“My Lawd!” Isaiah exclaimed, clawing at his white wool. “Wharever

Hitch has been at, he comed away so fast dat he runned out of all his

clothes!”

VIII

THE HOODOO GIRL.

It was Sunday morning in Tickfall. A crowd of men were standing in

front of the Shoofly Church, idly waiting and chewing tobacco. A row of

men sat like buzzards upon the top of the rickety fence, also chewing

tobacco. Half a dozen saddle-horses stood hitched to the trees and

two-score dilapidated buggies stood in a row with their horses hitched

to the fence.

Now and then some young negro girl wandered aimlessly toward one

of these buggies, then hastened her footsteps as if she had just

remembered leaving something under the seat.

Some young negro man quickly ceased his low-toned conversation and

watched her out of the corner of his eye. Presently the girl climbed

into the buggy and sat down. Promptly the young man left his companions

and went and sat beside her. That was the end of their interest in the

services to be conducted in the church that morning.

The young man had found the saint of his deepest devotion.

The Rev. Vinegar Atts came stalking across the churchyard like a turkey

walking through mud and dressed in all his Sunday finery. None of

the men seemed to be aware of his presence. Vinegar reflected on the

strangeness of this, and began to ponder uneasily on his chance of

retaining his job as the preacher at the Shoofly Church.

He bowed and spoke to all the men, and hardly one of them gave him a

nod of recognition in return.

Vinegar determined to find out the cause of this indifference, and he

chose for his informant a man named Pap Curtain--a tall, slim negro

with a yellow monkey face and an habitual sneer upon his lips.

“Whut ails you niggers to-day?” Vinegar demanded in a trembling voice.

“How come dis here awful silence aroun’ dis church?”

“Hoodoo gal!” Pap Curtain answered laconically, pointing across the

churchyard.

“Huh!” Vinegar grunted with popping eyes.

On the other side of the yard old Ginny Babe Chew, a woman of immense

size, was walking beside a slim young negress dressed in white and very

handsome.

“Huh,” Vinegar grunted again, unable to comprehend.

“How much will you gib me fer a piece of real news, Revun?” Pap

inquired.

“Ef you got any tales to tell, bawl out!” Vinegar snapped, for the

men’s actions were getting on his nerves.

“You remember hearin’ ’bout dat Dude Blackum whut got into trouble wid

de white folks at Sawtown las’ Monday night?” Pap asked. “Well, suh,

dat little gal wid Ginny Babe Chew is Dainty Blackum, Dude’s cote-house

wife!”

“My Lawd!” Vinegar growled as he sat down upon the ground under a tree

like a man suddenly overcome by weakness. He pulled out his corn-cob

pipe and gave himself up to troubled meditation as he filled and

lighted it. After a few moments he said:

“Pap, de niggers never will git over deir skeer ’bout dat little

entertainment wid Dude Blackum. I don’t b’lieve he done whut de white

folks said he done.”

“Hush!” Pap cautioned. Then he asked: “Whut diffunce do dat make now?

He’s done dead!”

There was a long silence while the two men watched the handsome,

graceful girl walking beside the elephantine form of Ginny Babe Chew.

Finally Pap Curtain said aloud as if to himself:

“She’s tall an’ wavy like a stalk of sugar-cane, an’ sweet plum down to

de groun’.”

“She ain’t mournin’ so powerful deep fer dat Dude Blackum,” Vinegar

remarked. “She’s dolled up in a white dress!”

“Dat Dude Blackum shore did lose somepin beside his life when he parted

wid dat female woman,” Pap said. “Ef I could hab a gal like dat keepin’

house fer me, I’d shore cut out all meanness ferever.”

Vinegar Atts shuddered and rose to his feet.

“I ain’t waste no time talkin’ ’bout dead niggers,” he said uneasily.

“I done seed de ghost of dat Dude Blackum ’bout fo’teen times.”

