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THE MYSTERY OF MR. E. DROOD,

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* * * * *

THE MYSTERY OF MR. E. DROOD.

AN ADAPTATION.

BY ORPHEUS C. KERR.

CHAPTER XXI.

BENTHAM TO THE RESCUE.

European travellers in this country--especially if one economical

condition of their coming hither has not been the composition of works

of imagination on America, sufficiently contemptuous to pay all the

expenses of the trip--have, occasionally--and particularly if they have

been invited to write for New York magazines, take professorships in

native colleges, or lecture on the encouraging Continental progress of

scientific atheism before Boston audiences;--such travellers, we say,

convinced that they shall lose no money by it, but, on the contrary,

rather sanguine of making a little thereby in the long run, have

occasionally remarked, that, in the United States, women journeying

alone are treated with a chivalric courtesy and deference not so

habitually practiced in any other second-class new nation on the face of

the earth.[1]

What, oh, what can be more true than this? A lady well stricken in

years, and of adequate protraction of nose and rectilinear undeviation

of figure, can travel alone from Maine to Florida with as perfect

immunity from offensive masculine intrusion as though she were guarded

by a regiment; while a somewhat younger girl, with curls and an innocent

look, can not appear unaccompanied by an escort in an American omnibus,

car, ferry-boat, or hotel, without appealing at once to the finest

fatherly feelings of every manly middle-aged observer whose wife is not

watching him, and exciting as general a desire to make her trip socially

delightful as though each gentlemanly eye seeking hers were indeed that

of a tender sire.

Thus, although Miss POTTS'S lonely stay in her hotel had been so brief,

the mysterious American instinct of chivalry had discovered it very

early on the first morning after her arrival, and she arose from her

delicious sleep to find at least half a dozen written offers of

hospitality from generous strangers, sticking under her door.

Understanding that she was sojourning without natural protectors in a

strange city, the thoughtful writers, who appeared to be chiefly Western

men of implied immense fortunes, begged her (by the delicate name of

"Fair Unknown") to take comfort in the thought that they were stopping

at the same hotel and would protect her from all harm with their lives.

In proof of this unselfish disposition on their parts, several of them

were respectively ready to take her to a circus-matinee, or to drive in

Central Park, on that very day: and her prompt acceptance of these

signal evidences of a disinterested friendship for womanhood without a

natural protector could not be more simply indicated to those who now

freely offered such friendship, than by her dropping her fork _twice_ at

the public breakfast table, or sending the waiter back _three_ times

with the boiled eggs to have them cooked rightly.

FLORA had completed her chemical toilet, put all the bottles, jars, and

small round boxes back into her satchel again, and sat down to a second

reading of these gratifying intimations that a prepossessing female

orphan is not necessarily without assiduous paternal guardianship at her

command wherever there are Western fathers, when Mr. DIBBLE appeared, as

he had promised, accompanied by Gospeler SIMPSON.

"Miss CAROWTHERS was so excited by your sudden flight, Miss POTTS," said

the latter, "that she came at once to me and OLDY with your farewell

note, and would not stop saying 'Did you ever!' until, to restrain my

aggravated mother from fits, I promised to follow you to your guardian's

and ascertain what your good-bye note would have meant if it had

actually been punctuated."

"Our reverend friend reached me about an hour ago," added Mr. DIBBLE,

"saying, that a farewell note without a comma, colon, semi-colon, or

period in it, and with every other word beginning with a capital, and

underscored, was calculated to drive friends to distraction. I took the

liberty of reminding him, my dear, that young girls from boarding-school

should hardly be expected to have advanced as far as English composition

in their French and musical studies; and I also related to him what you

had told me of Mr. BUMSTEAD."

"And I don't know that, under the circumstances, you could do a better

thing than you have done," continued the Gospeler. "Mr. BUMSTEAD,

himself, explains your flight upon the supposition that you were

possibly engaged with myself, my mother, Mr. DIBBLE, and the PENDRAGONS,

in killing poor Mr. DROOD."

"Oh, oughtn't he to be ashamed of himself, when he knows that I never

did kill any absurd creature!" cried the Flowerpot, in earnest

deprecation. "And just think of darling MAGNOLIA, too, with her poor,

ridiculous brother! You're a lawyer, Mr. DIBBLE and I should think you

could get them a _habeas corpus_, or a divorce, or some other perfectly

absurd thing about courts, that would make the judges tell the juries to

bring them in Not Guilty."

Fixing upon the lovely young reasoner a look expressive of his

affectionate wonder at her inspired perception of legal possibilities,

the old lawyer said, that the first thing in order was a meeting between

herself and Miss PENDRAGON; which, as it could scarcely take place (all

things considered,) with propriety in the private room of that lady's

brother, nor without publicity in his own office, or in a hotel, he

hardly knew how to bring about.

And here we have an example of that difference between novels and real

life which has been illustrated more than once before in this

conscientious American Adaptation of what all our profoundly critical

native journals pronounce the "most elaborately artistic work" of the

grandest of English novelists. In an equivalent situation of real life,

Mr. DIBBLE'S quandary would not have been easily relieved; but, by the

magic of artistic fiction, the particular kind of extemporized character

absolutely necessary to help him and the novel continuously along was at

that moment coming up the stairs of the hotel.[2]

At the critical instant, a servant knocked, to say, that there was a

gentleman below, "with a face as long me arrum, sir, who axed me was

there a man here av the name av SIMPSON, Miss?"

"It is JOHN--it is Mr. BUMSTEAD!" shrieked FLORA, hastening

involuntarily towards a mirror,--"and just see how my dress is

wrinkled!"

"My name is BENTHAM--JEREMY BENTHAM," said a deep voice in the doorway;

and there entered a gloomy figure, with smoky, light hair, a curiously

long countenance, and black worsted gloves. "SIMPSON!--old

OCTAVIUS!--did you never, never see me before?"

"If I am not greatly mistaken," returned the Gospeler, sternly. "I saw

you standing in the bar-room of the hotel, just now, as we came up."

"Yes," sighed the stranger, "I was there--waiting for a Western

friend--when you passed in. And has sorrow, then, so changed me, that

you do not know me? Alas! alack! woe's me!"

"BENTHAM, you say?" cried the Ritualistic clergyman, with a start, and

sudden change of countenance. "Surely you're not the rollicking

fellow-student who saved my life at Yale?"

"I am! I am!" sobbed the other, smiting his bosom. "While studying

theology, you'd gone to sleep in bed reading the Decameron. I, in the

next room, suddenly smelt a smell of wood burning. Breaking into your

apartment, I saw your candle fallen upon your pillow and your head on

fire. Believing that, if neglected, the flames would spread to some

vital part, I seized a water-pitcher and dashed the contents upon you.

