CHAPTER CV.

A WORD OF NOBS, AND AN ALLUSION TO CÆSAR. SOME CIRCUMSTANCES RELATING

TO THE DOCTOR'S SECOND LOVE, WHEREBY THOSE OF HIS THIRD AND LAST ARE

ACCOUNTED FOR.

_Un mal que se entra por medio los ojos,

Y va se derecho hasta el corazon;

Alli en ser llegado se torna aficion,

Y da mil pesares, plazeres y enojos:

Causa alegrias, tristezas, antojos;

Haze llorar, y haze reir,

Haze cantar, y haze plañir,

Da pensamientos dos mil a manojos._

QUESTION DE AMOR.

“Nobs,” said the Doctor, as he mounted and rode away from Mr. Bacon's

garden gate, “when I alighted and fastened thee to that wicket, I

thought as little of what was to befal me then, and what I was about

to do, as thou knowest of it now.”

Man has an inward voice as well as an “inward eye,”[1] a voice

distinct from that of conscience. It is the companion, if not “the

bliss of solitude;”[1] and though he sometimes employs it to deceive

himself, it gives him good counsel perhaps quite as often, calls him

to account, reproves him for having left unsaid what he ought to have

said, or for having said what he ought not to have said, reprehends or

approves, admonishes or encourages. On this occasion it was a joyful

and gratulatory voice, with which the Doctor spake mentally, first to

Nobs and afterwards to himself, as he rode back to Doncaster.

[Footnote 1: WORDSWORTH.]

By this unuttered address the reader would perceive, if he should

haply have forgotten what was intimated in some of the ante-initial

chapters, and in the first post-initial one, that the Doctor had a

horse, named Nobs; and the question Who was Nobs, would not be

necessary, if this were all that was to be said concerning him. There

is much to be said; the tongue that could worthily express his merits,

had need be like the pen of a ready writer; though I will not say of

him as Berni or Boiardo has said of

_quel valeroso e bel destriero,_

Argalia's horse, Rubicano, that

_Un che volesse dir lodando il vero,

Bisogno aria di parlar piu ch' umano._

At present, however, I shall only say this in his praise, he was

altogether unlike the horse of whom it was said he had only two

faults, that of being hard to catch, and that of being good for

nothing when he was caught. For whether in stable or in field, Nobs

would come like a dog to his master's call. There was not a better

horse for the Doctor's purpose in all England; no, nor in all

Christendom; no, nor in all Houyhnhnmdom, if that country had been

searched to find one.

_Cæsarem vehis_, said Cæsar to the Egyptian boatman. But what was that

which the Egyptian boat carried, compared to what Nobs bore upon that

saddle to which constant use had given its polish bright and brown?

_Virtutem solidi pectoris hospitam

Idem portat equus, qui dominum._[2]

Nobs therefore carried—all that is in these volumes; yea, and as all

future generations were, according to Madame Bourignon, actually as

well as potentially, contained in Adam,—all editions and translations

of them, however numerous.

[Footnote 2: CASIMIR.]

But on that evening he carried something of more importance; for on

the life and weal of his rider there depended from that hour, as far

as its dependence was upon anything earthly, the happiness of one of

the best men in the world, and of a daughter who was not unworthy of

such a father. If the Doctor had been thrown from his horse and

killed, an hour or two earlier, the same day, it would have been a

dreadful shock both to Deborah and Mr. Bacon; and they would always

have regretted the loss of one whose company they enjoyed, whose

character they respected, and for whom they entertained a feeling of

more than ordinary regard. But had such a casualty occurred now, it

would have been the severest affliction that could have befallen them.

Yet till that hour Deborah had never thought of Dove as a husband, nor

Dove of Deborah as a wife,—that is, neither had ever looked at the

possibility of their being one day united to each other in that

relation. Deborah liked him, and he liked her; and beyond this sincere

liking neither of them for a moment dreamt that the inclination would

ever proceed. They had not fallen in love with each other; nor had

they run in love, nor walked into it, nor been led into it, nor

entrapt into it; nor had they caught it.

