home, his sisters, his mother, his wife sobbed for a long time

at the sight of the flat sleeve. "Oh, well," he said, standing

shamefaced amid these tears, "I don't suppose it matters so much as all

that."

AN EXPERIMENT IN MISERY

It was late at night, and a fine rain was swirling softly down, causing

the pavements to glisten with hue of steel and blue and yellow in the

rays of the innumerable lights. A youth was trudging slowly, without

enthusiasm, with his hands buried deep in his trousers' pockets, toward

the downtown places where beds can be hired for coppers. He was clothed

in an aged and tattered suit, and his derby was a marvel of

dust-covered crown and torn rim. He was going forth to eat as the

wanderer may eat, and sleep as the homeless sleep. By the time he had

reached City Hall Park he was so completely plastered with yells of

"bum" and "hobo," and with various unholy epithets that small boys had

applied to him at intervals, that he was in a state of the most

profound dejection. The sifting rain saturated the old velvet collar of

his overcoat, and as the wet cloth pressed against his neck, he felt

that there no longer could be pleasure in life. He looked about him

searching for an outcast of highest degree that they too might share

miseries, but the lights threw a quivering glare over rows and circles

of deserted benches that glistened damply, showing patches of wet sod

behind them. It seemed that their usual freights had fled on this night

to better things. There were only squads of well-dressed Brooklyn

people who swarmed towards the bridge.

The young man loitered about for a time and then went shuffling off

down Park Row. In the sudden descent in style of the dress of the crowd

he felt relief, and as if he were at last in his own country. He began

to see tatters that matched his tatters. In Chatham Square there were

aimless men strewn in front of saloons and lodging-houses, standing

sadly, patiently, reminding one vaguely of the attitudes of chickens in

a storm. He aligned himself with these men, and turned slowly to occupy

himself with the flowing life of the great street.

Through the mists of the cold and storming night, the cable cars went

in silent procession, great affairs shining with red and brass, moving

with formidable power, calm and irresistible, dangerful and gloomy,

breaking silence only by the loud fierce cry of the gong. Two rivers of

people swarmed along the sidewalks, spattered with black mud, which

made each shoe leave a scarlike impression. Overhead elevated trains

with a shrill grinding of the wheels stopped at the station, which upon

its leglike pillars seemed to resemble some monstrous kind of crab

squatting over the street. The quick fat puffings of the engines could

be heard. Down an alley there were somber curtains of purple and black,

on which street lamps dully glittered like embroidered flowers.

A saloon stood with a voracious air on a corner. A sign leaning against

the front of the door-post announced "Free hot soup to-night!" The

swing doors, snapping to and fro like ravenous lips, made gratified

smacks as the saloon gorged itself with plump men, eating with

astounding and endless appetite, smiling in some indescribable manner

as the men came from all directions like sacrifices to a heathenish

superstition.

Caught by the delectable sign the young man allowed himself to be

swallowed. A bartender placed a schooner of dark and portentous beer on

the bar. Its monumental form upreared until the froth a-top was above

the crown of the young man's brown derby.

"Soup over there, gents," said the bartender affably. A little yellow

man in rags and the youth grasped their schooners and went with speed

toward a lunch counter, where a man with oily but imposing whiskers

ladled genially from a kettle until he had furnished his two mendicants

with a soup that was steaming hot, and in which there were little

floating suggestions of chicken. The young man, sipping his broth, felt

the cordiality expressed by the warmth of the mixture, and he beamed at

the man with oily but imposing whiskers, who was presiding like a

priest behind an altar. "Have some more, gents?" he inquired of the two

sorry figures before him. The little yellow man accepted with a swift

gesture, but the youth shook his head and went out, following a man

whose wondrous seediness promised that he would have a knowledge of

cheap lodging-houses.

On the sidewalk he accosted the seedy man. "Say, do you know a cheap

place to sleep?"

The other hesitated for a time, gazing sideways. Finally he nodded in

the direction of the street, "I sleep up there," he said, "when I've

got the price."

"How much?"

"Ten cents."

The young man shook his head dolefully. "That's too rich for me."

At that moment there approached the two a reeling man in strange

garments. His head was a fuddle of bushy hair and whiskers, from which

his eyes peered with a guilty slant. In a close scrutiny it was

possible to distinguish the cruel lines of a mouth which looked as if

its lips had just closed with satisfaction over some tender and piteous

morsel. He appeared like an assassin steeped in crimes performed

awkwardly.

But at this time his voice was tuned to the coaxing key of an

affectionate puppy. He looked at the men with wheedling eyes, and began

to sing a little melody for charity.

"Say, gents, can't yeh give a poor feller a couple of cents t' git a

bed? I got five, and I gits anudder two I gits me a bed. Now, on th'

square, gents, can't yeh jest gimme two cents t' git a bed? Now, yeh

know how a respecter'ble gentlem'n feels when he's down on his luck,

an' I--"

The seedy man, staring with imperturbable countenance at a train which

clattered overhead, interrupted in an expressionless voice--"Ah, go t'

h----!"

But the youth spoke to the prayerful assassin in tones of astonishment

and inquiry. "Say, you must be crazy! Why don't yeh strike somebody

that looks as if they had money?"

The assassin, tottering about on his uncertain legs, and at intervals

brushing imaginary obstacles from before his nose, entered into a long

explanation of the psychology of the situation. It was so profound that

it was unintelligible.

When he had exhausted the subject, the young man said to him:

"Let's see th' five cents."

The assassin wore an expression of drunken woe at this sentence, filled

with suspicion of him. With a deeply pained air he began to fumble in

his clothing, his red hands trembling. Presently he announced in a

voice of bitter grief, as if he had been betrayed--"There's on'y four."

"Four," said the young man thoughtfully. "Well, look here, I'm a

stranger here, an' if ye'll steer me to your cheap joint I'll find the

other three."

The assassin's countenance became instantly radiant with joy. His

whiskers quivered with the wealth of his alleged emotions. He seized

the young man's hand in a transport of delight and friendliness.

"B' Gawd," he cried, "if ye'll do that, b' Gawd, I'd say yeh was a

damned good fellow, I would, an' I'd remember yeh all m' life, I would,

b' Gawd, an' if I ever got a chance I'd return the compliment"--he

spoke with drunken dignity--"b' Gawd, I'd treat yeh white, I would, an'

I'd allus remember yeh."

The young man drew back, looking at the assassin coldly. "Oh, that's

all right," he said. "You show me th' joint--that's all you've got t'

do."

The assassin, gesticulating gratitude, led the young man along a dark

street. Finally he stopped before a little dusty door. He raised his

hand impressively. "Look-a-here," he said, and there was a thrill of

deep and ancient wisdom upon his face, "I've brought yeh here, an'

that's my part, ain't it? If th' place don't suit yeh, yeh needn't git

mad at me, need yeh? There won't be no bad feelin', will there?"

"No," said the young man.

The assassin waved his arm tragically, and led the march up the steep

stairway. On the way the young man furnished the assassin with three

pennies. At the top a man with benevolent spectacles looked at them

through a hole in a board. He collected their money, wrote some names

on a register, and speedily was leading the two men along a

gloom-shrouded corridor.

Shortly after the beginning of this journey the young man felt his

liver turn white, for from the dark and secret places of the building

there suddenly came to his nostrils strange and unspeakable odors, that

assailed him like malignant diseases with wings. They seemed to be from

human bodies closely packed in dens; the exhalations from a hundred

pairs of reeking lips; the fumes from a thousand bygone debauches; the

expression of a thousand present miseries.

A man, naked save for a little snuff-colored undershirt, was parading

sleepily along the corridor. He rubbed his eyes, and, giving vent to a

prodigious yawn, demanded to be told the time.

"Half-past one."

The man yawned again. He opened a door, and for a moment his form was

outlined against a black, opaque interior. To this door came the three

men, and as it was again opened the unholy odors rushed out like

fiends, so that the young man was obliged to struggle as against an

overpowering wind.

It was some time before the youth's eyes were good in the intense gloom

within, but the man with benevolent spectacles led him skilfully,

pausing but a moment to deposit the limp assassin upon a cot. He took

the youth to a cot that lay tranquilly by the window, and showing him a

tall locker for clothes that stood near the head with the ominous air

of a tombstone, left him.

The youth sat on his cot and peered about him. There was a gas-jet in a

distant part of the room, that burned a small flickering orange-hued

flame. It caused vast masses of tumbled shadows in all parts of the

place, save where, immediately about it, there was a little grey haze.

As the young man's eyes became used to the darkness, he could see upon

the cots that thickly littered the floor the forms of men sprawled out,

lying in deathlike silence, or heaving and snoring with tremendous

effort, like stabbed fish.

The youth locked his derby and his shoes in the mummy case near him,

and then lay down with an old and familiar coat around his shoulders. A

blanket he handed gingerly, drawing it over part of the coat. The cot

was covered with leather, and as cold as melting snow. The youth was

obliged to shiver for some time on this affair, which was like a slab.

Presently, however, his chill gave him peace, and during this period of

leisure from it he turned his head to stare at his friend the assassin,

whom he could dimly discern where he lay sprawled on a cot in the

abandon of a man filled with drink. He was snoring with incredible

vigor. His wet hair and beard dimly glistened, and his inflamed nose

shone with subdued lustre like a red light in a fog.

Within reach of the youth's hand was one who lay with yellow breast and

shoulders bare to the cold drafts. One arm hung over the side of the

cot, and the fingers lay full length upon the wet cement floor of the

room. Beneath the inky brows could be seen the eyes of the man exposed

by the partly opened lids. To the youth it seemed that he and this

corpse-like being were exchanging a prolonged stare, and that the other

threatened with his eyes. He drew back, watching his neighbor from the

shadows of his blanket edge. The man did not move once through the

night, but lay in this stillness as of death like a body stretched out

expectant of the surgeon's knife.

And all through the room could be seen the tawny hues of naked flesh,

limbs thrust into the darkness, projecting beyond the cots; upreared

knees, arms hanging long and thin over the cot edges. For the most part

they were statuesque, carven, dead. With the curious lockers standing

all about like tombstones, there was a strange effect of a graveyard

where bodies were merely flung.

Yet occasionally could be seen limbs wildly tossing in fantastic

nightmare gestures, accompanied by guttural cries, grunts, oaths. And

there was one fellow off in a gloomy corner, who in his dreams was

oppressed by some frightful calamity, for of a sudden he began to utter

long wails that went almost like yells from a hound, echoing wailfully

and weird through this chill place of tombstones where men lay like the

dead.

The sound in its high piercing beginnings, that dwindled to final

melancholy moans, expressed a red and grim tragedy of the unfathomable

possibilities of the man's dreams. But to the youth these were not

merely the shrieks of a vision-pierced man: they were an utterance of

the meaning of the room and its occupants. It was to him the protest of

the wretch who feels the touch of the imperturbable granite wheels, and

who then cries with an impersonal eloquence, with a strength not from

him, giving voice to the wail of a whole section, a class, a people.

This, weaving into the young man's brain, and mingling with his views

of the vast and sombre shadows that, like mighty black fingers, curled

around the naked bodies, made the young man so that he did not sleep,

but lay carving the biographies for these men from his meagre

experience. At times the fellow in the corner howled in a writhing

agony of his imaginations.

Finally a long lance-point of grey light shot through the dusty panes

of the window. Without, the young man could see roofs drearily white in

the dawning. The point of light yellowed and grew brighter, until the

golden rays of the morning sun came in bravely and strong. They touched

with radiant color the form of a small fat man, who snored in

stuttering fashion. His round and shiny bald head glowed suddenly with

the valor of a decoration. He sat up, blinked at the sun, swore

fretfully, and pulled his blanket over the ornamental splendors of his

head.