“You ain’t by yo’se’f in dat, Revun,” Pap sighed. “Eve’y time I thinks

of dat nigger I gits de jiggety-jams.”

“I knowed Dude Blackum a little bit--I seed him on de train once,”

Vinegar said. “But ’pears like his ha’nt ain’t gwine let me alone

a-tall!”

Dainty and Ginny Babe walked up the steps and entered the Shoofly

Church, followed by the curious eyes of all the men in the yard.

“Dar now!” Vinegar mourned. “’Tain’t no use to try to hab preachin’

dis mawnin’--dat hoodoo gal is done got dis meetin’-house in a mess. I

feels like somebody is done criss-crossed my head wid a rabbit-foot.”

He knocked the tobacco from his pipe and thrust it into his pocket, his

eyes set upon the door through which the girl had passed.

“When did Dainty Blackum come to Tickfall?” Vinegar asked.

“Yistiddy. Ginny Babe Chew met her at de deppo. Some yuther

niggers come up from Sawtown, too. You know how niggers is--dar’s a

scatteration when somepin like dat happens.”

“Yes, suh. De guilty niggers scatterates as fur as dey kin git an’ as

quick as dey kin go,” Vinegar agreed. “De not guilty niggers hikes out

of de place to de near-by towns an’ waits till de clouds rolls by.”

“I’s jes’ whisperin’ to you ’bout dat Dainty Blackum, Vinegar,” Pap

said suddenly. “I ain’t gwine ’round braggin’ no brags ’bout knowin’

dis Blackum gal. White folks gits awful rambunctious when a nigger

kills a white man like Dude done.”

“I ain’t sayin’ nothin’,” Vinegar murmured. “I done j’ined de lodge of

silunce.”

The two men separated, Vinegar enterin’ the large, cool, dilapidated

church. The band of men standing in the yard followed, as a drove of

mules follow a gray mare upon the dusty highroad. The buzzard-like men

climbed from their perches on the fence, dusted the seats of their

trousers by quick, sliding motions of each hand, and entered the

building. In the intense silence their heavily shod feet made ugly

noises upon the uncarpeted floor.

Vinegar sensed tragedy everywhere. He looked around him uneasily,

spotting certain unfamiliar faces in the congregation.

Ginny Babe Chew sat on the front seat with Dainty Blackum, the two

occupying the middle row of pews. On Vinegar’s right, on the front

seat, sat a man who had a knife-scar in his neck, a bullet-scar on his

cheek, and the top of his left ear was missing. On Vinegar’s left was a

tall, ladder-headed negro, dressed like a preacher, sitting on a front

bench.

There was no organ or other musical instrument in the church. Vinegar

Atts, who had a voice like a pipe-organ, always raised his own tunes

and depended upon Skeeter Butts, Figger Bush, and Hitch Diamond to

carry the music in the congregation.

Vinegar looked in vain for his three friends to-day. Hitch Diamond had

been gone for three Sundays; Skeeter Butts was organizing a baseball

nine, and Figger Bush had gone away with a fishing-party of white

people.

Suddenly the voice of Dinner Gaze, sitting on Vinegar’s right, rose

loud and clear in the silence:

“On de yuther side of Jordon,

In de sweet fields of Eden,

Whar de Tree of Life is bloomin’,

Dar is rest fer you!”

No one in the congregation knew the song, and the solo-voice floated

out like the song of a bird. The people sat with bowed heads and

listened. When the song ended Vinegar walked out of the pulpit and

extended his hand cordially to Dinner Gaze.

“Glad to meet yo’ ’quaintance, my brudder!” he rumbled. “Will you h’ist

de toons fer us?”

IX

DINNER GAZE SINGS.

Dinner Gaze rose from his seat and, stooping as if he were trying to

catch a rat, walked to the front of the congregation. Pausing a moment,

his body began to weave to and fro as if in conformity to the words

of Scripture: “All my bones shall praise thee.” Then to the surprise

of the congregation, after all this orthodox preparation for starting

a tune, Dinner Gaze suddenly walked back to his former place and sat

down! In the meantime Vinegar Atts was getting acquainted with the

other stranger on the opposite side of the house.

