For the first and, I was about to say, the last time, I caught her

off her guard, astonished, wounded, a bit angry. But the one word

was all I wanted. It showed me I could bully her. That word had

been warm and human, utterly unlike the icy flood which normally

came from her lips. “Doña Quixote!” I repeated blandly.

“You shall do nothing of the sort. Don Quixote was a madman.”

“Yes, and you are a madwoman. You won’t listen to the people who

love you.”

“You are not to say that word to me again.”

“What word?”

“That word! You know--_that_ word.”

“Doña?”

“The other one: the one that begins with _l_ and has four letters!”

XIII

IN THE STREET OF THE SPY

The Commissaire of the Arrondissement of Metseys beat on the

glass front of the limousine and arrested the mad career

of the Government automobile in which we were riding. The

soldier-chauffeur (a Belgian in the near-British uniform which the

Belgian army now wears, with a small round button in his cap marked

with the Belgian colours in concentric circles--black, white, red)

turned and looked back into the car inquiringly. “We stop here,”

the Commissaire announced in pantomime.

Just five minutes before we had rushed directly under a battery

of heavy French guns blazing away like furnaces. I did not know

they were French guns--although the accent was marked!--until

the Commissaire told me; but then he knew every battery, every

cantonment, every airdrome, and every hospital in that little

bit of Belgium behind the Yser lines which is still free from

the invaders. As we passed the battery, a wave of sulphur had

engulfed us, the glass of the limousine rattled dangerously, and

that mad chauffeur, putting on all power, had rushed us down

the winding Flemish road, scattering stray groups of mild-eyed

Belgian infantrymen and cavalrymen and grazing the metallic flanks

of lumbering British motor lorries, their canvas sides splashed

with Flanders mud, on their way down to the lines. He had rushed

us over a little canal where two or three soldiers were fishing

sleepily, in spite of the noise of the bombardment. He had dashed

us alongside a field of over-ripe wheat, through a long avenue of

stunted willows, across an acre of barbed-wire entanglements, and

into the town of Zandt, its gray walls gleaming in the splashing

sunlight which had just followed the customary morning shower, its

claret-red roofs burnished like the morocco binding of old books.

We stepped stiffly from the car on to the slippery cobblestones and

stared about us.

“The Germans shell Zandt almost every day,” said the Commissaire

coolly. “That French battery we just passed will probably wake them

up. Put the car in the lee of that wall, Pierre,” he called to the

chauffeur. “We shall be back in ten minutes.”

“This, gentlemen,” he said, as we walked down the principal street

of Zandt, “is called the Street of the Spy, because, up to this

moment, no German shells have fallen in it. The population of Zandt

pretend that it is because the Germans have a spy living in this

street. Droll, isn’t it?”

We laughed with him. It is true that no shells had fallen in the

Street of the Spy, but they had missed it by inches, not yards or

rods. If I have ever said that the Germans do not use heavy calibre

shells on unfortified villages and towns, I apologize. They use

their very heaviest shells on these little defenceless villages of

west Flanders just behind the Yser lines; they throw almost daily

shells which are as destructive as cyclones into three or four room

dwelling-houses. A row of such houses falls like a sand castle when

such a shell arrives.

“But the people want to stay here, of course,” explained the

Commissaire. “Where can they go? The peasant and the man of the

small town has no capital except his farm or his house or his

_winkel_--his little shop. He has no bank account. He is primitive.

He is simple. All he has in the world is here in Zandt. And

so he stays. Yes, we give them gas-masks, for the Germans use

asphyxiating gas very often here. But it is hardest on the children

and the little babies.

“Those boys we are sending away to-morrow to a safe place in

France.” He pointed to two youngsters, nine and seven years old,

peering through the broken glass of a near-by window.

“Are you glad to go, _manneken_?” he asked the elder.

“Oh, yes, yes, mynheer.”

“But why?”

“Because one has fear of the bombardment, mynheer,” said the boy,

shivering.

* * * * *

“This you must see,” said the Commissaire, ducking his head and

leading us into a small passageway between two brick walls. “It is

the most interesting person in Zandt. She is eighty-three years

old. She lost her only grandson in the war. She has nothing to eat

except from her little garden. There, see!”

We had emerged on the edge of a tiny plot of land, perhaps

twenty-two feet square. A gray one-story cottage, covered with

mossy thatch, bounded it on one side; low walls and an outhouse

inclosed it on the others. The little plot was cultivated, densely,

compactly, expertly--a mosaic of fruits and green vegetables. Two

apricot trees trimmed in the French fashion were trained along the

wall, and a low vine, with some sort of pendent fruit, hung from

the outhouse.

