Joanna, as we in England should call her, but, according to her own

statement, Jeanne (or, as M. Michelet asserts, Jean) D'Arc, was born at

Domrémy, a village on the marches of Lorraine and Champagne, and

dependent upon the town of Vaucoulcurs. Domrémy stood upon the

frontiers, and, like other frontiers, produced a _mixed_ race,

representing the _cis_ [Footnote: _This side_.] and the _trans_

[Footnote: _Across_; the other side.]. A river (it is true) formed the

boundary-line at this point--the river Meuse; and _that_, in old days,

might have divided the populations; but in these days it did not: there

were bridges, there were ferries, and weddings crossed from the right

bank to the left. Here lay two great roads, not so much for travelers

that were few, as for armies that were too many by half. These two

roads, one of which was the great highroad between France and Germany,

_decussated_ at this very point; which is a learned way of saying that

they formed a St. Andrew's Cross, or letter X. I hope the compositor

will choose a good large X; in which case the point of intersection, the

_locus_ [Footnote: _Point_ or _place_.] of conflux and intersection for

these four diverging arms, will finish the reader's geographical

education, by showing him to a hair's-breadth where it was that Domrémy

stood. That great four-headed road was a perpetual memento to patriotic

ardour. To say "This way lies the road to Paris, and that other way to

Aix-la-Chapelle; this to Prague, that to Vienna," nourished the warfare

of the heart by daily ministrations of sense. The eye that watched for

the gleams of lance or helmet from the hostile frontier, the ear that

listened for the groaning of wheels, made the high-road itself, with

its relations to centres so remote, into a manual of patriotic duty.

The situation, therefore, _locally_, of Joanna was full of profound

suggestions to a heart that listened for the stealthy steps of change

and fear that too surely were in motion. But, if the place were grand,

the time, the burden of the time, was far more so. The air overhead in

its upper chambers was _hurtling_ with the obscure sound; was dark with

sullen fermenting of storms that had been gathering for a hundred and

thirty years. The battle of Agincourt in Joanna's childhood had reopened

the wounds of France. Crécy and Poictiers, those withering overthrows

for the chivalry of France, had, before Agincourt occurred, been

tranquilized by more than half-a-century; but this resurrection of their

trumpet wails made the whole series of battles and endless skirmishes

take their stations as parts in one drama. The graves that had closed

sixty years ago seemed to fly open in sympathy with a sorrow that echoed

their own. The monarchy of France laboured in extremity, rocked and

reeled like a ship fighting with the darkness of monsoons. The madness

of the poor king (Charles VI) falling in at such a crisis trebled the

awfulness of the time. Even the wild story of the incident which had

immediately occasioned the explosion of this madness--the case of a man

unknown, gloomy, and perhaps maniacal himself, coming out of a forest at

noonday, laying his hand upon the bridle of the king's horse, checking

him for a moment to say, "Oh, king, thou art betrayed," and then

vanishing, no man knew whither, as he had appeared for no man knew

what--fell in with the universal prostration of mind that laid France on

her knees, as before the slow unweaving of some ancient prophetic doom.

The famines, the extraordinary diseases, the insurrections of the

peasantry up and down Europe--these were chords struck from the same

mysterious harp; but these were transitory chords. There had been others

of deeper and more ominous sound. The termination of the Crusades, the

destruction of the Templars, the Papal interdicts, the tragedies caused

or suffered by the house of Anjou, and by the Emperor--these were full

of a more permanent significance.

These were the loftiest peaks of the cloudland in the skies that to the

scientific gazer first caught the colours of the new morning in

advance. But the whole vast range alike of sweeping glooms overhead

dwelt upon all meditative minds, even upon those that could not

distinguish the tendencies nor decipher the forms. It was, therefore,

not her own age alone as affected by its immediate calamities that lay

with such weight upon Joanna's mind, but her own age as one section in

a vast mysterious drama, unweaving through a century back, and drawing

nearer continually to some dreadful crisis. Cataracts and rapids were

heard roaring ahead; and signs were seen far back, by help of old men's

memories, which answered secretly to signs now coming forward on the

eye, even as locks answer to keys. It was not wonderful that in such a

haunted solitude, with such a haunted heart, Joanna should see angelic

visions, and hear angelic voices. These voices whispered to her for

ever the duty, self-imposed, of delivering France. Five years she

listened to these monitory voices with internal struggles. At length

she could resist no longer. Doubt gave way; and she left her home for

ever in order to present herself at the dauphin's court.

