Hedger came and stood beside her. "You've surely seen them before?"

"Oh, yes," she replied, still looking up. "I see them every day from my

windows. They always come home about five o'clock. Where do they live?"

"I don't know. Probably some Italian raises them for the market. They

were here long before I came, and I've been here four years."

"In that same gloomy room? Why didn't you take mine when it was vacant?"

"It isn't gloomy. That's the best light for painting."

"Oh, is it? I don't know anything about painting. I'd like to see your

pictures sometime. You have such a lot in there. Don't they get dusty,

piled up against the wall like that?"

"Not very. I'd be glad to show them to you. Is your name really Eden

Bower? I've seen your letters on the table."

"Well, it's the name I'm going to sing under. My father's name is Bowers,

but my friend Mr. Jones, a Chicago newspaper man who writes about music,

told me to drop the 's.' He's crazy about my voice."

Miss Bower didn't usually tell the whole story,--about anything. Her

first name, when she lived in Huntington, Illinois, was Edna, but Mr.

Jones had persuaded her to change it to one which he felt would be worthy

of her future. She was quick to take suggestions, though she told him she

"didn't see what was the matter with 'Edna.'"

She explained to Hedger that she was going to Paris to study. She was

waiting in New York for Chicago friends who were to take her over, but

who had been detained. "Did you study in Paris?" she asked.

"No, I've never been in Paris. But I was in the south of France all last

summer, studying with C----. He's the biggest man among the moderns,--at

least I think so."

Miss Bower sat down and made room for him on the bench. "Do tell me about

it. I expected to be there by this time, and I can't wait to find out

what it's like."

Hedger began to relate how he had seen some of this Frenchman's work in

an exhibition, and deciding at once that this was the man for him, he had

taken a boat for Marseilles the next week, going over steerage. He

proceeded at once to the little town on the coast where his painter

lived, and presented himself. The man never took pupils, but because

Hedger had come so far, he let him stay. Hedger lived at the master's

house and every day they went out together to paint, sometimes on the

blazing rocks down by the sea. They wrapped themselves in light woollen

blankets and didn't feel the heat. Being there and working with C---- was

being in Paradise, Hedger concluded; he learned more in three months than

in all his life before.

Eden Bower laughed. "You're a funny fellow. Didn't you do anything but

work? Are the women very beautiful? Did you have awfully good things to

eat and drink?"

Hedger said some of the women were fine looking, especially one girl who

went about selling fish and lobsters. About the food there was nothing

remarkable,--except the ripe figs, he liked those. They drank sour wine,

and used goat-butter, which was strong and full of hair, as it was

churned in a goat skin.

"But don't they have parties or banquets? Aren't there any fine hotels

down there?"

"Yes, but they are all closed in summer, and the country people are poor.

It's a beautiful country, though."

"How, beautiful?" she persisted.

"If you want to go in, I'll show you some sketches, and you'll see."

Miss Bower rose. "All right. I won't go to my fencing lesson this

morning. Do you fence? Here comes your dog. You can't move but he's after

you. He always makes a face at me when I meet him in the hall, and shows

his nasty little teeth as if he wanted to bite me."

In the studio Hedger got out his sketches, but to Miss Bower, whose

favourite pictures were Christ Before Pilate and a redhaired Magdalen of

Henner, these landscapes were not at all beautiful, and they gave her no

idea of any country whatsoever. She was careful not to commit herself,

however. Her vocal teacher had already convinced her that she had a great

deal to learn about many things.

"Why don't we go out to lunch somewhere?" Hedger asked, and began to dust

his fingers with a handkerchief--which he got out of sight as swiftly as

possible.

"All right, the Brevoort," she said carelessly. "I think that's a good

place, and they have good wine. I don't care for cocktails."

Hedger felt his chin uneasily. "I'm afraid I haven't shaved this morning.

If you could wait for me in the Square? It won't take me ten minutes."

Left alone, he found a clean collar and handkerchief, brushed his coat

and blacked his shoes, and last of all dug up ten dollars from the bottom

of an old copper kettle he had brought from Spain. His winter hat was of

such a complexion that the Brevoort hall boy winked at the porter as he

took it and placed it on the rack in a row of fresh straw ones.

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