But strangest of all there were three beds of ornamental flowers. I

stared hard at them, and suddenly I saw that they were graves!

“Good-day, madame,” the Commissaire called, touching his hat. “See,

these are American gentlemen come to look at your little garden.”

She came slowly from the cottage, a wisp of lace in her white hair,

wearing the ceremonial black frock which a peasant woman puts on

for such feast days as the Feast of the Assumption, a white apron,

and leather shoes. “You are welcome, gentlemen, you are welcome,”

she said, with the grace of a chatelaine.

“But aren’t those graves?” I asked, pointing to the beds of

nasturtiums, geraniums, and marigolds which covered three long

mounds at the end of the garden, taking up almost half of the room

available for vegetables and fruits. “Madame, aren’t those graves?”

“Oh, yes, mynheer,” she said.

“They have not been here long, madame?” I was looking at the

transplanted geraniums, well rooted in the mud, but not yet wholly

at home, and the raw, muddy rim about the edges of the three mounds.

“Since April, mynheer. I tend them myself,” she added proudly.

I turned to the Commissaire. “None of those is her grandson’s

grave?” I asked in a low voice.

“Oh, no,” he muttered. “Her grandson died in Germany. He was taken

prisoner at Liége in August, 1914. Madame,” he said to her, “the

gentleman asks if he may look at your graves.”

“Oh, yes, mynheeren.” She fluttered down before us, bent

rheumatically at the first mound, and pulled at a weed which the

rain had freshened.

“‘Pray for the soul of Franz Mueller,’” I read in breathless

amazement. “A Boche?”

“A Boche, of course!” said the Commissaire.

“And the other two--they are Boches also? ‘Pray for the soul of

Max Edelsheim’ and ‘Pray for the soul of Erich Schneider,’” I read

aloud. The neat wooden crosses bore also the regimental numbers of

the men and the date of their death.

“Boches, too. It happens that they were killed in this garden on a

reconnaissance.”

“But why don’t you remove them? You can put them somewhere else,

and then this poor old woman can use all her garden. I should think

she could hardly raise enough to eat from all this little plot, let

alone from half of it.”

We had spoken in French, and of course the old proprietress had

not understood. The Commissaire now turned to her, speaking the

rhythmic, metrical Flemish of west Flanders. “Madame, the mynheer

says that we should take up these bodies and place them in the

churchyard. Do you wish it done so?”

At first she did not seem to understand, and bent inquiringly

toward the Commissaire, her little gray eyes screwed up in

bewilderment at his words. “What is it, mynheer?” she asked.

“Mynheer says that we should remove the three Germans and let you

have your garden.”

“Oh, nay, nay,” she remonstrated, shaking her head emphatically.

“Nay, mynheeren. God gave me these three graves instead of the

grave of my boy. I could not tend them so well if they were in the

churchyard. It is too far from my house. Nay, nay, let the three

sleep here.”

“But you have not the room, madame.”

“There is room in my heart and in my garden, mynheer. I shall keep

these three graves, and maybe in Germany there is some one who will

keep the grave of my boy.”

* * * * *

“Messieurs, there is no use arguing with a Belgian peasant,” said

the Commissaire of Metseys, as we walked back through the Street

of the Spy to our waiting automobile. “But she has a fine spirit,

that old grandmother.”

XIV

THE WHITE ISLAND

A STORY OF THE GALLIPOLI ADVENTURE

The aviation launch rolled slowly in the grip of the grounds well

behind one of the desolate islands off Tenedos, southwest of the

entrance to the Dardanelles. The afternoon was windless and humid.

Warm, dripping fog covered the launch and hid from her the outlines

of the rocky, treeless island in the lee of which she lay. Fog

had sprinkled the deck as if with baptismal water, and the day

was noiseless except for the lazy slapping of waves against the

launch’s side.

A hydro-aeroplane alongside dipped and rose rhythmically with

the launch’s motion, and the aviator, Lieutenant Douka, of the

Royal Flying Corps, muffled in a British airman’s uniform, with

thick wadded helmet on his head, goggles, and rubber gauntlets,

bent over and tested the bomb-dropping mechanism. Those who had

known Douka as a student in America or as an unambitious idler in

Paris would hardly have recognized him in his new rôle. He had

always been romantic, but he explained this amiable weakness as an

inheritance from his Byzantine ancestors. “My grandparents were

Greek, you know,” was his offhand explanation to college friends of

his glowing fondness for the classics and things Hellenic. His two

or three trips to Greece had been marred by the unpleasant contrast

between the Greece he had imagined and the Greece of to-day.

