THE COUSINS.

"For the apparel oft proclaims the man."--Shakespeare.

But Mrs Greenways was wrong. Twelve more springs came and went, cold

winds blew round the cottage on the hill, winter snow covered it, summer

sun blazed down on its unsheltered roof, but the small blossom within

grew and flourished. A weak tender-looking little plant at first, but

gathering strength with the years until it became hardy and bold, fit to

face rough weather as well as to smile in the sunshine.

It was twelve years since James White's death, twelve years since he had

brought the bunch of lilac from Cuddingham which had given his little

daughter her name--that name which had once sounded so strangely in Mrs

White's ears. It had come to mean so much to her now, so many memories

of the past, so much sweetness in the present, that she would not have

changed it for the world, and indeed no one questioned its fitness, for

as time went on it seemed to belong naturally to the child; it was even

made more expressive by putting the surname first, so that she was often

called "White Lilac."

For the distinguishing character of her face was its whiteness--"A

wonderful white skin", as her mother had said, which did not tan, or

freckle, or flush with heat, and which shone out in startling contrast

amongst the red and brown cheeks of her school companions. This small

white face was set upon a slender neck, and a delicately-formed but

upright little figure, which looked all the straighter and more like the

stalk of a flower, because it was never adorned with any flounces or

furbelows. Lilac was considered in the village to be very old-fashioned

in her dress; she wore cotton frocks, plain in the skirt with gathers

all round the waist, long pinafores or aprons, and sunbonnets. This

attire was always spotless and freshly clean, but garments of such a

shape and cut were lamentably wanting in fashion to the general eye, and

were the subject of constant ridicule. Not in the hearing of the widow,

for most people were a good deal in awe of her, but Lilac herself heard

quite enough about her clothes to be conscious of them and to feel

ashamed of looking "different." And this was specially the case at

school, for there she met Agnetta Greenways every day, and Agnetta was

the object of her highest admiration; to be like her in some way was the

deep and secret longing in her mind. It was, she knew well, a useless

ambition, but she could not help desiring it, Agnetta was such a

beautiful object to look upon, with her red cheeks and the heavy fringe

of black hair which rested in a lump on her forehead. On Sundays, when

she wore her blue dress richly trimmed with plush, a long feather in her

hat, and a silver bangle on her arm, Lilac could hardly keep her intense

admiration silent; it was a pain not to speak of it, and yet she knew

that nothing would have displeased her mother so much, who was never

willing to hear the Greenways praised. So she only gazed wistfully at

her cousin's square gaily-dressed figure, and felt herself a poor

washed-out insignificant child in comparison.

This was very much Agnetta's own view of the case; but nevertheless

there were occasions when she was glad of this insignificant creature's

assistance, for she was slow and stupid at her lessons, books were grief

and pain to her, and Lilac, who was intelligent and fond of learning,

was always ready to help and explain. This service, given most

willingly, was received by Agnetta as one to whom it was due, and indeed

the position she held among her schoolfellows made most of them eager to

call her friend. She lived at Orchards Farm, which was the biggest in

the parish; her two elder sisters had been to a finishing school, and

one of them was now in a millinery establishment in London, where she

wore a silk dress every day. This was sufficient to excuse airs of

superiority in anyone. It was natural, therefore, to repay Lilac's

devotion by condescending patronage, and to look down on her from a

great height; nevertheless it was extremely agreeable to Agnetta to be

worshipped, and this made her seek her cousin's companionship, and

invite her often to Orchards Farm. There she could display her smart

frocks, dwell on the extent of her father's possessions, on her sister

Bella's stylishness, on the last fashion Gusta had sent from London,

while Lilac, meek and admiring, stood by with wonder in her eyes.

Orchards Farm was the most beautiful place her imagination could

picture, and to live there must be, she thought, perfect happiness.

There was a largeness about it, with its blossoming fruit trees, its

broad green meadows, its barns and stacks, its flocks of sheep and herds

of cattle; even the shiny-leaved magnolia which covered part of the

house seemed to Lilac to speak of peace and plenty. It was all so

different from her home; the bare white cottage on the hillside where no

trees grew, where all was so narrow and cold, and where life seemed to

be made up of scrubbing, sweeping, and washing. She looked longingly

down from this sometimes to the valley where the farm stood.