How then came they to be in love at last? The question may be answered

by an incident which Mr. John Davis relates in his Travels of Four

Years and a Half in the United States of America. The traveller was

making his way “faint and wearily” on foot to a place called by the

strange name of Frying Pan,—for the Americans have given all sorts of

names, except fitting ones, to the places which they have settled, or

discovered, and their Australian kinsmen seem to be following the same

absurd and inconvenient course. It will occasion, hereafter, as much

confusion as the sameness of Mahommedan proper names, in all ages and

countries, causes in the history of all Mahommedan nations. Mr. Davis

had walked till he was tired without seeing any sign of the place at

which he expected long before to have arrived. At length he met a lad

in the wilderness, and asked him, “how far, my boy, is it to Frying

Pan?” The boy replied, “you be in the Pan now.”

So it was with the Doctor and with Deborah;—they found themselves in

love, as much to their surprize as it was to the traveller when he

found himself in the Pan, and much more to their satisfaction. And

upon a little after reflection they both perceived how they came to be

so.

There's a chain of causes

Link'd to effects,—invincible necessity

That whate'er is, could not but so have been.[3]

Into such questions, however, I enter not. “_Nolo altum sapere_,” they

be matters above my capacity: the Cobler's check shall never light on

my head, “_Ne sutor ultra crepidam._”[4] Opportunity, which makes

thieves, makes lovers also, and is the greatest of all match-makers.

And when opportunity came, the Doctor,

_Por ubbidir chi sempre ubbidir debbe

La mente,_[5]

acted promptly. Accustomed as he was to weigh things of moment in the

balance, and hold it with as even and as nice a hand, as if he were

compounding a prescription on which the life of a patient might

depend, he was no shillishallier, nor ever wasted a precious minute in

pro-and-conning, when it was necessary at once to decide and act.

_Chi ha tempo, e tempo aspetta, il tempo perde._[6]

His first love, as the reader will remember, came by inoculation, and

was taken at first sight. This third and last, he used to say, came by

inoculation also; but it was a more remarkable case, for eleven years

elapsed before there was an appearance of his having taken the

infection. How it happened that an acquaintance of so many years, and

which at its very commencement had led to confidence and esteem and

familiarity and friendship, should have led no farther, may easily be

explained. Dove, when he first saw Deborah, was in love with another

person.

[Footnote 3: DRYDEN.]

[Footnote 4: THOMAS LODGE.]

[Footnote 5: PULCI.]

[Footnote 6: SERAFINO DA L'AQUILA.]

He had attended poor Lucy Bevan from the eighteenth year of her age,

when a tendency to consumption first manifested itself in her, till

the twenty-fifth, when she sunk under that slow and insidious malady.

She, who for five of those seven years, fancied herself during every

interval, or mitigation of the disease, restored to health, or in the

way of recovery, had fixed her affections upon him. And he who had

gained those affections by his kind and careful attendance upon a case

of which he soon saw cause to apprehend the fatal termination,

becoming aware of her attachment as he became more and more mournfully

convinced that no human skill could save her, found himself unawares

engaged in a second passion, as hopeless as his first. That had been

wilful; this was equally against his will and his judgment: that had

been a folly, this was an affliction. And the only consolation which

he found in it was, that the consciousness of loving and of being

beloved, which made him miserable, was a happiness to her as long as

she retained a hope of life, or was capable of feeling satisfaction in

anything relating to this world. Caroline Bowles, whom no authoress or

author has ever surpassed in truth and tenderness and sanctity of

feeling, could relate such a story as it ought to be related,—if

stories which in themselves are purely painful ought ever to be told.

I will not attempt to tell it:—for I wish not to draw upon the

reader's tears, and have none to spare for it myself.

This unhappy attachment, though he never spoke of it, being always but

too certain in what it must end, was no secret to Mr. Bacon and his

daughter: and when death had dissolved the earthly tie, it seemed to

them, as it did to himself, that his affections were wedded to the

dead. It was likely that the widower should think so, judging of his

friend's heart by his own.

