He seized it. "Oh, Eil--Miss O'Keeffe--let me keep it."

"Please! we settled that."

"It will never be settled till you are my wife."

"Listen!" said Eileen, dramatically. "In a few minutes your mother and

father will be seated at dinner. Your mother will have told your father

I've left the house in disgrace. Don't interrupt. Would you be prepared

to walk in upon them with me on your arm and to say, 'Mother, father,

Miss O'Keeffe has done me the honour of consenting to be my wife'?"

With her warm hand still in his, how could he hesitate? "Oh, Eileen, if

you'd only let me!"

The imagination of the tableau was only less tempting to Eileen. It was

procurable--she had only to move her little finger, or rather not to move

it. But the very facility of production lessened the tableau's

temptingness. The triumph was complete without the vulgar actuality.

"I can't," she said, withdrawing her hand. "But you are a good fellow.

Good-by." She moved towards the garden steps. He was incredulous of the

utter end. "I shall write to you," he said.

"This is a short cut," she murmured, descending. As her feet touched the

grass she smiled. How they had both tried to stop her, mother and son!

She hurried through the shrubbery, and by a side gate was out on the old

wagon road. More slowly, but still at a good pace, she descended towards

the Black Hole, now beginning to twinkle and glimmer with lights, and far

less grimy and prosaic than in the crude day.

X

While packing her big box, she had decided to try to lodge that night

with a programme-girl she had got to know at the Theatre Royal, and the

motive that set her pace was the desire to find her before she had

started for the theatre.

The girl usually hovered about Mrs. Maper's box. Once Eileen had asked

her why she wasn't in evidence the week before. "Lord, miss," she said,

"didn't you recognise me on the stage?"

Eileen thus discovered that the girl sometimes figured as a super, when

travelling companies came with sensational pieces, relying upon local

talent, hastily drilled, for the crowds. Mary became a Greek slave, or a

Billingsgate fishwife, with amusing unexpectedness.

Eileen's next discovery about the girl was that she supported a paralysed

mother, though the bed-ridden creature on inspection proved to be more

cheerful than the visitors she depressed. Mr. Maper had sent her grapes

from his hothouse only a few days before, and in taking them to the

little house Eileen had noticed a "Bedroom to Let."

To her relief, when she reached the bleak street, she could see that

though the blind was down, the bill was still in the window. Her spirits

bubbled up again. Ere she could knock at the door, the programme-girl

bounced through it, hatted and cloaked for the theatre.

"Miss O'Keeffe!" She almost staggered backward. Eileen's face worked

tragically in the gloom.

"There are villains after me!" Eileen gasped. "Take this bag, it contains

the family jewels. That bedroom of yours, it is still to let?"

"Yes, miss."

"I take it for to-night, perhaps for ever. The avenger is on my

footsteps. The law may follow me, but I shall defy its myrmidons in my

trackless eyrie."

"Oh, Miss O'Keeffe! You frighten me. I shouldn't like to have all these

jewels in my house, and with my mother tied to her bed."

Eileen burst into a laugh. "Oh, miss!" she said, mimicking the

programme-girl. "Didn't you recognise me on the stage?"

"Mary Murchison!" gasped the programme-girl. "Oh, Miss O'Keeffe, how

wonderful! You nearly made my heart stop--"

"I am sorry, but I do want to take your bedroom. I've left Mrs. Maper,

and you are not to ask any questions."

"I haven't time, I'm late already. Fortunately, I only come on in the

second act."

"That's nice; put my bag in and I'll come to the theatre with you." The

thought was impromptu, an evening with a bed-ridden woman was not

exhilarating at such a crisis.

"You ought to be an actress yourself," the programme-girl remarked

admiringly on the way.

Eileen shuddered. "No, thank you. Scream the same thing night after

night--like a parrot with not even one's own words--I should die of

monotony."

"Oh, it isn't at all monotonous. It's a different audience every night,

and even the laughs come in different places. My parts have mostly been

thinking parts--to-night I'm a prince without a word--but still it's

fun."

"But how can you bear strange men staring at you?"

"One gets used to it. The first time they put me in tights I blushed all

through the piece, but they had painted me so thick it wasn't visible."

"In short, you blushed unseen."

Eileen wished to go to the pit, but her new friend would not hear of her

not occupying her habitual box, since she knew that the management would

be glad to have it occupied if it were empty. This proved to be the case,

and put the seal upon Eileen's enjoyment of the situation. To spend her

evening in Mrs. Maper's box was indeed a climax.

She borrowed theatre-paper and scribbled a note to her ex-employer,

giving the address for her trunk. An orange and some biscuits sufficed

for her dinner.

Not till she was in her little bedroom, surrounded by pious texts, did

she break down in tears.

The Grey Wig: Stories and Novelettes · 第 98 / 119 题