MUSIC, POPULAR, VALUE OF

All history reveals the fact that music, wedded to stirring and

patriotic words, has in every age had a powerful influence on

the course of public events. Nor is this true alone of civilized

peoples. Among almost all savage races, the warriors excite

themselves to martial ardor by songs which thrill their souls.

The war-dances alike of our North American Indians, of the

African negroes, and of the semicivilized races which dwell in

Asia, are accompanied by songs which, tho wild and incoherent

to European ears, have an inspiring influence upon themselves.

Carlyle wisely said, “The meaning of song goes deep”; and a more

recent writer has declared that “it goes as deep as the heart of

man, the throbbings of which it controls more readily and widely

than do the speeches of statesmen, the sermons of preachers,

or the writings of journalists.” It was clearly because the

influence of legend and of patriotic appeal, joined with

familiar tunes so strongly roused the emotions of the people,

that the ancient bards of Ireland, Scotland, and Wales were

held in such high honor in the old royal courts and princely

castles of these lands, and were regarded with such veneration

by the people everywhere. About two centuries ago Lord Wharton

wrote a political ballad, which was set to music, the title of

which was “Lillibulero.” It was very poor poetry, but somehow

the rude verses struck a chord in the popular heart, and were

sung everywhere. It was written in opposition to King James the

Second; and so wide was its influence that Lord Wharton boasted,

it is said, that it “sang James II out of three kingdoms.”

The effect of the “Marseillaise” in arousing and exciting the

revolutionary spirit of France is one of the prominent facts

in the history of that country. To it, in no small degree, is

attributed the success of the French arms against the allies

who assailed the young republic. So potent, indeed, was the

“Marseillaise” felt to be in kindling political passion, that

both the Napoleons forbade it being sung or played in France

during their reigns.--_Youth’s Companion._

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