CHAPTER XV

On the map of the world, Great Britain is small. That men should go

forth from this little island and win their way in so many distant

lands, that this island people should wield such power over the

earth, that they should venture into the unknown places and bring

vast areas under the dominion of England, seems incredible. If we

were not aware that this is the literal truth, we should find it hard

to believe, we might even feel inclined to doubt it. The fact that

the mighty British Empire has all sprung from this little island in

the North Sea is one of the most astounding things in the world.

In olden times it was thought that all the world centred round the

Mediterranean Sea, that the earth consisted only of those lands

bordering the Mediterranean. In bygone days, long before the dawn of

history, it is possible that Crete dominated the known world of that

day just as the Island of Great Britain dominates the world of our

own day.

The British Empire is tangible proof of what one little island

can do. There is no reason why Crete should not have done the

same in the past, why that little island set in the vivid blue of

the Mediterranean should not have influenced all the lands on the

Mediterranean shore. We do not know. We cannot say. We have learned

much, but more remains to be unravelled from the tangled skein that

Time has woven in Crete.

As already mentioned, Schliemann, bringing all the knowledge he

had gained in his amazing excavations at Troy, at Mycenæ and other

places, to bear on the subject of the origin of the Mediterranean

civilization, placed his finger on Knossos as the centre whence it

sprang. His uncanny instinct was once more right. He wandered about

the lonely places of Crete, still with faith in the Homer who led

him to discover Troy, feeling sure that at Knossos he would find the

fabled palace of King Minos, but death prevented him from making the

biggest discovery of all.

The work that the German excavator left undone was taken up by Sir

Arthur Evans. Unfolding his tent on the barren site of Knossos, Sir

Arthur Evans set his diggers to work. They dug diligently, scanning

every spadeful of earth for traces of man. They excavated a yard of

soil, 6 feet, 10 feet, wielding pick and shovel, carrying the debris

away in baskets. They found many things, broken jars, decorated

pottery, but most important of all were the clay tablets inscribed

with the puzzling writing of the Minoans.

[Illustration:

_By courtesy of the British School at Athens_

A GENERAL VIEW OF THE RUINS OF THE PALACE OE KNOSSOS IN CRETE,

WHERE SIR ARTHUR EVANS HAS DISCOVERED A NEW AND HIGHLY DEVELOPED

CIVILIZATION, WITH A WRITING WHICH CANNOT YET BE READ]

Still they went on, getting deeper and deeper, until the pick of a

digger struck a paving stone. They shovelled the rubbish away and

disclosed another stone, then another. At last Sir Arthur Evans had

reached the stone pavement of a palace.

Excavations were continued, and gradually the throne-room of the

Palace of Knossos was bared once more to human eyes, after lying

under the debris for countless generations. Here were the stone

seats arranged round the walls for the councillors, here was the

throne on which sat the king who laid tributary on all the lands

about the Mediterranean, a stone throne, hollowed in the seat to give

comfort, with a stone back carved in a series of six curves rising

to a half-circle at the top, the solid block comprising the seat

carved at the front to indicate legs. Here in this ancient palace he

held audiences, sent his messengers forth in their galleys to claim

tribute at Athens, issued his decrees.

“Go,” he said, and they went.

And when after feasting he desired amusement and relaxation, he

would beckon his henchman. “Fetch me maidens to dance and sing,” he

would say, and there would be the sound of twanging strings and the

pitter-patter of little naked feet on the stone floor, feet with

toes pink as rosebuds, lithe limbs, flowing draperies.

And the king, feasting his eyes on the beauty of his dancers, would

dream of the youths and maidens even then aboard his galleys on their

way from Athens to Crete, the youths and maidens who were the yearly

tribute.

The hot sun, beating down on the well-tended vineyards, drew the

nectar of the earth to the grapes, brushed them with a delicate bloom

ere they fell beneath the feet of the winepressers to yield the juice

that made the feasters merry. The blossom of the olive groves was

succeeded by tiny green olives which swelled in the heat until they

were ready to yield their rich oil which was so welcome to the people

of other lands. Artists worked happily on the plaster walls, laying

on their colours to delight the eye, potters kneaded their clay until

it was as butter under the ball of the thumb. The people spun and

sewed and draped their bodies in comely garments. But most of all

they valued health, realized the necessity for adequate drainage.

Did they become too civilized, these ancient people? Did they grow

lazy in their luxury, disinclined to work? Who knows! Perhaps it was

so. At any rate, desolation swept over them and blotted them out,

just as the cities on the site of Troy were blotted out again and

again.

We can imagine the galleys of the invaders approaching the rocky

coasts, the cries of alarm running through the palaces and over the

island, the invaders springing ashore, fierce, strong, hard, not

softened by too much civilization, relying on their own strength

and weapons for sustenance, not upon the tribute exacted from

other lands. Muscular arms that had thrust the galleys through the

Mediterranean, dropped the sweeps and caught up weapons as the keels

grounded. The sea curled about the legs of the invaders as they

dropped over the prow and swarmed ashore. Fighters, every one, asking

no quarter, giving none, seeking plunder with the sword, valuing

other lives not at all and their own but little.