Up you instantly sprang, with a theological expression on your lips, and

engaged me in violent single combat. "Madman!" roared I, "is it thus you

treat one who has saved your life?" Falling upon the floor, with a black

eye, you at once consented to be reconciled; and, from that hour forth,

we were both members of the same secret society."

Leaping forward, the Reverend OCTAVIUS wrung both the black worsted

gloves of Mr. BENTHAM, and introduced the latter to the old lawyer and

his ward.

"He did indeed save all but my head from the conflagration, and

extinguished that, even, before it was much charred," cried the grateful

Ritualist, with marked emotion.--"But, JEREMY, why this aspect of

depression?"

"OCTAVIUS, old friend," said BENTHAM, his hollow voice quivering, "let

no man boast himself upon the gaiety of his youth, and fondly

dream--poor self-deceiver!--that his maturity may be one of revelry. You

know what I once was. Now I am conducting a first-class American Comic

Paper."

Commiseration, earnest and unaffected, appeared upon every countenance,

and Mr. DIBBLE was the first to break the ensuing deep silence.

"If I am not mistaken, then," observed the good lawyer, quietly, "the

scene of your daily loss of spirits is in the same building with our

young friend, Mr. PENDRAGON, whom you may know."

"I do know him, sir; and that his sister has lately come unto him. His

room, by means of outside shutters, was once a refuge to me from the

Man"--Here Mr. BENTHAM'S face flamed with inconceivable hatred--"who

came to tell me just how an American first-class Comic Paper _should_ be

conducted."

"At what time does your rush of subscribers cease?"

"As soon as I begin to charge anything for my paper."

"And the newsmen, who take it by the week,--what is their usual time for

swarming in your office?"

"On the day appointed for the return of unsold copies."

"Then I _have_ an idea," said Mr. DIBBLE. "It appears to me, Mr.

BENTHAM, that your office, besides being so near Mr. PENDRAGON'S

quarters, furnishes all the conditions for a perfectly private

confidential interview between this young lady here, and her friend,

Miss PENDRAGON. Mr. SIMPSON, if you approve, be kind enough to acquaint

Mr. BENTHAM with Miss POTTS'S history, without mentioning names; and

explain to him, also, why the ladies' interview should take place in a

spot whither that singular young man, Mr. BUMSTEAD, would not be likely

to prowl, if in town, in his inspection of umbrellas."

The Gospeler hurriedly related the material points of FLORA'S history to

his recovered friend, who moaned with all the more cheerful parts, and

seemed to think that the serious ones might be worked-up in comic

miss-spelling for his paper.--"For there is nothing more humorous in

human life," said he, gloomily, "than the defective orthography of a

fashionable young girl's education for the solemnity of matrimony."

Finally, they all set off for the appointed place of retirement, upon

nearing which Mr. DIBBLE volunteered to remain outside as a guard

against any possible interruption. The Gospeler led the way up the dark

stairs of the building, when they had gained it; and the Flowerpot,

following, on JEREMY BENTHAM'S arm, could not help glancing shyly up

into the melancholy face of her escort, occasionally. "Do you _never_

smile?" she could not help asking.

"Yes," he said, mournfully, "sometimes: when I clean my teeth."

No more was said; for they were entering the room of which the tone and

atmosphere were those of a receiving-vault.

[Footnote 1: Shades of QUINTILIAN and Dr. JOHNSON, what a

sentence!]

[Footnote 2: Quite

independently of any specific design to that end by the Adapter, this

Adaptation, carefully following the original English narrative as it

does, can not avoid acting as a kind of practical--and, of course,

somewhat exaggerative--commentary upon what is strained, forced, or out

of the line of average probabilities, in the work Adapted.]

CHAPTER XXII.

A CONFUSED STATE OF THINGS.

The principal office of the Comic Paper was one of those amazingly

unsympathetic rooms in which the walls, windows and doors all have a

stiff, unsalient aspect of the most hard-finished indifference to every

emotion of humanity, and a perfectly rigid insensibility to the

pleasures or pains of the tenants within their impassive shelter. In the

whole configuration of the heartless, uncharacterized place there was

not one gracious inequality to lean against; not a ledge to rest elbow

upon; not a panel, not even a stove-pipe hole, to become dearly familiar

to the wistful eye; not so much as a genial crack in the plastering, or

a companionable rattle in a casement, or a little human obstinacy in a

door to base some kind of an acquaintance upon and make one less lonely.

Through the grim, untwinkling windows, gaping sullenly the wrong way

with iron shutters, came a discouraged light, strained through the

narrow intervals of the dusty roofs above, to discover a large

coffin-colored desk surmounted by ghastly busts of HERVEY, KEBLE and

BLAIR;[3] a smaller desk, over which hung a picture of the Tomb of

WASHINGTON, and at which sat a pallid assistant-editor in deep mourning,

opening the comic contributions received by last mail; a still smaller

desk, for the nominal writer of subscription-wrappers; files of the

_Evangelist_, _Observer_ and _Christian Union_ hanging along the wall; a

dead carpet of churchyard-green on the floor; and a print of Mr. PARKE

GODWIN just above the mantel of momumental marble.

Upon finding themselves in this temple of Momus, and observing that its

peculiar arrangement of sunshine made their complexions look as though

they had been dead a few days, Gospeler SIMPSON and the Flowerpot

involuntarily spoke in whispers behind their hands.

"Does that room belong to your establishment, also, BENTHAM?" whispered

the Gospeler, pointing rather fearfully, as he spoke, towards a

side-door leading apparently into an adjoining' apartment.

"Yes," was the low response.

"Is there--is there anybody dead in there?" whispered Mr. SIMPSON,

tremulously.

"No.--Not yet"

"Then," whispered the Ritualistic clergyman, "you might step in there,

Miss POTTS, and have your interview with Miss PENDRAGON, whom Mr.

BENTHAM will, I am sure, cause to be summoned from up-stairs."

The assistant-editor of the Comic Paper stealing softly from the office

to call the other young lady down, Mr. JEREMY BENTHAM made a sign that

FLORA should follow him to the supplementary room indicated; his

low-spirited manner being as though he had said: "If you wish to look at

the body, miss, I will now show you the way."

Leaving the Gospeler lost in dark abstraction near the black mantel, the

Flowerpot allowed the sexton of the establishment to conduct her

funereally into the place assigned for her interview, and stopped aghast

before a huge black object standing therein.

"What's this?" she gasped, almost hysterically.

"Only a safe," said Mr. BENTHAM, with inexplicable bitterness of tone.

"Merely our fire-and-burglar-proof receptacle for the money constantly

pouring in from first-class American Comic journalism."--Here Mr.

BENTHAM slapped his forehead passionately, checked something like a sob

in his throat, and abruptly returned to the main office.

