II

Thus Cyrus the Gaunt became a toiler in, and by slow degrees a citizen

of, Our Square. We are a doubtful people where strangers are concerned.

The ritual of initiation for Cyrus was, at first, chance words and

offhand nods, then an occasional bidding to sit in at Schwartz's, and

finally consultations and confidences on matters of import, political,

social, or private. Thus was Cyrus the Gaunt adopted as one of us. Quite

from the outset of his job he became a notable pictorial asset of the

place, standing out, lank and black, in the intermittent gleam of his

own engine, as he rolled on his appointed course amidst firmamental

thunderings. Acting as chauffeur to ten tons of ill-balanced metal,

he promptly discovered, is an occupation to which the tyro must pay

explicit heed if he would keep within the bounds of his precinct. About

the time when he was beginning to feel at ease with his charger, he came

to a stop, one misty night, directly opposite the window of a taxicab,

and met a pair of eyes which straightway became fixed in a paralysis of

amazed doubt.

“No; it isn't. It can't be,” said the owner of the eyes presently.

“Yes, it is,” contradicted Cyrus.

“Well, I'm jiggered!”

“That's all that the pious young Presbyterian boss of a fashionable

church has a right to be.”

“_What_ are you doing up there?”

“Piloting a submarine under Governor's Island.”

“So I see.” The taxi-door opened, and some six feet of well-tailored

manhood mounted nimbly to Cyrus's side. “What's the fare? And why? Is it

a bet?”

Cyrus the Gaunt grinned amiably in the face of the Reverend Morris

Cartwright, whose appearance in that quarter did not greatly surprise

him. “How did you know? It's leaked out at the club, has it?”

“Not that I know of. I guessed it.”

“Thought nothing short of a bet would account for such a reversal of

form, eh? Keep it to yourself, and I'll tell you the rest.”

“You've hired an ear,” observed the young cleric.

“Maybe you heard that I had a nervous breakdown last spring. Kind of a

mixture of things.”

“Yes; I know the mixture. Three of gin to one of Italian.”

“You know too much for a minister,” growled the other. “Besides, it

was only part that. I just sort of got sick of doing nothing and being

nothing, and the sickness struck in, I expect. Well, one morning, after

a night of bridge, I came out into the breakfast-room nine hundred plus

to the good, and about ready to invest the whole in any kind of painless

dope that would save me from being bored with this life any more. There

sat Doc Gerritt, pink and smooth like a cherry-stone clam. I stuck out

my hand, and it was shaking. I dare say my voice was shaking, too, for

Gerry looked up pretty sharp, when I said, 'Doc, can you do anything for

me?' 'No,' says he. 'Is it as bad as that?' I asked. 'It's worse,' says

he. 'I'm a busy man with no time to waste on sure losses. Flat down,

Cyrus, you aren't worth it.' 'This is all I've got of me,' I said. 'I'm

worth it to myself.' 'Then do it for yourself,' he snapped. 'You're the

only one that can.' 'Will you tell me how?' 'I will,' says he. 'But you

won't do it. You aren't man enough.' 'Gerry,' I said, 'you may be a good

doctor, but you're a damn liar.' 'Am I?' says he. 'Prove it. Cut the

booze and go to work.' 'Work won't do me any good,' I said. 'I've

tried it, and it bored me worse than the other thing. When I'm bored, I

naturally reach for a drink.' (There's a great truth in that, you know,

Carty, if the temperance people would only grab it: boredom and booze

--cause and effect.) 'That's a hot line of advice, Doc,' I said. 'Maybe

you'll think better of it when you get my bill for fifty,' says he. (I

got it, too. I've still got it.) 'I don't mean Wall Street, Cyrus,' says

he. 'I mean work. You've never tried work. You've just played at it.

I'll bet you a thousand,' he went on (he was playing me up to this all

the time, Carty), 'that you'd starve in six months if you tried to make

your living where nobody knows you.' Well, Carty, you know how I am with

a bet. It comes just as natural to me to say 'You're on,' as 'Here's

how,' or 'Have another.' I said it, and here I am. I'll bet Doc

Gerritt's laughing yet,” he concluded with a wry face.