But other eyes, and Mrs White's in particular, saw a very different

state of things when they looked at Orchards Farm. She knew that under

this smiling outside face lay hidden care and anxiety; for her brother,

Farmer Greenways, was in debt and short of money. Folks shook their

heads when it was mentioned, and said: "What could you expect?" The old

people remembered the prosperous days at the farm, when the dairy had

been properly worked, and the butter was the best you could get anywhere

round. There was the pasture land still, and a good lot of cows, but

since the Greenways had come there the supply of butter was poor, and

sometimes the whole quantity sent to market was so carelessly made that

it was sour. Whose fault was it? Mrs Greenways would have said that

Molly, the one overworked maid servant, was to blame; but other people

thought differently, and Mrs White was as usual outspoken in her

opinions to her sister-in-law: "It 'ull never be any different as long

as you don't look after the dairy yourself, or teach Bella to do it.

What does Molly care how the butter turns out?"

But Bella tossed her head at the idea of working, as she expressed it,

"like a common servant", or indeed at working at all. She considered

that her business in life was to be genteel, and to be properly genteel

was to do nothing useful. So she studied the fashion books which Gusta

sent from London, made up wonderful costumes for herself, curled her

hair in the last style, and read the stories about dukes and earls and

countesses which came out in the _Family Herald_.

The smart bonnets and dresses which Mrs Greenways and her daughters

wore on Sundays in spite of hard times and poor crops and debt were the

wonder of the whole congregation, and in Mrs White's case the wonder

was mixed with scorn. "Peter's the only one among 'em as is good for

anything," she sometimes said, "an' he's naught but a puzzle-headed sort

of a chap." Peter was the farmer's only son, a loutish youth of

fifteen, steady and plodding as his plough horses and almost as silent.

It was April again, bright and breezy, and all the cherry trees at the

farm were so white with bloom that standing under them you could

scarcely see the sky. The grass in the orchard was freshly green and

sprinkled with daisies, amongst which families of fluffy yellow

ducklings trod awkwardly about on their little splay feet, while the

careful mother hens picked out the best morsels of food for them. This

food was flung out of a basin by Agnetta Greenways, who stood there

squarely erect uttering a monotonous "Chuck, chuck, chuck," at

intervals. Agnetta did not care for the poultry, or indeed for any of

the creatures on the farm; they were to her only troublesome things that

wanted looking after, and she would have liked not to have had anything

to do with them. Just now, however, there was a week's holiday at the

school, and she was obliged to use her leisure in helping her mother,

much against her will. Agnetta had a stolid face with a great deal of

colour in her cheeks; her hair was black, but at this hour it was so

tightly done up in curl papers that the colour could hardly be seen.

She wore an old red merino dress which had once been a smart one, but

was now degraded to what she called "dirty work", and was covered with

patches and stains. Her hands and wrists were very large, and looked

capable of hard work, as indeed did the whole person of Agnetta from top

to toe.

"Chuck, chuck, chuck," she repeated as she threw out the last spoonful;

then, raising her eyes, she became aware of a little figure in the

distance, running towards her across the field at the bottom of the

orchard.

"Lor'!" she exclaimed aloud, "if here isn't Lilac White!"

It was a slight little figure clothed in a cotton frock which had once

been blue in colour, but had been washed so very often that it now

approached a shade of green; over it was a long straight pinafore

gathered round the neck with a string, and below it appeared blue

worsted stockings, and thick, laced boots. Her black hair was brushed

back and plaited in one long tail tied at the end with black ribbon, and

in her hand she carried a big sunbonnet, swinging it round and round in

the air as she ran. As she came nearer the orchard gate, it was easy to

see that she had some news to tell, for her small features worked with

excitement, and her grey eyes were bright with eagerness.

Agnetta advanced slowly to meet her with the empty basin in her hand,

and unlatched the gate.

"Whatever's the matter?" she asked.

Lilac could not answer just at first, for she had been running a long

way, and her breath came in short gasps. She came to a standstill under

the trees, and Agnetta stared gravely at her with her mouth wide open.

The two girls formed a strong contrast to each other. Lilac's white

face and the faded colour of her dress matched the blossoms and leaves

of the cherry trees in their delicacy, while about the red-cheeked

Agnetta there was something firm and positive, which suggested the fruit

which would come later.

"I came--" gasped Lilac at last, "I ran--I thought I must tell you--"

"Well," said Agnetta, still staring at her in an unmoved manner, "you'd

better fetch your breath, and then you'll be able to tell me. Come and

sit down."