“Yes, suh, my name is Tucky Sugg,” the stranger told him. “I ain’t no

reg’lar preacher, but I exhausts a little befo’ de people sometimes.”

“I hopes you’ll take up yo’ stayin’-place wid us,” Vinegar said

cordially. “Us needs good mens.”

He turned to motion to Dinner Gaze to start the song, and found that

Dinner had gone back to his seat.

“Whut ails you, brudder?” he asked.

“I’s skeart I don’t know enough toons to lead de singin’,” Gaze said

with a grin. “I retires.”

Vinegar’s eyes fell upon Ginny Babe Chew.

“H’ist a toon, sister!” he commanded. In a hoarse bellow Ginny Babe

began:

“Blow--ye--de--trumpet--blow----”

One line was enough.

The words were not inspiring, the tune and tone and manner of the fat

leader was a call to penitence, anguish, and tears.

Vinegar sprang to his feet.

“Dat’s won’t do, sister!” he interrupted. “Less sing _dis_ toon!”

He began a song in a bellow which shook the rafters of the house

and rattled the windows and threatened to crumble the foundations

of the building. The song was a jay-bird affair, waltz-music to the

stanza and jig-time to the chorus. The song might as well have been

totally unfamiliar to the congregation. It was really one of their

favorites--but, in spite of that, they let Vinegar sing it through as a

solo.

Verily, the hoodoo was working.

Vinegar was appalled at the unresponsiveness of his congregation, and

when the crowd had listened without objection or commendation to a solo

prayer and to a reading from the old, worn Bible upon the desk, the

preacher was almost in hysterics. He had never seen anything like that

before.

Vinegar turned to Ginny Babe Chew a second time and said desperately:

“Now, sister Ginny, less hab anodder song--a lively toon whut eve’ybody

knows!”

Ginny Babe Chew rose to her feet, her hand started the gestures of an

old-fashioned singing-master, her body “weaved,” her voice arose in a

high, drawling falsetto, utterly unlike her natural tone:

“Blow--ye--de--trumpet--blow--”

If the human eye had power to slay, Ginny Babe would now be dead.

Vinegar Atts glared at her with such a murderous look that the

congregation forgot to sing and watched him. Ginny Babe turned and

gazed at the preacher with the air of a hurt child, and quietly took

her seat.

There was continued silence in the congregation.

Vinegar raised another tune:

“I muss tell de good Lawd all of my trials,

I cannot bear dese here burdens alone!”

There was continued silence on the part of every one except the

preacher. The congregation knew the song and loved it, but they

acted like they had never heard either the song or the tune. They

were certainly lacking in that Christian coöperation which the song

recommended, and Vinegar had to tell his troubles and trials without

their assistance.

Then in utter desperation, Vinegar turned again to Dinner Gaze and said

pleadingly.

“Fer Gawd’s sake, brudder, come out here an’ sing us a sweet toon--it

don’t make difference even ef we don’t know it.”

Long after Dinner Gaze had ended his brief sojourn in Tickfall, the

congregation of the Shoofly Church remembered him as he stood before

them with his scarred face and sang the song of the shining shore:

“My days are gliding swiftly by,

An’ I, a pilgrim stranger,

Would not detain ’em as dey fly

Dem hours of toil an’ danger;

Fer, Oh! We stand on Jordon’s strand

Our frien’s are passin’ over;

An’ jest befo’, de shinin’ sho’

We may almost discover.”

After this Vinegar arose, announced his text, and began his sermon.

Thereupon Aunt Biddy Chivill, an old negress, deaf as an adder, arose

from one of the pews and seated herself in a chair inside the altar

railing. Unrolling a trumpet hose she had inherited at the death of a

wealthy white woman in Tickfall, she screwed the parts together with

great pride and ostentation, and settled herself to listen.