See the women shrinking into the corners of the palaces, eyes full

of fear, sensing approaching doom; men shouting and gasping, the

invaders sweeping forward and cutting them down. A semi-barbarous

people conquering a civilized people, cold iron superseding bronze,

uncultured men with superior weapons triumphing over culture with

inferior weapons.

Long, long ago something like this happened in Crete; the palaces

of the ancient people were toppled about their ears and palaces and

people vanished into oblivion.

Gaze on another scene thousands of years later. Absolute desolation

on the hill of Kephala. No sound of music nor pitter-patter of pink

feet on naked stones, only the song of the breeze; no sign of

palaces, conquered and conquerors alike swept into the gulf of Time;

only the same blue sea a mile or two away singing its eternal song on

the same rocky coast.

Men are swinging picks into the bosom of the earth, making great

gashes and gaps in the hill, picking over the loosened rubbish,

throwing it into baskets and carrying it away. An easy movement of

the arm sends the contents of the basket sliding down the face of the

dump, and the black-haired labourer turns back for another load.

Suddenly a digger glimpses something amid the heap of rubbish

loosened by the point of the pick. He stoops like a hawk to its prey

and brushes aside the soil with his fingers, scrapes carefully about

the object, and in a minute has it free.

It is merely a piece of yellow pottery with red decorations. Almost

before the finder has had time to look at the fragment, a man

scrambles down to him and, taking the fragment, carefully removes all

traces of soil.

Keen eyes scrutinize the little piece of pottery, and thoughts go

crowding through the brain. Visions of Egypt leap up, of a similar

fragment found in a tomb far over the blue sea to the south, past

the age-old Pyramids and the modern wonder of Assouan. Back and

back thoughts fly through the ages, back to the earliest kings who

swayed the earliest communities in the Nile Valley, all because

of a fragment of burnt earth, bits of pottery, links in the Eternal

Chain of Time, binding together in some unknown way Egypt and Crete.

Most of the links are missing, but who knows how and when the pick

and shovel of the seeker after truth may come across them?

[Illustration:

_By courtesy of the British School at Athens_

ONE OF THE MAGAZINES UNCOVERED BY SIR ARTHUR EVANS AT KNOSSOS IN

CRETE. THE MIGHTY STORE JARS, BIG ENOUGH TO CONTAIN A MAN, ARE SEEN

IN THEIR ORIGINAL POSITIONS AND THE SIDE OF THE TRENCH INDICATES HOW

DEBRIS COMPLETELY COVERED THEM IN THE COURSE OF THOUSANDS OF YEARS]

Once more let us glimpse that hill in Crete. The diggers are

gesticulating, running about. Carefully they dig and loosen the

soil about another object. A band of carved stone comes to light;

it is a curved band, and as they work about it ever so carefully,

they find it is part of a cylinder buried deep in the earth. They

work excitedly, removing the earth, digging down until they reveal a

mighty stone jar, a jar big enough for a man to stand upright in, a

jar which the ancients used as a store. It is the giant forerunner of

those tiny canisters to be found in the modern pantry, canisters for

storing tea and coffee and sugar and rice.

Deeper yet dug Sir Arthur Evans, until he had penetrated to nearly

twice the depth of the floor of the Palace of Knossos, until he was

nearly 40 feet below the surface. Here were stone implements, the

scrapers and knives of the unknown people who first dwelt in this

island in the Mediterranean. And through all the different strata he

found relics of man, relics by which it was possible to trace the

rise of civilization in Crete, from stone to copper, and copper to

bronze and bronze to iron.

But the biggest find of all are the stones and clay tablets and seals

with their hieroglyphic and script writing. For years Sir Arthur

Evans has puzzled over them, tried to solve the mystery of this

strange writing. The finest scholars of the world have racked their

brains for the clue to the mystery writing. There is the writing, but

we cannot read it. The key is lost.

Still the search for it goes on, and some day Sir Arthur Evans will

surely achieve his crowning triumph and solve the riddle of the

pictographs and script of Crete. What we may learn then about the

origins of our own civilization, nobody can foretell. The inscribed

stones and clay tablets of Crete have yet to yield up their secret.

For years Sir Arthur Evans has laboured in Crete, finding the money

to move mountains of soil so that light may be thrown on the past.

Discoveries of the highest importance have followed his excavations,

for he has proved with pick and spade that here in this little

island flourished a civilization almost undreamed of till the

present century, a civilization maybe as old as that of Egypt and

Mesopotamia, a civilization that flourished at least five thousand

years ago, that endured for ages before the Phœnicians launched their

galleys on the Mediterranean.

Perhaps in the years to come the researches of those who are

working in the desert places will make the origin of these early

civilizations clearer, and we may be able to assign to each its

proper place in the Story of Mankind.

THE END

The romance of excavation · 第 15 / 15 章