The education of this poor girl was mean according to the present

standard: was ineffably grand, according to a purer philosophic

standard: and only not good for our age because for us it would be

unattainable. She read nothing, for she could not read; but she had

heard others read parts of the Roman martyrology. She wept in sympathy

with the sad _Misereres_ [Footnote: The penitential psalm which, set to

music, is one of the most impressive Roman Catholic chants.] of the

Romish Church; she rose to heaven with the glad triumphant _Te Deums_

[Footnote: _Te Deum laudamus_ means "We praise thee, O God" Grand

anthems of triumph and thanksgiving are here called "Te Deums" from the

first words of an ancient Latin hymn.] of Rome; she drew her comfort and

her vital strength from the rites of the same Church. But, next after

these spiritual advantages, she owed most to the advantages of her

situation. The fountain of Domrémy was on the brink of a boundless

forest; and it was haunted to that degree by fairies that the parish

priest (_curé_) was obliged to read mass there once a year, in order to

keep them in any decent bounds. Fairies are important, even in a

statistical view: certain weeds mark poverty in the soil; fairies mark

its solitude. As surely as the wolf retires before cities does the fairy

sequester herself from the haunts of the licensed victualer. A village

is too much for her nervous delicacy: at most, she can tolerate a

distant view of a hamlet. We may judge, therefore, by the uneasiness and

extra trouble which they gave to the parson, in what strength the

fairies mustered at Domrémy, and, by a satisfactory consequence, how

thinly sown with men and women must have been that region even in its

inhabited spots. But the forests of Domrémy--those were the glories of

the land: for in them abode mysterious powers and ancient secrets that

towered into tragic strength. "Abbeys there were, and abbey windows,"--

"like Moorish temples of the Hindoos,"--that exercised even princely

power both in Lorraine and in the German Diets. These had their sweet

bells that pierced the forests for many a league at matins or vespers,

and each its own dreamy legend. Few enough, and scattered enough, were

these abbeys, so as in no degree to disturb the deep solitude of the

region; yet many enough to spread a network or awning of Christian

sanctity over what else might have seemed a heathen wilderness. This

sort of religious talisman being secured, a man the most afraid of

ghosts (like myself, suppose, or the reader) becomes armed into courage

to wander for days in their sylvan recesses. About six hundred years

before Joanna's childhood, Charlemagne was known to have hunted there.

That, of itself, was a grand incident in the traditions of a forest or a

chase. In these vast forests, also, were to be found (if anywhere to be

found) those mysterious fawns that tempted solitary hunters into

visionary and perilous pursuits. Here was seen (if anywhere seen) that

ancient stag who was already nine hundred years old, but possibly a

hundred or two more, when met by Charlemagne; and the thing was put

beyond doubt by the inscription upon his golden collar. I believe

Charlemagne knighted the stag; and, if ever he is met again by a king,

he ought to be made an earl, or, being upon the marches of France, a

marquis. Observe, I don't absolutely vouch for all these things; my own

opinion varies. On a fine breezy forenoon I am audaciously sceptical;

but as twilight sets in my credulity grows steadily, till it becomes

equal to anything that could be desired.

Such traditions, or any others that (like the stag) connect distant

generations with each other, are, for that cause, sublime; and the

sense of the shadowy, connected with such appearances that reveal

themselves or not according to circumstances, leaves a colouring of

sanctity over ancient forests, even in those minds that utterly reject

the legend as a fact.

