"Who is that dead man?" we asked, and the answer was: "The old student

from Upsala. They say he was once very clever; he knew the learned

languages, could sing and write verses too; but then there was

something that went wrong, and so he gave both his thoughts and

himself up to drinking spirits, and as his health suffered by it, he

came out here into the country, where they paid for his board and

lodging.

"He was as gentle as a child, when the dark humour did not come over

him, for then he was strong, and ran about in the forest like a hunted

deer; but when we got him home, we persuaded him to look into the book

with the dry plants. Then he would sit the whole day and look at one

plant, and then at another, and many a time the tears ran down his

cheeks. God knows what he then thought! But he begged that he might

have the book with him in his coffin; and now it lies there, and the

lid will soon be fastened down, and then he will take his peaceful

rest in the grave!"

They raised the winding-sheet. There was peace in the face of the

dead: a sunbeam fell on it; a swallow in its arrowy flight, darted

into the new-made arbour, and in its flight circled twittering over

the dead man's head.

How strange it is!--we all assuredly know it--to take out old letters

from the days of our youth and read them: a whole life, as it were,

then rises up with all its hopes, and all its troubles. How many of

those with whom we, in their time, lived so devotedly, are now even as

the dead to us, and yet they still live! But we have not thought of

them for many years--them whom we once thought we should always cling

to, and share our mutual joys and sorrows with.

The withered oak-leaf in the book here, is a memorial of the

friend--the friend of his school-days--the friend for life. He fixed

this leaf on the student's cap in the green wood, when the vow of

friendship was concluded for the whole of life. Where does he now

live? The leaf is preserved; friendship forgotten. Here is a foreign

conservatory-plant, too fine for the gardens of the North--it looks as

if there still were fragrance in these leaves!--_she_ gave it to

him--she, the young lady of that noble garden.

Here is the marsh-lotus which he himself has plucked and watered with

salt tears--the marsh-lotus from the fresh waters. And here is a

nettle: what does its leaf say? What did he think on plucking it--on

preserving it? Here are lilies of the valley from the woodland

solitudes; here are honeysuckle leaves from the village ale-house

flower-pot; and here the bare, sharp blade of grass.

The flowering lilac bends its fresh, fragrant clusters over the dead

man's head; the swallow again flies past; "quivit! quivit!" Now the

men come with nails and hammer; the lid is placed over the corpse,

whose head rests on the Mute-Book--preserved--forgotten!

THE ZÄTHER DALE.

* * * * *

Everything was in order, the carriage examined, even a whip with a

good lash was not forgotten. "Two whips would be best," said the

ironmonger, who sold it, and the ironmonger was a man of experience,

which travellers often are not. A whole bag full of "slanter"--that

is, copper coins of small value--stood before us for bridge-money, for

beggars, for shepherd's boys, or whoever might open the many

field-gates for us that obstructed our progress. But we had to do this

ourselves, for the rain pattered down and lashed the ground; no one

had any desire to come out in such weather. The rushes in the marsh

bent and waved; it was a real rain feast for them, and it whistled

from the tops of the rushes: "We drink with our feet, we drink with

our heads, we drink with the whole body, and yet we stand on one leg,

hurra! We drink with the bending willow, with the dripping flowers on

the bank; their cups run over--the marsh marigold, that fine lady, can

bear it better! Hurra! it is a feast! it pours, it pours; we whistle

and we sing; it is our own song. Tomorrow the frogs will croak the

same after us and say, 'it is quite new!'"

And the rushes waved, and the rain pattered down with a splashing

noise--it was fine weather to travel in to Zäther Dale, and to see its

far-famed beauties. The whip-lash now came off the whip; it was

fastened on again, and again, and every time it was shorter, so that

at last there was not a lash, nor was there any handle, for the handle

went after the lash--or sailed after it--as the road was quite

navigable, and gave one a vivid idea of the beginning of the deluge.

One poor jade now drew too much, the other drew too little, and one of

the splinter bars broke; well, by all that is vexatious, that was a

fine drive! The leather apron in front had a deep pond in its folds

with an outlet into one's lap. Now one of the linch-pins came out; now

the twisting of the rope harness became loose, and the cross-strap was

tired of holding any longer. Glorious inn in Zäther, how I now long

more for thee than thy far-famed dale. And the horses went slower, and

the rain fell faster, and so--yes, so we were not yet in Zäther.

