SPRING IN THE WORLD AND ALL THINGS FOR THE YOUNG

I

Birds called. Breezes played among branches just bursting into green.

Daffodils, proud and erect, stood in clumps about the dazzling lawn.

Young, pulsing, eager things elbowed their way through last year's

leaves to taste the morning sun; the wide-eyed celandine, yellower than

butter; the little violet, hugging the earth for fear of being seen;

the sturdy bourgeois daisy; the pale-faced anemone, earliest to wake

and earliest to sleep; the blue bird's-eye in small family groups; the

blatant dandelion already a head and shoulders taller than any

neighbor. Every twig in the old garden bore its new load of buds that

were soft as kittens' paws; and up the wrinkled trunks of ancient trees

young ivy leaves chased each other like school-boys.

Spring had come again, and its eternal spirit spread the message of

new-born hope, stirred the sap of awakening life, warmed the bosom of a

wintry earth and put into the hearts of birds the old desire to mate.

But the lonely girl turned a deaf ear to the call, and rounded her

shoulders over the elderly desk with tears blistering her letter.

"I'm miserable, miserable," she wrote. "There doesn't seem to be

anything to live for. I suppose it's selfish and horrid to grumble

because Mother has married again, but why did she choose the very

moment when she was to take me into life? Oh, Alice, what am I to do? I

feel like a rabbit with its foot in a trap, listening to the traffic on

the main road--like a newly fledged bird brought down with a broken

wing among the dead leaves of Rip Van Winkle's sleeping-place. You'll

laugh when you read this, and say that I'm dramatizing my feelings and

writing for effect; but if you've got any heart at all, you'd cry if

you saw me (me of all girls!) buried alive out here without a single

soul to speak to who's as young as I am--hushed if I laugh by mistake,

scowled at if I let myself move quickly, catching old age every hour I

stay here."

"Why, Alice, just think of it! There's not a person or a thing in and

out of this house that's not old. I don't mean old as we thought of it

at school, thirty and thirty-five, but really and awfully old. The

house is the oldest for miles round. My grandfather is seventy-two, and

my grandmother's seventy. The servants are old, the trees are old, the

horses are old; and even the dogs lie about with dim eyes waiting for

death."

"When Mother was here, it was bearable. We escaped as often as we

could, and rode and drove and made secret visits to the city and saw

the plays at matinees. There's nothing old about Mother. I suppose

that's why she married again. But now that I'm left alone in this house

of decay, where everybody and everything belongs to the past, I'm

frightened of being so young, and catch looks that make me feel that I

ought to be ashamed of myself. It's so long since I quarreled with a

girl or flirted with a boy that I can't remember it. I'm forgetting how

to laugh. I'm beginning not to care about clothes or whether I look

nice."

"One day is exactly like another. I wander about aimlessly with nothing

to do, nowhere to go, no one to speak to. I've even begun to give up

reading novels, because they make me so jealous. It's all wrong, Alice.

It's bad and unhealthy. It puts mutinous thoughts into my head.

Honestly, the only way in which I can get the sort of thrill that I

ought to have now, if ever I am to thrill at all, is in making wild

plans of escape, so wild and so naughty that I don't think I'd better

write about them, even to you, dear."

"Mother's on her honeymoon. She went away a week ago in a state of

self-conscious happiness that left Grandfather and Grandmother snappy

and disagreeable. She will be away four months, and every weekly letter

that comes from her will make this place more and more unbearable and

me more restless and dangerous. I could get myself invited away. Enid

would have me and give me a wonderful time. She has four brothers.

Fanny has begged me to stay with her in Boston for the whole of the

spring and see and do everything, which would be absolutely heaven. And

you know everybody in New York and could make life worth living."

"But Grandfather won't let me go. He likes to see me about the house,

he says, and I read the papers to him morning and evening. It does me

good, he considers, to 'make a sacrifice and pay deference to those

whose time is almost up.' So here I am, tied to the shadows, a prisoner

till Mother comes back--a woman of eighteen forced to behave like a

good little girl treated as if I were still content to amuse myself

with dolls and picture books! But the fire is smolderin Alice, and one

fine day it will burst into flame."

A shaft of sunlight found its way through the branches of a chestnut

tree and danced suddenly upon the envelope into which Joan had sealed

up this little portion of her overcharged vitality. Through the open

windows of her more than ample room with its Colonial four-post bed,

dignified tallboys, stiff chairs and anemic engravings of

early-Victorianism, all the stir and murmur of the year's youth came to

Joan.

If her eyes had not been turned inward and her ears had not been tuned

only to catch her own natural complaints, this chatter of young things

would have called her out to laugh and tingle and dance in the haunted

wood and cry out little incoherent welcomes to the children of the

earth. Something of the joy and emotion of that mother-month must have

stirred her imagination and set her blood racing through her young

body. She felt the call of youth and the urge to play. She sensed the

magnetic pull of the voice of spring, but when, with her long brown

lashes wet with impatient tears, she went to the window and looked out

at the green spread of lawn and the yellow-headed daffodils, it seemed

more than ever to her that she was peering through iron bars into the

playground of a school to which she didn't belong. She was

Joan-all-alone, she told herself, and added, with that touch of

picturesque phrasing inherited from her well-read mother, that she was

more like a racing motorboat tied to a crumbling wharf in a deserted

harbor than anything else in the world.

There was a knock on her door and the sound of a bronchial cough. "Come

in," she said and darted an anxious look at the blond fat face of the

clock on the mantelshelf. She had forgotten all about the time.

It was Gleave who opened the door, Gleave the bald-headed manservant

who had grown old along with his master with the same

resentfulness--the ex-prizefighter, sailor, lumberman and adventurer

who had thrown in his lot with Cumberland Ludlow, the sportsman, when

both were in the full flush of middle age. His limp, the result of an

epoch-making fight in an Australian mining camp, was emphasized by

severe rheumatism, and the fretfulness of old age was heightened by his

shortness of breath.

Who Cares? A Story of Adolescence · 第 18 / 70 题