Scarcely, however, had he closed the door of communication behind him,

when another door, opening from the hall, was noiselessly unlatched, and

MAGNOLIA PENDRAGON glided into the arms of her friend.

"FLORA!" murmured the Southern girl, "I can scarcely credit my eyes! It

seems so long since we last met! You've been getting a new bonnet, I

see."

"It's like an absurd dream!" responded the Flowerpot, wonderingly

caressing her. "I've thought of you and your poor, ridiculous brother

twenty times a day. How much you must have gone through here! Are they

wearing skirts full, or scant, this season?"

"About medium, dear. But how do you happen to be here, in Mr. BENTHAM'S

office?"

In answer to this question, FLORA related all that bad happened at

Bumsteadville and since her flight from thence; concluding by warning

MAGNOLIA, that her possession of a black alpaca waist, slightly worn,

had subjected her to the ominous suspicion of the Ritualistic organist.

"I scorn and defy the suspicions of that enemy of the persecuted South,

and high-handed wooer of exclusively Northern women!" exclaimed Miss

PENDRAGON, vehemently. "Is this Mr. BENTHAM married?"

"I suppose not."

"Is he visiting any one?"

"I shouldn't think so, dear."

"Then," added MAGNOLIA, thoughtfully, "if dear Mr. DIBBLE approves, he

might be a friend to MONTGOMERY and myself; and, by being so near us,

protect us both from Mr. BUMSTEAD. Just think, dear FLORA, what heaps of

sorrow I should endure, if that base man's suspicion about my alpaca

waist should be only a pretence, to frighten me into ultimately

receiving his addresses."

"I don't think there's any danger, love," said Miss POTTS, rather

sharply.

"Why, FLORA precious?"

"Oh, because he's so absurdly fastidious, you know, about regularity of

features in women."

"More than he is about brains, I should think, dear, from what you tell

me of his making love to you."

Here both young ladies trembled very much, and said they never, never

would have believed it of each other; and were only reconciled when

FLORA sobbed that she was a poor unmarried orphan, and Miss PENDRAGON

moaned piteously that an unwedded Southern girl without money had better

go away somewhere in the desert, with her crushed brother, and die at

once for their down-trodden section. Then, indeed, they embraced

tearfully; and, in proof of the perfect restoration of their devoted

friendship, agreed never to marry if they could avoid it, and told each

other the prices of all their best clothes.

"You _won't_ tell your brother that I've been here?" said the

Flowerpot. "I'm so absurdly afraid that he can't help blaming me for

causing some of his trouble."

"Can't I tell him, even if it would serve to amuse him in his

desolation?" asked the sister, persuasively. "I want to see him smile

again, just as he does some days when a hand-organ-man's monkey climbs

up to our windows from the street."

"Well, you _may_ tell him, then, you absurd thing!" returned FLORA,

blushing; and, with another embrace, they parted, and the deeply

momentous interview was over.

(_To be Continued._)

[Footnote 3: Author of "The Grave."]

* * * * *

[Illustration: ROMANCE AND REALITY.

IN THE LIBRARY.

_Jones, (reading.)_ "THE GLASS OF FASHION AND THE MOULD OF FORM, THE

OBSERVED OF ALL OBSERVERS."

_Jenkins, (with enthusiasm.)_ "PERFECT DESCRIPTION OF MY WIFE!"

IN THE GARDEN.

THIS IS MRS. JENKINS, IN HER MORNING TOILETTE.]

* * * * *

OFFICE SEEKING.[4]

BY ICHABOD BOGGS,

THE NEW AMERICAN POET.

PREFATORY NOTE.--The reader is requested to judge the following

production mildly, as it is the first effort of a youthful genius (16

years old in looks and feeling, 42 by the family bible and census.) The

author has felt that America should have a new kind of verse of its own,

and he thinks he here offers one which has never been used by any other

mortal poet. It is called the duodekameter. Perhaps it may be proper to

add that the following is _poetry_.

I.

You see everybody in our town was running around, getting fat jobs

and positions, and picking up a million dollars or so,

So I felt it incumbent on me

To shake myself up, and see if there wasn't a good butter firkin, well

filled, loafing around idle, in which could conveniently locate my

centre of gravity, and so I said to myself, I'll go

To Washington and see,

Says ICHABOD BOGGS, says I.

II.

Now, don't you see, you might just as well ask for a big position at

first, and then take what you can get,

At least that has been my rule so far,

For, as I says to myself, if you can only get a very high position, with

a sort of nabob's salary, and lots of perquisites running in

annually, you needn't do anything, you bet,

But puff at your cigar,

Says ICHABOD BOGGS, says I.

III.

So I put on my best clothes, and a sort of a big blue necktie,

and shortly thereafter showed myself to Mr. GRANT,

And said that there had been quite enough

Of this giving away big offices to people who hadn't big reputations,

and that he had other fish to fry, and that, as he wouldn't give the

Custom House to my son, I'd take it myself, and then I stopped,

and he looked, "I shan't,"

But all he said was--puff,

Says General GRANT, says he.

IV.

Then all the smoke got in my nose, and I sneezed and snorted a bit,

and then I just simply remarked and said

That he needn't go and get into a huff,

And if he didn't like to give me that office, couldn't he make me

Minister to England, as I was a big feeder, or if that didn't suit,

why, if he'd do it, I wouldn't object to being Minister to Cuba,

when the Cubans had been all killed, and were thoroughly dead?

But all be said was--puff,

Says General GRANT, says he.

V.

Well, then I got kind of discouraged, but I thought that I'd better try

again, and not get up so far,

But ask for what he'd give beyond doubt,

So I asked for a position as night watchman at the Navy Yard, and

thought I'd get it, and he'd answer my request, for I'd noticed that

his Havana was gradually growing smaller, and he did answer me,

just as he'd thrown away the end of his cigar,

He simply said, "Get out!"

Says General GRANT, says he.

VI.

So I got out, as fast as a pair of legs, with a number twelve boot

kicking at the place where they're joined, would permit,

And wandered off, just about as far

As I conveniently could, and then I sat down on a milestone and raised

my voice to Heaven, and cried aloud, that, weather permitting,

General GRANT should never, _never_, NEVER, go back to the White

House, not if I could help it,

To puff on his cigar,

Said ICHABOD BOGGS, said I.

[Footnote 4: We hope none of our readers will labor under the impression

that we look upon the above effusion as a poetical one, but, in this day

of many isms, it may happen that the above style may become prevalent,

and we think it our duty to present everything that is new. EDS.]

* * * * *

2.02 TO HARNESS.

Mr. Punchinello on the Turf.