Sorrow and Time will ever paint too well

The lost when hopeless, all things loved in vain.[7]

His feelings upon such a point had been expressed for him by a most

prolific and unequal writer, whose poems, more perhaps than those of

any other English author, deserve to be carefully winnowed, the grain,

which is of the best quality, being now lost amid the heap of chaff.

Lord keep me faithful to the trust

Which my dear spouse reposed in me:

To her now dead, preserve me just

In all that should performed be.

For tho' our being man and wife

Extendeth only to this life,

Yet neither life nor death should end

The being of a faithful friend.[8]

The knowledge that the Doctor's heart was thus engaged at the time of

their first acquaintance, had given to Deborah's intercourse with him

an easy frankness which otherwise might perhaps not have been felt,

and could not have been assumed; and the sister-like feeling into

which this had grown, underwent no change after Lucy Bevan's death. He

meantime saw that she was so happy with her father, and supposed her

father's happiness so much depended upon her, that to have entertained

a thought of separating them (even if the suitableness of such a

marriage in other respects had ever entered into his imagination),

would have seemed to him like a breach of friendship. Yet, if Mr.

Bacon had died before he opened his mind to the Doctor upon occasion

of Joseph Hebblethwaite's proposal, it is probable that one of the

first means of consolation which would have occurred to him, would

have been to offer the desolate daughter a home, together with his

hand; so well was he acquainted with her domestic merits, so highly

did he esteem her character, and so truly did he admire the gifts with

which Nature had endowed her,—

her sweet humour

That was as easy as a calm, and peaceful;

All her affections, like the dews on roses,

Fair as the flowers themselves, as sweet and gentle.[9]

[Footnote 7: ROBERT LANDOR.]

[Footnote 8: WITHER.]

[Footnote 9: BEAUMONT and FLETCHER.]

INTERCHAPTER XII.

THE AUTHOR REGRETS THAT HE CANNOT MAKE HIMSELF KNOWN TO CERTAIN

READERS; STATES THE POSSIBLE REASONS FOR HIS SECRESY; MAKES NO USE IN

SO DOING OF THE LICENSE WHICH HE SEEMS TO TAKE OUT IN HIS MOTTO; AND

STATING THE PRETENCES WHICH HE ADVANCES FOR HIS WORK, DISCLAIMING THE

WHILE ALL MERIT FOR HIMSELF, MODESTLY PRESENTS THEM UNDER A GRECIAN

VEIL.

Ἔνϑα γαρ τι δεῖ ψεῦδος λεγεσϑαι λεγἐσϑω.

HERODOTUS.

There is more gratitude in the world, than the worldly believe, or

than the ungrateful are capable of believing. And knowing this, I

consequently know how great a sacrifice I make in remaining incognito.

Reputation is a bubble upon the rapid stream of time; popularity, a

splash in the great pool of oblivion; fame itself but a full-blown

bladder, or at best a balloon. There is no sacrifice in declining

them; for in escaping these you escape the impertinences and the

intrusions which never fail to follow in their train. But that this

book will find some readers after the Author's own heart is certain;

they will lose something in not knowing who the individual is with

whom they would delight to form a personal, as they have already

formed a moral and intellectual friendship;

For in this world, to reckon every thing,

Pleasure to man there is none comparable

As is to read with understanding

In books of wisdom, they ben so delectable

Which sound to virtue, and ben profitable.[1]

And though my loss is not of this kind, yet it is great also, for in

each of these unknown admirers I lose the present advantage of a

well-wisher, and the possible, or even probable benefit of a future

friend.

[Footnote 1: TREVISA.]

Eugenius! Eusebius! Sophron! how gladly would ye become acquainted

with my outward man, and commune with me face to face! How gladly

would ye, Sophronia! Eusebia! Eugenia!

With how radiant a countenance and how light a step would Euphrosyne

advance to greet me! With how benign an aspect would Amanda silently

thank me for having held up a mirror in which she has unexpectedly

seen herself!

Letitia's eyes would sparkle at the sight of one whose writings had

given her new joy. Penserosa would requite me with a gentle look for

cheering her solitary hours, and moving her sometimes to a placid

smile, sometimes to quiet and pleasurable tears.

