BY HENRY HATTON, MAGICIAN AND VENTRILOQUIST.

Yes, boys, real Simon-pure "magic." Just such tricks as you have seen

the "magician" do; just such tricks as some of you may have seen your

humble servant do. Many of these you can do yourselves--when you know

how; others require more practice than you ought to give to such

nonsense, and others again are too expensive. But there are some that

any boy--or girl, for that matter--can do with little rehearsing and at

slight expense. The magic sack trick, which I had the honor of

introducing to America in 1873, is as clever as it is simple.

A muslin sack large enough to contain a boy of fourteen is handed out

for examination, and after the audience are satisfied that the seams are

not only secure and perfect, but that its only opening is at the mouth,

the performer's assistant gets inside. The sack is gathered over his

head, and the mouth tied fast with a silk handkerchief, and then with a

tape, the knots of the latter being not only sealed in any way that

seems best to the audience, but the ends, which are left long, given to

some one to hold.

A screen is now placed between the audience and the boy in the sack, the

ends of the tape passing either over the top of the screen or through

holes in its side.

It would seem impossible for the person thus securely enveloped to get

out of the sack without cutting or untying the tape and handkerchief;

and yet, O mystery of mysteries! in a few seconds the screen is thrown

open, and the late occupant of the sack walks out, while the sack is

found still tied up, the knots not tampered with, and the seals

unbroken.

Surprising as this appears, there are needed but three requisites for

its successful accomplishment: first, an assistant upon whose secrecy

and faithfulness the young conjurer can rely, for he will require his

help in very many tricks; second, _two_ sacks, exactly alike, made of

very light material, so that they will fold into small compass; and

third, unlimited impudence, assurance, or whatever you may be pleased to

call it.

When about to exhibit the trick, the performer comes forward, holding a

silk handkerchief in one hand, and sack No. 1 in the other. The

assistant, who is to be tied up, has the duplicate, or sack No. 2,

concealed about him, say, inside his vest, or in some such suitable

place.

As soon as he gets fairly into No. 1, he whips out the duplicate, and

puts the mouth of it inside the mouth of No. 1. The exhibitor, who is

fumbling about as if to gather No. 1 over the assistant's head, seizes

No. 2, and drawing out about nine inches of it, at once wraps the silk

handkerchief over the two so as to cover the point where they meet.

This he does deliberately, as an appearance of haste would give rise to

suspicion among the audience. As it is now impossible for any one to

distinguish between the parts of the two sacks, the exhibitor turns to

his audience with the remark: "I have now tied up the mouth of the sack

in such a way as to make it next to impossible for the young man to get

out. But to make assurance doubly sure, I should like one of the

audience to tie it again; this time with a piece of tape." As he says

this, he produces the tape and ties it once around _the part between the

handkerchief and the mouth of No. 2_. The person selected from the

audience then draws the knots tight, seals them, and retains the ends of

the tape in his hand.

When the screen is placed in position--for home exhibition a

clothes-horse with a sheet over it makes an excellent substitute for a

screen--the assistant gently pulls on the mouth of No. 1, which is

readily drawn out from under the handkerchief, and steps out, leaving

the tape and handkerchief still closely wound around No. 2. It takes but

a second to fold up No. 1, conceal it, and then to walk out from behind

the screen to receive the applause of the audience.

This brief, but I trust clear, description can give but little idea of

the effect produced by this really surprising trick. I first saw it

exhibited by a performer calling himself Le Duc, at Stockholm, Sweden,

some twenty-five years ago, and at that time, though I knew considerable

about magic, I was completely mystified.

"THEIR GIRL."

Harper's Young People, October 10, 1882 An Illustrated Weekly · 第 20 / 56 题