He could scarcely make himself understood in the modern tongue

of Hellas; it irritated him, as modern English would doubtless

irritate Chaucer. “A degenerate language and a degenerate people,”

he told himself. Yet he had taken up aviation at Pau, not as a

sport--although that is what he told his friends--but as one of the

gifts he could offer modern Greece when the day of her final fight

with the Turk should dawn.

The war came. He went hopefully to Athens. There came a day

when King Constantine overrode his people, Venizelos retired,

constitutional government in Greece ceased to be, and Douka went to

London and volunteered in time for the Dardanelles expedition.

But he gave no sign of all this as he tested and retested the

bomb-dropping mechanism hanging between the pontoons which

supported the machine, and pushed and pulled the controls. He

thrust his feet against the pedals and examined the petrol and oil

throttles. “Right, lieutenant?” called the skipper of the launch.

“Right, sir,” he answered. “Belay there! Lively!” the skipper

shouted to two sailors who held the machine. A mechanician spun

the propeller and dropped from sight; the motor churned nervously;

Lieutenant Douka lifted his hand and signalled that all was

satisfactory. The launch shot sidewise, and the ’plane skated

swiftly forward, leaving a foaming wake. She tilted and shot

forward faster, then up from the water and heavily into the mist.

Douka swung her back and around the launch. Along the deck beneath

him the sailors stood at attention, but a gust of gray smoke showed

him that his escort was already in motion, off for the mother-ship

and the flock of aeroplanes at Imbros, and he was alone, sailing

away to bomb the _Sultan Omar_, the flagship of the Turkish fleet.

He looked at the clock--it read 3:17; then at the oil gauge--it

was working properly. He climbed to fifteen hundred feet. Under

him the mist lay like an Arctic snow-field, broken by pools of

rotten ice through which the gray sea stared. The sea abruptly

changed to gray land, and he mounted higher. He was flying at a

height of four thousand feet over Asia, the ancestral enemy of his

race and his continent. Somewhere down in the haze beneath lay

Troy. Douka smiled bitterly as he thought again of the ten years’

warfare, and of how the Greeks had blotted her from the earth.

The sullen roar of his motor seemed to stimulate his imagination.

The mist thinned slightly, and he saw far away the narrow blue

ribbon of the Dardanelles--the blood-thickened boundary between

free Europe and the despotic East. Haughty Xerxes once sat on those

cliffs and watched his Asiatic worms crossing to conquer the West.

Twenty-eight centuries had battled on that blue line. Always it had

been the same, age after age, century after century, always the

Greek against the Asiatic, the Greek against the barbarian, and for

five hundred years the disinherited Christian Greek against the

Moslem Turk. Muffled in his helmet as he was, he began to sing an

old Byzantine war song--a song his grandmother had taught him. His

hate rose like a bird in a gale; his clutched hands bit into the

rubber sheathing of the levers; he drove ahead at top speed, but

his wrath seemed to leap out before him like a racer distancing the

thing behind. To kill, to destroy, to blot out, utterly obsessed

him.

High over the Sea of Marmora he flew toward Constantinople.

Battles without end had been fought on the watery plains below.

There the vast Greek Empire had struggled to the death with the

hordes of Asia. The mist which had half hidden the land thinned

and disappeared. The choppy air became cleaner and easier to

fly through. He climbed to eight thousand feet. Far away he

caught sight of the Golden Horn, the royal city of Constantine

the Great, like a Grecian jewel set in Oriental gold, or like a

Grecian body pierced by the bright spears of Turkish minarets.

For five centuries she had been the spoil of the East. He cursed

her conquerors and laughed to himself. What if he should bomb the

mosque of Omar or the Sultan’s palace?... He shook his fist at

Scutari as if the city were a person. Little flowers of dirty-white

smoke bloomed in the air beside him and above him; once he seemed

to fly through a shower where before all had been clear, and he

felt small pieces of steel drumming like rain on the wings of his

’plane. It was a burst of shrapnel. He laughed and flew on.

Up the Bosphorus he drove, searching the sea with his eyes. The

British Secret Service had reported the _Sultan Omar_ at Bojukdere.

