CHAPTER XXI

Lesbia Decides

Lesbia returned to the High School with a feeling of intense relief at

finding Miss Tatham once more at the helm. A term's rest had set up the

Principal's health, and she seemed her old self again. Her strong, calm

personality made an enormous difference in the school; many wheels,

which had creaked and jarred, now turned smoothly, and teachers and

pupils took on a more united tone. Lesbia went to her and explained the

circumstances which had led to her loss of the prefectship. Miss Tatham

listened quietly, but made little comment. She was, of course, bound to

support Miss Ormerod's regime, recognizing that her locum tenens had

done her best during a difficult term.

"You've been kind in screening the juniors, Lesbia," she said. "I think,

on the whole, as Kathleen has been made a prefect, it will be wiser to

have no further changes. You have quite enough to do as it is. Don't you

agree with me?"

"Yes, indeed! Please don't think I wanted the prefectship back. I only

wanted to explain."

"I'm very glad you told me, because now I quite understand."

Miss Tatham never gushed, or showed favouritism towards any special

girl, but Lesbia always realized her kindly attitude and felt that the

head mistress was her friend. She had indeed been her good genius for

the last eighteen months. But for her helping hand it would have been

impossible to continue at the High School. She had borne patiently with

a most imperfect assistant mistress, for whose defects she had often had

to make up.

Lesbia owed her more than she could ever hope to repay. It was a great

thing to finish her course in the school where she had started as the

youngest pupil. At the end of the summer term she would have completed

nearly thirteen years at Kingfield High, a record which no other girl

had ever equalled. What was to happen to her afterwards? That was a

question which troubled her continually. The Pattersons were straining

every resource to keep two sons at college and a third at Rugby. It was

unfair to be a burden to them any longer. She must think seriously of

how she was to begin and earn an independence, and make her own way in

the world.

"I'm afraid there's nothing for it but teaching," she said to herself

ruefully. "Everything else I'd like to do needs an expensive training.

So does teaching really, to do it properly. I ought to go to college and

take a degree if I ever want to get a head-mistressship. I might go as

governess to a child like Terry, or perhaps Miss Tatham would keep me on

to help with the juniors, but either would be a blind alley and lead to

nothing better, if I'm not trained and certificated and all the rest of

it. And, oh dear! I don't think I'm cut out for a teacher. Miss Ormerod

was right when she said I'd no sense of discipline. I could never make a

'head' like Miss Tatham, so calm and even and unmoved. I'm all nerves

and jumps. It isn't my line in the least. Oh, if only I could paint all

day long! That's the life! You do, yourself, a thing that you like,

instead of forcing unwilling children to do what they don't want. I love

the children, and I'd sit painting them for hours and hours, and call

them 'sweet little angels', but when I begin to try to teach them they

turn into imps. I'm in the wrong box, but there's no help for it, and I

suppose I shall just have to worry on doing my incompetent best till the

end of the chapter. It's Kismet!"

Meantime, though Lesbia might worry about her future, the summer term

went on as usual. There were cricket matches, and tennis tournaments,

and an occasional nature ramble to break the monotony of the ordinary

grind of work, as well as such side activities as the Photographic

Society, and a newly-formed Sketching Club. Lesbia found one advantage

in having resigned the prefectship to Kathleen, it gave her Tuesday

afternoons free. Formerly she had been obliged to superintend a juniors'

cricket practice, but now she could spend the time at her beloved

painting in the studio. As it was a "Self Expression" afternoon she was

under no tuition, but might carry out any artistic scheme she wished. By

special leave she borrowed Gwennie Rogers, who had strained her knee and

might not play cricket, and, posing the child as model, began to paint a

study of her head in oils. Gwennie was very pretty, with an

apple-blossom complexion and fluffy fair hair, and the episode of the

gate room had switched her adoration of Lesbia to a point which made her

sit still for half an hour at a stretch without moving, a quality in a

model which is absolutely invaluable.

Lesbia, whose art victims generally fidgeted and twisted their heads and

never kept the same position for more than two minutes together, painted

away with the utmost satisfaction. The studio was quiet, and she seemed

able to give her whole attention to her subject. She mixed a very

delicate grey for the shades on Gwennie's face, and put a dull blue

background behind her fair hair. She recalled all the hints Mr. Stockton

had given her when she had attempted Terry's portrait, and tried to

reproduce some of the artistic effects which she had watched his clever

fingers perform. The doing of it was sheer joy. She worked away in a

sort of happy dream, almost oblivious of her surroundings. She hardly

noticed when the door opened and someone entered the studio. She was

startled at last by hearing Miss Tatham's voice behind her. Instantly

the spell broke. She laid down her palette and brushes, and Gwennie

moved her pose.

"I'm sorry to disturb you, Lesbia," said Miss Tatham. "I've brought a

gentleman--a great artist--to see our studio. This is one of our elder

pupils, Mr. Moxon. She's painting this afternoon quite on her own

account. We have no life class here, so she's just trying her 'prentice

hand at a sketch of one of her schoolfellows. It's all good practice."