Patience, thou lank spider, that in the ante-chamber quietly dost spin

thy web over the expectant's foot, spin my eyelids close in a sleep as

still as the horse's pace! Patience? no, she was not with us in the

carriage to Zäther. But to the inn, by the road side, close to the

far-famed valley, I got at length, towards evening.

And everything was flowing in the yard, chaotically mingled; manure

and farming implements, staves and straw. The poultry sat there washed

to shadows, or at least like stuck-up hens' skins with feathers on,

and even the ducks crept close up to the wet wall, sated with the wet.

The stable-man was cross, the girl still more so; it was difficult to

get them to bestir themselves: the steps were crooked, the floor

sloping and but just washed, sand strewn thickly on it, and the air

was damp and cold. But without, scarcely twenty paces from the inn, on

the other side of the road, lay the celebrated valley, a garden made

by nature herself, and whose charm consists of trees and bushes, wells

and purling brooks.

It was a long hollow; I saw the tops of the trees looming up, and the

rain drew its thick veil over it. The whole of that long evening did I

sit and look upon it during that shower of showers. It was as if the

Venern, the Vettern and a few more lakes ran through an immense sieve

from the clouds. I had ordered something to eat and drink, but I got

nothing. They ran up and they ran down; there was a hissing sound of

roasting by the hearth; the girls chattered, the men drank "sup,"[R]

strangers came, were shown into their rooms, and got both roast and

boiled. Several hours had passed, when I made a forcible appeal to the

girl, and she answered phlegmatically: "Why, Sir, you sit there and

write without stopping, so you cannot have time to eat."

[Footnote R: Swedish, _sup_. Danish, _snaps_. German, _schnaps_.

English, _drams_.]

It was a long evening, "but the evening passed!" It had become quite

still in the inn; all the travellers, except myself, had again

departed, certainly in order to find better quarters for the night at

Hedemore or Brunbeck. I had seen, through the half-open door into the

dirty tap-room, a couple of fellows playing with greasy cards; a huge

dog lay under the table and glared with its large red eyes; the

kitchen was deserted; the rooms too; the floor was wet, the storm

rattled, the rain beat against the windows--"and now to bed! said I."

I slept an hour, perhaps two, and was awakened by a loud bawling from

the high road. I started up: it was twilight, the night at that period

is not darker--it was about one o'clock. I heard the door shaken

roughly; a deep manly voice shouted aloud, and there was a hammering

with a cudgel against the planks of the yard-gate. Was it an

intoxicated or a mad man that was to be let in? The gate was now

opened, but many words were not exchanged. I heard a woman scream at

the top of her voice from terror. There was now a great bustling

about; they ran across the yard in wooden shoes; the bellowing of

cattle and the rough voices of men were mingled together. I sat on the

edge of the bed. Out or in! what was to be done? I looked from the

window; in the road there was nothing to be seen, and it still rained.

All at once some one came up stairs with heavy footsteps: he opened

the door of the room adjoining mine--now he stood still! I listened--a

large iron bolt fastened my door. The stranger now walked across the

floor, now he shook my door, and then kicked against it with a heavy

foot, and whilst all this was passing, the rain beat against the

windows, and the blast made them rattle.

"Are there any travellers here?" shouted a voice; "the house is on

fire!"

I now dressed myself and hastened out of the room and down the stairs.

There was no smoke to be seen, but when I reached the yard, I saw that

the whole building--a long and extensive one of wood--was enveloped in

flames and clouds of smoke. The fire had originated in the baking

oven, which no one had looked to; a traveller, who accidently came

past, saw it, called out and hammered at the door: and the women

screamed, and the cattle bellowed, when the fire stuck its red tongue

into them.

Now came the fire-engine and the flames were extinguished. By this

time it was morning. I stood in the road, scarcely a hundred steps

from the far-famed dale. "One may as well spring into it as walk into

it!" and I sprang into it; and the rain poured down, and the water

flowed--the whole dale was a well.