The youth contentedly watched this rout of the shadows before the

bright spears of the sun, and presently he slumbered. When he awoke he

heard the voice of the assassin raised in valiant curses. Putting up

his head, he perceived his comrade seated on the side of the cot

engaged in scratching his neck with long finger-nails that rasped like

files.

"Hully Jee, dis is a new breed. They've got can-openers on their feet."

He continued in a violent tirade.

The young man hastily unlocked his closet and took out his shoes and

hat. As he sat on the side of the cot lacing his shoes, he glanced

about and saw that daylight had made the room comparatively commonplace

and uninteresting. The men, whose faces seemed stolid, serene or

absent, were engaged in dressing, while a great crackle of bantering

conversation arose.

A few were parading in unconcerned nakedness. Here and there were men

of brawn, whose skins shone clear and ruddy. They took splendid poses,

standing massively like chiefs. When they had dressed in their ungainly

garments there was an extraordinary change. They then showed bumps and

deficiencies of all kinds.

There were others who exhibited many deformities. Shoulders were

slanting, humped, pulled this way and pulled that way. And notable

among these latter men was the little fat man who had refused to allow

his head to be glorified. His pudgy form, builded like a pear, bustled

to and fro, while he swore in fishwife fashion. It appeared that some

article of his apparel had vanished.

The young man attired speedily, and went to his friend the assassin. At

first the latter looked dazed at the sight of the youth. This face

seemed to be appealing to him through the cloud wastes of his memory.

He scratched his neck and reflected. At last he grinned, a broad smile

gradually spreading until his countenance was a round illumination.

"Hello, Willie," he cried cheerily.

"Hello," said the young man. "Are yeh ready t' fly?"

"Sure." The assassin tied his shoe carefully with some twine and came

ambling.

When he reached the street the young man experienced no sudden relief

from unholy atmospheres. He had forgotten all about them, and had been

breathing naturally, and with no sensation of discomfort or distress.

He was thinking of these things as he walked along the street, when he

was suddenly startled by feeling the assassin's hand, trembling with

excitement, clutching his arm, and when the assassin spoke, his voice

went into quavers from a supreme agitation.

"I'll be hully, bloomin' blowed if there wasn't a feller with a

nightshirt on up there in that joint."

The youth was bewildered for a moment, but presently he turned to smile

indulgently at the assassin's humor.

"Oh, you're a d--d liar," he merely said.

Whereupon the assassin began to gesture extravagantly, and take oath by

strange gods. He frantically placed himself at the mercy of remarkable

fates if his tale were not true.

"Yes, he did! I cross m' heart thousan' times!" he protested, and at

the moment his eyes were large with amazement, his mouth wrinkled in

unnatural glee.

"Yessir! A nightshirt! A hully white nightshirt!"

"You lie!"

"No, sir! I hope ter die b'fore I kin git anudder ball if there wasn't

a jay wid a hully, bloomin' white nightshirt!"

His face was filled with the infinite wonder of it. "A hully white

nightshirt," he continually repeated.

The young man saw the dark entrance to a basement restaurant. There was

a sign which read "No mystery about our hash"! and there were other

age-stained and world-battered legends which told him that the place

was within his means. He stopped before it and spoke to the assassin.

"I guess I'll git somethin' t' eat."

At this the assassin, for some reason, appeared to be quite

embarrassed. He gazed at the seductive front of the eating place for a

moment. Then he started slowly up the street. "Well, good-bye, Willie,"

he said bravely.

For an instant the youth studied the departing figure. Then he called

out, "Hol' on a minnet." As they came together he spoke in a certain

fierce way, as if he feared that the other would think him to be

charitable. "Look-a-here, if yeh wanta git some breakfas' I'll lend yeh

three cents t' do it with. But say, look-a-here, you've gota git out

an' hustle. I ain't goin' t' support yeh, or I'll go broke b'fore

night. I ain't no millionaire."

"I take me oath, Willie," said the assassin earnestly, "th' on'y thing

I really needs is a ball. Me t'roat feels like a fryin'-pan. But as I

can't get a ball, why, th' next bes' thing is breakfast, an' if yeh do

that for me, b'Gawd, I say yeh was th' whitest lad I ever see."

They spent a few moments in dexterous exchanges of phrases, in which

they each protested that the other was, as the assassin had originally

said, "a respecter'ble gentlem'n." And they concluded with mutual

assurances that they were the souls of intelligence and virtue. Then

they went into the restaurant.

There was a long counter, dimly lighted from hidden sources. Two or

three men in soiled white aprons rushed here and there.

The youth bought a bowl of coffee for two cents and a roll for one

cent. The assassin purchased the same. The bowls were webbed with brown

seams, and the tin spoons wore an air of having emerged from the first

pyramid. Upon them were black mosslike encrustations of age, and they

were bent and scarred from the attacks of long-forgotten teeth. But

over their repast the wanderers waxed warm and mellow. The assassin

grew affable as the hot mixture went soothingly down his parched

throat, and the young man felt courage flow in his veins.

Memories began to throng in on the assassin, and he brought forth long

tales, intricate, incoherent, delivered with a chattering swiftness as

from an old woman. "--great job out'n Orange. Boss keep yeh hustlin'

though all time. I was there three days, and then I went an' ask 'im t'

lend me a dollar. 'G-g-go ter the devil,' he ses, an' I lose me job."

"South no good. Damn niggers work for twenty-five an' thirty cents a

day. Run white man out. Good grub, though. Easy livin'."

"Yas; useter work little in Toledo, raftin' logs. Make two or three

dollars er day in the spring. Lived high. Cold as ice, though, in the

winter."

"I was raised in northern N'York. O-a-ah, yeh jest oughto live there.

No beer ner whisky, though, way off in the woods. But all th' good hot

grub yeh can eat. B'Gawd, I hung around there long as I could till th'

ol' man fired me. 'Git t' hell outa here, yeh wuthless skunk, git t'

hell outa here, an' go die,' he ses. 'You're a hell of a father,' I

ses, 'you are,' an' I quit 'im."

As they were passing from the dim eating place, they encountered an old

man who was trying to steal forth with a tiny package of food, but a

tall man with an indomitable moustache stood dragon fashion, barring

the way of escape. They heard the old man raise a plaintive protest.

"Ah, you always want to know what I take out, and you never see that I

usually bring a package in here from my place of business."

As the wanderers trudged slowly along Park Row, the assassin began to

expand and grow blithe. "B'Gawd, we've been livin' like kings," he

said, smacking appreciative lips.

"Look out, or we'll have t' pay fer it t'night," said the youth with

gloomy warning.

But the assassin refused to turn his gaze toward the future. He went

with a limping step, into which he injected a suggestion of lamblike

gambols. His mouth was wreathed in a red grin.

In the City Hall Park the two wanderers sat down in the little circle

of benches sanctified by traditions of their class. They huddled in

their old garments, slumbrously conscious of the march of the hours

which for them had no meaning.

The people of the street hurrying hither and thither made a blend of

black figures changing yet frieze-like. They walked in their good

clothes as upon important missions, giving no gaze to the two wanderers

seated upon the benches. They expressed to the young man his infinite

distance from all that he valued. Social position, comfort, the

pleasures of living, were unconquerable kingdoms. He felt a sudden awe.

And in the background a multitude of buildings, of pitiless hues and

sternly high, were to him emblematic of a nation forcing its regal head

into the clouds, throwing no downward glances; in the sublimity of its

aspirations ignoring the wretches who may flounder at its feet. The

roar of the city in his ear was to him the confusion of strange

tongues, babbling heedlessly; it was the clink of coin, the voice if

the city's hopes which were to him no hopes.

He confessed himself an outcast, and his eyes from under the lowered

rim of his hat began to glance guiltily, wearing the criminal

expression that comes with certain convictions.

THE DUEL THAT WAS NOT FOUGHT

Patsy Tulligan was not as wise as seven owls, but his courage could

throw a shadow as long as the steeple of a cathedral. There were men on

Cherry Street who had whipped him five times, but they all knew that

Patsy would be as ready for the sixth time as if nothing had happened.

Once he and two friends had been away up on Eighth Avenue, far out of

their country, and upon their return journey that evening they stopped

frequently in saloons until they were as independent of their

surroundings as eagles, and cared much less about thirty days on

Blackwell's.

On Lower Sixth Avenue they paused in a saloon where there was a good

deal of lamp-glare and polished wood to be seen from the outside, and

within, the mellow light shone on much furbished brass and more

polished wood. It was a better saloon than they were in the habit of

seeing, but they did not mind it. They sat down at one of the little

tables that were in a row parallel to the bar and ordered beer. They

blinked stolidly at the decorations, the bartender, and the other

customers. When anything transpired they discussed it with dazzling

frankness, and what they said of it was as free as air to the other

people in the place.

At midnight there were few people in the saloon. Patsy and his friends

still sat drinking. Two well-dressed men were at another table, smoking

cigars slowly and swinging back in their chairs. They occupied

themselves with themselves in the usual manner, never betraying by a

wink of an eyelid that they knew that other folk existed. At another

table directly behind Patsy and his companions was a slim little Cuban,

with miraculously small feet and hands, and with a youthful touch of

down upon his lip. As he lifted his cigarette from time to time his

little finger was bended in dainty fashion, and there was a green flash

when a huge emerald ring caught the light. The bartender came often

with his little brass tray. Occasionally Patsy and his two friends

quarrelled.

Once this little Cuban happened to make some slight noise and Patsy

turned his head to observe him. Then Patsy made a careless and rather

loud comment to his two friends. He used a word which is no more than

passing the time of day down in Cherry Street, but to the Cuban it was

a dagger-point. There was a harsh scraping sound as a chair was pushed

swiftly back.

The little Cuban was upon his feet. His eyes were shining with a rage

that flashed there like sparks as he glared at Patsy. His olive face

had turned a shade of grey from his anger. Withal his chest was thrust

out in portentous dignity, and his hand, still grasping his wine-glass,

was cool and steady, the little finger still bended, the great emerald

gleaming upon it. The others, motionless, stared at him.

"Sir," he began ceremoniously. He spoke gravely and in a slow way, his

tone coming in a marvel of self-possessed cadences from between those

lips which quivered with wrath. "You have insult me. You are a dog, a

hound, a cur. I spit upon you. I must have some of your blood."

Patsy looked at him over his shoulder.

"What's th' matter wi' che?" he demanded. He did not quite understand

the words of this little man who glared at him steadily, but he knew

that it was something about fighting. He snarled with the readiness of

his class and heaved his shoulders contemptuously. "Ah, what's eatin'

yeh? Take a walk! You hain't got nothin' t' do with me, have yeh? Well,

den, go sit on yerself."

And his companions leaned back valorously in their chairs, and

scrutinized this slim young fellow who was addressing Patsy.

"What's de little Dago chewin' about?"

"He wants t' scrap!"

"What!"

The Cuban listened with apparent composure. It was only when they

laughed that his body cringed as if he was receiving lashes. Presently

he put down his glass and walked over to their table. He proceeded

always with the most impressive deliberation.

"Sir," he began again. "You have insult me. I must have

s-s-satisfac-shone. I must have your body upon the point of my sword.

In my country you would already be dead. I must have

s-s-satisfac-shone."

Patsy had looked at the Cuban with a trifle of bewilderment. But at

last his face began to grow dark with belligerency, his mouth curved in

that wide sneer with which he would confront an angel of darkness. He

arose suddenly in his seat and came towards the little Cuban. He was

going to be impressive too.

"Say, young feller, if yeh go shootin' off yer face at me, I'll wipe d'

joint wid yeh. What'cher gaffin' about, hey? Are yeh givin' me er

jolly? Say, if yeh pick me up fer a cinch, I'll fool yeh. Dat's what!

Don't take me fer no dead easy mug." And as he glowered at the little

Cuban, he ended his oration with one eloquent word, "Nit!"