Vinegar spoke about four sentences to which Biddy Chivill listened

attentively. Then with an air of final decision, Biddy removed the

trumpet from her ear, unscrewed each part with great care and stowed

the instrument away in a bag which she carried in her lap, taking great

pains to lock the bag. Folding her hands across her lap she fell into

peaceful slumber while Vinegar Atts bellowed on.

Sister Ginny Babe Chew, having attempted two abortive toots upon her

trumpet, also fell asleep.

But while Aunt Biddy Chivill slept, her little four-year-old

granddaughter became immediately active and very much awake. She crept

out into the aisle and began to walk around aimlessly, her bare feet

making no noise upon the uncarpeted floor.

For a while she amused herself by staring into the faces of the men

and peeping under the sun-bonnets of the women. The hands which were

stretched out to arrest her were carefully avoided, and she rewarded

each person making the attempt with a childish scowl.

Then she sat down upon the floor and crawled under the benches. She lay

on the floor and rolled under the benches, bobbing up at unexpected

places with an angelic smile.

After this she found a large box in the rear of the church.

In spite of the town stock laws, the hogs ran wild in that portion of

Tickfall known as Dirty-Six, where the Shoofly Church was located. Many

of these animals had their sleeping place under the church, and the

building was infested with fleas.

It was a custom when a church meeting was to be held, to sprinkle the

floor with lime and sweep it out, thus ridding the house temporarily of

the insects. For that purpose a large box of lime was kept in the rear

of the church.

It was this box that the little black baby girl discovered. She stood

on tiptoe, stretched herself up, and looked in. It was white, very

white, inside. She reached over the edge and touched the whiteness.

She brought the hand out and looked at it. It also was white.

[Illustration:

Drawn by E. W. Kemble.

The “Revun” Vinegar Atts began his sermon.]

Then the child reached into the box with both hands, filled them with

lime, and rubbed them on her face. By the mercy of heaven, she did not

get any of the stuff into her mouth and eyes. Then she sat down and

rubbed her feet with lime. The effect was gratifying and she smiled.

By this time the sermon was ended. Vinegar had not done much, but he

had done the best he could.

“Brudder Tucky Sugg will pray for us!” Vinegar bawled.

The congregation reverently bowed.

Then a little black girl with lime-whitened face and hands and legs,

trotted silently up the aisle and stood beside brother Tucky Sugg,

listening earnestly to his bawling voice.

She stretched out a tiny, lime-whitened hand and touched Tucky Sugg

timidly on the top of his step-ladder head.

“Who you tryin’ to talk to, Revun?” she asked in a bird-like voice.

Tucky Sugg opened his eyes and saw something he had never seen before.

With a loud bellow like a frightened cow, he rolled backward on the

floor, and got up with an intense desire to run.

“My Gawd!”

The voice was like an explosion of dynamite, and expressed the

consternation of the congregation as they rose to their feet prepared

for flight.

Ginny Babe Chew awoke from her slumber. She stared at the little child

a moment, then reached out a fat, motherly hand.

“Come here, honey!” she bawled. “Yo’ mammy oughter had washed yo’ face

an’ hands befo’ she sont you to de meetin’-house.”

She wiped the lime off the child with the end of her apron, and took

the child in her lap.

Then, while the congregation was still standing, Dinner Gaze from his

place at one side of the house began to sing, while all stood and

listened:

“At de feast of Bill Shasser an’ a thousan’ of his lords,

While dey drunk from golden vessels as de Book of Truth records,

In de night as dey reveled in de royal palace hall,

Dey wus seized wid cornsternation--’twas de Hand upon de wall!

So our deeds is recorded--dar’s a Hand dat’s writin’ now.

Sinner, gib yo’ sins de go-by an’ to de Marster bow!

Fer de day am approachin’--it must come to one an’ all

When de sinner’s corndamnation will git written on de wall!”

On the instant that the song ended, a long, wailing cry, that was at

once full of anguish and heart-break, ran through the building!