There was a bench under one of the trees near where she had been feeding

the ducks. The two girls sat down, and presently Lilac was able to say:

"Oh, Agnetta, the artist gentleman wants to put me in a picture!"

"Whatever do you mean, Lilac White?" was Agnetta's only reply. Her

slightly disapproving voice calmed Lilac's excitement a little.

"This is how it was," she continued more quietly. "You know he's

lodging at the `Three Bells?' and he comes an' sits at the bottom of our

hill an' paints all day."

"Of course I know," said Agnetta. "It's a poor sort of an object he's

copyin', too--Old Joe's tumble-down cottage. I peeped over his shoulder

t'other day--'taint much like."

"Well, I pass him every day comin' from school, and he always looks up

at me eager without sayin' nothing. But this morning he says, `Little

gal,' says he, `I want to put you into my picture.'"

"Lor'!" put in Agnetta, "whatever can he want to paint _you_ for?"

"So I didn't say nothing," continued Lilac, "because he looked so hard

at me that I was skeert-like. So then he says very impatient, `Don't

you understand? I want you to come here in that frock and that bonnet

in your hand, and let me paint you, copy you, take your portrait. You

run and ask Mother.'"

"I never did!" exclaimed Agnetta, moved at last. "Whatever can he want

to do it for? An' that frock, an' that silly bonnet an' all! He must

be a crazy gentleman, I should say." She gave a short laugh, partly of

vexation.

"But that ain't all," continued Lilac; "just as I was turning to go he

calls after me, `What's yer name?' And when I told him he shouts out,

`_What_!' with his eyes hanging out ever so far."

"Well, I dare say he thought it was a silly-sounding sort of a name,"

observed Agnetta.

"He said it over and over to hisself, and laughed right out--`Lilac

White! White Lilac!' says he. `What a subjeck! What a name!

Splendid!' An' then he says to me quieter, `You're a very nice little

girl indeed, and if Mother will let you come I'll give you sixpence for

every hour you stand.' So then I went an' asked Mother, and she said

yes, an' then I ran all the way here to tell you."

Lilac looked round as she finished her wonderful story. Agnetta's eyes

were travelling slowly over her cousin's whole person, from her face

down to the thick, laced boots on her feet, and back again. "I can't

mek out," she said at length, "whatever it is that he wants to paint you

for, and dressed like that! Why, there ain't a mossel of colour about

you! Now, if you had my Sunday blue!"

"Oh, Agnetta!" exclaimed Lilac at the mention of such impossible

elegance.

"And," pursued Agnetta, "a few artificials in yer hair, like the ladies

in our _Book of Beauty_, that 'ud brighten you up a bit. Bella's got

some red roses with dewdrops on 'em, an' a caterpillar just like life.

She'd lend you 'em p'r'aps, an' I don't know but what I'd let you have

my silver locket just for once."

"I'm afraid he wouldn't like that," said Lilac dejectedly, "because he

said quite earnest, `_Mind_ you bring the bonnet'."

She saw herself for a moment in the splendid attire Agnetta had

described, and gave a little sigh of longing.

"I must go back," she said, getting up suddenly, "Mother'll want me.

There's lots to do at home."

"I'll go with you a piece," said Agnetta; "we'll go through the farmyard

way so as I can leave the basin."

This was a longer way home for Lilac than across the fields, but she

never thought of disputing Agnetta's decision, and the cousins left the

orchard by another gate which led into the garden. It was not a very

tidy garden, and although some care had been bestowed on the vegetables,

the flowers were left to come up where they liked and how they liked,

and the grass plot near the house was rank and weedy. Nevertheless it

presented a gay and flourishing appearance with its masses of polyanthus

in full bloom, its tulips, and Turk's head lilies, and lilac bushes.

There was one particular bed close to the gate which had a neater

appearance than the rest, and where the flowers grew in a well-ordered

manner as though accustomed to personal attention. The edges of the

turf were trimly clipped, and there was not a weed to be seen. It had a

mixed border of forget-me-not and London pride.

"How pretty your flowers grow!" said Lilac, stopping to look at it with

admiration.

"Oh, that's Peter's bed," said Agnetta carelessly, snapping off some

blossoms. "He's allays mucking at it in his spare time--not that he's

got much, there's so much to do on the farm."

The house was now in front of them, and a little to the left the

various, coloured roofs of the farm buildings, some tiled with

weather-beaten bricks, some thatched, some tarred, and the bright yellow

straw ricks standing here and there. Between these buildings and the

house was a narrow lane, generally ankle-deep in mud, which led into the

highroad.