History relates that the era of Horse-racing commenced about the year

680 B. C., but it was some time after that when Mr. PUNCHINELLO made his

_debut_ as a candidate for the honors of the turf. To put the matter

more concisely, it is just six days since he drove his horse "Creeping

Peter" on the track at Monmouth Park, Long Branch. The only object which

Mr. P. had in view, when he purchased his celebrated trotter and put him

into training, was the improvement of the breed of American horses.

While our BONNERS, VANDERBILTS and GRANTS are devoting all their

surplus time and means to this great end, Mr. P., in placing the name of

his yellow horse in the hands of the poolseller, would scorn to have a

less noble aim.

But this great object need not interfere with others of less importance,

and therefore Mr. P. will not deny that, after having exhibited to his

friends and the sporting fraternity in general, his little investment in

fancy horseflesh, he made up a very satisfactory betting-book.

Now Mr. P. believed,--and events proved him to be correct,--that when

his friends and the sporting fraternity saw his horse, they would bet

heavily against him. Mr. P., however, in all the pride of amateur

ownership, bet quite as heavily _upon_ his noble steed. His friends and

the above-mentioned fraternity chuckled and winked behind his back, but

although Mr. P. heard them chuckle and knew that they were winking, his

belief in his final success never wavered. Any ordinary observer might

be expected to remark that Creeping Peter was not entirely without

blemish. Besides being spavined and having three of his hoofs injured by

sand-crack, he had poll-evil, fistulas, malanders, ring-bone, capped

hock, curb, splint, and several other maladies which made him a very

suitable horse for the general public to bet against.

But Mr. P.'s courage never quailed!

When he made his appearance on the track (for he drove his horse

himself) he was the object of general attention. The following view

(from a photograph by ROCKWOOD) gives an excellent idea of the horse and

driver.

[Illustration]

Nearly everybody on the ground advised Mr. P. to leave his cloth in the

stable, for it would certainly interfere with the speed of his horse and

probably get wrapped up in the wheels and cause an accident. But Mr. P.

would listen to nothing of the sort. He told everybody that he wasn't

going to catch cold in his knees, even if he lost the race, and that he

was perfectly willing to run the risk of accidents.

For the benefit of his readers, however, Mr. P. will lift up this

heavily shotted lap-cloth and show what was under it.

[Illustration]

Here is arranged a steam-engine, which drives the wheels of the vehicle,

and which will of course propel the whole turnout, horse and all, at a

great rate of speed.

It will now be easily perceived why Mr. P. persisted in keeping his

lap-cloth over his knees.

The entries were as follows:

ROBERT BONNER'S b. h. Dexter.

DEREN O. SUE'S b. m. Lady Thorn.

PUNCHINELLO'S y. h. Creeping Peter.

When the word was given, the horses all got off well and Dexter

immediately took the lead,--buzzing through the air like a

humming-top,--followed closely by Lady Thorn, her nose just lapping his

off jaw. For the first few seconds Mr. P. fell behind, owing to his

fires not yet being properly under way, but the water soon bubbled

merrily in his boiler, and his wheels began to revolve with great

rapidity. And now he sped merrily. Never did the war trumpet inspire the

fiery charger, or hounds and horn excite the mettled hunter, as the

steam-engine in his rear woke all the energies of Creeping Peter.

Swift as revolving pin-wheels or rapid peg-top, those spavins, those

ring-bones, those bulbous hocks, those sand-cracked hoofs and those

rattling ribs went whistling o'er the track. Mid the shouts and yells of

the excited multitude he passed Lady Thorn, overtook Dexter and shot

ahead of him! But he cannot stand that tremendous pace, and down goes

Creeping Peter on his knees. Every man who had bet against him set up a

howl of rapture, but Mr. P. never relaxed a muscle, and on went Creeping

Peter, just as fast as ever, his horny bones dashing away the sand and

gravel like spray from the cut-water of a scudding yacht, and, amid the

wildest clamor, he shot past the judges' stand on his nose and one leg,

making his mile in two minutes and two seconds!

[Illustration]

It is needless to dwell upon the results of this race.

Mr. P. now owes no man anything, nor is he even indebted to his noble

steed. Behold his testimony to the merits of that valuable animal!

[Illustration]

* * * * *

Something Original In Suicide.

An item in an evening paper states that "a man near Syracuse recently

cut his throat with a scythe."

Well, certainly this was a new Mowed of doing the business, although, as

it was the first instance of the kind on record, it cannot properly be

said that the business was done _à la mowed_.

* * * * *

Jocular and Ocular.

Can the public be properly said to have looked forward to SEEBACH?

* * * * *

ANNA DICKINSON.

One bright October morning in the year 1828, a lone lorn woman by the

name of GUMMIDGE might have been seen standing at the corner of a

wheat-field where two cross-roads met and embraced. She was weeping

violently. Ever and anon she would raise her head and gaze mysteriously

in the direction of a cloud of dust which moved slowly over the hill

toward the town. Her name was FATIMA. FATIMA GUMMIDGE. "Sister ANNIE,"

she cried, "what do you see?" But sister ANNIE was far away. She was not

there. She was attending an agricultural fair in the beautiful young

state of Kansas.

Thus gracefully do we introduce our heroine upon the scene. The reader

will be able to judge, from this, whether we are familiar with the

literature of our day, or not. He will be able to form a complimentary

opinion of our culture. He will perceive that we are acquainted with the

writings of Messrs. JAMES, and DICKENS, and BLUEBEARD. There is nothing

like impressing your reader with an adequate sense of your ability for

laborious research, when you are doing biography for a high-toned

journal.

At what period in her career our illustrious victim applied to the

Legislature to change her name from GUMMIDGE to DICKINSON, we are unable

to discover. There is no record of the event in the musty tomes we have

waded through at the Astor Library in search of reliable data. One thing

must be apparent, even to the most violently prejudiced and brutish

bigot--namely, that Miss DICKINSON no longer confesses to the name of

GUMMIDGE. However disrespectful this may be to the memory of Mrs.

GUMMIDGE'S father--but on reflection is it not possible that Mrs.

GUMMIDGE'S maiden name was DICKINSON? There may be something in this.

Let us see. Mrs. GUMMIDGE was born of the brain of Mr. C. DICKENS. Mr.

DICKENS may be said to be the father of the whole GUMMIDGE family. This,

of course, includes GUMMIDGE _père_. GUMMIDGE _père_ was therefore

DICKENS' son. Hence the name of DICKENSON. Very good, so far. Now--

But it is unnecessary to press the argument. If the prejudiced bigot is

not yet convinced, nothing would convince him short of a horse-whipping.

The poet, when he wrote "Thou wilt come no more, gentle ANNIE," was

clearly laboring under a mistake. If he had written "Thou wilt be sure

to come again next season, gentle ANNIE," he would have hit it. Lecture

committees know this. Miss DICKINSON earns her living by lecturing.

