The little Pomeranian racked across the sandy floor of the saloon,

small sharp ears erect, his fine intelligent eyes sparkling, his thick

hair as fine and glossy as silk. He leaped into Skeeter’s lap, and

licked a tiny red tongue at Skeeter’s face.

“Look out, Skeeter!” Figger exclaimed, pushing his chair out of the

danger zone. “Ain’t you skeart dat Spit dawg will spit in yo’ face?”

“Naw!” Skeeter replied disgustedly. “Dey jes’ calls him a Spitz dawg

fer a name. Dat’s a manner of speakin’, as it were. Ef you buys a plug

of Bull-dawg chawin’ terbaccer, you don’t especk to git bit, does yer?”

“You shorely muss be stuck on dat new gal ef you totes her dawg on de

street an’ feeds him puffeckly good vittles in de Hen-Scratch saloom,”

Figger replied, ignoring Skeeter’s question.

“I _is_ in love wid dat gal,” Skeeter replied positively. “She’s shore

easy to look at, Figger. An’ she specifies she is _wuth_ one thousan’

dollars.”

“My Lawd!” Figger exclaimed fervently. “I’d be willin’ to tote a whole

litter of Spit dawgs fer her!”

“I wants you to he’p me ketch her, Figger,” Skeeter said earnestly.

“I needs about a thousan’ dollars to make some improvements in dis

barroom, an’ escusin’ dat, de gal is plum’ wuth havin’.”

“Am she really got dat many money, or do she jes’ value her carcass at

dat many dollars?” Figger asked suspiciously.

“I dunno,” Skeeter replied doubtfully. “All she said wus dat she wus

_wuth_ one thousan’ dollars.”

“Huh,” Figger grunted skeptically. “She mought be pricin’ herse’f too

high.”

Suddenly the green-baize doors of the saloon were thrust aside, and a

clear voice called:

“Oh, Skeeter! Come out here!”

Skeeter jumped like someone had popped a dynamite cap under his chair,

and hastened out to the front. Figger followed slowly for the purpose

of getting a good look at Skeeter’s new girl.

She was well worth seeing. She was as slim and straight and graceful as

a stalk of sugar-cane; her color was a little darker than Skeeter’s; an

Ethiopian type, with perfect features, a sinewy, cat-like movement of

muscles under satiny skin, easy-smiling lips, which played constantly

over perfectly beautiful teeth, and a speaking voice which any orator

in the world would covet.

“Lawd,” Figger sighed enviously. “She’s wuth de thousan’ dollars, all

right.”

“I wants my dawg, Skeeter,” Tella Tandy said. “I’s gwine down to de

deppo to watch de train come in. Want to come wid me an’ tote de dawg?”

“No’m,” Skeeter answered regretfully, as he snapped his fingers and the

little Spitz leaped under the saloon doors and sprang into his owner’s

arms. “I got to make a livin’ keepin’ bar. I’ll go wid you some yuther

time.”

The woman walked down the street and Skeeter returned to the table

where he had been sitting. He sighed like a furnace and wiped the sweat

from his face.

“Figger,” he said pantingly, “dat gal nearly gibs me de jim-jams eve’y

time I sees her. I loses all de good sense I’m got. I feels like a fool

an’ I acks like a fool, an’ ’pears to me like dat gal is laughin’ at me

all de time.”

“I ’spect so,” Figger said commiseratingly, as he arose to go. “Dem

females is mos’ in gineral laughin’ at us. But dem simpletoms you

announce is shore a bad sign. Mattermony’ll ketch you ef you don’t

watch out. Ef you needs any good advices, I ’speck you better send fer

me.”

Figger sauntered down to the depot, watched the passenger train arrive

and depart, and then hurried back to the Hen-Scratch saloon.

“Bad luck, Skeeter!” he howled, as soon as he entered the room. “Dat

Tella Tandy went down to de deppo to meet a man an’ dat man looks like

one of dese here watermillyumaires!”

“Lawdymussy!” Skeeter squeaked, springing to his feet. “I knowed my

luck wus too good to last. Whar is dat new nigger man at?”