“They say he's the best diagnostician going, in his own line.” The young

clergyman studied Cyrus out of the corner of his eye. “I wouldn't wonder

if it were true. How do you like the prescription so far?”

“Interesting,” said Cyrus the Gaunt. “I've been hungry, and I've been

lonely, and I've been scared, and I've even been near-yellow, but I

haven't been bored for a minute. You never get bored, Carty, when you

have the probabilities of your next meal to speculate on, pro and con.

Odd jobs have been my stay mostly, before I landed this. And when there

wasn't anything in my own line, I kept up my nerve by catching 'em on the

way down and shoving 'em into jobs on Jink Hereford's Canadian preserve.”

“Good man!” approved the Reverend Morris Cartwright. “What'll you have?”

he added.

“Frankfurters and a glass of milk, if it's an open order. But you'll

have to fetch it to me from Schwartz's. I can't leave this here skittish

little pet of mine.”

Then and there some Sunday supplement missed a “throbbing human-interest

story” in that no reporter was present to witness one of New York's

fashionable young pastors emerging from an obscure saloon bearing food

and drink to the grimy driver of an all-night thunder-wagon.

“And now,” said Cyrus the Gaunt, handing down the empty glass, “if it

isn't one of your disgraceful secrets, what are _you_ doing in this

galley? Heading off some poor unfortunate who wants to go to the devil

peacefully, in his own way?”

“No, I leave that to the doctors,” retorted the other mildly.

“Quite so,” chuckled Cyrus. “Throw some water in my face and drag me to

my corner, will you?”

“This is an errand of diplomacy,” continued Cartwright. “I'm an envoy.

Do you happen to know which house--” His ranging vision fell upon the

row of figures joyously dancing in the window. “Never mind,” he

said, “I've found it.” He disappeared between the portals of the

old-fashioned, hospitable door.

Quite a considerable part of his week's wages would Cyrus the Gaunt have

forfeited to interpret the visitor's expression when he came out, a long

hour later. He looked at once harassed, regretful, and yet triumphant,

as one might look who had achieved the object of a thankless errand.

The Bonnie Lassie came to the door with him and stood gazing out across

the flaring lights and quivering shadows of Our Square. It seemed to

Cyrus that the flower-face drooped a little.

And indeed the Bonnie Lassie was not feeling very happy. When one's

adopted world goes well, the claims that draw one back become irksome

ties. The messenger from the world which she had temporarily foregone

was far from welcome. But at least she had claimed and won some months

of respite and freedom for her work.

So engrossed did she become with that work that she saw little or

nothing of Cyrus the Gaunt until Chance brought them together in the

climatic fashion so dear to that Protean arbiter of destinies. Returning

one evening from a call upon a small invalid friend in a tenement quite

remote from Our Square, the Bonnie Lassie essayed a cross-cut which

skirted the mouth of a blind alley. From within there sounded a woman's

scream of pain and fear.

The Bonnie Lassie hesitated. It was a forbidding alley, and the scream

was not inspiriting. It was repeated. Not for nothing is one undisputed

empress of Our Square. The Bonnie Lassie had the courage of one who

rules. She swooped into that black byway like a swallow entering a cave.

Now the screams were muffled, with a grisly, choked sound. They led her

flying feet toward a narrow side passage. But before she reached the

turn, a towering bulk sped by her, almost filling the thin slit between

the walls.

When she came within view, the matter was apparently settled. A swarthy,

vividly clad woman cringed against one wall. Against the other Cyrus had

pinned a swarthier man. The man, helpless, seemed to be wheedling and

promising. With a final shake and a growl--the girl likened it in her

mind to that of a great, magnanimous dog--the gaunt one released

the Sicilian and stopped to pick up his hat, which had fallen in the

struggle. Then the girl's heart leaped and clogged her throat with

terror, for, as Cyrus turned, the pretense fell from the face of his

opponent and it changed to a mask of murder. His hand darted to his

breast and came forth clutching the thin, terrible, homemade stiletto of

the rag-picking tribe, a file ground to a rounded needle-point. The girl

strove to cry out. It seemed to her only the whisper of a nightmare. But

it was enough.

Cyrus spun around and leaped back. His arm went out stiff as a bar.