Occasionally she takes a turn at scrubbing pavements, or going to hear

WENDELL PHILLIPS on "The Lost Arts," or other violent exertion, but her

best hold is lecturing. She has followed the business ever since she was

a girl, and twenty-four (24) years of steady application have made her

no longer a Timid Young Thing. She is not afraid of audiences any more.

It is a favorite recreation of the moral boot-blacks and pious newsboys

of New York to gather in the evening on the steps of Mr. FROTHINGHAM'S

church, and scare each other with thrilling stories of the gentle

ANNIE'S fierce exploits and deeds of daring. Among the best

authenticated of these (stripped of the ornate figures of speech with

which the pious newsboys are wont to embellish the simple facts) are the

following:

1. In the memorable canvass of 1848, Miss DICKINSON stumped the mining

districts of Pennsylvania for FRED DOUGLASS, and was shot at by the

infuriated miners forty-two times, the bullets whistling through her

back hair to that extent that her chignon looked like a section of

suction-hose when the campaign was over.

2. Near the close of the rebellion, Miss DICKINSON wrote to JEFF DAVIS

that she was going to raise a regiment and go for him. Peace followed

promptly.

3. In the year 1867 she published a book.

4. In the year 1868 she went to California overland, by railroad, alone.

5. In the year 1869 she attended a lecture by OLIVE LOGAN, and further

showed her fearless nature by embracing Miss LOGAN tempestuously, and

offering to marry her.

6. At various times during her career she has received and successfully

done battle with 14,624 proposals of marriage, 14,600 of which were made

to her _in the city of Chicago!!!_

These evidences of her courage are sufficient to show what she is equal

to, under any emergency. We are now waiting to hear of a seventh act of

bravery on her part which will distance all the above; when she shall

have announced that she is prepared to lecture on "CHARLES DICKENS" she

will have given the last convincing proof that she is equal to

_anything_ terrible.

(Should Mr. PUNCHINELLO object that this biographical sketch is

desultory and "wandering," let him try, himself, to write the biography

of a lady who is incessantly and frantically roaming from one end of the

country to the other, and if he don't wander it will be a wonder.)

* * * * *

IMPORTANT ANNOUNCEMENT!--HEIRS WANTED!

NEW YORK, Oct. 1, 1870.

We, the undersigned, as representatives of the family of the decedent,

hereby call upon all heirs of the late RICHARD COEUR DE LION, who may be

residing in or near this locality, to meet at the Astor House, in New

York, on the fifteenth of this present month of October, to take

measures for the recovery of such portion of the estate of said LION as

is known to have legally descended to his heirs in this country. This

property, to which it will be easy to prove that we, the undersigned,

together with the other members of our family, are the lineal heirs, is

believed to consist mainly of the two hundred thousand byzants assured

to the said LION by SALADIN after the capitulation of Acre. This sum,

which we have reason to believe was duly paid by said SALADIN at the

time appointed, when reduced from golden byzants into greenbacks, and

compound-interest at seven _per centum_ for the term of six hundred and

seventy-nine years calculated thereupon, will be found to amount to

upwards of one hundred and seventy thousand million dollars. When the

ransom money of twenty-five hundred Saracens, slain by said LION to

enforce the speedy payment of the principal of this sum by the said

SALADIN, shall have been deducted and paid to such heirs and survivors

of said Saracens as may immediately present their claims, the remainder

will be divided, (as soon as the necessary legal measures shall be

taken,) among the heirs and descendants of said LION in this country.

The immediate object of the meeting, which is now called by the

undersigned, is the collection of sufficient funds from said heirs and

descendants to defray the expenses of a committee (composed of the

undersigned) who shall be charged with the duty of visiting England,

Normandy and Palestine, and obtaining such evidence and such copies of

record in relation to this portion of the estate of the said LION, as

shall make necessary a speedy and equitable division of paid property

among the members of the family in this country.

Lineal heirs who may not be able to attend this meeting in person will

have their interests taken in charge by the undersigned, on the receipt

of twenty-five dollars, which will be due from each heir as the primary

instalment on account of necessary expenses.

Punctual attention to this notice is requested.

(Signed)

JACOB RICHARDS,

PETER MCCURDY,

EBENEZER LYONS.

JAMES MCLEON,

L. J. O'LYNN,

HENRY RICHARDSON,

Rev. THOS. DICK,

DICK E. DICKQUE DOUT.

* * * * *

RECOGNITION OF NILSSON.

Not that we mean to "patronize," fair Swede;

No, no, indeed!

'Tis homage, honest homage that we bring;

For you can sing!

Pray, do not think we build you any throne

On _skill_ alone;

There's nothing regal in a music box--

In simple _vox_!

But when an ardent spirit warms the strain--

When it is plain

The artist feels the passion of the scene--

She's then our Queen!

But, dear CHRISTINA! we should still declare

The Fates unfair,

Unless she lived as chastely as the rose;

As NILSSON does!

Still, still we hesitate!--We will confess,

(For _you'd_ not guess!)

We'd have her--that the likeness be complete--

Young, fair, and sweet!

In fine, (and now we'll tell you everything,)

If she can sing,

And act, and feel, and look, and _be_ like you,

Why, that will do!

* * * * *

[Illustration: THE YOUNG DEMOC-RATS, ENCOURAGED BY THE OLD RAT DANA,

COME TO GRIEF IN TRYING TO PUT OUT THE HOFFMAN LIGHT.]

* * * * *

A New Pierian Spring.

The Principal of the "Student's Home," at V------, N.Y., advertising

the advantages of his school, makes the following telling appeal, which

we should think would be hard to resist by such as find study interfere

with digestion.

"COME TO V------. Its Mineral Water strengthens the body, and its

Seminary the mind."

The hope of eventually leaving those classic shades in such a state of

two-fold invigoration, should prove inspiring to the dyspeptic and

studious.

Whether this constant cramming of the mind and purging of the body be

the true secret of longevity as well as of scholarship, we know not; we

should judge, however, from the appearance and conversation of students

in general, that a system directly the reverse of the above mentioned

process would be more certain of turning out the real article.

* * * * *

Spare Us!

Nor only is everybody's attention directed towards Paris, but the

English Sparrows appear to be gradually Worming themselves into public

estimation. They have been picking away so vigorously, since they were

brought over here, that some of them are now able to pick their way

across Broadway, in the muddiest weather. In course of time, we suppose

the worms will disappear, and then, when these poor birds have nothing

else to pick, they will go out to pic-nics. Come, arouse then, friends

of the sparrow! Fetch out your bread and your grain, and fear not that

these little twitterers will ever over-burden the city.

* * * * *

A Gourd of Honor(!)

The latest, and most important news from Spain is that SICKLES has been

furnished with a guard by the government.

Some things are managed better in Spain than in this country. SICKLES

should have been placed under guard, here, many a year ago, to keep him

out of mischief.