The bartender nervously polished his bar with a towel, and kept his

eyes fastened upon the men. Occasionally he became transfixed with

interest, leaning forward with one hand upon the edge of the bar and

the other holding the towel grabbed in a lump, as if he had been turned

into bronze when in the very act of polishing.

The Cuban did not move when Patsy came toward him and delivered his

oration. At its conclusion he turned his livid face toward where, above

him, Patsy was swaggering and heaving his shoulders in a consummate

display of bravery and readiness. The Cuban, in his clear, tense tones,

spoke one word. It was the bitter insult. It seemed fairly to spin from

his lips and crackle in the air like breaking glass.

Every man save the little Cuban made an electric movement. Patsy roared

a black oath and thrust himself forward until he towered almost

directly above the other man. His fists were doubled into knots of bone

and hard flesh. The Cuban had raised a steady finger.

"If you touch me wis your hand, I will keel you."

The two well-dressed men had come swiftly, uttering protesting cries.

They suddenly intervened in this second of time in which Patsy had

sprung forward and the Cuban had uttered his threat. The four men were

now a tossing, arguing; violent group, one well-dressed man lecturing

the Cuban, and the other holding off Patsy, who was now wild with rage,

loudly repeating the Cuban's threat, and maneuvering and struggling to

get at him for revenge's sake.

The bartender, feverishly scouring away with his towel, and at times

pacing to and fro with nervous and excited tread, shouted out--

"Say, for heaven's sake, don't fight in here. If yeh wanta fight, go

out in the street and fight all yeh please. But don't fight in here."

Patsy knew one only thing, and this he kept repeating:

"Well, he wants t' scrap! I didn't begin dis! He wants t' scrap."

The well-dressed man confronting him continually replied--

"Oh, well, now, look here, he's only a lad. He don't know what he's

doing. He's crazy mad. You wouldn't slug a kid like that."

Patsy and his aroused companions, who cursed and growled, were

persistent with their argument. "Well, he wants t' scrap!" The whole

affair was as plain as daylight when one saw this great fact. The

interference and intolerable discussion brought the three of them

forward, battleful and fierce.

"What's eatin' you, anyhow?" they demanded. "Dis ain't your business,

is it? What business you got shootin' off your face?"

The other peacemaker was trying to restrain the little Cuban, who had

grown shrill and violent.

"If he touch me wis his hand I will keel him. We must fight like

gentlemen or else I keel him when he touch me wis his hand."

The man who was fending off Patsy comprehended these sentences that

were screamed behind his back, and he explained to Patsy.

"But he wants to fight you with swords. With swords, you know."

The Cuban, dodging around the peacemakers, yelled in Patsy's face--

"Ah, if I could get you before me wis my sword! Ah! Ah! A-a-ah!" Patsy

made a furious blow with a swift fist, but the peacemakers bucked

against his body suddenly like football players.

Patsy was greatly puzzled. He continued doggedly to try to get near

enough to the Cuban to punch him. To these attempts the Cuban replied

savagely--

"If you touch me wis your hand, I will cut your heart in two piece."

At last Patsy said--"Well, if he's so dead stuck on fightin' wid

swords, I'll fight 'im. Soitenly! I'll fight 'im." All this palaver had

evidently tired him, and he now puffed out his lips with the air of a

man who is willing to submit to any conditions if he can only bring on

the row soon enough. He swaggered, "I'll fight 'im wid swords. Let 'im

bring on his swords, an' I'll fight 'im 'til he's ready t' quit."

The two well-dressed men grinned. "Why, look here," they said to Patsy,

"he'd punch you full of holes. Why he's a fencer. You can't fight him

with swords. He'd kill you in 'bout a minute."

"Well, I'll giv' 'im a go at it, anyhow," said Patsy, stouthearted and

resolute. "I'll giv' 'im a go at it, anyhow, an' I'll stay wid 'im as

long as I kin."

As for the Cuban, his lithe body was quivering in an ecstasy of the

muscles. His face radiant with a savage joy, he fastened his glance

upon Patsy, his eyes gleaming with a gloating, murderous light. A most

unspeakable, animal-like rage was in his expression.

"Ah! ah! He will fight me! Ah!" He bended unconsciously in the posture

of a fencer. He had all the quick, springy movements of a skilful

swordsman. "Ah, the b-r-r-rute! The b-r-r-rute! I will stick him like a

pig!"

The two peacemakers, still grinning broadly, were having a great time

with Patsy.

"Why, you infernal idiot, this man would slice you all up. You better

jump off the bridge if you want to commit suicide. You wouldn't stand a

ghost of a chance to live ten seconds."

Patsy was as unshaken as granite. "Well, if he wants t' fight wid

swords, he'll get it. I'll giv' 'im a go at it, anyhow."

One man said--"Well, have you got a sword? Do you know what a sword is?

Have you got a sword?"

"No, I ain't got none," said Patsy honestly, "but I kin git one." Then

he added valiantly--"An' quick, too."

The two men laughed. "Why, can't you understand it would be sure death

to fight a sword duel with this fellow?"

"Dat's all right! See? I know me own business. If he wants t' fight one

of dees d--n duels, I'm in it, understan'"

"Have you ever fought one, you fool?"

"No, I ain't. But I will fight one, dough! I ain't no muff. If he wants

t' fight a duel, by Gawd, I'm wid 'im! D'yeh understan' dat!" Patsy

cocked his hat and swaggered. He was getting very serious.

The little Cuban burst out--"Ah, come on, sirs: come on! We can take

cab. Ah, you big cow, I will stick you, I will stick you. Ah, you will

look very beautiful, very beautiful. Ah, come on, sirs. We will stop at

hotel--my hotel. I there have weapons."

"Yeh will, will yeh? Yeh bloomin' little black Dago!" cried Patsy in

hoarse and maddened reply to the personal part of the Cuban's speech.

He stepped forward. "Git yer d--n swords," he commanded. "Git yer

swords. Git 'em quick! I'll fight wi' che! I'll fight wid anyt'ing,

too! See? I'll fight yeh wid a knife an' fork if yeh say so! I'll fight

yer standin' up er sittin' down!" Patsy delivered this intense oration

with sweeping, intensely emphatic gestures, his hands stretched out

eloquently, his jaw thrust forward, his eyes glaring.

"Ah!" cried the little Cuban joyously. "Ah, you are in very pretty

temper. Ah, how I will cut your heart in two piece, my dear, d-e-a-r

friend." His eyes, too, shone like carbuncles, with a swift, changing

glitter, always fastened upon Patsy's face.

The two peacemakers were perspiring and in despair. One of them blurted

out--

"Well, I'll be blamed if this ain't the most ridiculous thing I ever

saw."

The other said--"For ten dollars I'd be tempted to let these two

infernal blockheads have their duel."

Patsy was strutting to and fro, and conferring grandly with his friends.

"He took me for a muff. He t'ought he was goin' t' bluff me out,

talkin' 'bout swords. He'll get fooled." He addressed the

Cuban--"You're a fine little dirty picter of a scrapper, ain't che?

I'll chew yez up, dat's what I will!"

There began then some rapid action. The patience of well-dressed men is

not an eternal thing. It began to look as if it would at last be a

fight with six corners to it. The faces of the men were shining red

with anger. They jostled each other defiantly, and almost every one

blazed out at three or four of the others. The bartender had given up

protesting. He swore for a time and banged his glasses. Then he jumped

the bar and ran out of the saloon, cursing sullenly.

When he came back with a policeman, Patsy and the Cuban were preparing

to depart together. Patsy was delivering his last oration--

"I'll fight yer wid swords! Sure I will! Come ahead, Dago! I'll fight

yeh anywheres wid anyt'ing! We'll have a large, juicy scrap, an' don't

yeh forgit dat! I'm right wid yez. I ain't no muff! I scrap with a man

jest as soon as he ses scrap, an' if yeh wanta scrap, I'm yer kitten.

Understan' dat?"

The policeman said sharply--"Come, now; what's all this?" He had a

distinctly business air.

The little Cuban stepped forward calmly. "It is none of your business."

The policeman flushed to his ears. "What?"

One well-dressed man touched the other on the sleeve. "Here's the time

to skip," he whispered. They halted a block away from the saloon and

watched the policeman pull the Cuban through the door. There was a

minute of scuffle on the sidewalk, and into this deserted street at

midnight fifty people appeared at once as if from the sky to watch it.

At last the three Cherry Hill men came from the saloon, and swaggered

with all their old valor toward the peacemakers.

"Ah," said Patsy to them, "he was so hot talkin' about this duel

business, but I would a-given 'im a great scrap, an' don't yeh forgit

it."

For Patsy was not as wise as seven owls, but his courage could throw a

shadow as long as the steeple of a cathedral.

A DESERTION

The yellow gaslight that came with an effect of difficulty through the

dust-stained windows on either side of the door gave strange hues to

the faces and forms of the three women who stood gabbling in the

hallway of the tenement. They made rapid gestures, and in the

background their enormous shadows mingled in terrific conflict.

"Aye, she ain't so good as he thinks she is, I'll bet. He can watch

over 'er an' take care of 'er all he pleases, but when she wants t'

fool 'im, she'll fool 'im. An' how does he know she ain't foolin' im'

now?"

"Oh, he thinks he's keepin' 'er from goin' t' th' bad, he does. Oh,

yes. He ses she's too purty t' let run round alone. Too purty! Huh! My

Sadie--"

"Well, he keeps a clost watch on 'er, you bet. On'y las' week, she met

my boy Tim on th' stairs, an' Tim hadn't said two words to 'er b'fore

th' ol' man begin to holler. 'Dorter, dorter, come here, come here!'"

At this moment a young girl entered from the street, and it was evident

from the injured expression suddenly assumed by the three gossipers

that she had been the object of their discussion. She passed them with

a slight nod, and they swung about into a row to stare after her.

On her way up the long flights the girl unfastened her veil. One could

then clearly see the beauty of her eyes, but there was in them a

certain furtiveness that came near to marring the effects. It was a

peculiar fixture of gaze, brought from the street, as of one who there

saw a succession of passing dangers with menaces aligned at every

corner.

On the top floor, she pushed open a door and then paused on the

threshold, confronting an interior that appeared black and flat like a

curtain. Perhaps some girlish idea of hobgoblins assailed her then, for

she called in a little breathless voice, "Daddie!"

There was no reply. The fire in the cooking-stove in the room crackled

at spasmodic intervals. One lid was misplaced, and the girl could now

see that this fact created a little flushed crescent upon the ceiling.

Also, a series of tiny windows in the stove caused patches of red upon

the floor. Otherwise, the room was heavily draped with shadows.

The girl called again, "Daddie!"

Yet there was no reply.

"Oh, Daddie!"

Presently she laughed as one familiar with the humors of an old man.

"Oh, I guess yer cussin' mad about yer supper, Dad," she said, and she

almost entered the room, but suddenly faltered, overcome by a feminine

instinct to fly from this black interior, peopled with imagined dangers.

Again she called, "Daddie!" Her voice had an accent of appeal. It was

as if she knew she was foolish but yet felt obliged to insist upon

being reassured. "Oh, Daddie!"

Of a sudden a cry of relief, a feminine announcement that the stars

still hung, burst from her. For, according to some mystic process, the

smoldering coals of the fire went aflame with sudden, fierce

brilliance, splashing parts of the walls, the floor, the crude

furniture, with a hue of blood-red. And in the light of this dramatic

outburst of light, the girl saw her father seated at a table with his

back turned toward her.

She entered the room, then, with an aggrieved air, her logic evidently

concluding that somebody was to blame for her nervous fright. "Oh, yer

on'y sulkin' 'bout yer supper. I thought mebbe ye'd gone somewheres."

Her father made no reply. She went over to a shelf in the corner, and,

taking a little lamp, she lit it and put it where it would give her

light as she took off her hat and jacket in front of the tiny mirror.

