Irene looked up quickly. "What's the idea?"

"Just that,--and something else. I don't want to see Martin till this

evening. I moved things last night, and I want him to miss me a bit."

"Ah," said Irene. "I guessed it meant something when you made that

quick exit when we moved up. Have you got him, dearie?"

Tootles shot out a queer little sigh and nodded.

"That's fine. He's not like the others, is he? But you've played him

great. Oh, I've seen it all, never you fear. Subtle, old dear, very

subtle. Shouldn't have had the patience myself. Go in and win. He's

worth it." Tootles put her hands over her face and a great sob shook

her.

In an instant, Irene had her in her arms. "Dear old Tootles," she said,

"it means an awful lot to you, don't it? Don't give way, girlie. You've

done mighty well so far. Now follow it up, hot and fast. That boy's got

a big heart and he's generous and kind, and he won't forget. I brought

you here for this, such a chance as it was, and if I can see you

properly fixed up and happy, my old uncle's little bit of velvet will

have come in mighty useful, eh? Got a plan for to-night?"

Tootles nodded again. "If I don't win to-night," she said, "it's all

over. I shall have to own that he cares for me less than the dust. I

shall have to throw up my hands and creep away and hide. Oh, my God, am

I such a rotten little freak as all that, Irene? Tell me, go on, tell

me."

"Freak? You! For Heaven's sake. Don't the two front rows give nobody

but you the supper signal whenever the chorus is on?"

"But they're not like Martin. He's,--well, I dunno just what he is. For

one thing there's that butterfly he's married to. He's never said as

much as half a word about her to me, but the look that came into his

eyes when he saw her the night I told you about,--I'd be run over by a

train for it any time. He's a man alright and wants love as bad as I

do. I know that, but sometimes, when I watch his face, when neither of

us is talking, there's a queer smile on it, like a man who's looking up

at somebody, and he sets his jaw and squares his shoulders just as if

he had heard a voice telling him to play straight. Many times I've seen

it, Irene, and after that I have to begin all over again. I respect him

for it, and it makes me love him more and more. I've never had the luck

to meet a man like him. The world would be a bit less rotten for the

likes of you and me if there were more of him about, I tell you. But it

hurts me like the devil because it makes me feel no better than a shoe

with the buttons off and the heel all worn down, and I ask myself

what's the blooming use. But last night I kissed him, and I saw his

eyes glint for the first time and to-night,--to-night, Irene, I'm going

to play my last card. Yes, that's what I'm going to do, play the last

card in the pack."

"How?" asked Irene eagerly, sympathy and curiosity bubbling to the top.

Tootles shook her head. "It isn't lucky to go talking about it." she

said, with a most wistful smile. "You'll know whether it's the heights

or the depths for me when you see me in the morning."

"In the morning? Shan't you be..."

"Don't ask. Just wish me luck and go and have a good day with the boys.

I shall be waiting for you at the cottage. And now I'm off down to the

ducks. Say I've got a headache and don't let 'em come round and try to

fetch me. So long, Irene; you've been some pal to me through this and I

shall never forget."

Whereupon Tootles went off to lend the unloquacious Burrell a helping

hand, and Irene ran up to the bedroom to dress.

From the pompous veranda of the Hosack place Gilbert Palgrave, sick

with jealousy, watched Joan swimming out to the barrels with that

cursed boy in tow. And he, too, had made up his mind to play his last

card that night.

Man and woman and love,--the old, inevitable story.

Who Cares? A Story of Adolescence · 第 54 / 70 题