Old Isaiah Gaitskill, superintendent of the Gaitskill hog-camp, ran

down the aisle, clawing at the white wool which fitted his head like a

rubber cap. His face was ashy with the dust of the high-way, and tears

had streaked it where they had ran downward through the dust.

“My Gawd, cullud folks!” he wailed. “De white folks is done kotched

Hitch Diamond--dey are fotchin’ him to jail right now! Here dey come

down de big road. Oh, my Gawd!”

The old negro turned and fell with his hands clasping the altar,

sobbing like a child.

X

HOME AGAIN.

The entire congregation ran out of the building into the churchyard and

looked up the street. To the end of their lives they never forgot what

they saw.

Hitch Diamond, bareheaded, barefooted, dressed in a red undershirt and

a pair of blue overalls, was walking down the middle of the street, his

hands manacled behind him, his head hanging in shame.

Dust covered him from head to feet, and perspiration streamed down his

face. He had tried to wipe the perspiration away by rubbing his head

upon his broad shoulders, and this had smeared his face with mud until

he was a horrible creature to behold.

Hitch looked old, he looked sick. All of the pride and jauntiness which

had characterized him when he left Tickfall for the prize-fight had

dropped away, and he was merely the shell of the man who had gone away

from home to certain pugilistic victory.

On either side of Hitch Diamond rode a strange white man--New Orleans

detectives employed by the mill owners of Sawtown to track the fugitive

down. Behind the three rode the sheriff of Tickfall Parish, Mr. John

Flournoy.

Dainty Blackum ran back into the church and brought from the pulpit

a glass pitcher with a broken spout. She met Hitch and the officers

right in front of the church, and the officers called a halt as she

held the pitcher up to Hitch Diamond’s thirsty lips. Then, dipping

a handkerchief into the water, she wiped the mud and sweat from the

tortured man’s face.

Wail after wail arose from the crowd of negroes in front of the Shoofly

Church, and Hitch turned and looked at them as if he did not realize

where he was.

Vinegar Atts ran out and placed his trembling hand upon Sheriff

Flournoy’s dusty stirrup.

“Whut dey got Hitch fer, Marse John?” he sobbed.

“Murder!” Flournoy growled through jaws which were shut together like a

bear-trap. “He killed the night watchman at the Sawtown mill!”

The party started again, and Vinegar stood in his tracks as if turned

to stone.

It seemed to take a few minutes for the Shoofly congregation to

comprehend what Flournoy had said, or else the shock was so great that

even their emotions could find no expression, voluble as they are as

a race. Then a moan of sorrow swept like a deep-toned note from some

mighty musical instrument; it was rich, melodious, heart-breaking--an

expression of the deepest and most acute grief of their humble lives.

For Hitch was the hero of the colored population of Tickfall. They had

shared his glory as victor in many a hard-fought fistic battle. They

had won many dollars on his prowess as a boxer. They had helped to

train him and perfect his wonderful physical organization for every

contest he had ever participated in, and they loved him!

And Hitch deserved their affection. According to his lights he was a

good man, a clean liver, one who took the best care he knew how of his

superb body. There was nothing vicious or ugly about his disposition.

He was merely a great, strong, bone-headed pugilist, who had made the

most of himself by developing and using the best talent he possessed,

namely, his giant strength.

Still moaning like the sea as the tide flows out, the Shoofly

congregation flowed out into the road and fell in behind, forming a

long procession of sorrowing friends.

Suddenly, above the low moan, in a tone which ripped and roared and

snarled like the angry water breaking through a levee, came the mighty

voice of Ginny Babe Chew:

“Murder! Murder! Murder! Whut do Gawd Awmighty think about dat?”

She pranced down the street, thrusting the people aside with her

ponderous body as a steamboat cuts through the mushy ice upon a river.

Her voice howled like a wolf’s call, with a taunting, bark-like,

malicious, nerve-searing gratification:

“Murder!”

