IV

Winter comes, stern and sharp, like an unpaid landlord, to Our Square,

with sleet and gale for its agents of eviction. No longer are the

benches blithe with the voice of love or play or gossip. The wind has

blown them all away. A few tenacious leaves still cling, withered,

brown, and clattering, to the trees, “bare, ruin'd choirs where late'

the sweet birds sang,” and a few hardy stragglers beat across the

unprotected spaces, just to maintain, as it were, the human right of way

against the gray rigor of the skies. But, for the most part, we of Our

Square, going about our concerns, huddle as close as may be to the lee

of walls, for--though we would not for the world have it known--many

of us are none too warmly clad. Behind the blank opaqueness of the

bordering windows one may surmise much want and penury and cold, which,

also, we keep to ourselves. Our Square has its pride. We do not publish

our trials.

Perhaps Cyrus the Gaunt knew as much of them as any. For, by

imperceptible gradations, he had become the 'confidant, the judge, the

arbiter of our difficulties, and the friend of the shyest, the hardest,

and the proudest of us alike. His engine-seat was become a throne, from

whence he dispensed every good thing but charity. That word and all that

follows in its train he hated. Which shows that he had learned

Our Square. After hours he would “drop in,” almost secretly, on some

friend; and it was a curious coincidence that Cyrus's friends were

chosen apparently on the basis of need and distress. He had that rare

knack of helping out without involving the aided one in the coils of

obligation. There is nothing Our Square wouldn't have done for Cyrus the

Gaunt. I believe he could even have been elected alderman.

Winter drove Cyrus from his perch and put a brake on the thunder-wagon

before the job was quite finished. There still remained some final

repairs which must now wait for the spring, on the side where the Bonnie

Lassie's little house stood, bleak and desolate. Not wholly deserted,

however, for one brave and happy dancer still stuck to her post in the

window, lifting a thrilled face to the sky. Other employment claimed

Cyrus the Gaunt until his iron steed should come out of the stable; a

day job on a stationary engine around in Pike Street. Our

Square remarked with concern that the indoor employment didn't seem

to suit Cyrus the Gaunt. He became gaunter and thinner and more

melancholy-looking, and more than once he was seen on wild nights,

when nobody was supposed to be out late, staring at the now quite

unembarrassed house with the quaint little door and the broad vestibule.

But though the light and cheer that Our Square had seen grow in Cyrus's

face in the early days of his job, were graying over, there increased

the new understanding and sympathy and determination, in lines that he

had put there himself in the building of his new manhood. Thus, only, in

this perplexing world, does a man lift himself by his own boot-straps.

Though Cyrus the Gaunt could boast a thousand friends, he had accepted

but one intimate. That was MacLachan the tailor. Every day they lunched

on frankfurters and kohlrabi at Schwartz's. Thither Cyrus was wont to

have his scanty mail sent from the house where he lodged. One blustery

December day the tailor arrived late, to find his friend fingering a

pink slip of paper, of suggestive appearance.

“Ye'll have been aimin' a bit ootside!” commented MacLachan.

Cyrus flipped the paper over to him.

“Save us!” cried the awe-stricken Scot. “It's a thousan' dollars. All in

the one piece!”

“Two months overdue. He didn't have my address, I suppose.”

“Ha'e ye been drawin' a lottery?”

“No. It's a bet. Also my release. I'd almost forgotten. My time's up.”

“Ye'll not be leavin' us?” said the tailor. Cyrus avoided his eyes.

“I'm through, Mac,” he said dully. “It's no use. It's not worth while.

Nothing's worth while.” There was a long pause. “Mon,” said MacLachan

finally, “ha'e ye tho't what this'll mean to Our Square?”

Cyrus the Gaunt thought. Behind the curtain of his impenetrable face

there passed a panorama of recent memories; events which had, for the

first time in his career, made him one with the fabric of life. Faces

appealed to him; hands were outstretched to him confidently for the

friendly help that he could give so well; the voices of the children

hailed him as a fellow; the baseball team which did most of its practice

at noon on the asphalt claimed a corner of his memory; his ears rang

with the everyday greetings of his own people, and another panorama,

summoned up by the pink slip, faded away. Cyrus folded the check and put

it carefully in the pocket of his overalls.

“Ye'll be stayin' here,” said MacLachan contentedly, having read his

expression.

Cyrus nodded. Then the tailor's dour-ness fell from him for the moment.

He laid a hand on his friend's shoulder. “Laddie,” he said, “the little

bronze dancer is in the window yet.”

Cyrus turned a haggard face to him. “I know,” he said.

“Do ye make nothin' o' that?”

“Nothing. You know why--what she went away for.”

“I ha'e haird.”

“Well, I'm learning to forget.”

“The little bronze dancer is in the window yet,” repeated the obstinate

Scot.

How Cyrus won through that long winter is his own affair. Our Square

respects other people's troubles. It asked no questions. Finally winter

broke and fled before a southeast wind full of fragrance, and the

trees began to whisper important tidings to each other; and a pioneer

butterfly of the deepest, most luminous purple-black, with buff edges to

its wings, arrived and led the whole juvenile populace such a chase as

surely never was since the Pied Piper fluted his seductions long ago;

and the benches came out of their long retreat, fresh-painted, to stand

sturdy and stiff in their old places; and so did Cyrus's thun-der-wagon,

whereon he perched nightly once more, and was even more than before the

taciturn, humorous, kindly, secret, friendly adviser to all and sundry.

Then, one crisp March evening he became aware of a strong, bent,

feminine figure beckoning him from the curbstone. Clanging to a halt, he

heard a voice, unforgettable through its tinge of foreign accent, say:

--

“How do you do? I have been seeing your face all through my travels.”