And you, Marcellus, from whom your friends, your country and your kind

have every thing to hope, how great a pleasure do I forego by

rendering it impossible for you to seek me, and commence an

acquaintance with the sure presentiment that it would ripen into

confidence and friendship!

There is another and more immediate gratification which this

resolution compels me to forego, that of gratifying those persons who,

if they knew from whom the book proceeded, would peruse it with

heightened zest for its author's sake;—old acquaintance who would

perceive in some of those secondary meanings which will be understood

only by those for whom they were intended, that though we have long

been widely separated, and probably are never again to meet in this

world, they are not forgotten; and old friends, who would take a

livelier interest in the reputation which the work obtains, than it

would now be possible for me to feel in it myself.

“And why, Sir,” says an obliging and inquisitive reader, “should you

deprive your friends and acquaintance of that pleasure, though you are

willing to sacrifice it yourself?”

“Why, Sir,—do you ask?”

Ah that is the mystery

Of this wonderful history,

And you wish that you could tell![2]

[Footnote 2: SOUTHEY.]

“A question not to be asked,” said an odder person than I shall ever

pretend to be, “is a question not to be answered.”

Nevertheless, gentle reader, in courtesy I will give sundry answers to

your interrogation, and leave you to fix upon which of them you may

think likely to be the true one.

The Author may be of opinion that his name, not being heretofore known

to the public, could be of no advantage to his book.

Or, on the other hand, if his name were already well known, he might

think the book stands in no need of it, and may safely be trusted to

its own merits. He may wish to secure for it a fairer trial than it

could otherwise obtain, and intend to profit by the unbiassed opinions

which will thus reach his ear; thinking complacently with Benedict,

that “happy are they that hear their detractions, and can put them to

mending.” In one of Metastasio's dramatic epithalamiums, Minerva says,

_l'onore, a cui

Venni proposta anch' io

Piu meritar, che conseguir desio;_

and he might say this with the Goddess of Wisdom.

He may be so circumstanced that it would be inconvenient as well as

unpleasant for him to offend certain persons,—Sir Andrew Agnewites for

example,—whose conscientious but very mischievous notions he

nevertheless thinks it his duty to oppose, when he can do so

consistently with discretion.

He may have wagers dependent upon the guesses that will be made

concerning him.

Peradventure it might injure him in his professional pursuits, were he

to be known as an author, and that he had neglected “some sober

calling for this idle trade.”

He may be a very modest man, who can muster courage enough for

publication, and yet dares not encounter any farther publicity.

Unknown, perhaps his reputation

Escapes the tax of defamation,

And wrapt in darkness, laughs unhurt,

While critic blockheads throw their dirt;

But he who madly prints his name,

Invites his foe to take sure aim.[3]

[Footnote 3: LLOYD.]

He may be so shy, that if his book were praised he would shrink from

the notoriety into which it would bring him; or so sensitive, that his

mortification would be extreme, if it were known among his neighbours

that he had been made the subject of sarcastic and contemptuous

criticism.

Or if he ever possessed this diffidence he may have got completely rid

of it in his intercourse with the world, and have acquired that easy

habit of simulation without which no one can take his degree as Master

of Arts in that great University. To hear the various opinions

concerning the book and the various surmises concerning the author,

take part in the conversation, mystify some of his acquaintance and

assist others in mystifying themselves, may be more amusing to him

than any amusement of which he could partake in his own character.

There are some secrets which it is a misery to know, and some which

the tongue itches to communicate; but this is one which it is a

pleasure to know and to keep. It gives to the possessor, _quasically_

speaking, a double existence: the exoteric person mingles as usual in

society, while the esoteric is like John the Giganticide in his coat

of darkness, or that knight who in the days of King Arthur used to

walk invisible.

The best or the worst performer at a masquerade may have less delight

in the consciousness or conceit of their own talents, than he may take

in conversing with an air of perfect unconcern about his own dear

book. It may be sport for him to hear it scornfully condemned by a

friend, and pleasure to find it thoroughly relished by an enemy.