Presently she began to bustle among the cooking utensils that were

crowded into the sink, and as she worked she rattled talk at her

father, apparently disdaining his mood.

"I'd 'a' come home earlier t'night, Dad, on'y that fly foreman, he kep'

me in th' shop 'til half-past six. What a fool! He came t' me, yeh

know, an' he ses, 'Nell, I wanta give yeh some brotherly advice.' Oh, I

know him an' his brotherly advice. 'I wanta give yeh some brotherly

advice. Yer too purty, Nell,' he ses, 't' be workin' in this shop an'

paradin' through the streets alone, without somebody t' give yeh good

brotherly advice, an' I wanta warn yeh, Nell. I'm a bad man, but I

ain't as bad as some, an' I wanta warn yeh.' 'Oh, g'long 'bout yer

business,' I ses. I know 'im. He's like all of 'em, on'y he's a little

slyer. I know 'im. 'You g'long 'bout yer business,' I ses. Well, he ses

after a while that he guessed some evenin' he'd come up an' see me.

'Oh, yeh will,' I ses, 'yeh will? Well, you jest let my ol' man ketch

yeh comin' foolin' 'round our place. Yeh'll wish yeh went t' some other

girl t' give brotherly advice.' 'What th' 'ell do I care fer yer

father?' he ses. 'What's he t' me?' 'If he throws yeh downstairs,

yeh'll care for 'im,' I ses. 'Well,' he ses, 'I'll come when 'e ain't

in, b' Gawd, I'll come when 'e ain't in.' 'Oh, he's allus in when it

means takin' care 'o me,' I ses. 'Don't yeh fergit it, either. When it

comes t' takin' care o' his dorter, he's right on deck every single

possible time.'"

After a time, she turned and addressed cheery words to the old man.

"Hurry up th' fire, Daddie! We'll have supper pretty soon."

But still her father was silent, and his form in its sullen posture was

motionless.

At this, the girl seemed to see the need of the inauguration of a

feminine war against a man out of temper. She approached him breathing

soft, coaxing syllables.

"Daddie! Oh, Daddie! O--o--oh, Daddie!"

It was apparent from a subtle quality of valor in her tones that this

manner of onslaught upon his moods had usually been successful, but

to-night it had no quick effect. The words, coming from her lips, were

like the refrain of an old ballad, but the man remained stolid.

"Daddie! My Daddie! Oh, Daddie, are yeh mad at me, really--truly mad at

me!"

She touched him lightly upon the arm. Should he have turned then he

would have seen the fresh, laughing face, with dew-sparkling eyes,

close to his own.

"Oh, Daddie! My Daddie! Pretty Daddie!"

She stole her arm about his neck, and then slowly bended her face

toward his. It was the action of a queen who knows that she reigns

notwithstanding irritations, trials, tempests.

But suddenly, from this position, she leaped backward with the mad

energy of a frightened colt. Her face was in this instant turned to a

grey, featureless thing of horror. A yell, wild and hoarse as a

brute-cry, burst from her. "Daddie!" She flung herself to a place near

the door, where she remained, crouching, her eyes staring at the

motionless figure, spattered by the quivering flashes from the fire.

Her arms extended, and her frantic fingers at once besought and

repelled. There was in them an expression of eagerness to caress and an

expression of the most intense loathing. And the girl's hair that had

been a splendor, was in these moments changed to a disordered mass that

hung and swayed in witchlike fashion.

Again, a terrible cry burst from her. It was more than the shriek of

agony--it was directed, personal, addressed to him in the chair, the

first word of a tragic conversation with the dead.

It seemed that when she had put her arm about its neck, she had jostled

the corpse in such a way that now she and it were face to face. The

attitude expressed an intention of arising from the table. The eyes,

fixed upon hers, were filled with an unspeakable hatred.

* * * * *

The cries of the girl aroused thunders in the tenement. There was a

loud slamming of doors, and presently there was a roar of feet upon the

boards of the stairway. Voices rang out sharply.

"What is it?"

"What's th' matter?"

"He's killin' her!"

"Slug 'im with anythin' yeh kin lay hold of, Jack!"

But over all this came the shrill, shrewish tones of a woman. "Ah, th'

damned ol' fool, he's drivin' 'er inteh th' street--that's what he's

doin'. He's drivin' 'er inteh th' street."

A DARK-BROWN DOG

A child was standing on a street-corner. He leaned with one shoulder

against a high board fence and swayed the other to and fro, the while

kicking carelessly at the gravel.

Sunshine beat upon the cobbles, and a lazy summer wind raised yellow

dust which trailed in clouds down the avenue. Clattering trucks moved

with indistinctness through it. The child stood dreamily gazing.

After a time, a little dark-brown dog came trotting with an intent air

down the sidewalk. A short rope was dragging from his neck.

Occasionally he trod upon the end of it and stumbled.

He stopped opposite the child, and the two regarded each other. The dog

hesitated for a moment, but presently he made some little advances with

his tail. The child put out his hand and called him. In an apologetic

manner the dog came close, and the two had an interchange of friendly

pattings and waggles. The dog became more enthusiastic with each moment

of the interview, until with his gleeful caperings he threatened to

overturn the child. Whereupon the child lifted his hand and struck the

dog a blow upon the head.

This thing seemed to overpower and astonish the little dark-brown dog,

and wounded him to the heart. He sank down in despair at the child's

feet. When the blow was repeated, together with an admonition in

childish sentences, he turned over upon his back, and held his paws in

a peculiar manner. At the same time with his ears and his eyes he

offered a small prayer to the child.

He looked so comical on his back, and holding his paws peculiarly, that

the child was greatly amused and gave him little taps repeatedly, to

keep him so. But the little dark-brown dog took this chastisement in

the most serious way and no doubt considered that he had committed some

grave crime, for he wriggled contritely and showed his repentance in

every way that was in his power. He pleaded with the child and

petitioned him, and offered more prayers.

At last the child grew weary of this amusement and turned toward home.

The dog was praying at the time. He lay on his back and turned his eyes

upon the retreating form.

Presently he struggled to his feet and started after the child. The

latter wandered in a perfunctory way toward his home, stopping at times

to investigate various matters. During one of these pauses he

discovered the little dark-brown dog who was following him with the air

of a footpad.

The child beat his pursuer with a small stick he had found. The dog lay

down and prayed until the child had finished, and resumed his journey.

Then he scrambled erect and took up the pursuit again.

On the way to his home the child turned many times and beat the dog,

proclaiming with childish gestures that he held him in contempt as an

unimportant dog, with no value save for a moment. For being this

quality of animal the dog apologized and eloquently expressed regret,

but he continued stealthily to follow the child. His manner grew so

very guilty that he slunk like an assassin.

When the child reached his doorstep, the dog was industriously ambling

a few yards in the rear. He became so agitated with shame when he again

confronted the child that he forgot the dragging rope. He tripped upon

it and fell forward.

The child sat down on the step and the two had another interview.

During it the dog greatly exerted himself to please the child. He

performed a few gambols with such abandon that the child suddenly saw

him to be a valuable thing. He made a swift, avaricious charge and

seized the rope.

He dragged his captive into a hall and up many long stairways in a dark

tenement. The dog made willing efforts, but he could not hobble very

skilfully up the stairs because he was very small and soft, and at last

the pace of the engrossed child grew so energetic that the dog became

panic-stricken. In his mind he was being dragged toward a grim unknown.

His eyes grew wild with the terror of it. He began to wiggle his head

frantically and to brace his legs.

The child redoubled his exertions. They had a battle on the stairs. The

child was victorious because he was completely absorbed in his purpose,

and because the dog was very small. He dragged his acquirement to the

door of his home, and finally with triumph across the threshold.

No one was in. The child sat down on the floor and made overtures to

the dog. These the dog instantly accepted. He beamed with affection

upon his new friend. In a short time they were firm and abiding

comrades.

When the child's family appeared, they made a great row. The dog was

examined and commented upon and called names. Scorn was leveled at him

from all eyes, so that he became much embarrassed and drooped like a

scorched plant. But the child went sturdily to the center of the floor,

and, at the top of his voice, championed the dog. It happened that he

was roaring protestations, with his arms clasped about the dog's neck,

when the father of the family came in from work.

The parent demanded to know what the blazes they were making the kid

howl for. It was explained in many words that the infernal kid wanted

to introduce a disreputable dog into the family.

A family council was held. On this depended the dog's fate, but he in

no way heeded, being busily engaged in chewing the end of the child's

dress.

The affair was quickly ended. The father of the family, it appears, was

in a particularly savage temper that evening, and when he perceived

that it would amaze and anger everybody if such a dog were allowed to

remain, he decided that it should be so. The child, crying softly, took

his friend off to a retired part of the room to hobnob with him, while

the father quelled a fierce rebellion of his wife. So it came to pass

that the dog was a member of the household.

He and the child were associated together at all times save when the

child slept. The child became a guardian and a friend. If the large

folk kicked the dog and threw things at him, the child made loud and

violent objections. Once when the child had run, protesting loudly,

with tears raining down his face and his arms outstretched, to protect

his friend, he had been struck in the head with a very large saucepan

from the hand of his father, enraged at some seeming lack of courtesy

in the dog. Ever after, the family were careful how they threw things

at the dog. Moreover, the latter grew very skilful in avoiding missiles

and feet. In a small room containing a stove, a table, a bureau and

some chairs, he would display strategic ability of a high order,

dodging, feinting and scuttling about among the furniture. He could

force three or four people armed with brooms, sticks and handfuls of

coal, to use all their ingenuity to get in a blow. And even when they

did, it was seldom that they could do him a serious injury or leave any

imprint.

But when the child was present these scenes did not occur. It came to

be recognized that if the dog was molested, the child would burst into

sobs, and as the child, when started, was very riotous and practically

unquenchable, the dog had therein a safeguard.

However, the child could not always be near. At night, when he was

asleep, his dark-brown friend would raise from some black corner a

wild, wailful cry, a song of infinite loneliness and despair, that

would go shuddering and sobbing among the buildings of the block and

cause people to swear. At these times the singer would often be chased

all over the kitchen and hit with a great variety of articles.

Sometimes, too, the child himself used to beat the dog, although it is

not known that he ever had what truly could be called a just cause. The

dog always accepted these thrashings with an air of admitted guilt. He

was too much of a dog to try to look to be a martyr or to plot revenge.

He received the blows with deep humility, and furthermore he forgave

his friend the moment the child had finished, and was ready to caress

the child's hand with his little red tongue.

When misfortune came upon the child, and his troubles overwhelmed him,

he would often crawl under the table and lay his small distressed head

on the dog's back. The dog was ever sympathetic. It is not to be

supposed that at such times he took occasion to refer to the unjust

beatings his friend, when provoked, had administered to him.

He did not achieve any notable degree of intimacy with the other

members of the family. He had no confidence in them, and the fear that

he would express at their casual approach often exasperated them

exceedingly. They used to gain a certain satisfaction in underfeeding

him, but finally his friend the child grew to watch the matter with

some care, and when he forgot it, the dog was often successful in

secret for himself.

So the dog prospered. He developed a large bark, which came wondrously

from such a small rug of a dog. He ceased to howl persistently at

night. Sometimes, indeed, in his sleep, he would utter little yells, as

from pain, but that occurred, no doubt, when in his dreams he

encountered huge flaming dogs who threatened him direfully.

His devotion to the child grew until it was a sublime thing. He wagged

at his approach; he sank down in despair at his departure. He could

detect the sound of the child's step among all the noises of the

neighborhood. It was like a calling voice to him.

The scene of their companionship was a kingdom governed by this

terrible potentate, the child; but neither criticism nor rebellion ever

lived for an instant in the heart of the one subject. Down in the

mystic, hidden fields of his little dog-soul bloomed flowers of love

and fidelity and perfect faith.