Cyrus took off his working-cap and shook hands. “So I have come back to

look at it. It's thin. Would you like to be painted?”

“I don't think so, thank you. I've been sculped within an inch of my

life.”

“So I have understood,” said the Very Great Woman with a smile not

devoid of sympathy. “You are not done with it yet. She is coming.”

The face of Cyrus the Gaunt lighted marvelously.. “Coming back to Our

Square?” he cried. Then the light faded. “But--”

“But me no buts. She is coming. I did it. I found that she had never

finished you. So I told her that if she did not come back and finish, I

would take you away from her and finish you myself. And, oh, I am as bad

a sculptor as I am a good painter---almost!” Her laughter rang in

the chill air. “So she comes. And I have traveled all the way to this

impossible spot to play traitor. The question is: Are you a man? You

look it, at last!”

“The question is--Will you answer me one?”

“No! No! No! No! No! Put your questions where they belong. Farewell, my

Phaëthon of the Slums.”

The world was mad with the wine of the wind the night the Bonnie Lassie

came back to Our Square. All our trees waved their lean arms in welcome

and sent down little buds as messengers of joy over her return. Of

living welcomers there was none, for the gale had swept all humans

before it, except Terry the Cop, and he didn't recognize her, from the

distance, in her other-worldly raiment. That must have cost her a pang.

Unnoticed she crept into the little, old, quaint, friendly house, and

its doors closed behind her like the reassurance of a friendly arm. She

set herself in the dark window where the blithe dancer still tripped it,

faithful and lonely, and waited for Cyrus the Gaunt. But when she saw

his face, the Bonnie Lassie didn't sculp. She cried.

Cyrus mounted to his seat and pulled the lever over. The engine was

running badly that night, and the wind almost blew him from his perch.

Aside from the improbability that the little sculptor would brave such

weather, the charioteer was presently so immersed in his own immediate

concerns that he all but forgot the prospective visit. When he had

brought his charge to its senses and reduced it to some control, he was

interrupted by the plight of a belated push-cart woman, who was dragging

anchor and drifting fast to leeward under the furious impulsion of the

nor'easter. Cyrus had just dragged her almost from under his ponderous

wheels, when a beam flashed in his eyes, and he looked up to see a truck

close upon them. His yell split the darkness. The truck-driver, with

a mighty wrench, swung his vehicle sharp to the left, and up on the

sidewalk.

The uptilted lights shone full into the lower window of the little, old,

friendly house. Pressed against that window Cyrus saw the apparition

of a tear-softened, desolate visage. Reason, prudence, and propriety

deserted their posts in his brain simultaneously. A dozen long-legged

leaps carried him as far as the vestibule of the little house. There his

knees basely weakened. Perhaps her heart divined his step and sent her

forth to meet him; or perhaps it was his old ally, Chance, that brought

her into the vestibule as he stood there shaking.

“Oh!” she cried, and shrank back into a corner, with a deprecatory

movement, which to him was infinitely pathetic.

“I'm sorry,” said Cyrus. “I saw your face and thought you were

in trouble. If--if you wanted me to sit for you again,” he said

composedly, “I should be very glad to, until you've finished your

sketch.”

“Oh, no. I couldn't ask you. I couldn't think of--after--what--what--”

Her voice waned into silence.

“Don't feel that way at all,” he encouraged her with resolved

cheerfulness. “I can be a model and nothing more, again, I assure you.”

Her upturned eyes implored him. “Don't be cruel,” she said.

“Cruel?” he repeated wonderingly.

“Not at all. I'll be polite. It isn't too late to offer my best wishes.

Though I'm not sure I know the name.”

“What name?”

“Your--your married name.”

“Then you don't know?” she gasped. The brain of Cyrus the Gaunt suddenly

went numb. “I know you went away from us to get married.”

“I did,” she quavered. “But I couldn't. I--I--I tried to make myself

go through with it. I couldn't. No woman could when--when--” Her voice

trembled into silence.

A boisterous back-draft of the tempest thrust its way through the door

and puffed out the little vestibule light. With a sense of irreparable

loss impending he felt, rather than heard, her moving from him into the

blackness of the outer world. Yet his mind seemed clogged and chained as

he strove to grasp the meaning of what she had said--or was it what she

had left unsaid?

And in a moment she would be gone forever.

Suddenly--miracle of miracles!--he felt those soft, strong hands on his

arm, and heard her sobbing appeal: “Oh, Cyrus! Aren't you ever going to

smile at me inside again?”

His arms went out. The Bonnie Lassie's hands slipped up to his shoulder.

The flower-face pressed, close and cold and sweet, against his.

[Illustration: Her hands slipped to his shoulder 110]

“Love of my heart!” he cried, “I'll never do anything else all my life

long.”

Summer is tyrant in Our Square now. The leaves droop, flaccid and dusty,

on the trees, and the sun gives a shrewish welcome to the faithful

who still cling to the benches. Gone is Cyrus's chariot of flame and

thunder. The work is done. Gone, too, is Cyrus, and with him the Bonnie

Lassie, after a wedding duly set forth with much pomp and splendor in

the public prints. Among those present was Our Square.

So now the little, quaint, old, friendly house stands vacant, with eager

sunbeams darting about it in search of entry. Vacant but not cheerless,

for behind the panes, against which the Bonnie Lassie once pressed

her sorrowful face, troop the elfin company of her dream-children, the

dancing figurines. Cyrus the Gaunt would have it so. He deeded her the

house as a wedding-gift, that the happy dancers might remain with us

lonely and unforgetting folk. They are the promise that one day Our

Bonnie Lassie will come back to Our Square.

Our Square and the People in It · 第 9 / 31 题