The secrets of nature

Have not more gift in taciturnity.[4]

Peradventure he praises it himself with a sincerity for which every

reader will give him full credit; or peradventure he condemns it, for

the sake of provoking others to applaud it more warmly in defence of

their own favourable and pre-expressed opinion. Whether of these

courses, thinkest thou, gentle reader, is he most likely to pursue? I

will only tell thee that either would to him be equally easy and

equally entertaining. “Ye shall know that we may dissemble in earnest

as well as in sport, under covert and dark terms, and in learned and

apparent speeches, in short sentences and by long ambage and

circumstance of words, and finally, as well when we lie, as when we

tell truth.”[5]

[Footnote 4: TROILUS and CRESSIDA.]

[Footnote 5: PUTTENHAM.]

In any one of the supposed cases sufficient reason is shown for his

keeping, and continuing to keep his own secret.

_En nous formant, nature a ses caprices,

Divers penchans en nous elle fait observer.

Les uns, à s'exposer, trouvent mille délices;

Moi, j'en trouve à me conserver._[6]

And if there be any persons who are not satisfied with this

explanation, I say to them, in the words of Jupiter,

—STET PRO RATIONE VOLUNTAS.

[Footnote 6: MOLIERE.]

Moreover, resting my claim to the gratitude of this generation, and of

those which are to come, upon the matter of these volumes, and

disclaiming for myself all merit except that of fidelity to the

lessons of my philosopher and friend, I shall not fear to appropriate,

_mutatis mutandis_ and having thus qualified them, the proud words of

Arrian:

᾽Αλλ᾽ ἐκεῖνο ἀναγράφω, ὅτι ἐμοὶ πατρίς τἐ, καὶ γένος, καὶ ἀρχαι, οἵδε

οἱ λὁγοι εἰσι τέ—καὶ ἐπὶ τῶ δἐ οὐκ ἀπαξιῶ ἐμαυτὸν τῶν πρώτων ἐν τῇ

φωνῇ τῇ Αγγλὶκῇ, εἴπερ οῦν καὶ Δανιὴλ ὅ ἰατρὸς ἐμος τῶν έν τοῖς

φαρμακοις.

INTERCHAPTER XIII.

A PEEP FROM BEHIND THE CURTAIN.

Ha, ha, ha, now ye will make me to smile,

To see if I can all men beguile.

Ha, my name, my name would ye so fain know?

Yea, I wis, shall ye, and that with all speed.

I have forgot it, therefore I cannot show.

A, a, now I have it! I have it indeed!

My name is Ambidexter, I signify one

That with both hands finely can play.

KING CAMBYSES.

But the question has been mooted in the literary and cerulean circles

of the metropolis, whether this book be not the joint work of two or

more authors. And this duality or plurality of persons in one

authorship has been so confidently maintained, that if it were

possible to yield upon such a point to any display of evidence and

weight of authority, I must have been argued out of my own indivisible

individuality.

_Fort bien! Je le soutiens par la grande raison

Qu'ainsi l'a fait des Dieux la puissance suprême;

Et qu'il n'est pas en moi de pouvoir dire non,

Et d'etre un autre que moi-même._[1]

[Footnote 1: MOLIERE.]

Sometimes I have been supposed to be the unknown Beaumont of some

equally unknown Fletcher,—the moiety of a Siamese duplicate; or the

third part of a Geryonite triplicity; the fourth of a quaternion of

partners, or a fifth of a Smectymnuan association. Nay, I know not

whether they have not cut me down to the dimensions of a tailor, and

dwindled me into the ninth part of an author!

Me to be thus served! me, who am an integral, to be thus split into

fractions! me, a poor unit of humanity, to be treated like a polypus

under the scissars of an experimental naturalist, or unnaturalist.

The reasons assigned in support of this pluri-personal hypothesis are,

first, the supposed discrepancy of humour and taste apparent in the

different parts of the book. Oh men ignorant of humorology! more

ignorant of psychology! and most ignorant of Pantagruelism!