The trees turned their leaves the wrong side out, purely because of

the pouring rain, and they said, as the rushes did the day before: "We

drink with our heads, we drink with our feet, and we drink with the

whole body, and yet stand on our legs, hurra! it rains, and it pours;

we whistle and we sing; it is our own song--and it is quite new!"

Yes, that the rushes also sang yesterday--but it was the same, ever

the same. I looked and looked, and all I know of the beauty of Zäther

Dale is, that she had washed herself!

THE MIDSUMMER FESTIVAL IN LACKSAND.

* * * * *

Lacksand lay on the other side of the dal-elv which the road now led

us over for the third or fourth time. The picturesque bell-tower of

red painted beams, erected at a distance from the church, rose above

the tall trees on the clayey declivity: old willows hung gracefully

over the rapid stream. The floating bridge rocked under us--nay, it

even sank a little, so that the water splashed under the horse's

hoofs; but these bridges have such qualities! The iron chains that

held it rattled, the planks creaked, the boards splashed, the water

rose, and murmured and roared, and so we got over where the road

slants upwards towards the town. Close opposite here the last year's

May-pole still stood with withered flowers. How many hands that bound

these flowers are now withered in the grave?

It is far prettier to go up on the sloping bank along the elv, than to

follow the straight high-road into the town. The path conducts us,

between pasture fields and leaf trees, up to the parsonage, where we

passed the evening with the friendly family. The clergyman himself was

but lately dead, and his relatives were all in mourning. There was

something about the young daughter--I knew not myself what it was--but

I was led to think of the delicate flax flower, too delicate for the

short northern summer.

They spoke about the Midsummer festival the next day, and of the

winter season here, when the swans, often more than thirty at a time,

sit (motionless themselves) on the elv, and utter strange, mournful

tones. They always come in pairs, they said, two and two, and thus

they also fly away again. If one of them dies, its partner always

remains a long time after all the others are gone; lingers, laments,

and then flies away alone and solitary.

When I left the parsonage in the evening, the moon, in its first

quarter, was up. The May-pole was raised; the little steamer, 'Prince

Augustus,' with several small vessels in tow, came over the Siljan

lake and into the elv; a musician sprang on shore, and began to play

dances under the tall wreathed May-pole. And there was soon a merry

circle around it--all so happy, as if the whole of life were but a

delightful summer night.

Next morning was the Midsummer Festival. It was Sunday, the 24th of

June, and a beautiful sunshiny day it was. The most picturesque sight

at the festival is to see the people from the different parishes

coming in crowds, in large boats over Siljan's lake, and landing on

its shores. We drove out to the landing-place, Barkedale, and before

we got out of the town, we met whole troops coming from there, as well

as from the mountains.

Close by the town of Lacksand, there is a row of low wooden shops on

both sides of the way, which only get their interior light through the

doorway. They form a whole street, and serve as stables for the

parishioners, but also--and it was particularly the case that

morning--to go into and arrange their finery. Almost all the shops or

sheds were filled with peasant women, who were anxiously busy about

their dresses, careful to get them into the right folds, and in the

mean time peeped continually out of the door to see who came past. The

number of arriving church-goers increased; men, women, and children,

old and young, even infants; for at the Midsummer festival no one

stays at home to take care of them, and so of course they must come

too--all must go to church.

What a dazzling army of colours! Fiery red and grass green aprons meet

our gaze. The dress of the women is a black skirt, red bodice, and

white sleeves: all of them had a psalm-book wrapped in the folded silk

pocket-handkerchief. The little girls were entirely in yellow, and

with red aprons; the very least were in Turkish-yellow clothes. The

men were dressed in black coats, like our paletôts, embroidered with

red woollen cord; a red band with a tassel hung down from the large

black hat; with dark knee breeches, and blue stockings, with red

leather gaiters--in short, there was a dazzling richness of colour,

and that, too, on a bright sunny morning in the forest road.

This road led down a steep to the lake, which was smooth and blue.

Twelve or fourteen long boats, in form like gondolas, were already

drawn up on the flat strand, which here is covered with large stones.