But, apart from all distinct stories of that order, in any solitary

frontier between two great empires--as here, for instance, or in the

desert between Syria and the Euphrates--there is an inevitable

tendency, in minds of any deep sensibility, to people the solitudes

with phantom images of powers that were of old so vast. Joanna,

therefore, in her quiet occupation of a shepherdess, would be led

continually to brood over the political condition of her country by the

traditions of the past no less than by the mementos of the local

present.

It is not requisite for the honour of Joanna, nor is there in this

place room, to pursue her brief career of _action_. That, though

wonderful, forms the earthly part of her story; the spiritual part is

the saintly passion of her imprisonment, trial, and execution. It is

sufficient, as concerns the former section of Joanna's life, to say

that she fulfilled, to the height of her promises, the restoration of

the prostrate throne. France had become--a province of England, and for

the ruin of both, if such a yoke could be maintained. Dreadful

pecuniary exhaustion caused the English energy to droop; and that

critical opening _La Pucelle_ used with a corresponding felicity

of audacity and suddenness (that were in themselves portentous) for

introducing the wedge of French native resources, for rekindling the

national pride, and for planting the dauphin once more upon his feet.

When Joanna appeared, he had been on the point of giving up the

struggle with the English, distressed as they were, and of flying to

the south of France. She taught him to blush for such abject counsels.

She liberated Orleans, that great city, so decisive by its fate for the

issue of the war, and then beleaguered by the English with an elaborate

application of engineering skill unprecedented in Europe. Entering the

city after sunset on the 29th of April, she sang mass on Sunday, May 8,

for the entire disappearance of the besieging force. On the 29th of

June she fought and gained over the English the decisive battle of

Patay; on the 9th of July she took Troyes by a coup-de-main [Footnote:

An unexpected and powerful attack] from a mixed garrison of English and

Burgundians; on the 15th of that month she carried the dauphin into

Rheims; on Sunday the 17th she crowned him; and there she rested from

her labour of triumph. All that was to be _done_ she had now

accomplished: what remained was--to _suffer_.

But she, the child that, at nineteen, had wrought wonders so great for

France, was she not elated? Did she not lose, as men so often

_have_ lost, all sobriety of mind when standing upon the pinnacle

of success so giddy? Let her enemies declare. During the progress of

her movement, and in the centre of ferocious struggles, she had

manifested the temper of her feelings by the pity which she had

everywhere expressed for the suffering enemy. She forwarded to the

English leaders a touching invitation to unite with the French as

brothers, in a common crusade against infidels--thus opening the road

for a soldierly retreat. She interposed to protect the captive or the

wounded; she mourned over the excesses of her countrymen; she threw

herself off her horse to kneel by the dying English soldier, and to

comfort him with such ministrations, physical or spiritual, as his

situation allowed. "_Nolebat_," says the evidence, "_uti ense suo, aut

quemquam interficere_." [Footnote: She wished not to kill anyone with

her sword] She sheltered the English that invoked her aid in her own

quarters. She wept as she beheld, stretched on the field of battle, so

many brave enemies that had died without confession. And, as regarded

herself, her elation expressed itself thus:--On the day when, she had

finished her work, she wept; for she knew that, when her _triumphal_

task was done, her end must be approaching. Her aspirations pointed only

to a place which seemed to her more than usually full of natural piety,

as one in which it would give her pleasure to die. And she uttered,

between smiles and tears, as a wish that inexpressibly fascinated her

heart, and yet was half-fantastic, a broken prayer that God would return

her to the solitudes from which he had drawn her, and suffer her to

become a shepherdess once more. It was a natural prayer, because nature

has laid a necessity upon every human heart to seek for rest and to

shrink from torment. Yet, again, it was a half-fantastic prayer,

because, from childhood upwards, visions that she had no power to

mistrust, and the voices which sounded in her ear for ever, had long

since persuaded her mind that for _her_ no such prayer could be granted.

Too well she felt that her mission must be worked out to the end, and

that the end was now at hand. All went wrong from this time. She herself

had created the _funds_ out of which the French restoration should grow:

but she was not suffered to witness their development, or their

prosperous application. More than one military plan was entered upon

which she did not approve. But she still continued to expose her person

as before. Severe wounds had not taught her caution. And at length, in a

sortie from Compiègne (whether through treacherous collusion on the part

of her own friends is doubtful to this day), she was made prisoner by

the Burgundians; and finally surrendered to the English.