“Dey is bofe comin’ up dis way,” Figger informed him. “Dat new man is

packin’ de Spit dawg. I figger de load will break him down about time

he gits to de Hen-Scratch.”

For ten minutes the two sat in gloomy silence. Skeeter lighted

cigarette after cigarette, twiddled his thumbs, jiggered his feet, and

acted generally like a man with the St. Vitus dance. Figger was more

composed. He was thankful that he was merely an innocent bystander. At

last Skeeter sighed:

“Ef I lose dat gal, it’ll bust my heart, Figger. I been courtin’ her

servigerous fer a week. My head is so full of tears now it would take a

week to bail me out!”

Voices were heard at the door and Skeeter arose tremblingly and walked

out. Tella and the strange man were waiting for him.

“Dis is my frein’, Mr. Deo Diddle, Skeeter,” Tella said easily. “I jes’

been tellin’ him how kind you wus to keep my dawg.”

“Glad to meet yo’ ’quaintance,” Skeeter mumbled, holding out his hand.

“Same back at you,” Deo replied. Then turning to Tella Tandy, he said:

“Me an’ dis dawg is got a little bizzness wid Mr. Muskeeter Butts,

Tella. You foller yo’ little nose down de street an’ see ef he don’t

lead you somewhar else.”

Skeeter and Deo Diddle entered the saloon and sat down at the table

with Figger Bush. The dog sniffed around the room for a minute and then

passed out toward the rear.

Deo Diddle was about the size of Skeeter Butts, but it required no

expert eyes to see that he was a perfect athlete. The poise of his

head and body, the accuracy and decision of even the slightest move,

the steady, assured gaze of his eyes indicated a man whose muscles

and brain were trained in some field of endeavor which required both

strength and wit.

“At de fust offstartin’, Mr. Butts,” Deo Diddle began easily, “I

announces my bizzness an’ de puppus of my visit to Tickfall: I’s a

Monarch of de Manacle.”

“You’s a--a--_which_?” Skeeter asked, his eyes sticking out like a

bug’s.

“I gibs a show,” Deo Diddle explained. “I lets people handcuff me an’ I

slips ’em off as easy as you kin take off a glove. I lets people nail

me up in a box an’ I gits out as easy as you kin git outen dat chair.

I lets people tie me in bed wid ropes an’ I gits loose as easy as a

pickaninny kin fall outen a hammock. An’ on de side, I tells forchines,

reads minds, finds lost treasures, an’ gives a few sleight-of-han’

tricks.”

“Huh!” Skeeter and Figger grunted in a duet.

“Yes, suh,” Deo Diddle went on. “I done hired dat hall down in de

settlemint called Dirty-Six, an’ I’s gibin’ a show eve’y night fer

three nights. Would you wish to come?”

“I shore would!” Skeeter exclaimed eagerly.

“I’s glad to hear you say dat, suh,” Deo replied. “I’s gwine gib a free

pass to you an’ Mr. Bush, an’ I hopes you will speak up my show fer me.

Admission ten cents fer chillun an’ two-bits fer growed-ups!”

He handed Skeeter and Figger a slip of paper apiece, and rose and

walked out of the saloon, leaving the two men to gaze after him in

speechless astonishment. After a long time, Figger remarked:

“You done got yo’ wuck cut out fer you, Skeeter. You know how batty

female womans is about show folks!”

* * * * *

A show given by negroes will attract other negroes as a barrel of

molasses attracts flies. The little hall in Dirty-Six was filled to its

capacity a long time before the hour of the exhibition.

Skeeter Butts and Figger Bush occupied the front seat directly facing

the center of the stage.

“Whar is Tella Tandy, Figger?” Skeeter asked uneasily, scanning the

faces in the crowd. “I went to her house atter her an’ dey tole me

she’d done went. But I don’t see her.”

“She’ll git here on time,” Figger assured him. “She ain’t hatin’ dis

Deo Diddle none, an’ she’ll watch him pufform.”

Then the ragged curtain parted in the middle, one half being pulled to

each side of the stage.

“Ladies an’ gen’lemans,” Deo Diddle began, “I’s gwine gib a refined

exhibition of sleight-of-hands fust of all, an’ I defy anybody to kotch

me at my tricks.”