Lilac was very fond of the farmyard and all the creatures in it. She

stopped at the gate and looked over at a company of small black pigs

routing about in the straw.

"Oh, Agnetta!" she exclaimed, "you've got some toiny pigs; what peart

little uns they are!"

"I can't abide pigs," said Agnetta with a toss of her curl-papered head;

"no more can't Bella, we neither of us can't. Nasty, vulgar,

low-smelling things."

Lilac felt that hers must be a vulgar taste as Agnetta said so, but

still she _did_ like the little pigs, and would have been glad to linger

near them. It was often puzzling to her that Agnetta called so many

things common and vulgar, but she always ended by thinking that it was

because she was so superior.

"Here, Peter!" exclaimed Agnetta suddenly. A boy in leather leggings

and a smock appeared at the entrance of the barn, and came tramping

across the straw towards them at her call. "Just take this into the

kitchen," said his sister in commanding tones. "Now," turning to Lilac,

"we can go t'other way across the fields. The lane's all in a muck."

Peter slouched away with the basin in his hand. He was a heavy-looking

youth, and so shy that he seldom raised his eyes from the ground.

"No one 'ud think," said Agnetta as the girls entered the meadow again,

"as Peter was Bella's and Gusta's and my brother. He's so dreadful

vulgar-lookin' dressed like that. He might be a common ploughboy, and

his manners is awful."

"Are they?" said Lilac.

"Pa won't hear a word against him," continued Agnetta, "cause he's so

useful with the farm work. He says he'd rather see Peter drive a

straight furrow than dress himself smart. But Bella and me we're

ashamed to be seen with him, we can't neither of us abide commoners."

Common! there was the word again which seemed to mean so many things and

yet was so difficult to understand. Common things were evidently

vulgar. The pigs were common, Peter was common, perhaps Lilac herself

was common in Agnetta's eyes. "And yet," she reflected, lifting her

gaze from the yellow carpet at her feet to the flowering orchards, "the

cherry blossoms and the buttercups are common too; would Agnetta call

them vulgar?"

She had not long to think about this, for her cousin soon introduced

another and a very interesting subject.

"Who's goin' to be Queen this year, I wonder?" she said; "there'll be a

sight of flowers if the weather keeps all on so fine."

"It'll be you, Agnetta, for sure," answered Lilac; "I know lots who mean

to choose you this time."

"I dessay," said Agnetta with an air of lofty indifference.

"Don't you want to be?" asked Lilac.

The careless tone surprised her, for to be chosen Queen of the May was

not only an honour, but a position of importance and splendour. It

meant to march at the head of a long procession of children, in a white

dress, to be crowned with flowers in the midst of gaiety and rejoicing,

to lead the dance round the maypole, and to be first throughout a day of

revelry and feasting. To Lilac it was the most beautiful of ceremonies

to see the Queen crowned; to join in it was a delight, but to be chosen

Queen herself would be a height of bliss she could hardly imagine. It

was impossible therefore, to think her cousin really indifferent, and

indeed this was very far from the case, for Agnetta had set her heart on

being Queen, and felt tolerably sure that she should get the greatest

number of votes this year.

"I don't know as I care much," she answered; "let's sit down here a

bit."

They sat down one each side of a stile, with their faces turned towards

each other, and Agnetta again fixed her direct gaze critically on her

cousin's figure. Lilac twirled her sunbonnet round somewhat confusedly

under these searching glances.

"It's a pity you wear your hair scrattled right off your face like

that," said Agnetta at last; "it makes you look for all the world like

Daisy's white calf."

"Does it?" said Lilac meekly; "Mother likes it done so."

"I know something as would improve you wonderful, and give you a bit of

style--something as would make the picture look a deal better."

"Oh, what, Agnetta?"

"Well, it's just as simple as can be. It's only to take a pair of

scissors and cut yer hair like mine in front so as it comes down over

yer face a bit. It 'ud alter you ever so. You'd be surprised."

Lilac started to her feet, struck with the immensity of the idea. A

fringe! It was a form of elegance not unknown amongst the

school-children, but one which she had never thought of as possible for

herself.

There was Agnetta's stolid rosy face close to her, as unmoved and

unexcited as if she had said nothing unusual.

"Oh, Agnetta, _could_ I?" gasped Lilac.