The child was in the habit of going on many expeditions to observe

strange things in the vicinity. On these occasions his friend usually

jogged aimfully along behind. Perhaps, though, he went ahead. This

necessitated his turning around every quarter-minute to make sure the

child was coming. He was filled with a large idea of the importance of

these journeys. He would carry himself with such an air! He was proud

to be the retainer of so great a monarch.

One day, however, the father of the family got quite exceptionally

drunk. He came home and held carnival with the cooking utensils, the

furniture and his wife. He was in the midst of this recreation when the

child, followed by the dark-brown dog, entered the room. They were

returning from their voyages.

The child's practised eye instantly noted his father's state. He dived

under the table, where experience had taught him was a rather safe

place. The dog, lacking skill in such matters, was, of course, unaware

of the true condition of affairs. He looked with interested eyes at his

friend's sudden dive. He interpreted it to mean: Joyous gambol. He

started to patter across the floor to join him. He was the picture of a

little dark-brown dog en route to a friend.

The head of the family saw him at this moment. He gave a huge howl of

joy, and knocked the dog down with a heavy coffee-pot. The dog, yelling

in supreme astonishment and fear, writhed to his feet and ran for

cover. The man kicked out with a ponderous foot. It caused the dog to

swerve as if caught in a tide. A second blow of the coffee-pot laid him

upon the floor.

Here the child, uttering loud cries, came valiantly forth like a

knight. The father of the family paid no attention to these calls of

the child, but advanced with glee upon the dog. Upon being knocked down

twice in swift succession, the latter apparently gave up all hope of

escape. He rolled over on his back and held his paws in a peculiar

manner. At the same time with his eyes and his ears he offered up a

small prayer.

But the father was in a mood for having fun, and it occurred to him

that it would be a fine thing to throw the dog out of the window. So he

reached down and, grabbing the animal by a leg, lifted him, squirming,

up. He swung him two or three times hilariously about his head, and

then flung him with great accuracy through the window.

The soaring dog created a surprise in the block. A woman watering

plants in an opposite window gave an involuntary shout and dropped a

flower-pot. A man in another window leaned perilously out to watch the

flight of the dog. A woman who had been hanging out clothes in a yard

began to caper wildly. Her mouth was filled with clothes-pins, but her

arms gave vent to a sort of exclamation. In appearance she was like a

gagged prisoner. Children ran whooping.

The dark-brown body crashed in a heap on the roof of a shed five

stories below. From thence it rolled to the pavement of an alleyway.

The child in the room far above burst into a long, dirge-like cry, and

toddled hastily out of the room. It took him a long time to reach the

alley, because his size compelled him to go downstairs backward, one

step at a time, and holding with both hands to the step above.

When they came for him later, they found him seated by the body of his

dark-brown friend.

THE PACE OF YOUTH

I

Stimson stood in a corner and glowered. He was a fierce man and had

indomitable whiskers, albeit he was very small.

"That young tarrier," he whispered to himself. "He wants to quit makin'

eyes at Lizzie. This is too much of a good thing. First thing you know,

he'll get fired."

His brow creased in a frown, he strode over to the huge open doors and

looked at a sign. "Stimson's Mammoth Merry-Go-Round," it read, and the

glory of it was great. Stimson stood and contemplated the sign. It was

an enormous affair; the letters were as large as men. The glow of it,

the grandeur of it was very apparent to Stimson. At the end of his

contemplation, he shook his head thoughtfully, determinedly. "No, no,"

he muttered. "This is too much of a good thing. First thing you know,

he'll get fired."

A soft booming sound of surf, mingled with the cries of bathers, came

from the beach. There was a vista of sand and sky and sea that drew to

a mystic point far away in the northward. In the mighty angle, a girl

in a red dress was crawling slowly like some kind of a spider on the

fabric of nature. A few flags hung lazily above where the bathhouses

were marshalled in compact squares. Upon the edge of the sea stood a

ship with its shadowy sails painted dimly upon the sky, and high

overhead in the still, sun-shot air a great hawk swung and drifted

slowly.

Within the Merry-Go-Round there was a whirling circle of ornamental

lions, giraffes, camels, ponies, goats, glittering with varnish and

metal that caught swift reflections from windows high above them. With

stiff wooden legs, they swept on in a never-ending race, while a great

orchestrion clamored in wild speed. The summer sunlight sprinkled its

gold upon the garnet canopies carried by the tireless racers and upon

all the devices of decoration that made Stimson's machine magnificent

and famous. A host of laughing children bestrode the animals, bending

forward like charging cavalrymen, and shaking reins and whooping in

glee. At intervals they leaned out perilously to clutch at iron rings

that were tendered to them by a long wooden arm. At the intense moment

before the swift grab for the rings one could see their little nervous

bodies quiver with eagerness; the laughter rang shrill and excited.

Down in the long rows of benches, crowds of people sat watching the

game, while occasionally a father might arise and go near to shout

encouragement, cautionary commands, or applause at his flying

offspring. Frequently mothers called out: "Be careful, Georgie!" The

orchestrion bellowed and thundered on its platform, filling the ears

with its long monotonous song. Over in a corner, a man in a white apron

and behind a counter roared above the tumult: "Popcorn! Popcorn!"

A young man stood upon a small, raised platform, erected in a manner of

a pulpit, and just without the line of the circling figures. It was his

duty to manipulate the wooden arm and affix the rings. When all were

gone into the hands of the triumphant children, he held forth a basket,

into which they returned all save the coveted brass one, which meant

another ride free and made the holder very illustrious. The young man

stood all day upon his narrow platform, affixing rings or holding forth

the basket. He was a sort of general squire in these lists of

childhood. He was very busy.

And yet Stimson, the astute, had noticed that the young man frequently

found time to twist about on his platform and smile at a girl who shyly

sold tickets behind a silvered netting. This, indeed, was the great

reason of Stimson's glowering. The young man upon the raised platform

had no manner of license to smile at the girl behind the silvered

netting. It was a most gigantic insolence. Stimson was amazed at it.

"By Jiminy," he said to himself again, "that fellow is smiling at my

daughter." Even in this tone of great wrath it could be discerned that

Stimson was filled with wonder that any youth should dare smile at the

daughter in the presence of the august father.

Often the dark-eyed girl peered between the shining wires, and, upon

being detected by the young man, she usually turned her head quickly to

prove to him that she was not interested. At other times, however, her

eyes seemed filled with a tender fear lest he should fall from that

exceedingly dangerous platform. As for the young man, it was plain that

these glances filled him with valor, and he stood carelessly upon his

perch, as if he deemed it of no consequence that he might fall from it.

In all the complexities of his daily life and duties he found

opportunity to gaze ardently at the vision behind the netting.

This silent courtship was conducted over the heads of the crowd who

thronged about the bright machine. The swift eloquent glances of the

young man went noiselessly and unseen with their message. There had

finally become established between the two in this manner a subtle

understanding and companionship. They communicated accurately all that

they felt. The boy told his love, his reverence, his hope in the

changes of the future. The girl told him that she loved him, and she

did not love him, that she did not know if she loved him. Sometimes a

little sign, saying "cashier" in gold letters, and hanging upon the

silvered netting, got directly in range and interfered with the tender

message.

The love affair had not continued without anger, unhappiness, despair.

The girl had once smiled brightly upon a youth who came to buy some

tickets for his little sister, and the young man upon the platform,

observing this smile, had been filled with gloomy rage. He stood like a

dark statue of vengeance upon his pedestal and thrust out the basket to

the children with a gesture that was full of scorn for their hollow

happiness, for their insecure and temporary joy. For five hours he did

not once look at the girl when she was looking at him. He was going to

crush her with his indifference; he was going to demonstrate that he

had never been serious. However, when he narrowly observed her in

secret he discovered that she seemed more blythe than was usual with

her. When he found that his apparent indifference had not crushed her

he suffered greatly. She did not love him, he concluded. If she had

loved him she would have been crushed. For two days he lived a

miserable existence upon his high perch. He consoled himself by

thinking of how unhappy he was, and by swift, furtive glances at the

loved face. At any rate he was in her presence, and he could get a good

view from his perch when there was no interference by the little sign:

"Cashier."

But suddenly, swiftly, these clouds vanished, and under the imperial

blue sky of the restored confidence they dwelt in peace, a peace that

was satisfaction, a peace that, like a babe, put its trust in the

treachery of the future. This confidence endured until the next day,

when she, for an unknown cause, suddenly refused to look at him.

Mechanically he continued his task, his brain dazed, a tortured victim

of doubt, fear, suspicion. With his eyes he supplicated her to

telegraph an explanation. She replied with a stony glance that froze

his blood. There was a great difference in their respective reasons for

becoming angry. His were always foolish, but apparent, plain as the

moon. Hers were subtle, feminine, as incomprehensible as the stars, as

mysterious as the shadows at night.

They fell and soared and soared and fell in this manner until they knew

that to live without each other would be a wandering in deserts. They

had grown so intent upon the uncertainties, the variations, the

guessings of their affair that the world had become but a huge

immaterial background. In time of peace their smiles were soft and

prayerful, caresses confided to the air. In time of war, their youthful

hearts, capable of profound agony, were wrung by the intricate emotions

of doubt. They were the victims of the dread angel of affectionate

speculation that forces the brain endlessly on roads that lead nowhere.

At night, the problem of whether she loved him confronted the young man

like a spectre, looming as high as a hill and telling him not to delude

himself. Upon the following day, this battle of the night displayed

itself in the renewed fervor of his glances and in their increased

number. Whenever he thought he could detect that she too was suffering,

he felt a thrill of joy.

But there came a time when the young man looked back upon these

contortions with contempt. He believed then that he had imagined his

pain. This came about when the redoubtable Stimson marched forward to

participate.

"This has got to stop," Stimson had said to himself, as he stood and

watched them. They had grown careless of the light world that clattered

about them; they were become so engrossed in their personal drama that

the language of their eyes was almost as obvious as gestures. And

Stimson, through his keenness, his wonderful, infallible penetration,

suddenly came into possession of these obvious facts. "Well, of all the

nerves," he said, regarding with a new interest the young man upon the

perch.

He was a resolute man. He never hesitated to grapple with a crisis. He

decided to overturn everything at once, for, although small, he was

very fierce and impetuous. He resolved to crush this dreaming.

He strode over to the silvered netting. "Say, you want to quit your

everlasting grinning at that idiot," he said, grimly.

The girl cast down her eyes and made a little heap of quarters into a

stack. She was unable to withstand the terrible scrutiny of her small

and fierce father.

Stimson turned from his daughter and went to a spot beneath the

platform. He fixed his eyes upon the young man and said--

"I've been speakin' to Lizzie. You better attend strictly to your own

business or there'll be a new man here next week." It was as if he had

blazed away with a shotgun. The young man reeled upon his perch. At

last he in a measure regained his composure and managed to stammer:

"A--all right, sir." He knew that denials would be futile with the

terrible Stimson. He agitatedly began to rattle the rings in the

basket, and pretend that he was obliged to count them or inspect them

in some way. He, too, was unable to face the great Stimson.

For a moment, Stimson stood in fine satisfaction and gloated over the

effect of his threat.

"I've fixed them," he said complacently, and went out to smoke a cigar

and revel in himself. Through his mind went the proud reflection that

people who came in contact with his granite will usually ended in quick

and abject submission.

II

One evening, a week after Stimson had indulged in the proud reflection

that people who came in contact with his granite will usually ended in

quick and abject submission, a young feminine friend of the girl behind

the silvered netting came to her there and asked her to walk on the

beach after "Stimson's Mammoth Merry-Go-Round" was closed for the

night. The girl assented with a nod.