Now came her trial. This trial, moving of course under English

influence, was conducted in chief by the Bishop of Beauvais. He was a

Frenchman, sold to English interests, and hoping, by favour of the

English leaders, to reach the highest preferment.

Never from the foundations of the earth was there such a trial as this,

if it were laid open in all its beauty of defence, and all its

bullishness of attack. Oh, child of France! shepherdess; peasant girl!

trodden under foot by all around thee, how I honour thy flashing

intellect, quick as God's lightning, and true as God's lightning to its

mark, that ran before France and laggard Europe by many a century,

confounding the malice of the ensnarer, and making dumb the oracles of

falsehood!

On Easter Sunday, when the trial had been long proceeding, the poor

girl fell so ill as to cause a belief that she had been poisoned. It

was not poison. Nobody had any interest in hastening a death so

certain. M. Michelet, whose sympathies with all feelings are so quick

that one would gladly see them always as justly directed, reads the

case most truly. Joanna had a twofold malady. She was visited by a

paroxysm of the complaint called _home-sickness_. The cruel nature

of her imprisonment, and its length, could not but point her solitary

thoughts, in darkness and in chains (for chained she was), to Domrémy.

And the season, which was the most heavenly period of the spring, added

stings to this yearning. That was one of her maladies--_nostalgia_, as

medicine calls it; the other was weariness and exhaustion from daily

combats with malice. She saw that everybody hated her, and thirsted for

her blood; nay, many kind-hearted creatures that would have pitied her

profoundly, as regarded all political charges, had their natural

feelings warped by the belief that she had dealings with fiendish

powers. She knew she was to die; that was _not_ the misery; the misery

was that this consummation could not be reached without so much

intermediate strife, as if she were contending for some chance (where

chance was none) of happiness, or were dreaming for a moment of escaping

the inevitable. Why, then, _did_ she contend? Knowing that she would

reap nothing from answering her persecutors, why did she not retire by

silence from the superfluous contest? It was because her quick and eager

loyalty to truth would not suffer her to see it darkened by frauds which

_she_ could expose, but others, even of candid listeners, perhaps, could

not; it was through that imperishable grandeur of soul which taught her

to submit meekly and without a struggle to her punishment, but taught

her _not_ to submit--no, not for a moment--to calumny as to facts, or to

misconstruction as to motives. Besides, there were secretaries all

around the court taking down her words. That was meant for no good to

_her_. But the end does not always correspond to the meaning. And

Joanna might say to herself, "These words that will be used against me

tomorrow and the next day perhaps in some nobler generation may rise

again for my justification."

On the Wednesday after Trinity Sunday in 1431, being then about

nineteen years of age, the Maid of Arc underwent her martyrdom. She was

conducted before mid-day, guarded by eight hundred spearmen, to a

platform of prodigious height, constructed of wooden billets supported

by occasional walls of lath and plaster, and traversed by hollow spaces

in every direction for the creation of air-currents. The pile "struck

terror," says M. Michelet, "by its height;" and, as usual, the English

purpose in this is viewed as one of pure malignity. But there are two

ways of explaining all that. It is probable that the purpose was

merciful.

The circumstantial incidents of the execution, unless with more space

than I can now command, I should be unwilling to relate. I should fear

to injure, by imperfect report, a martyrdom which to myself appears so

unspeakably grand. Yet I shall, in parting, allude to one or two traits

in Joanna's demeanour on the scaffold, and to one or two in that of the

bystanders. The reader ought to be reminded that Joanna D'Arc was

subjected to an unusually unfair trial of opinion. Any of the elder

Christian martyrs had not much to fear of _personal_ rancour. The martyr

was chiefly regarded as the enemy of Caesar; at times, also, where any

knowledge of the Christian faith and morals existed, with the enmity

that arises spontaneously in the worldly against the spiritual. But the

martyr, though disloyal, was not supposed to be therefore anti-national;