"Whyever not?" said her cousin calmly.

Lilac sat down again. "I dursn't," she said. "I couldn't ever bear to

look Mother in the face."

"Has she ever told you not?"

"N-no," answered Lilac hesitatingly; "leastways she only said once that

the girls made frights of themselves with their fringes."

"Frights indeed!" said Agnetta scornfully; "anyhow," she added, "it 'ull

grow again if she don't like it." So it would. That reflection made

the deed seem a less daring one, and Lilac's face at once showed signs

of yielding, which Agnetta was not slow to observe. Warming with her

subject, she proceeded to paint the improvement which would follow in

glowing colours, and in this she was urged by two motives--one, an

honest desire to smarten Lilac up a little, and the other, to vex and

thwart her aunt, Mrs White; to pay her out, as she expressed it, for

sundry uncomplimentary remarks on herself and Bella.

"And supposing," was Lilac's next remark, "as how I _was_ to make up my

mind, I couldn't never do it for myself. I should be scared."

This difficulty the energetic Agnetta was quite ready to meet. _She_

would do it. Lilac had only to run down to the farm early next morning,

and, after she was made fashionable, she could go straight on to the

artist. "And won't he just be surprised!" she added with a chuckle. "I

don't expect he'll hardly know you."

"You're _quite_ sure it'll make me look better?" said Lilac wistfully.

She had the utmost faith in her cousin, but the step seemed to her such

a terribly large one.

"Ain't I?" was Agnetta's scornful reply. "Why, Gusta says all the

ladies in London wears their hair like that now."

After this last convincing proof, for Gusta's was a name of great

authority, Lilac resisted no longer, and soon discovered, by the

striking of the church clock, that it was getting very late. She said

good-bye to Agnetta, therefore, and, leaving her to make her way back at

her leisure, ran quickly on through the meadows all streaked and

sprinkled with the spring flowers. After these came the dusty high-road

for a little while, and then she reached the foot of the steep hill

which led up to her home. The artist gentleman was there as usual, a

pipe in his mouth, and a palette on his thumb, painting busily: as she

hurriedly dropped a curtsy in passing, Lilac's heart beat quite fast.

"Me in a picture with a fringe!" she said to herself; "how I do hope as

Mother won't mind!"

That afternoon, when she sat quietly down to her sewing, this great idea

weighed heavily upon her. It would be the very first step she had ever

taken without her mother's approval, and away from the influence of

Agnetta's decided opinion it seemed doubly alarming--a desperate and yet

an attractive deed.

Now and then for a moment she thought it would be better to tell her

mother, but when she looked up at the grave, rather sad face, bent

closely over some needlework, she lacked courage to begin. It seemed

far removed from such trifles as fringes and fashions; and though, as

Lilac knew well, it could have at times a smile full of love upon it,

just now its expression was thoughtful, and even stern.

She kept silence, therefore, and stitched away with a mind as busy as

her fingers, until it was time to boil the kettle and get the tea ready.

This was just done when Mrs Wishing, who lived still farther up the

hill, dropped in on her way home from the village.

She was an uncertain, wavering little woman, with no will of her own,

and a heavy burden in the shape of a husband, who, during the last few

years, had taken to fits of drinking. The widow White acknowledged that

she had a good deal to bear from Dan'l, and when times were very bad,

often supplied her with food and firing from her own small store. But

she did not do so without protest, for in her opinion the fault was not

entirely on Dan'l's side. "Maybe," she said, "if he found a clean

hearth and a tidy bit o' supper waitin' at home, he'd stay there

oftener. An' if he worked reg'lar, and didn't drink his wages, you'd

want for nothin', and be able to put by with only just the two of you to

keep. But I can't see you starve."

Mrs Wishing fluttered in at the door, and, as she thought probable, was

asked to have a dish of tea. Lilac bustled round the kitchen and set

everything neatly on the table, while her mother, glancing at her now

and then, stood at the window sewing with active fingers.

"Well, you're always busy, Mrs White," said the guest plaintively as

she untied her bonnet strings. "I will say as you're a hard worker

yourself, whatever you say about other folks."

"An' I hope as when the time comes as I can't work that the Lord 'ull

see fit to take me," said Mrs White shortly.

"Dear, dear, you've got no call to say that," said Mrs Wishing, "you as

have got Lilac to look to in your old age. Now, if it was me and Dan'l,

with neither chick nor child--" She shook her head mournfully.