Mr. Moxon, from a height of six feet two, looked down at the canvas on

Lesbia's easel.

"It's a very nice study," he remarked. "She evidently has the gift of

catching a likeness. It really is a most happy little portrait. The chin

is charmingly modelled, and she has captured just the roguish expression

of the original. Don't touch it again" (speaking to Lesbia). "It's

exactly right as it is. You'll probably spoil it if you try to do any

more to it. I hope you're going on with art?"

"I'm afraid not." Lesbia's voice was sad.

"What a thousand pities! You ought to go and study in Paris, at

Mesurier's studio. He's the coming man! Tell your people to send you.

You'd get on very well there. Tell them I say so."

Mr. Moxon moved on, following Miss Tatham, to inspect other details in

the school. He left Lesbia in a ferment. That an artist--and a great

artist too--should have condescended to praise her work, and encourage

her to go on, raised her to the clouds. Oh, if only she could take this

kind advice and go to Paris to study! But, alas! those things were for

fortunate girls who had friends who could afford to send them abroad,

not for luckless people like herself, who were fated to toil away at

humdrum occupations. It was no use mourning over what could not be

helped, a course at a Paris studio was as impossible as a tour round the

world, and there was not the slightest prospect of it ever coming within

her reach. She almost wished he had never mentioned the dazzling idea,

it was too tantalizing to be obliged to turn her back upon it.

Though Lesbia might have to forgo many beautiful art dreams, she made

the best at any rate of the opportunities which Kingfield High School

offered to her. Miss Joyce had instituted a sketching class for the

summer term, and took about half a dozen of the girls out with her on

Friday afternoons. At first they went by train into the country, but she

found the journey wasted so much time, going and returning, that she

looked about for some pretty bit near at hand, which would be within

their powers, and finally fixed on Pilgrims' Inn yard. It was a

picturesque old court, and had the advantage of being quiet. As it was

private ground, no tiresome urchins from the street might stray in and

molest them, and no passers-by would stop to stand and watch their work,

a species of persecution from which they had suffered considerably in

country villages. The old black-and-white house, with its gables and

mullioned windows, its nail-studded doors, its gallery, and the benches

alongside the entrance, made several excellent subjects, and afforded

points of view for all her students. They settled themselves on their

camp-stools, unfolded their sketching-easels, and were soon busy with

pencil or charcoal, blocking in the main outlines of their prospective

pictures.

Lesbia had secured a particularly pretty little corner, with a peep

through the archway into the street, and a cluster of pots of

geraniums--a fine splash of colour--which had been placed upon one of

the benches. She drew it rapidly (she was improving so much in accurate

drawing) and had begun to lay on her sky while the others were still in

the process of rubbing out wrong lines. She mixed cerulean blue and

flake white on her palette, and worked in yellow ochre and rose madder

on her canvas, to give warmth and sunshine to the effect. She was gazing

at her subject, weighing its colour-values and scheme of light and

shade, when somebody came out of one of the offices which occupied the

ground floor of the Pilgrims' Inn Chambers, a somebody who walked

briskly towards the archway, threw a passing glance at the

sketching-easel, halted, and looked back in evident hesitation. For a

moment he seemed an utter stranger to Lesbia, then there surged into her

mind the remembrance of the lane at Dolmadoc and the visitor who had

received the "rag" intended for Derrick. The recognition appeared to be

mutual. Mr. Ford lifted his hat and came back to speak to her.

"Surely it's Miss Ferrars? Well, this is really a coincidence! I've been

thinking about you all day, and was going to ring up the Websters to ask

for your address. I've a matter of business to settle with you. Your

teacher won't mind my talking to you for a few minutes? That's all

right! Well, perhaps you remember my mentioning that years ago your

father and I were once in partnership? We had invented rather a good

thing and had meant to patent it, but when he died it was put on the

shelf. Lately I looked it up and patented it myself. It was really

speculation on my part. Well, this morning fortune smiled, and I had

quite a decent offer for it from a big engineering firm. I won't sell it

without your signature to represent your father's share in the

invention. Of course you don't understand these business affairs. Can I

see your guardian any time?"

"I don't think I have a 'guardian', but you could talk to Mr. Patterson.

I live with the Pattersons, 28 Park Road, Morton Common."

Mr. Ford wrote down the name and address in his notebook.

"I'll call round this evening," he volunteered. "I want to get the

matter fixed up at once. It will be a stroke of luck for us both. I

never thought that invention would turn up trumps after all these years.

Good-bye! I have an appointment to keep and must hurry off."

He was gone, but left a very fluttered Lesbia behind him. The news was

overwhelming. She knew that when her own father died there had been no

provision for his wife and baby, that fact had often been cast in her

teeth by Mrs. Patterson and other relations. It was her stepfather, Mr.

Hilton, and her stepbrother, Paul, who had provided for her during her

childhood and educated her. She had had nothing whatever of her own. Was

that humiliation at last to be lifted from her? However small this luck

of which Mr. Ford spoke it would seem riches to a girl possessed of no

income at all.