The stunts which followed were too simple and commonplace to mention,

but they were wonderful because new to the Tickfall negroes. In a

little while the whole house was vocal with the comments of the

spectators, who made remarks in a loud voice, and sometimes got into an

argument with some friend across the room.

“My Lawd,” Hitch Diamond bellowed, when he saw the performer break an

egg in a pan, scramble it, light an alcohol lamp and cook it, then lift

out of the pan a live goose. “My Lawd, dat pufformance is agin nature!”

“’Tain’t so!” the Reverend Vinegar Atts bawled from the other side of

the house. “De Good Book says us shall see wonders in de heaven above

an’ de yearth beneath----”

“Aw, go up dar wid de buzzards!” Hitch Diamond retorted in a disgusted

tone. “Not even de good Lawd could make a nigger hatch a goose outen a

scrambled hen’s egg!”

In the meantime, Deo Diddle had turned his attention to a stove-pipe

hat belonging to Vinegar Atts, and was winding yard after yard of

colored paper out of the crown, catching it upon a wand.

“Us knowed you never did carry no brains in dat hat, Revun, even when

you had it on yo’ head!” Pap Curtain guffawed.

The spectators were getting their money’s worth when Deo Diddle

suddenly changed the performance.

“Friends,” he announced, “I’s gwine interjuice you to de mos’ wonderful

woman in de worl’. She kin set right here in dis chair an’ tell

you-alls all about yo’se’ves! She don’t know nobody in dis town, but

she is gwine mention names an’ tell secrets out loud whut nobody ain’t

told her but de departed sperits of de yuther land!”

At that moment Tella Tandy walked out upon the stage and sat down.

Skeeter Butts sprang to his feet with a startled exclamation, then sank

back again with a cold sick sensation at the pit of his stomach.

“Dat means I done lost my little she-goddess, Figger,” he sighed

pitifully. “’Tain’t no use to hope no more.”

“Aw, pert up, Skeeter!” his friend urged. “You ain’t drapped de

pertater yit!”

Tella Tandy appeared to be in a trance. She looked with unseeing eyes

over the faces of the crowd, then began in a weak, uncertain voice:

“I ketch de name of Vinegar Atts--I sees a fly--shoo fly!--church.

Revun Atts is ’postlizin’ in de pulpit--de elder is gwine hab trouble

in de cong’gation--he better watch his eye----”

“I ketch de name of Prince Total--Marse Tom am lookin’ fer dat lost

demijahm whut Prince borrered--I ’speck Prince better fotch dat jug

back befo’ he keeps it buried too long by dat pine stump----”

“I ketch de name of Pap Curtain--Pap is a slick-head nigger--a word

from de sperit lan’ tells Pap dat he better ketch de trabbel itch an’

hike--de gram-jury meets nex’ week----”

For twenty minutes this revelation held the audience in tense, dreadful

silence--twenty minutes of frightful retrospection and introspection,

and when a negro’s name was mentioned that darky suffered a nervous

shock from which he did not recover for a week. Even if his name was

not mentioned, the darky was afraid it would be, and was appalled at

what the revelation might be.

At last Tella Tandy rose from the chair, felt her way toward the side

of the stage as if she were blind, rubbed her hands over her dazed

eyes, and exclaimed in a dramatic voice:

“De book of de recordin’ angel is closed, an’ de sperit land reveals no

more!”

“Bless Gawd!” Hitch Diamond bellowed fervently.

Deo Diddle then brought out a cot and set it in the middle of the

stage. He threw down upon the floor a coil of rope many feet in length

and addressed the audience:

“I wants about ten men to come up on dis flatform and tie me to dis

cot. I offers to bet ten dollars I kin git loose in two minutes!”

“I takes dat bet, bully!” Skeeter Butts squealed as he sprang to his

feet and climbed upon the platform.

“Me, too!” came a chorus of voices, and Vinegar Atts, Prince Total, Pap

Curtain, Hitch Diamond, and a number of others who had been accused of

various crimes and misdemeanors by Tella Tandy followed Skeeter to the

stage.