Mrs White gave her one sharp glance which meant "and a good thing too",

but she did not say the words aloud; there was something so helpless and

incapable about Mrs Wishing, that it was both difficult and useless to

be severe with her, for the most cutting speeches could not rouse her

from the mild despair into which she had sunk years ago. "I dessay

you're right, but _I_ dunno," was her only reply to all reproaches and

exhortations, and finding this, Mrs White had almost ceased them,

except when they were wrung from her by some unusual example of bad

management.

"An' so handy as she is," continued Mrs Wishing, her wandering gaze

caught for a moment by Lilac's active little figure, "an' that's all

your up-bringing, Mrs White, as I was saying just now to Mrs

Greenways."

Mrs White, who was now pouring out the tea, looked quickly up at the

mention of Mrs Greenways. She would not ask, but her very soul longed

to know what had been said.

"She was talkin' about Lilac as I was in at Dimbleby's getting a bunch

of candles," continued Mrs Wishing, "sayin' how her picture was going

to be took; an' says she, `It's a poor sort of picture as she'll make,

with a face as white as her pinafore. Now, if it was Agnetta,' says

she, `as has a fine nateral bloom, I could understand the gentleman

wantin' to paint _her_.'"

"I s'pose the gentleman knows best himself what he wants to paint," said

Mrs White.

"Lor', of course he do," Mrs Wishing hastened to reply; "and, as I said

to Mrs Greenways, `Red cheeks or white cheeks don't make much differ to

a gal in life. It's the upbringing as matters.'"

Mrs White looked hardly so pleased with this sentiment as her visitor

had hoped. She was perfectly aware that it had been invented on the

spot, and that Mrs Wishing would not have dared to utter it to Mrs

Greenways. Moreover, the comparison between Lilac's paleness and

Agnetta's fine bloom touched her keenly, for in this remark she

recognised her sister-in-law's tongue.

The rivalry between the two mothers was an understood thing, and though

it had never reached open warfare, it was kept alive by the kindness of

neighbours, who never forgot to repeat disparaging speeches. Mrs

White's opinions of the genteel uselessness of Bella and Gusta were

freely quoted to Mrs Greenways, and she in her turn was always ready

with a thrust at Lilac which might be carried to Mrs White.

When the widow had first heard of the artist's proposal, her intense

gratification was at once mixed with the thought, "What'll Mrs

Greenways think o' that?"

But she did not express this triumph aloud. Even Lilac had no idea that

her mother's heart was overflowing with pleasure and pride because it

was _her_ child, _her_ Lilac, whom the artist wished to paint. So now,

though she bit her lip with vexation at Mrs Wishing's speech, she took

it with outward calmness, and only replied, with a glance at her

daughter:

"Lilac never was one to think much about her looks, and I hope she never

will be."

Both the look and the words seemed to Lilac to have special meaning,

almost as though her mother knew what she intended to do to-morrow; it

seemed indeed to be written in large letters everywhere, and all that

was said had something to do with it. This made her feel so guilty,

that she began to be sure it would be very wrong to have a fringe.

Should she give it up? It was a relief when Mrs Wishing, leaving the

subject of the picture for one of nearer interest, proceeded to dwell on

Dan'l and his failings, so that Lilac was not referred to again. This

well-worn topic lasted for the rest of the visit, for Dan'l had been

worse than usual. He had "got the neck of the bottle", as Mrs Wishing

expressed it, and had been in a hopeless state during the last week.

Her sad monotonous voice went grinding on over the old story, while

Lilac, washing up the tea things, carried on her own little fears, and

hopes, and wishes in her own mind. No one watching her would have

guessed what those wishes were: she looked so trim and neat, and handled

the china as deftly as though she had no other thought than to do her

work well. And yet the inside did not quite match this proper outside,

for her whole soul was occupied with a beautiful vision--herself with a

fringe like Agnetta! It proved so engrossing that she hardly noticed

Mrs Wishing's departure, and when her mother spoke she looked up

startled.

"Yon's a poor creetur as never could stand alone and never will," she

said. "It was the same when she was a gal--always hangin' on to

someone, always wantin' someone else to do for her, and think for her.

Well! empty sacks won't never stand upright, and it's no good tryin' to

make 'em."