"If it's enough to take me to Paris for even one year's painting I'd

nearly stand on my head with joy," she thought. "I don't know how I'm

going to live till this evening. Suppose the patent doesn't sell after

all? It would be like my luck! How funny that I should meet Mr. Ford

here this afternoon. It really was a coincidence, just when he had had

the offer. What a horrible disappointment if the whole thing falls

through. I've a feeling it will never really come off!"

But it did come off. The Goddess of Fortune, who had hitherto meted out

rather Spartan treatment to Lesbia, turned her wheel and scattered

favours for once. Mr. Patterson managed all the business transactions,

and before the end of the summer term Lesbia found herself, if not

exactly an heiress, in a position of comparative independence. There was

amply enough for an art education, and that was her main concern.

Instead of being obliged to carry on an uncongenial occupation she could

take Mr. Moxon's advice and go to study in Paris. Miss Joyce had a

cousin who was working at Mesurier's studio, and who promised to find

room for Lesbia in her flat, and to initiate her into the art-student

life of the place when the autumn term should commence. The blazing

prospect seemed the very summit of human desire. No girl could possibly

have a happier time in store for her.

Then one day there arrived for Mrs. Patterson a letter with a Canadian

postmark. She opened it, read it, and handed it to Kitty, with the

explanation:

"It's from Mabel Johnson. She says she's been to see the Hiltons. Minnie

seems in a bad way, poor thing."

"Minnie! What's the matter with Minnie?" cried Lesbia, suddenly

interested. "Is she ill? What is it?"

Kitty was reading the letter half aloud and half to herself, in that

particularly aggravating fashion which gives a few leading words and

skips the important points.

"Certainly--um--um--to go--um--um--um--complete rest--um--never be

well----"

"I wish you'd tell me what's the matter?" urged Lesbia, dancing with

impatience.

Kitty finished the first sheet and handed it on to her. The Canadian

friend, Mrs. Johnson, had paid a visit to the Hiltons and sent grave

accounts of Minnie's health.

"Mrs. Hilton certainly ought to go away to a nursing home for several

months' complete rest," so the letter ran, "she'll never be well until

she does. She says, however, it's out of the question, she can't leave

her husband and the children to the tender mercies of a mulatto 'help'

and a Chinese 'boy', both of whom may elect to leave at any moment

without notice, if the whim seizes them. You know what servants are out

here. It seems a pity she has no relations who could come and take

charge for a while, and give her the chance of getting well. She really

looks hardly fit to be going about. She tells me her husband advertised

for a housekeeper, but such queer creatures turned up to offer

themselves for the post it was impossible to engage one. These are some

of the trials of our life out here."

Lesbia handed the letter back to Mrs. Patterson without a word. She

could not trust herself to speak. She ran upstairs to her bedroom so

that she might be alone. A wild struggle was going on in her heart.

Minnie ill, and no one to help her! How much she owed to Paul and

Minnie! Debts so great as that ought surely to be repaid. There were

better things in the world even than cultivating your own talents, kind,

unselfish things that counted far more in the long run. Lesbia was quick

at making decisions. As eighteen months ago she had burnt her boats and

run away from the _Roumania_ on the spur of a moment, so now she equally

impulsively changed her plans. She ran downstairs all excitement to

announce her intentions.

"If Minnie's ill and needs me, I must go to her! Paris can wait. Six

months in Canada won't spoil my career. I'll start the painting when I

come back. Minnie will trust _me_ to look after Paul and the children,

when she wouldn't leave them with anybody else. I shall just _make_ her

pack off to a nursing home."

"I believe you're right," said Mrs. Patterson slowly. "In the

circumstances you're about the only person who can persuade her. Yes,

Lesbia, I think you ought to go."

So it was all arranged, a letter was sent off to the Hiltons, they

cabled back "Come!", and Lesbia's passage was booked for the end of

July. The matter seemed almost as big a hurry as her exodus of a year

and a half ago, but with the vast difference that this time she went of

her own free will, and, moreover, was an infinitely stronger and more

helpful personality than the old dreamy Lesbia had been.

She was glad that she need not start until after breaking-up day; she

wanted to see the very last of Kingfield High before she left it. The

good-byes of all her friends seemed more sincere than those of a former

occasion, though there was less fuss, and no parting present. Marion in

particular squeezed her hand.

"Mother always said it was _my_ fault you ran away from the Hiltons. I'm

glad you're going to set things straight there," she whispered. "You're

a real trump. Don't forget me over in Canada."

And Miss Tatham, taking final leave of her oldest pupil, added her word:

"You've been nearly thirteen years here, Lesbia, and have beaten the

record for attendance. I must say you've improved very much all round

lately. Be as loyal to the best things in life as you've been loyal to

the school. I wish you every success, either in the New World or the

Old, and if you ever come back, and I'm still here, be sure to call and

see me, and you'll always find a welcome waiting for you at Kingfield

High."

Loyal to the School · 第 21 / 21 章