MIDSUMMER NIGHT’S DREAM.

With the fresh air and the rising of morning, every feeling of the

preceding night had passed away from Colonel Everard’s mind, excepting

wonder how the effects which he had witnessed could be produced. He

examined the whole room, sounding bolt, floor, and wainscot with his

knuckles and cane, but was unable to discern any secret passages; while

the door, secured by a strong cross-bolt, and the lock besides,

remained as firm as when he had fastened it on the preceding evening.

The apparition resembling Victor Lee next called his attention.

Ridiculous stories had been often circulated, of this figure, or one

exactly resembling it, having been met with by night among the waste

apartments and corridors of the old palace; and Markham Everard had

often heard such in his childhood. He was angry to recollect his own

deficiency of courage, and the thrill which he felt on the preceding

night, when by confederacy, doubtless, such an object was placed before

his eyes.

“Surely,” he said, “this fit of childish folly could not make me miss

my aim—more likely that the bullet had been withdrawn clandestinely

from the pistol.”

He examined that which was undischarged—he found the bullet in it. He

investigated the apartment opposite to the point at which he had fired,

and, at five feet from the floor in a direct line between the bed-side

and the place where the appearance had been seen, a pistol-ball had

recently buried itself in the wainscot. He had little doubt, therefore,

that he had fired in a just direction; and indeed to have arrived at

the place where it was lodged, the bullet must have passed through the

appearance at which he aimed, and proceeded point blank to the wall

beyond. This was mysterious, and induced him to doubt whether the art

of witchcraft or conjuration had not been called in to assist the

machinations of those daring conspirators, who, being themselves

mortal, might, nevertheless, according to the universal creed of the

times, have invoked and obtained assistance from the inhabitants of

another world.

His next investigation respected the picture of Victor Lee itself. He

examined it minutely as he stood on the floor before it, and compared

its pale, shadowy, faintly-traced outlines, its faded colours, the

stern repose of the eye, and death-like pallidness of the countenance,

with its different aspect on the preceding night, when illuminated by

the artificial light which fell full upon it, while it left every other

part of the room in comparative darkness. The features seemed then to

have an unnatural glow, while the rising and falling of the flame in

the chimney gave the head and limbs something which resembled the

appearance of actual motion. Now, seen by day, it was a mere picture of

the hard and ancient school of Holbein; last night, it seemed for the

moment something more. Determined to get to the bottom of this

contrivance if possible, Everard, by the assistance of a table and

chair, examined the portrait still more closely, and endeavoured to

ascertain the existence of any private spring, by which it might be

slipt aside,—a contrivance not unfrequent in ancient buildings, which

usually abounded with means of access and escape, communicated to none

but the lords of the castle, or their immediate confidants. But the

panel on which Victor Lee was painted was firmly fixed in the

wainscoting of the apartment, of which it made a part, and the Colonel

satisfied himself that it could not have been used for the purpose

which he had suspected.

He next aroused his faithful squire, Wildrake, who, notwithstanding his

deep share of the “blessedness of sleep,” had scarce even yet got rid

of the effects of the grace-cup of the preceding evening. “It was the

reward,” according to his own view of the matter, “of his temperance;

one single draught having made him sleep more late and more sound than

a matter of half-a-dozen, or from thence to a dozen pulls, would have

done, when he was guilty of the enormity of rere-suppers,[1] and of

drinking deep after them.”

[1] Rere-suppers (_quasi arrière_) belonged to a species of luxury

introduced in the jolly days of King James’s extravagance, and

continued through the subsequent reign. The supper took place at an

early hour, six or seven o’clock at latest—the rere-supper was a

postliminary banquet, a _hors d’œuvre_, which made its appearance at

ten or eleven, and served as an apology for prolonging the

entertainment till midnight.

“Had your temperate draught,” said Everard, “been but a thought more

strongly seasoned, Wildrake, thou hadst slept so sound that the last

trump only could have waked thee.”

“And then,” answered Wildrake, “I should have waked with a headache,

Mark; for I see my modest sip has not exempted me from that epilogue.—

But let us go forth, and see how the night, which we have passed so

strangely, has been spent by the rest of them. I suspect they are all

right willing to evacuate Woodstock, unless they have either rested

better than we, or at least been more lucky in lodgings.”

“In that case, I will dispatch thee down to Joceline’s hut, to

negotiate the re-entrance of Sir Henry Lee and his family into their

old apartments, where, my interest with the General being joined with

the indifferent repute of the place itself, I think they have little

chance of being disturbed either by the present, or by any new

Commissioners.”

“But how are they to defend themselves against the fiends, my gallant

Colonel?” said Wildrake. “Methinks had I an interest in yonder pretty

girl, such as thou dost boast, I should be loth to expose her to the

terrors of a residence at Woodstock, where these devils—I beg their

pardon, for I suppose they hear every word we say—these merry

goblins—make such gay work from twilight till morning.”

“My dear Wildrake,” said the Colonel, “I, as well as you, believe it

possible that our speech may be overheard; but I care not, and will

speak my mind plainly. I trust Sir Henry and Alice are not engaged in

this silly plot; I cannot reconcile it with the pride of the one, the

modesty of the other, nor the good sense of both, that any motive could

engage them in so strange a conjunction. But the fiends are all of your

own political persuasion, Wildrake, all true-blue cavaliers; and I am

convinced, that Sir Henry and Alice Lee, though they be unconnected

with them, have not the slightest cause to be apprehensive of their

goblin machinations. Besides, Sir Henry and Joceline must know every

corner about the place: it will be far more difficult to play off any

ghostly machinery upon him than upon strangers. But let us to our

toilet, and when water and brush have done their work, we will

enquire—what is next to be done.”

“Nay, that wretched puritan’s garb of mine is hardly worth brushing,”

said Wildrake; “and but for this hundred-weight of rusty iron, with

which thou hast bedizened me, I look more like a bankrupt Quaker than

anything else. But I’ll make _you_ as spruce as ever was a canting

rogue of your party.”

Woodstock; or, the Cavalier · 第 39 / 88 题