Lilac made no reply, and Mrs White, seizing the opportunity of

impressing a useful lesson, continued:

"Lor'! it seems only the other day as Hepzibah was married to Daniel

Wishing. A pretty gal she was, with clinging, coaxing ways, like the

suckles in the hedge, and everyone she come near was ready to give her a

helping hand. And at the wedding they all said, `There, now, she's got

the right man, Hepzibah has. A strong, steady feller, and a good

workman an' all, and one as'll look after her an' treat her kind.' But

I mind what I said to Mrs Pinhorn on that very day: `I hope it may be

so,' I says, `but it takes an angel, and not a man, to bear with a woman

as weak an' shiftless as Hepzibah, and not lose his temper.' And now

look at 'em! There's Dan'l taken to drink, and when he's out of himself

he'll lift his hand to her, and they're both of 'em miserable. It does

a deal o' harm for a woman to be weak like that. She can't stand alone,

and she just pulls a man down along with her."

The troubles of the Wishings were very familiar to Lilac's ears, and,

though she took her knitting and sat down on her little stool close to

her mother, she did not listen much to what she was saying.

Mrs White, quite ignorant that her words of wisdom were wasted,

continued admonishingly:

"So as you grow up, Lilac, and get to a woman, that's what you've got to

learn--to trust to yourself; you won't always have a mother to look to.

And what you've got to do now is, to learn to do your work jest as well

as you can, and then afterwards you'll be able to stand firm on yer own

two feet, and not go leaning up against other folk, or be beholden to

nobody. That's a good thing, that is. There's a saying, `Heaven helps

them as helps themselves'. If that poor Hepzibah had helped herself

when she was a gal, she wouldn't be such a daundering creetur now, and

Dan'l, he wouldn't be a curse instead of a blessin'."

When Lilac went up to her tiny room in the roof that night, her head

felt too full of confusing thoughts to make it possible to go to bed at

once. She knelt on a box that stood in the window, fastened back the

lattice, and, leaning on the sill, looked out into the night. The

greyness of evening was falling over everything, but it was not nearly

dark yet, so that she could see the windings of the chalky road which

led down to the valley, and the church tower, and even one of the gable

windows in Orchards Farm, where a light was twinkling. Generally this

last object was a most interesting one to her, but to-night she did not

notice outside things much, for her mind was too busy with its own

concerns. She had, for the first time in her life, something quite new

and strange to think of, something of her own which her mother did not

know; and though this may seem a very small matter to people whose lives

are full of events, to Lilac it was of immense importance, for until now

her days had been as even and unvaried as those of any daisy that grows

in a field. But to-morrow, two new things were to happen--she was to

have her hair cut, and to have her picture painted. "A poor sort of

picture," Mrs Greenways had said it would be, and, no doubt, Lilac

agreed in her own mind Agnetta would make a far finer one--Agnetta, who

had red cheeks, and a fringe already, and could dress herself so much

smarter. Would a fringe really improve her? Agnetta said so. And

yet--her mother--was it worth while to risk vexing her? But it would

grow. Yes, but in the picture it would never grow. The more she

thought, the more difficult it was to see her way clear; as the evening

grew darker and more shadowy, so her reflections became dimmer and more

confused; at last they were suddenly stopped altogether, for a bat which

had come forth on its evening travels flapped straight against her face

under the eaves. Thoroughly roused, Lilac drew in her head, shut her

window, and was very soon fast asleep in bed.

Night is said to bring counsel, and perhaps it did so in some way,

although she slept too soundly to dream, for punctually at eleven

o'clock the next morning she was at the meeting-place appointed by

Agnetta at the farm.

This was a loft over the cows' stables, the only place when, at that

hour, they could be sure of no interruption.

"The proper place 'ud be my bedroom," Agnetta had said, "where there's a

mirror an' all; but it's Bella's too, you see, an' just now she's making

a new bonnet, and she's forever there trying it on. But I'll bring the

scissors and do it in a jiffy."

And here was Agnetta armed with the scissors, and a certain authority of

manner she always used with her cousin.

"Tek off yer bonnet and undo yer plaits," she said, opening and shutting

the bright scissors with a snap, as though she longed to begin.

Lilac stood with her back against a truss of hay, rather shrinking away,

for now that the moment had really come she felt frightened, and all her

doubts returned. She had the air of a pale little victim before her

executioner.

"Come," said Agnetta, with another snap.

"Oh, Agnetta, do you really think they'll like it?" faltered Lilac.

"What I really think is that you're a ninny," said the determined

Agnetta; "an' I'm not agoin' to wait here while you shilly-shally. Is

it to be off or on?"