* * * * *

"Carpe Diem."

The following telegraphic item is a remarkable instance of the exactness

with which news can be transmitted by the submarine cable:

"LONDON, September 16. Mr. CHARLES REED, member of Parliament for

Hackney, to-day unveiled the monument to ALEXANDER DEFOE, at Bunhill

Fields. The monument in practically one to ROBINSON CRUSOE."

With the triffing exception of calling ROBINSON DEFOE ALEXANDER DEFOE,

(and that is a pardonable error, considering that ALEXANDER SELKIRK was

the prototype of DANIEL CRUSOE,) the above item is perfectly

satisfactory. All the more so, if one pays attention to the date, and

remembers that September 16 fell upon a FRIDAY.

* * * * *

BY TELEGRAPH FROM VARIOUS PARTS OF THE WORLD.

[Special Correspondence of Punchinello.]

BERLIN, October 15.--In a conversation with King WILLIAM, yesterday, he

said that he relied upon the growing taste in Hoboken for Bavarian beer

to destroy the sympathy of the United States with the French Republic.

METZ, October 12.--While examining the fortifications to-day with

BISMARCK, I lent him my cigar-holder, and he told me that Prussia would

refuse to entertain any propositions tending to peace until the

Schleswig-Holstein question was definitely settled.

STRASBOURG, October 14--Among the priceless volumes destroyed in the

library here, was a full set of ABBOTT'S NAPOLEON histories. They were

all presentation copies from the author, with autograph inscriptions.

The regret expressed at their destruction is deep-felt and universal.

WINDSOR, Oct. 16th.--I came up to-day with VICTORIA from Balmoral. She

was engaged during most of the trip in reading HORACE GREELEY'S "What I

Know About Farming," with which she is much delighted. She said she

thought the satire was finer than SWIFT'S, and wondered the people did

not insist upon GREELEY'S being Governor.

ROME, Oct. 15.--Talking this morning with the Pope, who took breakfast

with me, His Holiness said he had accepted JAMES GORDON BENNETT'S

invitation to come to Washington Heights on a visit, and wanted to know

whether I thought he would be expected to wear his tiara during meals. I

told him that I thought it would not be obligatory.

DUBLIN, Oct. 16.--The Irish Republic was to-day proclaimed at Cork, with

GEORGE FRANCIS TRAIN as Emperor. The Fenians say they would prefer a

constitutional monarchy.

PARIS, Oct. 15.--General CLUSERET assured me to-day that though Minister

WASHBURNE speaks French better than a native, yet he has not entirely

forgotten what little English he used to know, and further, that he is

confident it is not that gentleman's intention to make himself Dictator

of France by a _coup d' état_.

LONG BRANCH, Oct. 22--While smoking to-day with GRANT, I asked him what

he thought of the European complication, and he answered with a most

expressive silence.

* * * * *

[Illustration: STAYING THE MARCH.

_Liberty._ "HALT!" ]

* * * * *

HIRAM GREEN IN GOTHAM.

The venerable "Lait Gustise" sees the Sights, under Perplexing

Difficulties.

The native borned Gothamite mite have notissed, a short time since, a

venerable lookin' ex-Statesman, dressed in a becomin' soot of clothes

and a slick lookin' white hat.

The a-four-said honest old man carried a bloo cotton umbreller in one

hand, and an acksminister carpet bag in t'other. He had jest arroven to

the meetropolis on a North River steambote. The reader has probly gessed

by this time, that the man in question was the subscriber.

If he hasen't so surmised, I would inform him that it was. Jess so.

Arrivin' at a well-known tavern, where hash is provided for man and

beast, I handed my carpet bag over the counter.

The clerk at the offis put on rather more airs than a Revenoo offiser.

In fact, he was so full of airs I got a vilent cold standin' in his

pressence.

"Shan't I take that anshient circus tent?" said he, pintin' to my

umbreller, "and lock it up in the safe?"

I made no reply to this onmanerly interogetory, but strikin' an attitude

of pain, give him one of those gazes which BEN BUTLER allers makes tell,

in tryin' criminal cases.

I looked at that clerk cross-eyed, and it made him squirm.

I wasen't blind--not much.

That clerk wanted to steel _that_ umbreller, to send to HORRIS GREELEY,

so the Filosifer could keep the reign storms of Tammany from spatterin'

his white cote.

I understood his little dodge and nipped it.

"Snowball," said I, addressin' a dark skinned individual with a white

apern, while I was seated at the dinner table, "what in the deuce makes

all your dishes so small?"

"Dem is for one pusson, sah," said he. "Dat is an indiwidual butter

dish, sah. Dem is indiwidual vegetable dishes--and dat's an indiwidual

salt-cellar, sah," said he, pintin' to each piece of crockery.

I was hungry, and the crockery was soon empty.

Seein' a platter of ice cream down the table aways, I got up onto my

feet, and havin' a good long arm, reached for it.

It was awful cold, and sot my stumps to achin'.

I got one holler tooth full of the stuff.

"Snowball," said I, "look here."

"Well, sah?" he replied.

"I've got my tooth full of that cold puddin'," said I, pintin' to the

dish; "please bring me an individual toothpick, so I can dig it out."

He vanished. I coulden't wait, so I undertook to dig it out with my

fork.

A man opposite me, who thot heed play smart, sent word to the

tavern-keeper that I was swollerin' his forks.

Up comes the tavern-keeper, and ketchin' holt of my cote coller, shaked

me out in the middle of the dinin'-room floor.

"What in thunder are you about?" says I.

"Old man," says he, "them forks cost $9.00 a dozen. How many have you

swallered?"

"Not a gol darned fork," hollered I as loud as I could screem. Gittin'

onto my feet, I pulled off my cote and vest, and if I didn't make the

fur fly, and give that 'ere tavern-keeper the nisest little polishin'

off mortal man ever become acquainted with, then I don't understand the

roodiments of the English prize ring.

At Central Park, that hily cultivated forrest, the sharpers tried to

chissel me.

Just as I approched the gate which leads into the Park, a fansy lookin'

feller with short hair and plad briches stopt me and says: "Unkle, you'r

fair."

"You're a man of excellent judgment," I replide; "I think I am pooty

good lookin' for a man of my years."

"You don't undertand me, sir," he agin said. "Come down with your

stamps."

"My which?" said I, turnin' a little red in the face.

"Your gate money," he replied, tryin' to shove me back. "We charge $1.00

for goin' in here."

"You do, do you?" said I, wavin' my umbreller over his head

threatenin' manner. "When our goverment resooms speshie payment agin

maybe I'le send you a silver dollar with a hole into it, and maybe I

won't; it will depend a good deal on the pertater crop."