They carefully examined the cot and rope. Then Deo Diddle stretched

himself out upon it, lying flat upon the mattress with his feet

together and his hands down at his sides. Vinegar Atts and Hitch

Diamond passed the rope around and around him, crossing and

crisscrossing it over his feet and body and neck until he was swathed

like a mummy and apparently as helpless.

Then the committee climbed off the platform and left Deo to free

himself in full view of the crowd.

Deo entertained the crowd for a minute by a mighty struggling and

tugging and jerking and grunting, but all the while Deo’s right hand

was resting upon a lateral bar under the cot which held the mattress

taut. At the proper time Deo simply slipped this bar out of its

fastening on one side of the cot; the mattress sagged down in the

middle like a hammock, with the many coils of rope across Deo, but

hardly touching his body.

Then Deo climbed from under the rope as easily as a pig slips through

a gap in the fence and was free!

The shout of applause which greeted this performance almost lifted the

roof, and amid the noise Deo and Tella quickly removed the cot so that

the committee could not examine it again.

“Us will hab a entirely diffunt show tomorrer night, my frien’s,” Deo

announced when the noise and excitement subsided. “I is knowed all

over de worl’ an’ in Yurope as de Monarch of de Manacle. I’s de only

real nigger Handcuff King in dis country. Tomorrer night I’s gwine

hab eve’y kind of handcuff whut is used by de sheriffs an’ policemens

of dis country an’ furin parts, and I’ll let you handcuff me up any

way you please, an’ ef I don’t git loose in five minutes I’ll gib you

twenty-five dollars reward. Fetch all de handcuffs you is got aroun’ de

house an’ watch de Handcuff King pufform!”

“I’ll git dat reward-bill!” Skeeter Butts squealed.

“All right, pardner!” Deo laughed. “Do yo’ durndest! Good-night!”

While the people were leaving Skeeter Butts climbed back upon the stage

and confronted Tella Tandy.

“Is you married to dis Deo Diddle, Tella?” he asked earnestly.

“Suttinly,” Tella laughed. “Ain’t Deo a wonder?”

“Whut you mean by makin’ a fool outen me?” Skeeter demanded.

“Don’t pick no fuss wid me, Skeeter!” Tella said. “Dis is a free

country an’ you made love at me wid yo’ own mind. I couldn’t he’p it ef

you handed me yo’ heart tied up in a paper-sack.”

Skeeter glared at her a moment, then turned and started away.

“I don’t bear you no grudge fer dem lovin’ words, Skeeter,” Tella

snickered.

* * * * *

Skeeter Butts spent a large part of the night in deep meditation.

The next morning all his friends crowded into the Hen-Scratch to

discuss the show. Tella Tandy’s revelations interested them most.

“How come dat purty little coon knowed all about me so good?” Vinegar

Atts wanted to know.

“How did she know dat a gram-jury meetin’ is de real sign fer me to

leave dis town?” Pap Curtain inquired.

“How did she guess dat I swiped Marse Tom Gaitskill’s licker-jug an’

had it hid out ferninst a pine stump?” Prince Total wanted to know.

“I kin answer all dem ’terrogations, niggers,” Skeeter Butts grinned.

“When dat gal fust come to town I didn’t know she wus connected up wid

no show, an’ I didn’t had no idear she wus married, an’ I armed her

aroun’ an’ tried to git her to love me. She axed me about a millyum

questions about you-alls, an’ las’ night when she pulled up dat stunt

she was jes’ repeatin’ over whut I done tole her!”

“My Lawd!” Prince Total exclaimed. “Dat warn’t no fair. I wus mighty

nigh skeart to death.”

“I reckin so,” Vinegar Atts bellowed. “Yo’ mem’ry ain’t loaded wid

nothin’ but blank ca’tridges ontil people begins to talk about yo’

meanness--den yo’ shore is got plenty ammunition of remembrunce.”

“I hope she ain’t gwine pull no more of dat stuff,” Pap Curtain said

uneasily. “How much did you tell her ’bout me, Skeeter?”

“She’s done turned loose all she knows,” Skeeter replied.

“I hope so,” Pap said menacingly. “Ef she revelates any mo’ about me I

knows a yeller-faced bar-keep’ who is gwine hab his mug pounded into

anodder color.”