The young man upon the perch holding the rings saw this nod and judged

its meaning. Into his mind came an idea of defeating the watchfulness

of the redoubtable Stimson. When the Merry-Go-Round was closed and the

two girls started for the beach, he wandered off aimlessly in another

direction, but he kept them in view, and as soon as he was assured that

he had escaped the vigilance of Stimson, he followed them.

The electric lights on the beach made a broad band of tremoring light,

extending parallel to the sea, and upon the wide walk there slowly

paraded a great crowd, intermingling, intertwining, sometimes

colliding. In the darkness stretched the vast purple expanse of the

ocean, and the deep indigo sky above was peopled with yellow stars.

Occasionally out upon the water a whirling mass of froth suddenly

flashed into view, like a great ghostly robe appearing, and then

vanished, leaving the sea in its darkness, whence came those bass tones

of the water's unknown emotion. A wind, cool, reminiscent of the wave

wastes, made the women hold their wraps about their throats, and caused

the men to grip the rims of their straw hats. It carried the noise of

the band in the pavilion in gusts. Sometimes people unable to hear the

music glanced up at the pavilion and were reassured upon beholding the

distant leader still gesticulating and bobbing, and the other members

of the band with their lips glued to their instruments. High in the sky

soared an unassuming moon, faintly silver.

For a time the young man was afraid to approach the two girls; he

followed them at a distance and called himself a coward. At last,

however, he saw them stop on the outer edge of the crowd and stand

silently listening to the voices of the sea. When he came to where they

stood, he was trembling in his agitation. They had not seen him.

"Lizzie," he began. "I----"

The girl wheeled instantly and put her hand to her throat.

"Oh, Frank, how you frightened me," she said--inevitably.

"Well, you know, I--I----" he stuttered.

But the other girl was one of those beings who are born to attend at

tragedies. She had for love a reverence, an admiration that was greater

the more that she contemplated the fact that she knew nothing of it.

This couple, with their emotions, awed her and made her humbly wish

that she might be destined to be of some service to them. She was very

homely.

When the young man faltered before them, she, in her sympathy, actually

over-estimated the crisis, and felt that he might fall dying at their

feet. Shyly, but with courage, she marched to the rescue.

"Won't you come and walk on the beach with us?" she said.

The young man gave her a glance of deep gratitude which was not without

the patronage which a man in his condition naturally feels for one who

pities it. The three walked on.

Finally, the being who was born to attend at this tragedy said that she

wished to sit down and gaze at the sea, alone.

They politely urged her to walk on with them, but she was obstinate.

She wished to gaze at the sea, alone. The young man swore to himself

that he would be her friend until he died.

And so the two young lovers went on without her. They turned once to

look at her.

"Jennie's awful nice," said the girl.

"You bet she is," replied the young man, ardently.

They were silent for a little time.

At last the girl said--

"You were angry at me yesterday."

"No, I wasn't."

"Yes, you were, too. You wouldn't look at me once all day."

"No, I wasn't angry. I was only putting on."

Though she had, of course, known it, this confession seemed to make her

very indignant. She flashed a resentful glance at him.

"Oh, you were, indeed?" she said with a great air.

For a few minutes she was so haughty with him that he loved her to

madness. And directly this poem, which stuck at his lips, came forth

lamely in fragments.

When they walked back toward the other girl and saw the patience of her

attitude, their hearts swelled in a patronizing and secondary

tenderness for her.

They were very happy. If they had been miserable they would have

charged this fairy scene of the night with a criminal heartlessness;

but as they were joyous, they vaguely wondered how the purple sea, the

yellow stars, the changing crowds under the electric lights could be so

phlegmatic and stolid.

They walked home by the lakeside way, and out upon the water those gay

paper lanterns, flashing, fleeting, and careering, sang to them, sang a

chorus of red and violet, and green and gold; a song of mystic bands of

the future.

One day, when business paused during a dull sultry afternoon, Stimson

went up town. Upon his return, he found that the popcorn man, from his

stand over in a corner, was keeping an eye upon the cashier's cage, and

that nobody at all was attending to the wooden arm and the iron rings.

He strode forward like a sergeant of grenadiers.

"Where in thunder is Lizzie?" he demanded, a cloud of rage in his eyes.

The popcorn man, although associated long with Stimson, had never got

over being dazed.

"They've--they've--gone round to th'--th'--house," he said with

difficulty, as if he had just been stunned.

"Whose house?" snapped Stimson.

"Your--your house, I s'pose," said the popcorn man.

Stimson marched round to his home. Kingly denunciations surged, already

formulated, to the tip of his tongue, and he bided the moment when his

anger could fall upon the heads of that pair of children. He found his

wife convulsive and in tears.

"Where's Lizzie?"

And then she burst forth--"Oh--John--John--they've run away, I know

they have. They drove by here not three minutes ago. They must have

done it on purpose to bid me good-bye, for Lizzie waved her hand

sadlike; and then, before I could get out to ask where they were going

or what, Frank whipped up the horse."

Stimson gave vent to a dreadful roar.

"Get my revolver--get a hack--get my revolver, do you hear--what the

devil--" His voice became incoherent.

He had always ordered his wife about as if she were a battalion of

infantry, and despite her misery, the training of years forced her to

spring mechanically to obey; but suddenly she turned to him with a

shrill appeal.

"Oh, John--not--the--revolver."

"Confound it, let go of me!" he roared again, and shook her from him.

He ran hatless upon the street. There were a multitude of hacks at the

summer resort, but it was ages to him before he could find one. Then he

charged it like a bull.

"Uptown!" he yelled, as he tumbled into the rear seat.

The hackman thought of severed arteries. His galloping horse distanced

a large number of citizens who had been running to find what caused

such contortions by the little hatless man.

It chanced as the bouncing hack went along near the lake, Stimson gazed

across the calm grey expanse and recognized a color in a bonnet and a

pose of a head. A buggy was traveling along a highway that led to

Sorington. Stimson bellowed--"There--there--there they are--in that

buggy."

The hackman became inspired with the full knowledge of the situation.

He struck a delirious blow with the whip. His mouth expanded in a grin

of excitement and joy. It came to pass that this old vehicle, with its

drowsy horse and its dusty-eyed and tranquil driver, seemed suddenly to

awaken, to become animated and fleet. The horse ceased to ruminate on

his state, his air of reflection vanished. He became intent upon his

aged legs and spread them in quaint and ridiculous devices for speed.

The driver, his eyes shining, sat critically in his seat. He watched

each motion of this rattling machine down before him. He resembled an

engineer. He used the whip with judgment and deliberation as the

engineer would have used coal or oil. The horse clacked swiftly upon

the macadam, the wheels hummed, the body of the vehicle wheezed and

groaned.

Stimson, in the rear seat, was erect in that impassive attitude that

comes sometimes to the furious man when he is obliged to leave the

battle to others. Frequently, however, the tempest in his breast came

to his face and he howled--

"Go it--go it--you're gaining; pound 'im! Thump the life out of 'im;

hit 'im hard, you fool!" His hand grasped the rod that supported the

carriage top, and it was clenched so that the nails were faintly blue.

Ahead, that other carriage had been flying with speed, as from

realization of the menace in the rear. It bowled away rapidly, drawn by

the eager spirit of a young and modern horse. Stimson could see the

buggy-top bobbing, bobbing. That little pane, like an eye, was a

derision to him. Once he leaned forward and bawled angry sentences. He

began to feel impotent; his whole expedition was a tottering of an old

man upon a trail of birds. A sense of age made him choke again with

wrath. That other vehicle, that was youth, with youth's pace; it was

swift-flying with the hope of dreams. He began to comprehend those two

children ahead of him, and he knew a sudden and strange awe, because he

understood the power of their young blood, the power to fly strongly

into the future and feel and hope again, even at that time when his

bones must be laid in the earth. The dust rose easily from the hot road

and stifled the nostrils of Stimson.

The highway vanished far away in a point with a suggestion of

intolerable length. The other vehicle was becoming so small that

Stimson could no longer see the derisive eye.

At last the hackman drew rein to his horse and turned to look at

Stimson.

"No use, I guess," he said.

Stimson made a gesture of acquiescence, rage, despair. As the hackman

turned his dripping horse about, Stimson sank back with the

astonishment and grief of a man who has been defied by the universe. He

had been in a great perspiration, and now his bald head felt cool and

uncomfortable. He put up his hand with a sudden recollection that he

had forgotten his hat.

At last he made a gesture. It meant that at any rate he was not

responsible.

A TENT IN AGONY

A SULLIVAN COUNTY TALE

Four men once came to a wet place in the roadless forest to fish. They

pitched their tent fair upon the brow of a pine-clothed ridge of riven

rocks whence a bowlder could be made to crash through the brush and

whirl past the trees to the lake below. On fragrant hemlock boughs they

slept the sleep of unsuccessful fishermen, for upon the lake

alternately the sun made them lazy and the rain made them wet. Finally

they ate the last bit of bacon and smoked and burned the last fearful

and wonderful hoecake.

Immediately a little man volunteered to stay and hold the camp while

the remaining three should go the Sullivan county miles to a farmhouse

for supplies. They gazed at him dismally. "There's only one of you--the

devil make a twin," they said in parting malediction, and disappeared

down the hill in the known direction of a distant cabin. When it came

night and the hemlocks began to sob they had not returned. The little

man sat close to his companion, the campfire, and encouraged it with

logs. He puffed fiercely at a heavy built brier, and regarded a

thousand shadows which were about to assault him. Suddenly he heard the

approach of the unknown, crackling the twigs and rustling the dead

leaves. The little man arose slowly to his feet, his clothes refused to

fit his back, his pipe dropped from his mouth, his knees smote each

other. "Hah!" he bellowed hoarsely in menace. A growl replied and a

bear paced into the light of the fire. The little man supported himself

upon a sapling and regarded his visitor.

The bear was evidently a veteran and a fighter, for the black of his

coat had become tawny with age. There was confidence in his gait and

arrogance in his small, twinkling eye. He rolled back his lips and

disclosed his white teeth. The fire magnified the red of his mouth. The

little man had never before confronted the terrible and he could not

wrest it from his breast. "Hah!" he roared. The bear interpreted this

as the challenge of a gladiator. He approached warily. As he came near,

the boots of fear were suddenly upon the little man's feet. He cried

out and then darted around the campfire. "Ho!" said the bear to

himself, "this thing won't fight--it runs. Well, suppose I catch it."

So upon his features there fixed the animal look of going--somewhere.

He started intensely around the campfire. The little man shrieked and

ran furiously. Twice around they went.

The hand of heaven sometimes falls heavily upon the righteous. The bear

gained.

In desperation the little man flew into the tent. The bear stopped and

sniffed at the entrance. He scented the scent of many men. Finally he

ventured in.

The little man crouched in a distant corner. The bear advanced,

creeping, his blood burning, his hair erect, his jowls dripping. The

little man yelled and rustled clumsily under the flap at the end of the

tent. The bear snarled awfully and made a jump and a grab at his

disappearing game. The little man, now without the tent, felt a

tremendous paw grab his coat tails. He squirmed and wriggled out of his

coat like a schoolboy in the hands of an avenger. The bear bowled

triumphantly and jerked the coat into the tent and took two bites, a

punch and a hug before he, discovered his man was not in it. Then he

grew not very angry, for a bear on a spree is not a black-haired

pirate. He is merely a hoodlum. He lay down on his back, took the coat

on his four paws and began to play uproariously with it. The most

appalling, blood-curdling whoops and yells came to where the little man

was crying in a treetop and froze his blood. He moaned a little speech

meant for a prayer and clung convulsively to the bending branches. He

gazed with tearful wistfulness at where his comrade, the campfire, was

giving dying flickers and crackles. Finally, there was a roar from the

tent which eclipsed all roars; a snarl which it seemed would shake the

stolid silence of the mountain and cause it to shrug its granite

shoulders. The little man quaked and shrivelled to a grip and a pair of

eyes. In the glow of the embers he saw the white tent quiver and fall

with a crash. The bear's merry play had disturbed the center pole and

brought a chaos of canvas upon his head.