He strained for a sight of her.

Then suddenly, like a mirage, he saw the half-moon of a harbour

and black ships at anchorage. He drew rapidly near. A violent puff

of smoke rose from the funnels of the largest ship. She had seen

him, or she had been warned, and was endeavouring to escape. He

recognized her with a cry of delight. She was the _Sultan Omar_.

Hidden forts on the green hills about the harbour burst into life.

Smoke, flame, and the dull thud of cannon rose to him, for he was

flying lower and lower. A shrapnel shell flashed just in front

of him and showered steel splinters against his windshield. He

screamed with laughter. It seemed to him ridiculously funny that

they should think they could kill him or escape him.

He volplaned; from seven thousand feet he sank to one thousand,

then to eight hundred--to seven hundred--to six hundred--to five

hundred. A curving white wake showed him that his victim was

in motion. He was almost over her. Rifles cracked as the crew

endeavoured to reach him with their bullets. He did not hear them.

His right arm swung deliberately back to the bomb-thrower. He was

near. He was over. He jerked madly, and the pent volcano fell

straight on the warship.

The air rocked and heaved. His ’plane almost turned a somersault,

and he fought to restore its balance in an atmosphere reeling like

a typhoon. Solid waves of air beat and buffeted him. He jerked the

levers and fought furiously. Then, like a bronco, the machine found

her feet, prancing and shuddering in the choppy air, and up he

climbed. A glance over his shoulder was enough, even if the boiling

air had not told him of his success. The blue sea was black with

wreckage; men like insects floated in the water, but the _Sultan

Omar_ had disappeared.

The air still cracked and roared as the Turks shelled him. The

whole land seemed to wake, and the setting sun shone through a

curtain of dirty smoke. A Turkish aeroplane slid up in long spirals

behind him to cut off his retreat; petrol dripped slowly from a

leak in his reservoir caused by shrapnel or a rifle bullet. It was

the price of his success; a glance told him that he could not stop

the leak. He had often thought of that moment. Should he go back

and risk capture by the Turks? No; he would fly straight out into

the Black Sea and die alone in its waters. He would fly out into

the sea where his ancestors had sailed centuries before the Moslems

had taken Constantinople; the sea of the Golden Fleece, of Medea,

of Xenophon and the Ten Thousand, of the long campaigns against the

Persians. He would die there.

The sun set swiftly. In the twilight his mind seemed to slip its

leash and play high jinks with him. His palms grew into the handles

of the controls and became part of the mechanism; his fingers

lengthened into levers, his legs into rods upholding the aeroplane,

and he flew, screaming, laughing, and cursing, until night fell

like a plummet from the dusky sky.

* * * * *

Suddenly his machine struck the level surface of the sea and

buckled forward. Douka awoke, as if from sleep, tore the harness

from his aching head, and slumped forward against the straps,

waiting for the end. The wreckage of his machine still floated on

the long, slow waves, and rocked easily to and fro, but one of the

pontoons was crushed and another was leaking.

He felt no wind against his face, and the sea was calm. “Lucky,”

he thought listlessly, knowing that at a touch of wind or wave

the ’plane would go under. It might float for hours, or only for

minutes; he did not care. Death was certain.

But there seemed to be a sound of voices in the air, a distant

singing and a splash of oars. “Delirium,” he said calmly. “But

how beautifully they sing! What is it? It is Greek! Why, it is the

old Greek: ‘To thee, Zeus, blessings upon our timid flocks.’” His

wondering lips formed the words which he had learned in school.

Then out of the darkness swam a boat, and in the boat were a

steersman and four men at the oars, and the men were singing a hymn

to Zeus, the Father of all and the King of all. To Lieutenant Douka

nothing now seemed strange. To his shaken mind it seemed good to

hear them, good to see them, good to find them loosing the straps

which held him to the wrecked machine, and lifting him, in silence,

into their boat.

Half an hour they rowed, when Douka caught across the level sea

a hot breath of wind and the odour breathed from rye-fields in

midsummer. “Land! It is land!” he exclaimed. “It is land--the

White Island,” they answered gently. Both he and they had spoken

in the classic Greek, the Greek of the old heroic days--not the

bastard modern speech, larded with cruel words from the Turks and

the rough idioms of northern barbarians. His tired eyes strained

forward. Like night mist advancing upon them came the land, white

like foam and very fair; and he heard cicadas chanting in the olive

trees, and the warm breath of the night brought murmurs of song and

the sibilant lapping of waves along a sandy shore.