I was very much agitated. Pullin' out my silver watch I says: "My sweet

sented Plumbob, if you don't histe your butes away from that gate in 2

seconds I'le bust your biler with this 'ere bunch of bones," and I

tickled the end of his probocis with my fist, as I gently rubbed it

under his smeller.

He saw heed caught a Tarter, in fact, a regular Tarter emetic, and he

slunk away rather sudden.

I had sent too many of such skinamelinks to the clay banks when I was

Gustice of the Peece to allow 'em to fool me much.

I visited WOOD'S Museum to see the wacks figgers and things.

The statutes of the 12 Apostles attracted my attention.

"And this," said a ministerial long-faced lookin' man, with a white

choker, "is the last supper.--What a sagacious eye has PETER got--How

doubtful THOMAS looks--MATTHEW is in deep thought, probly thinkin' of

the times he was a fisherman. What a _longin'_ look in that astoot

eye," said he, nudgin' me with his gold-headed cane.

"Yes," said I, "he is probly _longin'_ for that 'ere dish of ham and

eggs, in the middle of the table."

"Look at SIMON," he continered. "See! his eye rests upon his rite hand,

which is closed beside him on the table. His lips are parted as if he

was going to say--

"SIMON says thumbs up," I quickly replide, interruptin' him. I diden't

mean anything disrespectful to nobody, but that 'ere man flew into a

vilent rage.

"Can it be, that a soul so devoid of poetry lives in this age?" said he.

"My venerable friend, I blush for you--yes, I blush for you, you are

devoid of sentiment."

"Look here, Captin," said I, "you may be a good preacher and all that

sort of thing. Excuse me for sayin' it, you hain't a BEECHER--Skarcely.

H. WARD soots me--He is chock full of sentiment--at the same time he can

relish a joak ekal to the best of us. Mix a little sunshine with that

gloomy lookin' countenance of yours. Don't let people of the world think

they must draw down their faces and colaps, because a man joaks about a

lot of wacks figgers dressed up in 6 penny caliker. Them's the kind of

sentiment which ales me every time." Sayin' which I storked

contemptously out of the wacks figger department.

I shall remain a few days in the big city, friend PUNCHINELLO, and if

the citizens of New York insist on givin' me a reception at the City

Hall, I will submit to the sacrifice, especially if the vitels are well

cookt. Ewers on a scare up,

HIRAM GREEN, Esq.,

_Lait Gustice of the Peece._

* * * * *

THE CENSUS ENUMERATOR'S PLAINT.

The names that these newspapers call us

Are hardest of all to surmount,

They say Mayor HALL may o'erhaul us;

He claims that our count is no 'count.

I never had any such trouble

In registering voters down South,

I set every nigger down double

And put the whites down in the mouth.

But here they're so very exacting

They kick up a row, don't you know?

Though under instructions we're acting

In playing our figures "for low."

I try to play Sharpe in these matters,

I dodge all the bricks and spittoons--

(Curse that bull-dog! he's torn to tatters

The seat of my best pantaloons!)

A tailor refused me admission,

And said he "vould shoot mit his gun,"

So I, out of Shear opposition,

Counted him and eight others for one.

While not in the habit of swearing,

I can't but be slightly profane

To hear these New Yorkers declaring

Their names have been taken in vain.

* * * * *

The most appropriate kind of dish on which to serve up Horseflesh

A Charger.

* * * * *

[Illustration: SEVERE ON BYRON BUBBS.

_Bubbs_. "DOES YOUR SISTER NETTIE EVER TALK ABOUT ME?"

_Little Rose_. "OH, YES! I HEARD HER TELL MA, YESTERDAY, YOU HAD SUCH A

BEAUTIFUL NECK, SO LONG THAT IT WOULD DO TO TIE IN A DOUBLE BOW-KNOT!"]

* * * * *

BY GEORGE!

(_Concluded_.)

LAKE GEORGE, N. Y., Sept. 12.

DEAR PUNCHINELLO: "SLUKER," continued the long-haired man in an

absent-minded manner, "was a _corker_! there is no mistake about that.

Like the Ghost at BOOTH'S, he was a terror to the peaceful Hamlet. He

was always getting up shindys without the slightest provocation, and was

evidently possessed of the unpleasant ambition, as well as ability, to

whale the entire township in detachments of one.

Things got to be so bad after a while that the bark was rubbed off every

tree in town on account of the people incontinently shinning up them

whenever SLUKER came in sight.

It was no unusual thing to see business entirely suspended for hours,

while SLUKER marched up and down the main street, whistling, with his

hands in his pockets, and every soul in the place, from the minister

down, roosting as high as they could get, six on a branch, sometimes.

Matters went on in this way until one day a little incident occurred

that somewhat discouraged this gentle youth. He had just returned from a

discussion with a butcher, (from the effects of which the latter now

sleeps in the valley,) when a party of his fellow-townsmen entered the

store in which he was loafing, and ordered a coil of half-inch rope from

New York by the morning's train.

It was the Overland route that SLUKER took for California, and when his

aged mother heard that three eyes had been gouged out in one day in the

Golden City, she wept tears of joy. Her fond heart told her that the

perilous journey was over, and her darling boy was safe.

After ten years of a brilliant career he bethought him again of the

place of his birth. His heart yearned for the gentle delights,--the

heavy laden trees--of his boyhood's home. He said he must go.

His friends said he must go, too. In fact they had already appointed a

select and vigilant Committee to see him safely on his way.

In some respects SLUKER came back an altered man. The stamp of change

was on his noble face, indeed it had been stamped on itself, until it

looked like a wax doll under a hot stove. But he still retained his

warlike spirit.

There was not so much chance of indulging it now, however. The Fire

Company had disbanded, and nearly every one had grown rich enough to own

a shot-gun. There was only one chance left.

He joined the Presbyterian Choir.

Not that he had much of a voice, though he used to play 'Comin' thro'

the Rye' oh the fiddle sometimes, until he got it going _through him_ so

much he couldn't draw a note.

Nobody would have taken them if he had.

Well, SLUKER had a pretty warm time of it in the Choir, and enjoyed

himself very much, until they got a new Organist who pitched every thing

in 'high C,' which was this young man's strong lead.

As the Choir always sang in G, of coarse, there was a row the first

Sunday, and it was generally understood that SLUKER was going to fix

MIDDLERIB that night.

When the evening service commenced, and the Choir was about to begin,

the congregation were startled by an ominous click in the gallery, and

looking up, they beheld SLUKER covering the Organist's second shirt-stud

with his revolver.

"Give us G, Mr. MIDDLERIB, if you please!" he said blandly.

But the pirate on the high C's refused to Gee, and Whoa was the natural

result.

The confusion that followed was terrible: SLUKER fired at everybody.

MIDDLERIB hit him with the music stool. The soprano was thrown over the

railing, and somebody turned off the gas.