Now the little man became the witness of a mighty scene. The tent began

to flounder. It took flopping strides in the direction of the lake.

Marvellous sounds came from within--rips and tears, and great groans

and pants. The little man went into giggling hysterics.

The entangled monster failed to extricate himself before he had

walloped the tent frenziedly to the edge of the mountain. So it came to

pass that three men, clambering up the hill with bundles and baskets,

saw their tent approaching. It seemed to them like a white-robed

phantom pursued by hornets. Its moans riffled the hemlock twigs.

The three men dropped their bundles and scurried to one side, their

eyes gleaming with fear. The canvas avalanche swept past them. They

leaned, faint and dumb, against trees and listened, their blood

stagnant. Below them it struck the base of a great pine tree, where it

writhed and struggled. The three watched its convolutions a moment and

then started terrifically for the top of the hill. As they disappeared,

the bear cut loose with a mighty effort. He cast one dishevelled and

agonized look at the white thing, and then started wildly for the inner

recesses of the forest.

The three fear-stricken individuals ran to the rebuilt fire. The little

man reposed by it calmly smoking. They sprang at him and overwhelmed

him with interrogations. He contemplated darkness and took a long,

pompous puff. "There's only one of me--and the devil made a twin," he

said.

FOUR MEN IN A CAVE

LIKEWISE FOUR QUEENS, AND A SULLIVAN COUNTY HERMIT

The moon rested for a moment on the top of a tall pine on a hill.

The little man was standing in front of the campfire making orations to

his companions.

"We can tell a great tale when we get back to the city if we

investigate this thing," said he, in conclusion.

They were won.

The little man was determined to explore a cave, because its black

mouth had gaped at him. The four men took a lighted pine-knot and

clambered over boulders down a hill. In a thicket on the mountainside

lay a little tilted hole. At its side they halted.

"Well?" said the little man.

They fought for last place and the little man was overwhelmed. He tried

to struggle from under by crying that if the fat, pudgy man came after,

he would be corked. But he finally administered a cursing over his

shoulder and crawled into the hole. His companions gingerly followed.

A passage, the floor of damp clay and pebbles, the walls slimy,

green-mossed, and dripping, sloped downward. In the cave atmosphere the

torches became studies in red blaze and black smoke.

"Ho!" cried the little man, stifled and bedraggled, "let's go back."

His companions were not brave. They were last. The next one to the

little man pushed him on, so the little man said sulphurous words and

cautiously continued his crawl.

Things that hung seemed to be on the wet, uneven ceiling, ready to drop

upon the men's bare necks. Under their hands the clammy floor seemed

alive and writhing. When the little man endeavored to stand erect the

ceiling forced him down. Knobs and points came out and punched him. His

clothes were wet and mud-covered, and his eyes, nearly blinded by

smoke, tried to pierce the darkness always before his torch.

"Oh, I say, you fellows, let's go back," cried he. At that moment he

caught the gleam of trembling light in the blurred shadows before him.

"Ho!" he said, "here's another way out."

The passage turned abruptly. The little man put one hand around the

corner, but it touched nothing. He investigated and discovered that the

little corridor took a sudden dip down a hill. At the bottom shone a

yellow light.

The little man wriggled painfully about, and descended feet in advance.

The others followed his plan. All picked their way with anxious care.

The traitorous rocks rolled from beneath the little man's feet and

roared thunderously below him, lesser stone loosened by the men above

him, hit him on the back. He gained seemingly firm foothold, and,

turning halfway about, swore redly at his companions for dolts and

careless fools. The pudgy man sat, puffing and perspiring, high in the

rear of the procession. The fumes and smoke from four pine-knots were

in his blood. Cinders and sparks lay thick in his eyes and hair. The

pause of the little man angered him.

"Go on, you fool!" he shouted. "Poor, painted man, you are afraid."

"Ho!" said the little man. "Come down here and go on yourself,

imbecile!"

The pudgy man vibrated with passion. He leaned downward. "Idiot--"

He was interrupted by one of his feet which flew out and crashed into

the man in front of and below. It is not well to quarrel upon a

slippery incline, when the unknown is below. The fat man, having lost

the support of one pillar-like foot, lurched forward. His body smote

the next man, who hurtled into the next man. Then they all fell upon

the cursing little man.

They slid in a body down over the slippery, slimy floor of the passage.

The stone avenue must have wibble-wobbled with the rush of this ball of

tangled men and strangled cries. The torches went out with the combined

assault upon the little man. The adventurers whirled to the unknown in

darkness. The little man felt that he was pitching to death, but even

in his convolutions he bit and scratched at his companions, for he was

satisfied that it was their fault. The swirling mass went some twenty

feet, and lit upon a level, dry place in a strong, yellow light of

candles. It dissolved and became eyes.

The four men lay in a heap upon the floor of a grey chamber. A small

fire smoldered in the corner, the smoke disappearing in a crack. In

another corner was a bed of faded hemlock boughs and two blankets.

Cooking utensils and clothes lay about, with boxes and a barrel.

Of these things the four men took small cognisance. The pudgy man did

not curse the little man, nor did the little man swear, in the

abstract. Eight widened eyes were fixed upon the center of the room of

rocks.

A great, gray stone, cut squarely, like an altar, sat in the middle of

the floor. Over it burned three candles, in swaying tin cups hung from

the ceiling. Before it, with what seemed to be a small volume clasped

in his yellow fingers, stood a man. He was an infinitely sallow person

in the brown-checked shirt of the ploughs and cows. The rest of his

apparel was boots. A long grey beard dangled from his chin. He fixed

glinting, fiery eyes upon the heap of men, and remained motionless.

Fascinated, their tongues cleaving, their blood cold, they arose to

their feet. The gleaming glance of the recluse swept slowly over the

group until it found the face of the little man. There it stayed and

burned.

The little man shrivelled and crumpled as the dried leaf under the

glass.

Finally, the recluse slowly, deeply spoke. It was a true voice from a

cave, cold, solemn, and damp.

"It's your ante," he said.

"What?" said the little man.

The hermit tilted his beard and laughed a laugh that was either the

chatter of a banshee in a storm or the rattle of pebbles in a tin box.

His visitors' flesh seemed ready to drop from their bones.

They huddled together and cast fearful eyes over their shoulders. They

whispered.

"A vampire!" said one.

"A ghoul!" said another.

"A Druid before the sacrifice," murmured another.

"The shade of an Aztec witch doctor," said the little man.

As they looked, the inscrutable face underwent a change. It became a

livid background for his eyes, which blazed at the little man like

impassioned carbuncles. His voice arose to a howl of ferocity. "It's

your ante!" With a panther-like motion he drew a long, thin knife and

advanced, stooping. Two cadaverous hounds came from nowhere, and,

scowling and growling, made desperate feints at the little man's legs.

His quaking companions pushed him forward.

Tremblingly he put his hand to his pocket.

"How much?" he said, with a shivering look at the knife that glittered.

The carbuncles faded.

"Three dollars," said the hermit, in sepulchral tones which rang

against the walls and among the passages, awakening long-dead spirits

with voices. The shaking little man took a roll of bills from a pocket

and placed "three ones" upon the altar-like stone. The recluse looked

at the little volume with reverence in his eyes. It was a pack of

playing cards.

Under the three swinging candles, upon the altar-like stone, the grey

beard and the agonized little man played at poker. The three other men

crouched in a corner, and stared with eyes that gleamed with terror.

Before them sat the cadaverous hounds licking their red lips. The

candles burned low, and began to flicker. The fire in the corner

expired.

Finally, the game came to a point where the little man laid down his

hand and quavered: "I can't call you this time, sir. I'm dead broke."

"What?" shrieked the recluse. "Not call me! Villain Dastard! Cur! I

have four queens, miscreant." His voice grew so mighty that it could

not fit his throat. He choked wrestling with his lungs for a moment.

Then the power of his body was concentrated in a word: "Go!"

He pointed a quivering, yellow finger at a wide crack in the rock. The

little man threw himself at it with a howl. His erstwhile frozen

companions felt their blood throb again. With great bounds they plunged

after the little man. A minute of scrambling, falling, and pushing

brought them to open air. They climbed the distance to their camp in

furious springs.

The sky in the east was a lurid yellow. In the west the footprints of

departing night lay on the pine trees. In front of their replenished

camp fire sat John Willerkins, the guide.

"Hello!" he shouted at their approach. "Be you fellers ready to go deer

huntin'?"

Without replying, they stopped and debated among themselves in whispers.

Finally, the pudgy man came forward.

"John," he inquired, "do you know anything peculiar about this cave

below here?"

"Yes," said Willerkins at once; "Tom Gardner."

"What?" said the pudgy man.

"Tom Gardner."

"How's that?"

"Well, you see," said Willerkins slowly, as he took dignified pulls at

his pipe, "Tom Gardner was once a fambly man, who lived in these here

parts on a nice leetle farm. He uster go away to the city orften, and

one time he got a-gamblin' in one of them there dens. He went ter the

dickens right quick then. At last he kum home one time and tol' his

folks he had up and sold the farm and all he had in the worl'. His

leetle wife she died then. Tom he went crazy, and soon after--"

The narrative was interrupted by the little man, who became possessed

of devils.

"I wouldn't give a cuss if he had left me 'nough money to get home on

the doggoned, grey-haired red pirate," he shrilled, in a seething

sentence. The pudgy man gazed at the little man calmly and sneeringly.

"Oh, well," he said, "we can tell a great tale when we get back to the

city after having investigated this thing."

"Go to the devil," replied the little man.

THE MESMERIC MOUNTAIN

A TALE OF SULLIVAN COUNTY

On the brow of a pine-plumed hillock there sat a little man with his

back against a tree. A venerable pipe hung from his mouth, and

smoke-wreaths curled slowly skyward, he was muttering to himself with

his eyes fixed on an irregular black opening in the green wall of

forest at the foot of the hill. Two vague wagon ruts led into the

shadows. The little man took his pipe in his hands and addressed the

listening pines.

"I wonder what the devil it leads to," said he.

A grey, fat rabbit came lazily from a thicket and sat in the opening.

Softly stroking his stomach with his paw, he looked at the little man

in a thoughtful manner. The little man threw a stone, and the rabbit

blinked and ran through an opening. Green, shadowy portals seemed to

close behind him.

The little man started. "He's gone down that roadway," he said, with

ecstatic mystery to the pines. He sat a long time and contemplated the

door to the forest. Finally, he arose, and awakening his limbs, started

away. But he stopped and looked back.

"I can't imagine what it leads to," muttered he. He trudged over the

brown mats of pine needles, to where, in a fringe of laurel, a tent was

pitched, and merry flames caroused about some logs. A pudgy man was

fuming over a collection of tin dishes. He came forward and waved a

plate furiously in the little man's face.

"I've washed the dishes for three days. What do you think I am--"

He ended a red oration with a roar: "Damned if I do it any more."

The little man gazed dim-eyed away. "I've been wonderin' what it leads

to."

"What?"

"That road out yonder. I've been wonderin' what it leads to. Maybe,

some discovery or something," said the little man.

The pudgy man laughed. "You're an idiot. It leads to ol' Jim Boyd's

over on the Lumberland Pike."

"Ho!" said the little man, "I don't believe that."

The pudgy man swore. "Fool, what does it lead to, then?"

"I don't know just what, but I'm sure it leads to something great or

something. It looks like it."

While the pudgy man was cursing, two more men came from obscurity with

fish dangling from birch twigs. The pudgy man made an obviously

herculean struggle and a meal was prepared. As he was drinking his cup

of coffee, he suddenly spilled it and swore. The little man was

wandering off.

"He's gone to look at that hole," cried the pudgy man.