All the island was white. A crescent moon stole out of cloudbanks

and stared down on white sands, white balustrades, the white walls

of palaces, white hills swelling against the darkness, silvery

white olive groves, and slowly moving figures, clad all in white,

pacing along the stairs.

A white crane beside the landing-place awoke, flapped his wings,

and flew slowly off. Stately men and beautiful women thronged the

quay and looked down curiously as the boat grated against the

beach. “We have brought another from the wars,” the steersman

called to them. “Welcome, friend,” those on the quay called gently;

and “Thanks, friends,” Douka answered.

His tortured muscles knotted and failed as he tried to climb from

the boat, and he fell back helplessly. Two of the oarsmen bent to

him, lifted him like a child, and bore him between them up the long

flights of steps. He had fainted.

When he awoke, his nude body lay on a warm marble slab, and two

male attendants of the bath were kneading his aching flesh with

perfumed hands. Their touch was like ice and like fire, and life

seemed poured back into his body as into a wineskin as they

worked. The hands stole over him, gradually more and more softly,

exploring, soothing, stupefying. He slept.... He awoke once more,

to find that they had placed him in what seemed to be a bed of

live coals, in a white furnace which burned and leaped with light,

but the crackling heat did not harm him, and again he slept....

He awoke in a high-roofed hall, and all around him was light and

laughter, jets of fountains and music of slow streams; and the two

attendants plunged him again and again into pools which received

him as into a bed and covered him with warm floods.

Then he was rubbed with oils, and a garland was placed on his head.

Two girls came, bringing him clothing--a blue-bordered peplos, a

white mantle for his shoulders, and white sandals for his feet.

“Drink,” they said, and they gave him a cup of barley crushed in

water flavoured with mint.

“Now it is time for the feast,” they cried gayly. “Come to the

feast.” And they led him through alleys bordered with white

violets, hyacinths, roses, crocuses, and ghostly narcissi. In the

cleft hills the olive groves gleamed like pools of moonlight; a

waking dove gurgled drowsily, and the cicadas sang; and to left

and right he heard faint snatches of old Greek hymns and saw white

figures moving slowly along the sandy paths.

So they brought him to the banquet in a high-roofed hall of marble,

lit by flambeaux in sconces along the walls, garlanded with white

lilies, and spread with Oriental tables and low couches. And boys

and girls flew laughingly about serving the meats and drink.

He was led to his place, and reclined in the antique fashion on a

cushion beneath his elbow. Then guests began to appear through the

wide marble doors. To his delight and astonishment he knew them.

They were like old friends--friends of his youth, friends of the

youth of all the world; and they came into the hall with garlands

in their hair and bright robes upon them and gayety and peace in

their looks.

There came Achilles, his gigantic arm over the shoulders of Hector,

and a smile on his youthful face as he talked; and goat-bearded,

bandy-legged Thersites, limping and chattering endlessly; and

stately Nestor; broad-breasted, stout Agamemnon; Priam, leaning

on an ivory staff; wily Odysseus, walking alone in the throng;

huge, ungainly Ajax; gossipy Menelaus, Sarpedon, and Patroclus;

Neoptolemus leading by the hand the sweet boy Astyanax; Diomedes,

Æneas, smooth-shaven Troilus, black Memnon, laughing Paris. And

the women! white-armed Briseïs, motherly Hecuba, Andromache and

gentle Cressida, Chryseïs, grave Cassandra, Penelope, Polyxena,

Iphigenia, the lithe, dark-eyed beauty of Myrine the Amazon, and

the golden radiance of Helen, her face like noon sunlight--Helen of

Sparta, for whose sake the Greeks are forever named Hellenes, at

whose shrine all men worship, and shall worship so long as beauty

endures--these came into the high-roofed hall; these, and many more.

And after them came an old blind singer, a lyre in his hands, a

laurel crown on his head. “Homer, Homer!” they cried. “A welcome

to Homer!” All rose as he passed, and they led him to the highest

place in the hall, and took their pillows again, applauding him.

They poured libations and began the banquet, drinking from

four-handled cups studded with gold. They ate no flesh. There was

no mark of death in the hall, or violence, or cruelty. They talked

gayly, and all their talk was of peace; they told old stories, but

all their stories were of peace; and when they sang, their songs

were of peace. And always the boys and girls served them, laughing.

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