These stones served the persons who landed, as bridges; the boats were

laid alongside them, and the people clambered up, and went and bore

each other on land. There certainly were at least a thousand persons

on the strand; and far out on the lake, one could see ten or twelve

boats more coming, some with sixteen oars, others with twenty, nay,

even with four-and-twenty, rowed by men and women, and every boat

decked out with green branches. These, and the varied clothes, gave to

the whole an appearance of something so festal, so fantastically rich,

as one would hardly think the north possessed. The boats came nearer,

all crammed full of living freight; but they came silently, without

noise or talking, and rowed up to the declivity of the forest.

The boats were drawn up on the sand: it was a fine subject for a

painter, particularly one point--the way up the slope, where the whole

mass moved on between the trees and bushes. The most prominent figures

there, were two ragged urchins, clothed entirely in bright yellow,

each with a skin bundle on his shoulders. They were from Gagne, the

poorest parish in Dalecarlia. There was also a lame man with his blind

wife: I thought of the fable of my childhood, of the lame and the

blind man: the lame man lent his eyes, and the blind his legs, and so

they reached the town.

And we also reached the town and the church, and thither they all

thronged: they said there were above five thousand persons assembled

there. The church-service began at five o'clock. The pulpit and organ

were ornamented with flowering lilacs; children sat with lilac-flowers

and branches of birch; the little ones had each a piece of oat-cake,

which they enjoyed. There was the sacrament for the young persons who

had been confirmed; there was organ-playing and psalm-singing; but

there was a terrible screaming of children, and the sound of heavy

footsteps; the clumsy, iron-shod Dal shoes tramped loudly upon the

stone floor. All the church pews, the gallery pews, and the centre

aisle were quite filled with people. In the side aisle one saw various

groups--playing children, and pious old folks: by the sacristy there

sat a young mother giving suck to her child--she was a living image of

the Madonna herself.

The first impression of the whole was striking, but only the

first--there was too much that disturbed. The screaming of children,

and the noise of persons walking were heard above the singing, and

besides that, there was an insupportable smell of garlic: almost all

the congregation had small bunches of garlic with them, of which they

ate as they sat. I could not bear it, and went out into the

churchyard: here--as it always is in nature--it was affecting, it was

holy. The church door stood open; the tones of the organ, and the

voices of the psalm-singers were wafted out here in the bright

sunlight, by the open lake: the many who could not find a place in the

church, stood outside, and sang with the congregation from the

psalm-book: round about on the monuments, which are almost all of

cast-iron, there sat mothers suckling their infants--the fountain of

life flowed over death and the grave. A young peasant stood and read

the inscription on a grave:

"Ach hur södt al hafve lefvet,

Ach hur skjöut al kunne döe!"[S]

[Footnote S: "How sweet to live--how beautiful to die!"]

Beautiful Christian, scriptural language, verses certainly taken from

the psalm-book, were read on the graves; they were all read, for the

service lasted several hours. This, however, can never be good for

devotion.

The crowd at length streamed from the church; the fiery-red and

grass-green aprons glittered; but the mass of human beings became

thicker, and closer, and pressed forward. The white head-dresses, the

white band over the forehead, and the white sleeves, were the

prevailing colours--it looked like a long procession in Catholic

countries. There was again life and motion on the road; the

over-filled boats again rowed away; one waggon drove off after the

other; but yet there were people left behind. Married and unmarried

men stood in groups in the broad street of Lacksand, from the church

up to the inn. I was staying there, and I must acknowledge that my

Danish tongue sounded quite foreign to them all. I then tried the

Swedish, and the girl at the inn assured me that she understood me

better than she had understood the Frenchman, who the year before had

spoken French to her.

As I sit in my room, my hostess's grand-daughter, a nice little child,

comes in, and is pleased to see my parti-coloured carpet-bag, my

Scotch plaid, and the red leather lining of the portmanteau. I

directly cut out for her, from a sheet of white paper, a Turkish

mosque, with minarets and open windows, and away she runs with it--so

happy, so happy!

Shortly after, I heard much loud talking in the yard, and I had a

presentiment that it was concerning what I had cut out; I therefore

stepped softly out into the balcony, and saw the grandmother standing

below, and with beaming face, holding my clipped-out paper at arm's

length. A whole crowd of Dalecarlians, men and women, stood around,

all in artistic ecstacy over my work; but the little girl--the sweet

little child--screamed, and stretched out her hands after her lawful

property, which she was not permitted to keep, as it was too fine.