She managed to reach the head of the procession and walked just behind

Sheriff Flournoy’s horse.

She whirled round and round like a Dervish, stooped and threw dust in

the air, tore her clothes, and waving her fists at the sky shrieked

like a maniac:

“Murder! Murder! Murder!”

John Flournoy stopped his horse, and turned and looked at her with a

queer expression upon his face. Once he opened his mouth to speak, then

shut his jaws tight, turned his eyes forward and rode on.

“Murder!” Ginny Babe Chew screamed.

Vinegar Atts could endure the horror no longer. He ran forward, and

caught Ginny Babe by her fat shoulder and whirled her around. Vinegar

had had years of experience as a pugilist and was Hitch’s boxing

partner to this day. He knew exactly where to place his blow.

His open palm with all his strength behind it flattened upon Ginny

Babe’s squalling lips. She uttered a low grunt, and fell in the street.

John Flournoy looked back and nodded his approval.

The crowd coming behind split in two halves, and walked around Ginny’s

prostrate body, noting without pity that a stream of blood was flowing

from her thick lips. The crowd behind had been augmented by hundreds

before they reached the Hen-Scratch saloon.

Skeeter Butts had just come to town in his automobile, and was standing

in front of his place of business. His face turned the color of ashes,

and his lips stiffened with horror as he realized what was coming down

the street to meet him.

“Oh, Hitch!” he wailed. “Shorely dey ain’t got you right, is dey,

Hitch? Tell me dat dey done missed it!”

But Hitch was too tortured to reply. He cast one lingering look upon

his friend, and turned away with blood-shot, agonized eyes. Skeeter

Butts reeled back from the middle of the street and covered his eyes

with his trembling hands.

For a while after that the procession moved forward in silence. Then

a succession of piercing screams shattered the atmosphere. A handsome

girl, whose hands and face were the color of old gold, came running

down the street, and threw her arms around Hitch Diamond’s neck.

“Oh, Hitchie! Hitchie! Hitchie!” she screamed.

It was Goldie Curtain, Hitch’s wife.

For a moment Hitch’s giant body wavered, his knees bent under him, and

he staggered as if about to fall. He stopped and leaned heavily upon

the sobbing girl whose arms clasped his neck.

“Move on!” a sharp-voiced officer spoke.

Goldie Curtain fell in the dust of the street like one dead. Sheriff

Flournoy, whose face was turned to look behind him, did not see her

lying there. His nervous horse leaped over her prostrate body.

Vinegar Atts, sobbing aloud, picked the girl up in his powerful arms,

carried her into her own house and placed her upon a bed. Then he came

out and joined again with the crowd which followed Hitch until the

doors of the jail closed behind him.

When Hitch had passed out of sight behind those doors, Ginny Babe

Chew came staggering down the street, wiping the blood from her lips

and the front of her dress. She stood in the middle of the street in

front of the jail, shrieking like a maniac. She stooped and gathered

handfuls of sand and tossed them into the air above her head, while her

calliope-like voice shrieked again and again:

“Good-by, Hitch! Good-by, Hitch! Good-by, Hitch!”

XI

UP AGAINST IT.

A whole week passed during which Skeeter Butts sat in the Hen-Scratch

saloon, nervously smoking cigarettes and listening to the whispered

tales which came to him from his negro friends.

Skeeter had made no attempt to see Hitch Diamond, and had not talked

about him to any of the white people. He knew it was not wise to show

too much interest in the case of a negro criminal. He did not care

to get himself under suspicion. All of Hitch’s friends felt the same

way, and since their first dramatic display of emotion as Hitch was

led captive before the Shoofly Church, they had assumed an attitude of

indifference toward Hitch and his pitiable plight.

It was the Sunday following Hitch’s return to Tickfall when Skeeter

determined to interview Sheriff John Flournoy. Skeeter timed his call

with the sheriff’s custom of sitting on a little side porch of his home

and smoking an after-dinner cigar.

E. K. Means Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title · 第 17 / 20 段