and still less was _individually_ hateful. What was hated (if anything)

belonged to his class, not to himself separately. Now, Joanna, if hated

at all, was hated personally, and in Rouen on national grounds. Hence

there would be a certainty of calumny arising against _her_ such as

would not affect martyrs in general. That being the case, it would

follow of necessity that some people would impute to her a willingness

to recant. No innocence could escape _that_. Now, had she really

testified this willingness on the scaffold, it would have argued nothing

at all but the weakness of a genial nature shrinking from the instant

approach of torment. And those will often pity that weakness most who,

in their own persons, would yield to it least. Meantime, there never was

a calumny uttered that drew less support from the recorded

circumstances. It rests upon no _positive_ testimony, and it has a

weight of contradicting testimony to stem.

Now, I affirm that she did not recant. I throw the _onus_ [Footnote:

Burden.] of the argument not on presumable tendencies of nature, but on

the known facts of that morning's execution, as recorded by multitudes.

What else, I demand, than mere weight of metal, absolute nobility of

deportment, broke the vast line of battle then arrayed against her? What

else but her meek, saintly demeanour won, from the enemies that till now

had believed her a witch, tears of rapturous admiration? "Ten thousand

men," says M. Michelet himself--"ten thousand men wept"; and of these

ten thousand the majority were political enemies knitted together by

cords of superstition. What else was it but her constancy, united with

her angelic gentleness, that drove the fanatic English soldier--who had

sworn to throw a faggot on her scaffold, as _his_ tribute of abhorrence,

that _did_ so, that fulfilled his vow--suddenly to turn away a penitent

for life, saying everywhere that he had seen a dove rising upon wings to

heaven from the ashes where she had stood? What else drove the

executioner to kneel at every shrine for pardon to _his_ share in the

tragedy? And, if all this were insufficient, then I cite the closing act

of her life as valid on her behalf, were all other testimonies against

her. The executioner had been directed to apply his torch from below. He

did so. The fiery smoke rose upwards in billowing volumes. A Dominican

monk was then standing almost at her side. Wrapped up in his sublime

office, he saw not the danger, but still persisted in his prayers. Even

then, when the last enemy was racing up the fiery stairs to seize her,

even at that moment did this noblest of girls think only for _him_, the

one friend that would not forsake her, and not for herself; bidding him

with her last breath to care for his own preservation, but to leave

_her_ to God. That girl, whose latest breath ascended in this sublime

expression of self-oblivion, did not utter the word _recant_ either with

her lips or in her heart. No, she did not, though one should rise from

the dead to swear it.

* * * * *

The shepherd girl that had delivered France--she, from her dungeon,

she, from her baiting at the stake, she, from her duel with fire, as

she entered her last dream--saw Domrémy, saw the fountain of Domrémy,

saw the pomp of forests in which her childhood had wandered. That

Easter festival which man had denied to her languishing heart--that

resurrection of springtime, which the darkness of dungeons had

intercepted from _her_, hungering after the glorious liberty of

forests--were by God given back into her hands, as jewels that had been

stolen from her by robbers. With those, perhaps (for the minutes of

dreams can stretch into ages), was given back to her by God the bliss

of childhood. By special privilege for _her_ might be created, in

this farewell dream, a second childhood, innocent as the first; but

not, like _that_, sad with the gloom of a fearful mission in the

rear. This mission had now been fulfilled. The storm was weathered; the

skirts even of that mighty storm were drawing off. The blood that she

was to reckon for had been exacted; the tears that she was to shed in

secret had been paid to the last. The hatred to herself in all eyes had

been faced steadily, had been suffered, had been survived. And in her

last fight upon the scaffold she had triumphed gloriously; victoriously

she had tasted the stings of death. For all, except this comfort from

her farewell dream, she had died--died, amidst the tears of ten

thousand enemies died, amidst the drums and trumpets of armies--died,

amidst peals redoubling upon peals, volleys upon volleys, from the

saluting clarions of martyrs.

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