“No danger--I ain’t skeart,” Skeeter said with a dry grin. “I realizes

dat wus a mistake.”

There was silence for a few minutes, a drink for the crowd at Skeeter’s

expense, and then Skeeter mentioned a plan he had matured in the night:

“Cain’t us niggers fix up some kind of buzzo on dat gal an’ git even

wid her?” he asked.

“Whut mought dat buzzo be?” Vinegar Atts inquired.

“Well, suh, I figgers it out dis way: Dat Deo Diddle is offered a

reward fer any handcuffs he can’t git out of. Now ef Sheriff Marse John

Flournoy would only loan us some handcuffs----”

“Listen to dat nigger’s brains a-poppin’!” Prince Total exclaimed in

extreme admiration. “Fer mussy sake, Skeeter, go see Marse John right

now. I’ll keep dis saloom.”

The crowd sat down to wait while Skeeter hastened to the courthouse,

entered the sheriff’s office, and stood, hat in hand, grinning at Mr.

John Flournoy.

“Come in, Skeeter,” Flournoy said. “I won’t lend any money, won’t hear

any nigger love scrapes, won’t give any advice, won’t listen to any of

your troubles. Excusing all those things, what else do you want?”

Skeeter grinned. As he would have expressed it, Marse John was his

“kinnery.” He had grown up in a cabin in the sheriff’s yard, and this

big-bodied, kind-hearted sheriff held few terrors for Skeeter.

“Dar, now, Marse John, you’ll shore hab room fer a good appetite atter

you is got all dem words offen yo’ stomick. I come to git a view from

you about how to colleck a twenty-five dollars reward-bill.”

“That’s interesting,” Flournoy grinned. “Let’s have the details.”

“Well, suh, a nigger is habin’ a show in dis town an’ he calls hisse’f

a Handcuff King. He specify dat he’s a Monarch of de Manacle. He argufy

dat dar ain’t no kind of handcuff made dat he can’t git hisse’f loose

from in less’n five minutes. Does you reckin dat is so, Marse John?”

“Certainly,” the sheriff answered promptly.

“How come?” Skeeter asked.

This was one theme upon which the sheriff was competent to speak. He

leaned back in his chair, lighted a cigar, and began:

“There are one hundred and forty-two varieties of handcuffs and

leg-irons manufactured in the civilized world, Skeeter, but there

are only thirty-two separate brands which are registered for use by

officers of the law in the United States. Four master keys will unlock

all thirty-two of these leg-irons and handcuffs.”

“Listen to dat!” Skeeter exclaimed.

“I venture to say that that negro showman has all the regulation

handcuffs in use in this country, as well as some of European

manufacture. Of course, he also has the keys to unlock them.”

“Whar do he tote de keys?” Skeeter asked eagerly.

“Oh--everywhere!” Flournoy smiled. “In the lining of his clothes, in

his shoes and socks, in his sleeves and cuffs, down his collar, even in

his mouth--everywhere!”

“Huh!” Skeeter grunted. “Dat’s too bad.”

There was a long silence while Flournoy smilingly watched Skeeter

think. The negro’s face was a pantomime of conflicting emotions, and

the general effect made for gloom and depression. Finally Flournoy

spoke:

“My information seems to discourage you, Skeeter. What’s the problem?”

“It’s dis way, Marse John,” Skeeter said earnestly. “Dat uppity,

biggity nigger is done offered twenty-five dollars reward fer any

handcuff he cain’t git off in five minutes, an’ I figgered dat I had a

show to make de money.”

Flournoy thought a moment, then broke into a loud chuckle.

“I think you have a splendid chance to copper the coin, Skeeter. Wait

here a minute!”

Flournoy opened a steel door, walked to the rear of the vault, and

pawed over a lot of trash in one corner. Then he came out and tossed a

handful of police hardware on the floor at Skeeter’s feet.

“I think they will hold him,” Flournoy laughed.

Skeeter gasped as he eyed the cruelest collection of manacles and

shackles he had ever seen.