At the end of it was a formidable something which flashed with an

ugly glint of metal in the Sicilian's face. Whether or not she heard

a report, the terror-stricken onlooker could not have said. But the

would-be murderer screamed, tottered, withered. His weapon tinkled upon

the coping. Then an arm of inordinate size and strength encircled the

Bonnie Lassie, whirled her up out of a pit of blackness, and supported

her through a reeling world. At her ear a quietly urgent voice kept

insisting that she must walk--walk--walk, and not let herself lapse. A

shock jolted her brain. It was the smell of ammonia. The darkness

dissipated, became an almost intolerable light, and she found herself

seated opposite Cyrus the Gaunt at a polished metal table in an ice cream

parlor.

[Illustration: Whirled her out of a pit of darkness 064]

“Don't let go of my hand,” she whispered faintly.

His big, reassuring clasp tightened. “We got away before the crowd

came,” he said. “You have wonderful nerve. I thought you were gone.”

“Don't speak of it,” she shuddered. “I can't stand it.”

Not until, after a slow, silent walk, they were seated on a bench in Our

Square could she gather her resolution for the dreadful question. “Did

you kill him?”

“Good Lord, no!”

Whirled her up out of a pit of blackness, and supported her through a

reeling world.

“But--but--you shot him!”

“Yes, with this.” He thrust his hand in his pocket, and again, as

she closed her eyes against the sight, she caught faintly the pungent

stimulus that had revived her.

“What is it?”

“Ammonia-pop. Model of my own.” Her eyes flew open, the color flooded

into her cheeks, but receded again. “He might have killed you!” she

exclaimed. “I thought when you turned away and I saw the dagger that--

Oh, how could you take such a desperate chance?”

“Just fool-in-the-head, I guess. I supposed he was through. Don't know

that breed, you see. But for you, he'd have got me.”

“But for _you_,” she retorted, “I don't know what might have happened to

me. How came you to be down in that slum?”

“Oh,” said he carelessly, “I prowl.”

“As far away as that?” She looked at him, sidelong.

“All around. I know that neighborhood like a book.”

“What's the name of that alley?”

“Alley? Er--what alley?”

“Mr. Cyrus Murphy, how long have you been following me about?”

He turned an unpicturesque, dull red. “Well, that's no place for a girl

alone,” he growled.

“You know, one evening I thought I saw you, down near Avenue C, but I

couldn't be sure. Was it?”

“It might have been,” he grudged. “Avenue C is a public thoroughfare.”

“And you've been guarding me,” she murmured.

Her eyes brooded on him, and the color was rising in her face to match

his. But, while Cyrus blushed like a brick, the Bonnie Lassie blushed

like the hue of flying clouds after sunset.

“Why don't you take a policeman?” he blurted out. “If anything should

happen to you--It isn't safe,” he concluded lamely.

“Not even when I'm chaperoned with an ammonia popgun?” she smiled. “Why

do you carry that?”

“For dogs. Dogs don't always like me. It's my clothes, I suppose.”

“Any dog who wouldn't like and trust you on sight,” she pronounced with

intense conviction, “is an imbecile.”

He smiled his acknowledgment. At that her face altered.

“There you go, smiling once more,” she said fretfully. “You do it very

seldom, but--”

“I'm always smiling, deep inside me, at you,” he said quietly.

“But when you smile outside, it makes you so different. And I find I've

done you all wrong.”

“Are you still sculping me?” he asked in surprise.

“I--I have been, but I stopped.” She paused, trying again to think of

him as merely a model, and found, to her discomfiture, that it caused a

queer, inexplicable little pang deep inside her heart. Nevertheless, the

artist rose overpoweringly within her at his next question.

“Do you want me to sit for you again?”

“Oh, would you? Now?”

He glanced at the church clock. “I've forty-seven minutes,” he said.

Much may be accomplished in forty-seven minutes. In the studio she

sprang to her work with a sort of contained fury. And as the eager,

intent eyes regarded him with an ever-increasing impersonality, a pain

was born in his heart and grew and burned, because to this woman who had

clung to him in the abandonment of mortal weakness but an hour before,

whose pulses had leaped and fluttered for his peril, he had become only

a subject for exploitation, something to further her talent, wax to her

deft hand.

Perhaps he had been that since the first. Well, what right had he to

expect anything more?