In the ensuing darkness every one skirmished for themselves. SLUKER took

off his boots and hunted for MIDDLERIB in his stocking feet.

Suddenly he heard a single note on the 'high C.' He groped his way to

the keyboard, but there was no one there.

The solution rushed upon him,--MIDDLERIB must be _in_ the organ.

He crept round to the handle and bore his weight on it.

It was too true; the unhappy wretch had cut a hole in the bellows and

crawled in. But for his ruling passion he would have escaped.

There were a few muffled groans as the handle slowly descended upon the

doomed man, and as the breath rushed out of his body into his favorite

pipe, the wild 'high C of agony that ran through the sacred edifice

told them that all was over.

Let us draw a vail over the horrid picture."

* * *

I was very much interested in this story, very much indeed, and so I

jostled the long-haired man--who was about falling asleep--and asked him

if anything was done to this wicked SLUKER.

He looked at me reproachfully. "What's the matter with you, my friend?"

he said, in the same melancholy voice. "Don't you know who I am? I write

for the _Ledger_, and whenever 'I draw a vail, etc.,' that ends it, that

does!"

As we stepped from the steamer to the landing, I observed a youth of

about six summers dressed in the most elaborately agonizing manner. He

had two Schutzenfest targets in his cuffs; in one hand he held an

enormous cane, in the other a cigar, and through an eyeglass he gazed at

the ankles on the gang-plank with an air of patient weariness with this

slow old world that was very touching.

"Where," I exclaimed as I surveyed this show-card of a fast generation,

"O! where have our _children_ vanished? Take from childhood the

sparkling water of its purity--the sugar of its innocent affections--its

ardent but refreshing spirits--and what, ah! what have we left?"

"Nothing," said the melancholy voice at my elbow. "Absolutely nothing

save the mint and the straw!"

And he was right, my dear PUNCHINELLO, he was right.

SAGINAW DODD.

* * * * *

"SOLEMN SILENCE."

Perhaps very few persons--and especially very few members of the

Republican party--are aware that a monument to ABRAHAM LINCOLN has at

last been completed, and that it has been placed on the site allotted

for it in Union Square. It is very creditable to the Republican Party

that they exercised such control over their feelings when the day for

unveiling the LINCOLN Monument arrived. Some parties might have made a

demonstration on the occasion of post-mortuary honors being accorded to

a leader whom they professed to worship while he lived, and whom they

demi-deified after his death. No such extravagant folly can be laid at

the door of the Republican Party. "Let bygones be bygones" is their

motto. They allowed their "sham ABRAHAM," in heroic bronze, to be

hoisted on to his pedestal in Union Square in solitude and silence. That

was commendable. A live ass is better than a dead lion; and so the

Republican Party, who consider themselves very much alive, went to look

after their daily thistles and left their dead lion in charge of a

policeman.

* * * * *

THE PLAYS AND SHOWS.

LOTTA is lithe; (which is alliterative,) pretty, piquant, and addicted

to the banjo. The latter characteristic is inseparable from her. In

whatever situation the dramatist may place her, whether in a London

drawing-room or a Cockney kitchen, whether on an Algerian battle-field

or in a California mining-camp, she is certain to produce the inevitable

banjo, and to sing the irrepressible comic song. In fact, her plays are

written not for LOTTA, but for LOTTA'S banjo. The dramatist takes the

presence of the banjo as the central fact of his drama, and weaves his

plot around it. His play is made on the model of that celebrated drama

written to introduce Mr. CRUMMLES'S pump and tubs. Thus does he preserve

the sacred unity of LOTTA and the banjo.

_Heart's Ease_--in which she is now playing at NIBLO'S Garden, is

plainly born of the banjo, and lives for that melodious instrument

alone. The author said to himself, "A California mining-camp would be a

nice place for a banjo solo." Wherefore he conceived the camp, with a

chorus of red-shirted miners. Wherefore too, he created a comic Yankee

who should be eccentric enough to bring a banjo to the camp, and a lover

who should be charmed by its touching strains. It required a prologue

and three acts to enable him to successfully introduce the banjo. In a

somewhat condensed form, these acts and this prologue are here set

forth.

PROLOGUE. _A seedy husband who is audaciously palmed upon the public as

a Reasoning Animal is discovered in a London garret, with a

healthy-looking wife, in a rapid consumption_.

REASONING ANIMAL. "I loved you, my dear, and therefore brought you from

a comfortable home to this dreary garret. I cannot bear to leave you, so

I will go out for a walk." (_The bell rings, and the wife's mother,

brother and family physician enter._)

MOTHER. "You must leave your husband and come home and live with us."

BROTHER. "Of course you must. You need not hesitate about a little thing

like that. Go into the other room and consult the Doctor. Here comes

your husband." (_Re-enter_ REASONING ANIMAL.)

REASONING ANIMAL. "Her berrotherr! Herre!"

BROTHER, "Yes. You can't support your wife. The Doctor says she needs

nice parties and other necessaries of life. Give her to us, and go to

California."

REASONING ANIMAL. "I will. Bring her here till I embrace her. (_She is

brought._) Farewell, my dear. I will go and make my fortune."

WIFE. "Take our little girl with you."

REASONING ANIMAL. "I will, for she needs a mother's care. Good-bye!

Leave me to weep and wash the baby's face and hands alone."

ACT I.--_Scene, a California mining-camp. Various miners of assorted

nationalities--one of each--hard at work lying on the ground._

1ST MINER. "I want more whiskey."

CHORUS. "So do we."

2ND MINER. "MAY WILDROSE won't sell any more."

CHORUS. "But she gives it to her lover."

3RD MINER. "He looks clean; he must have found a nugget. Let's kill

him."

4TH MINER. "Sh--we will." (_Enter_ MAY WILDROSE--_which her name it is_

MISS LOTTA.)

MAY. "Here comes my darling LIONEL. Let me get you some brandy, love."

LIONEL. "Certainly, my dear. How full of forethought is a true woman's

love!"

CHORUS of MINERS. "She gives it to him, but not to us. Beware, young

woman, or we will go back on you."

MAY. "No you won't. My father earns a laborious living by making me keep

a whiskey shop. We have a monopoly of the business, and you will have to

buy of us, whether you like it or not. Get out of my sight, or I'll lick

the whole boiling of you." (_They fly, and she returns to the parental

whiskey shop._)

LIONEL. "Night is coming on. I will go among the rocks; why, I don't

know, but still I will go." (_Goes. Three miners follow and attack

him._)

LIONEL. "Save me, somebody."

MAY. _Appearing suddenly with a revolver_--"You bet." (_She shoots the

miners and brings down the curtain triumphantly._)

Punchinello, Volume 2, No. 28, October 8, 1870 · 第 1 / 3 章