There was a pair of home-made wrought-iron handcuffs with a stiff iron

bar a foot long to connect the bracelets instead of a chain. There was

a pair of cumbersome leg-irons which were used a half century ago in

Southern convict camps, but whose use is now prohibited. And there was

something else which gave Skeeter a sinking sensation at the pit of his

stomach merely to look at. It was a pair of trigger cuffs. Any attempt

to loosen them by the wearer has the effect of tightening the bracelets

while at the same time a needle trigger presses deeper and deeper into

the flesh of the wrist until the captive is helpless with pain.

“When I was first elected sheriff, forty years ago, this stuff was in

use, Skeeter. I won’t give you the keys to these manacles. If you get

them on that coon he’ll certainly need me! You can telephone me at the

house to-night after Deo the Diddle forks over that twenty-five plunks

to you!”

Skeeter wrapped the hardware in a newspaper and trod on air as he

walked back to the Hen-Scratch saloon. When he told the waiting crowd

of his success and showed them the manacles the darkies had a jubilee

and then waited with the impatience of children for the night to come.

The front row of seats was occupied that night by Skeeter Butts, Figger

Bush, Vinegar Atts, Pap Curtain, Prince Total, Hitch Diamond, and a few

others of that type who were smarting under the public revelations of

the recording angel the night before.

The house was crowded to suffocation and the performance consisted of

fortune-telling, feats of magic, singing, and dancing.

At last the time came for the Monarch of the Manacle to make good his

boast that he could get out of any handcuff or leg-iron which the

community could provide for his bonds.

Up to this time Deo had found it perfectly safe everywhere to offer to

release himself from any handcuffs which the negroes could provide,

for a handcuff was something which no negro possessed, and with all

their barbaric love of jewelry it was an ornament which no darky cared

to wear. When no manacles were supplied by the audience, Deo would

then invite a committee to come upon the stage and examine his. He

would present forty different kinds for their inspection and let them

choose any sort to place upon his legs and wrists. As they were all

familiar to Deo, well oiled and in good condition, he had no trouble in

releasing himself.

But this time Deo Diddle was up against it!

Skeeter Butts was Sheriff John Flournoy’s “nigger.” And for that reason

he was probably the only colored person in the South who could go to a

sheriff and get the assortment of manacles which he now had wrapped in

a newspaper and hidden under his seat.

When Deo invited a local committee to come upon the stage, asking for

anyone who would volunteer, every occupant of the first row of seats

sprang to his feet and started for the platform.

This prompt and concerted action told Deo Diddle that he was in danger,

that the men were out for his blood. He was frightened, and although he

tried to carry himself with an easy manner it was apparent to all the

committee that he was anxious and distrait.

Deo promptly decided not to ask for any handcuffs to be provided by the

people in the assembly. To cover his retreat he began his announcement

of the next evening’s performance:

“Dis is de las’ stunt on our plogram to-night, but tomorrer we is gwine

hab de biggest show of all. I’ll ax a cormittee to nail me up in a box

atter dey has handcuffed me, an’ I’ll let ’em tie de box up wid a rope,

an’ I’ll promise to git out in five minutes!”

Then for twenty minutes Deo entertained the audience by escaping from

his own leg-irons and handcuffs. The negroes devised every sort of

method to manacle his legs and wrists, but when the curtain of the

little booth which was rigged upon the stage had been pulled together

in half a minute or a minute Deo walked out a free man!

Then Skeeter Butts unwrapped his newspaper and tossed his assortment of

police hardware at the feet of Deo Diddle!

Deo looked down at that appalling mass of wrought iron and steel and

shuddered. He had never seen anything like them before. His heart stood

still and his breath stopped. Then he laughed, a nervous, cackling,

uneasy laugh, merely to gain time to think.

He picked up the three dreadful instruments and held them before the

audience--the wrought-iron bracelets with the lateral bar--old, rusty,

out of date, the keyhole filled with rust and dirt; the horrible

leg-irons which a man could not escape from in half a day with the

use of a sharp file, and the cruel trigger cuffs with their torturing

needle. He described each fetter minutely, explained how it was made,

told how quickly and easily he expected to escape from its bonds, all

the time praying desperately for some way of escape from his awful

predicament.

E. K. Means Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title · 第 10 / 20 段