Nothing of this reached the absorbed worker. She was intent upon her

model's mouth and chin, whereon she had caught the sense of significant

changes. Had she but once come forth from her absorption to see and

interpret the man's eyes, she might have known. For only in the eyes

does a brave man's suffering show; the rest of his face he may control

beyond betrayal. Something happily restrained her from offering payment

as usual, when she finally threw the cloth over the unfinished sketch.

“You spoke of dogs not liking your clothes,” she said lightly. “Do you

always sleep in them?”

“Oh, no. They sleep on the floor at the foot of my bed and keep watch.

May I have them pressed?”

“It would be an interesting change. But why ask my permission?”

“Because you told me once to come as is.'”

“So I did,” she laughed. “But that was before you were an honest

workingman. Go and get pressed out.”

“No more use for me as a model?”

“Oh, I don't say that.”

“But I'm to see you sometimes?” he persisted.

“How could it be otherwise, with you doing patrol duty in front of my

door?” she twinkled.

With unnecessary emphasis she shut the door upon the retiring form of

Cyrus the Gaunt. But his double, already inalienable, returned to the

studio with her and formed a severely accusative third party to her dual

self-communion. Said the woman within her, woefully: “I mustn't see him

again. I mustn't! I mustn't!” Said the sculptor within her, exultingly:

“I've got him. I've got what I wanted. It's there and I've fixed it

forever.” Which was a mistake of the sculptor's, however nearly right or

wrong the woman may have been.

Thenceforward, it appeared to Cyrus the Gaunt, the Bonnie Lassie

exhibited an increasing tendency toward invisibility. When he did see

her, there were sure to be other people about, and she seemed subdued

and distrait. Presently the suspicion dawned upon Cyrus that she was

avoiding him. Being a simple, direct person, he laid his theory before

her. She denied it with unnecessary heat; but that didn't go far toward

rehabilitating the old cheerful and friendly status. Cyrus the Gaunt,

despite a wage which assured three excellent meals per day, began to

grow gaunter. Our Square commented upon it with concern.

There came a time when, for ten consecutive days, Cyrus the Gaunt never

set eyes upon the Bonnie Lassie, nor did his ear so much as catch

a single lilt of her laughter. At the end of that period, strolling

moodily past his now flavorless job full two hours early, he beheld

mounting the steps of the funny little mansion a heavy male figure, clad

from head to foot in what had a grisly suggestion of professional black.

The sight sent a chill to Cyrus's heart. The chill froze solid when on a

nearer approach to the house he heard the sound of voices within, joined

in a slow chant. Half-blind and shaking, he made his way to the rail and

clung there. Slowly the words took form and meaning, and this was their

solemn message:--

The Good Man,

When-he-falleth-in-Love

And-getteth-Snubbed,

Breaketh Forth In-to Tears:

But-the-Ungawdly Careth Notta Damn!

For Woman,

She-is-but-Vanity

Ay, Verily, and False-Curls.

And-the-Wooing Thereof Is Bitterness.

For-he-Wasteth-his-Substance-Upon-Her,

Taking-her-Pic-nics and Balls.

And she Danceth with some

Other Feller.

Oh-hh SLUSH!!!

A window-shade floated sideways, revealing to the peerer's gaze a

gnome with blue ears beating out the tempo with the fire-tongs for a

quartette, consisting of an aeroplane, a Salvation Army captain, a white

rabbit, and an Apache, while a motley crowd circulated around them.

In the intensity of his relief, Cyrus the Gaunt took a great resolve:

“Invited or not invited, I'm going to that party.”

MacLachan's “Home of Fashion” on the corner was long since dark,

but Cyrus's pedal fantasia on the panels brought forth the indignant

proprietor.

“What have you got for me to go to a fancy party in, Mac?” demanded his

disturber.

“Turnverein or Pansy Social Circle?” inquired the practical tailor.

“Neither. A dead swell party.”

“Go as ye are-rr, ye fule!” said the Scot, and slammed the door.

“Perfectly simple,” said Cyrus the Gaunt. “I'll do it.”

He hastened around to Schwartz's to wash his hands and smut his face

artistically.

Our Square and the People in It · 第 7 / 31 题