The little man went to the edge of the pine-plumed hillock, and,

sitting down, began to make smoke and regard the door to the forest.

There was stillness for an hour. Compact clouds hung unstirred in the

sky. The pines stood motionless, and pondering.

Suddenly the little man slapped his knees and bit his tongue. He stood

up and determinedly filled his pipe, rolling his eye over the bowl to

the doorway. Keeping his eyes fixed he slid dangerously to the foot of

the hillock and walked down the wagon ruts. A moment later he passed

from the noise of the sunshine to the gloom of the woods.

The green portals closed, shutting out live things. The little man

trudged on alone.

Tall tangled grass grew in the roadway, and the trees bended

obstructing branches. The little man followed on over pine-clothed

ridges and down through water-soaked swales. His shoes were cut by

rocks of the mountains, and he sank ankle-deep in mud and moss of

swamps. A curve just ahead lured him miles.

Finally, as he wended the side of a ridge, the road disappeared from

beneath his feet. He battled with hordes of ignorant bushes on his way

to knolls and solitary trees which invited him. Once he came to a tall,

bearded pine. He climbed it, and perceived in the distance a peak. He

uttered an ejaculation and fell out.

He scrambled to his feet, and said: "That's Jones's Mountain, I guess.

It's about six miles from our camp as the crow flies."

He changed his course away from the mountain, and attacked the bushes

again. He climbed over great logs, golden-brown in decay, and was

opposed by thickets of dark-green laurel. A brook slid through the ooze

of a swamp, cedars and hemlocks hung their spray to the edges of pools.

The little man began to stagger in his walk. After a time he stopped

and mopped his brow.

"My legs are about to shrivel up and drop off," he said.... "Still if I

keep on in this direction, I am safe to strike the Lumberland Pike

before sundown."

He dived at a clump of tag-alders, and emerging, confronted Jones's

Mountain.

The wanderer sat down in a clear space and fixed his eyes on the

summit. His mouth opened widely, and his body swayed at times. The

little man and the peak stared in silence.

A lazy lake lay asleep near the foot of the mountain. In its bed of

water-grass some frogs leered at the sky and crooned. The sun sank in

red silence, and the shadows of the pines grew formidable. The

expectant hush of evening, as if some thing were going to sing a hymn,

fell upon the peak and the little man.

A leaping pickerel off on the water created a silver circle that was

lost in black shadows. The little man shook himself and started to his

feet, crying: "For the love of Mike, there's eyes in this mountain! I

feel 'em! Eyes!"

He fell on his face.

When he looked again, he immediately sprang erect and ran.

"It's comin'!"

The mountain was approaching.

The little man scurried, sobbing through the thick growth. He felt his

brain turning to water. He vanquished brambles with mighty bounds.

But after a time he came again to the foot of the mountain.

"God!" he howled, "it's been follerin' me." He grovelled.

Casting his eyes upward made circles swirl in his blood.

"I'm shackled I guess," he moaned. As he felt the heel of the mountain

about to crush his head, he sprang again to his feet. He grasped a

handful of small stones and hurled them.

"Damn you," he shrieked loudly. The pebbles rang against the face of

the mountain.

The little man then made an attack. He climbed with hands and feet

wildly. Brambles forced him back and stones slid from beneath his feet.

The peak swayed and tottered, and was ever about to smite with a

granite arm. The summit was a blaze of red wrath.

But the little man at last reached the top. Immediately he swaggered

with valor to the edge of the cliff. His hands were scornfully in his

pockets.

He gazed at the western horizon, edged sharply against a yellow sky.

"Ho!" he said. "There's Boyd's house and the Lumberland Pike."

The mountain under his feet was motionless.

THE SNAKE

Where the path wended across the ridge, the bushes of huckleberry and

sweet fern swarmed at it in two curling waves until it was a mere

winding line traced through a tangle. There was no interference by

clouds, and as the rays of the sun fell full upon the ridge, they

called into voice innumerable insects which chanted the heat of the

summer day in steady, throbbing, unending chorus.

A man and a dog came from the laurel thickets of the valley where the

white brook brawled with the rocks. They followed the deep line of the

path across the ridges. The dog--a large lemon and white

setter--walked, tranquilly meditative, at his master's heels.

Suddenly from some unknown and yet near place in advance there came a

dry, shrill whistling rattle that smote motion instantly from the limbs

of the man and the dog. Like the fingers of a sudden death, this sound

seemed to touch the man at the nape of the neck, at the top of the

spine, and change him, as swift as thought, to a statue of listening

horror, surprise, rage. The dog, too--the same icy hand was laid upon

him, and he stood crouched and quivering, his jaw dropping, the froth

of terror upon his lips, the light of hatred in his eyes.

Slowly the man moved his hands toward the bushes, but his glance did

not turn from the place made sinister by the warning rattle. His

fingers, unguided, sought for a stick of weight and strength. Presently

they closed about one that seemed adequate, and holding this weapon

poised before him the man moved slowly forward, glaring. The dog with

his nervous nostrils fairly fluttering moved warily, one foot at a

time, after his master.

But when the man came upon the snake, his body underwent a shock as if

from a revelation, as if after all he had been ambushed. With a

blanched face, he sprang forward and his breath came in strained gasps,

his chest heaving as if he were in the performance of an extraordinary

muscular trial. His arm with the stick made a spasmodic, defensive

gesture.

The snake had apparently been crossing the path in some mystic travel

when to his sense there came the knowledge of the coming of his foes.

The dull vibration perhaps informed him, and he flung his body to face

the danger. He had no knowledge of paths; he had no wit to tell him to

slink noiselessly into the bushes. He knew that his implacable enemies

were approaching; no doubt they were seeking him, hunting him. And so

he cried his cry, an incredibly swift jangle of tiny bells, as burdened

with pathos as the hammering upon quaint cymbals by the Chinese at

war--for, indeed, it was usually his death-music.

"Beware! Beware! Beware!"

The man and the snake confronted each other. In the man's eyes were

hatred and fear. In the snake's eyes were hatred and fear. These

enemies maneuvered, each preparing to kill. It was to be a battle

without mercy. Neither knew of mercy for such a situation. In the man

was all the wild strength of the terror of his ancestors, of his race,

of his kind. A deadly repulsion had been handed from man to man through

long dim centuries. This was another detail of a war that had begun

evidently when first there were men and snakes. Individuals who do not

participate in this strife incur the investigations of scientists. Once

there was a man and a snake who were friends, and at the end, the man

lay dead with the marks of the snake's caress just over his East Indian

heart. In the formation of devices, hideous and horrible, Nature

reached her supreme point in the making of the snake, so that priests

who really paint hell well fill it with snakes instead of fire. The

curving forms, these scintillant coloring create at once, upon sight,

more relentless animosities than do shake barbaric tribes. To be born a

snake is to be thrust into a place a-swarm with formidable foes. To

gain an appreciation of it, view hell as pictured by priests who are

really skilful.

As for this snake in the pathway, there was a double curve some inches

back of its head, which, merely by the potency of its lines, made the

man feel with tenfold eloquence the touch of the death-fingers at the

nape of his neck. The reptile's head was waving slowly from side to

side and its hot eyes flashed like little murder-lights. Always in the

air was the dry, shrill whistling of the rattles.

"Beware! Beware! Beware!"

The man made a preliminary feint with his stick. Instantly the snake's

heavy head and neck were bended back on the double curve and instantly

the snake's body shot forward in a low, strait, hard spring. The man

jumped with a convulsive chatter and swung his stick. The blind,

sweeping blow fell upon the snake's head and hurled him so that

steel-colored plates were for a moment uppermost. But he rallied

swiftly, agilely, and again the head and neck bended back to the double

curve, and the steaming, wide-open mouth made its desperate effort to

reach its enemy. This attack, it could be seen, was despairing, but it

was nevertheless impetuous, gallant, ferocious, of the same quality as

the charge of the lone chief when the walls of white faces close upon

him in the mountains. The stick swung unerringly again, and the snake,

mutilated, torn, whirled himself into the last coil.

And now the man went sheer raving mad from the emotions of his

forefathers and from his own. He came to close quarters. He gripped the

stick with his two hands and made it speed like a flail. The snake,

tumbling in the anguish of final despair, fought, bit, flung itself

upon this stick which was taking his life.

At the end, the man clutched his stick and stood watching in silence.

The dog came slowly and with infinite caution stretched his nose

forward, sniffing. The hair upon his neck and back moved and ruffled as

if a sharp wind was blowing, the last muscular quivers of the snake

were causing the rattles to still sound their treble cry, the shrill,

ringing war chant and hymn of the grave of the thing that faces foes at

once countless, implacable, and superior.

"Well, Rover," said the man, turning to the dog with a grin of victory,

"we'll carry Mr. Snake home to show the girls."

His hands still trembled from the strain of the encounter, but he pried

with his stick under the body of the snake and hoisted the limp thing

upon it. He resumed his march along the path, and the dog walked

tranquilly meditative, at his master's heels.

LONDON IMPRESSIONS

CHAPTER I

London at first consisted of a porter with the most charming manners in

the world, and a cabman with a supreme intelligence, both observing my

profound ignorance without contempt or humor of any kind observable in

their manners. It was in a great resounding vault of a place where

there were many people who had come home, and I was displeased because

they knew the detail of the business, whereas I was confronting the

inscrutable. This made them appear very stony-hearted to the sufferings

of one of whose existence, to be sure, they were entirely unaware, and

I remember taking great pleasure in disliking them heartily for it. I

was in an agony of mind over my baggage, or my luggage, or my--perhaps

it is well to shy around this terrible international question; but I

remember that when I was a lad I was told that there was a whole nation

that said luggage instead of baggage, and my boyish mind was filled at

the time with incredulity and scorn. In the present case it was a thing

that I understood to involve the most hideous confessions of imbecility

on my part, because I had evidently to go out to some obscure point and

espy it and claim it, and take trouble for it; and I would rather have

had my pockets filled with bread and cheese, and had no baggage at all.

Mind you, this was not at all a homage that I was paying to London. I

was paying homage to a new game. A man properly lazy does not like new

experiences until they become old ones. Moreover, I have been taught

that a man, any man, who has a thousand times more points of

information on a certain thing than I have will bully me because of it,

and pour his advantages upon my bowed head until I am drenched with his

superiority. It was in my education to concede some license of the kind

in this case, but the holy father of a porter and the saintly cabman

occupied the middle distance imperturbably, and did not come down from

their hills to clout me with knowledge. From this fact I experienced a

criminal elation. I lost view of the idea that if I had been

brow-beaten by porters and cabmen from one end of the United States to

the other end I should warmly like it, because in numbers they are

superior to me, and collectively they can have a great deal of fun out

of a matter that would merely afford me the glee of the latent butcher.

This London, composed of a porter and a cabman, stood to me subtly as a

benefactor. I had scanned the drama, and found that I did not believe

that the mood of the men emanated unduly from the feature that there

was probably more shillings to the square inch of me than there were

shillings to the square inch of them. Nor yet was it any manner of

palpable warm-heartedness or other natural virtue. But it was a perfect

artificial virtue; it was drill, plain, simple drill. And now was I

glad of their drilling, and vividly approved of it, because I saw that

it was good for me. Whether it was good or bad for the porter and the

cabman I could not know; but that point, mark you, came within the pale

of my respectable rumination.

I am sure that it would have been more correct for me to have alighted

upon St. Paul's and described no emotion until I was overcome by the

Thames Embankment and the Houses of Parliament. But as a matter of fact

I did not see them for some days, and at this time they did not concern

me at all. I was born in London at a railroad station, and my new

vision encompassed a porter and a cabman. They deeply absorbed me in

new phenomena, and I did not then care to see the Thames Embankment nor

the Houses of Parliament. I considered the porter and the cabman to be

more important.

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