"Oh off, I suppose," said Lilac.

With trembling fingers she took off her bonnet, and unfastened her hair

from its plait. It fell like a dark silky veil over her shoulders.

"Lor'!" said Agnetta, "you have got a lot of it."

She stood for a second staring at her victim open-mouthed with the

scissors upraised in one hand, then advanced, and grasping a handful of

the soft hair drew it down over Lilac's face.

"Oh, Agnetta," cried an imploring voice behind the screen thus formed,

"you'll _be_ careful! You won't tek off too much."

"Come nearer the light," said Agnetta.

Still holding the hair, she drew her cousin towards the wide open doors

of the loft. "Now," she said, "I can see what I'm at, an' I shan't be a

minute."

The steel scissors struck coldly against Lilac's forehead. It was too

late to resist now. She held her breath. Grind, grind, snip! they went

in Agnetta's remorseless fingers, and some soft waving lengths of hair

fell on the ground. It certainly did not take long; after a few more

short clips and snips Agnetta had finished, and there stood Lilac

fashionably shorn, with the poor discarded locks lying at her feet.

It was curious to see how much Agnetta's handiwork had altered her

cousin's face. Lilac's forehead was prettily shaped, and though she had

worn her hair "scrattled" off it, there were little waving rings and

bits which were too short to be "scrattled", and these had softened its

outline. But now the pure white forehead was covered by a lump of hair

which came straight across the middle of it, and the small features

below looked insignificant. The expression of intelligent modesty which

had made Lilac look different from other girls had gone; she was just an

ordinary pale-faced little person with a fringe.

"There!" exclaimed Agnetta triumphantly as she drew a small hand-glass

from her pocket; "now you'll see as how I was right. You won't hardly

know yerself."

Lilac took it, longing yet fearing to see herself. From the surface of

the glass a stranger seemed to return her glance--someone she had never

seen before, with quite a different look in her eyes. Certainly she was

altered. Was it for the better? She did not know, and before she could

tell she must get more used to this new Lilac White. At present she had

more fear than admiration for her.

"Clump! clump!" came the sound of heavy feet up the loft ladder. Lilac

let the glass fall at her side, and turned a terrified gaze on Agnetta.

"Oh, what's that?" she cried. "Let me hide--don't let anyone see me!"

Agnetta burst into a loud laugh.

"Well, you _are_ a ninny, Lilac White. Are you goin' to hide from

everyone now you've got a fringe? You as are goin' to have your picture

took. An' after all," she added, as a face and shoulders appeared at

the top of the ladder. "It's only Peter."

Peter's rough head and blunt, uncouth features were framed by the square

opening in the floor of the loft. There they remained motionless, for

the sight of Agnetta and Lilac where he had been prepared to find only

hay and straw brought him to a standstill. His face and the tips of his

large ears got very red as he saw Lilac's confusion, and he went a step

lower down the ladder, but his eyes were still above the level of the

floor.

"Well," said Agnetta, still giggling, "we'll hear what Peter thinks of

it. Don't she look a deal better with her hair cut so, Peter?"

Peter's grey-green eyes, not unkindly in expression, fixed themselves on

his cousin's face. In her turn Lilac gazed back at them,

half-frightened, yet beseeching mutely for a favourable opinion; it was

like looking into a second mirror. She waited anxiously for his answer.

It came at last, slowly, from Peter's invisible mouth.

"No," he said, "I liked it best as it wur afore." As he spoke the head

disappeared, and they heard him go clumping down the ladder again. The

words fell heavily on Lilac's ears. "Best as it wur afore." Perhaps

everyone would think so too. She looked dismally first at the locks of

hair on the ground and then at Agnetta's unconcerned face.

"Well, you've no call to mind what _he_ says anyhow," said the latter

cheerfully. "He don't know what's what."

"I most wish," said Lilac, as she turned to leave the loft, "that I

hadn't done it."

As she spoke, the distant sound of the church clock was heard. There

was only just time to get to the foot of the hill, and she said a

hurried good-bye to Agnetta, tying on her bonnet as she ran across the

fields. She generally hated the sun-bonnet, but to-day for the first

time she found a comfort in its deep brim, which sheltered this new

Lilac White a little from the world. She almost hoped that the artist

would change his mind and let her keep it on, instead of holding it in

her hand.

White Lilac; or the Queen of the May · 第 6 / 26 题