Secondly, the prodigal expenditure of mottoes and quotations, which

they think could only have been supported by means of a pic-nic

contribution. Oh men whose diligence is little, whose reading less,

and whose sagacity least of all!

Yet looking at this fancy of the Public,—a creature entertained with

many fancies, beset with many tormenting spirits, and provided with

more than the four legs and two voices which were hastily attributed

to the son of Sycorax;—a creature which, though it be the fashion of

the times to seek for shelter under its gaberdine, is by this good

light, “a very shallow monster,” “a most poor credulous monster!”—I

say looking at this fancy of the Public in that temper with which it

is my wish to regard every thing, methinks I should be flattered by

it, and pleased (if any thing flattering could please me) by having it

supposed upon such grounds, that this book, like the _Satyre

Menippée_, is the composition of several _bons et gentils esprits du

tems,—dans lequel souz paroles et allegations pleines de raillerie,

ils boufonnerent, comme en riant le vray se peut dire_; and which _ils

firent, selon leurs humeurs, caprices et intelligences, en telle sorte

qu'il se peut dire qu'ils n'ont rien oublié de ce qui se peut dire

pour servir de perfection à cet ouvrage, qui bien entendu sera

grandement estimé par la posterité._[2]

[Footnote 2: CHEVERNY.]

The same thing occurred in the case of Gulliver's Travels, and in that

case Arbuthnot thought reasonably; for, said he, “if this Book were to

be decyphered merely from a view of it, without any hints, or secret

history, this would be a very natural conclusion: we should be apt to

fancy it the production of two or three persons, who want neither wit

nor humour; but who are very full of themselves, and hold the rest of

mankind in great contempt; who think sufficient regard is not paid to

their merit by those in power, for which reason they rail at them; who

have written some pieces with success and applause, and therefore

presume that whatever comes from them must be implicitly received by

the public. In this last particular they are certainly right; for the

superficial people of the Town, who have no judgment of their own, are

presently amused by a great name: tell them, by way of a secret, that

such a thing is Dr. Swift's, Mr. Pope's, or any other person's of note

and genius, and immediately it flies about like wild-fire.”[3]

[Footnote 3: GULLIVER decyphered.]

If the Book of the Doctor, instead of continuing to appear, as it

originally went forth, _simplex munditiis_, with its own pithy,

comprehensive, and well-considered title, were to have a name

constructed for it of composite initials, like the joint-stock volume

of the five puritanical ministers above referred to, once so well

known, but now preserved from utter oblivion by nothing but that

name,—_vox et præterea nihil_;—if, I say, the Book of the Doctor were

in like manner to be denominated according to one or other of the

various schemes of bibliogony which have been devised for explaining

its phenomena, the reader might be expected in good earnest to

exclaim,

Bless us! what a word on

A title page is this!

For among other varieties, the following present themselves for

choice:—

Isdis.

Roso.

Heta.

Harco.

Samro.

Grobe.

Theho.

Heneco.

Thojama.

Johofre.

Reverne.

Hetaroso.

Walaroso.

Rosogrobe.

Venarchly.

Satacoroso.

Samrothomo.

Verevfrawra.

Isdisbendis.

Harcoheneco.

Henecosaheco.

Thehojowicro.

Rosohenecoharco.

Thehojowicrogecro.

Harcohenecosaheco.

Satacoharcojotacohenecosaheco.

And thus, my Monster of the Isle, while I have listened and looked on

like a spectator at a game of blind-man's-buff, or at a blindfold

boat-race, have you, with your errabund guesses, veering to all points

of the literary compass, amused the many-humoured yet single-minded

Pantagruelist, the quotationipotent mottocrat, the entire unit, the

single and whole _homo_, who subscribes himself,

with all sincerity and good will,

Most delicate Monster,

and with just as much respect as you deserve,

not your's, or any body's humble Servant,

(saving always that he is the king's dutiful subject)

and not your's, but his own, to command,

KEWINT-HEKA-WERNER.

END OF VOL. III.

LONDON:

PRINTED BY W. NICOL, 51, PALL MALL.

The doctor, &c., vol. 3 (of 7) · 第 28 / 28 章