I sneaked in again, yet, of course, highly flattered and cheered; but

a moment after there was a knocking at my door: it was the

grandmother, my hostess, who came with a whole plate full of

spice-nuts.

"I bake the best in all Dalecarlia," said she; "but they are of the

old fashion, from my grandmother's time. You cut out so well, Sir,

should you not be able to cut me out some new fashions?"

And I sat the whole of Midsummer night, and clipped fashions for

spice-nuts. Nutcrackers with knights' boots, windmills which were both

mill and miller--but in slippers, and with the door in the

stomach--and ballet-dancers that pointed with one leg towards the

seven stars. Grandmother got them, but she turned the ballet-dancers

up and down; the legs went too high for her; she thought that they had

one leg and three arms.

"They will be new fashions," said she; "but they are difficult."

FAITH AND KNOWLEDGE.

* * * * *

Truth can never be at variance with truth, science can never militate

against faith: we naturally speak of them both in their purity: they

respond to and they strengthen man's most glorious thought:

_immortality_. And yet you may say, "I was more peaceful, I was safer

when, as a child, I closed my eyes on my mother's breast and slept

without thought or care, wrapping myself up simply in faith." This

prescience, this compound of understanding in everything, this

entering of the one link into the other from eternity to eternity,

tears away from me a support--my confidence in prayer; that which is,

as it were, the wings wherewith to fly to my God! If it be loosened,

then I fall powerless in the dust, without consolation or hope.

I bend my energies, it is true, towards attaining the great and

glorious light of knowledge, but it appears to me that therein is

human arrogance: it is, as one should say, "I will be as wise as God."

"That you shall be!" said the serpent to our first parents when it

would seduce them to eat of the tree of knowledge. Through my

understanding I must acknowledge the truth of what the astronomer

teaches and proves. I see the wonderful, eternal omniscience of God in

the whole creation of the world--in the great and in the small, where

the one attaches itself to the other, is joined with the other, in an

endless harmonious entireness; and I tremble in my greatest need and

sorrow. What can my prayer change, where everything is law, from

eternity to eternity?

You tremble as you see the Almighty, who reveals Himself in all

loving-kindness--that Creator, according to man's expression, whose

understanding and heart are one--you tremble when you know that he has

elected you to immortality.

I know it in the faith, in the holy, eternal words of the Bible.

Knowledge lays itself like a stone over my grave, but my faith is that

which breaks it.

Now, thus it is! The smallest flower preaches from its green stalk, in

the name of knowledge--_immortality_. Hear it! the beautiful also

bears proofs of immortality, and with the conviction of faith and

knowledge, the immortal will not tremble in his greatest need; the

wings of prayer will not droop: you will believe in the eternal laws

of love, as you believe in the laws of sense.

When the child gathers flowers in the fields and brings us the whole

handful, where one is erect and the other hangs the head, thrown as it

were among one another, then it is that we see the beauty in every one

by itself--that harmony in colour and in form, which pleases our eye

so well. We arrange them instinctively, and every single beauty is

blended together in one entire beauteous group. We do not look at the

flower, but on the whole bouquet. The beauty of harmony is an instinct

in us; it lies in our eyes and in our ears, those bridges between our

soul and the creation around us--in all our senses there is such a

divine, such an entire and perfect stream in our whole being, a

striving after the harmonious, as it shows itself in all created

things, even in the pulsations of the air, made visible in Chladni's

figures.

In the Bible we find the expression: "God in spirit and in

truth,"--and hence we most significantly find an expression for the

admission of what we call a feeling of the beautiful; for what else is

this revelation of God but spirit and truth? And just as our own soul

shines out of the eye and the fine movement around the mouth, so does

the created image shine forth from God in spirit and truth. There is

harmonious beauty from the smallest leaf and flower to the large,

swelling bouquet, from our earth itself to the numberless globes in

the firmamental space--as far as the eye sees, as far as science

ventures, all, small and great, is beauty and harmony.

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