Stays. See R_[egen]t._

Steel, 192, 236.

Stephens, Frederic G. (author of "A Memoir of George Cruikshank," to

which is added Thackeray's Essay "On the Genius of George Cruikshank,"

London: Sampson Low, Marston, Searle & Rivington, 1891), 32, 93.

Stewart, John, 66.

"Stop Thief; or, Hints to Housekeepers to Prevent Housebreaking. By

George Cruikshank" (London: Bradbury & Evans, 1851. G. and R. Cruikshank

assisted in the embellishment of Lieut. Col. Baron De Berenger's "Helps

and Hints How to Protect Life and Property" [London: T. Hurst, 1835]),

58.

Stowe, Harriet Beecher. _See_ Uncle.

_Striking Effects Produced by Lines and Dots for the assistance of young

Draftsmen_ (2 etchings published respectively 4 Aug. 1817 and 23 Sept.

1817 by S. W. Fores. In the same year G. Blackman, 362 Oxford St,

London, published 2 more etchings by George Cruikshank entitled _Twelve

Subjects formed by Dots and Lines_ [pub. 14 June] and _Nine Subjects

formed by Dots and Lines_ [pub 19 July]. To George Cruikshank is also

attributed an etching entitled _Another Series formed of Lines and

Dots_), 243.

"Stubb's Calendar; or, the Fatal Boots," 196.

"Sunday in London. Illustrated in fourteen cuts, by George Cruikshank,

and a few words by a friend of his; with a copy of Sir Andrew Agnew's

Bill" (London: Effingham Wilson, 1833; the friend in the title is John

Wight), 51, 99.

Sussex, Duke of. _See_ Augustus, Illustrations of Popular.

Syntax, Dr., 71. _See_ Life of Napoleon.

"Table (The) Book." _See_ Every-Day.

"Tales of Irish Life, illustrative of the manners, customs and

conditions of the people, by I. Whitty" (2 vols., London: J. Robins &

Co., 1824), 93.

"Talpa: or the Chronicles of a Clay Farm. An Agricultural Fragment. By

C. W. H." (London: Reeve & Co., 1852. The author is C. W. Hoskyns), 208.

_Tam o' Shanter_. _See_ Royal Academy, 1852.

Temperance, 48, 49, 52 _et seq._, 247 George Cruikshank's "Last

temperance piece" was _The Last Half Hour_ in S. C. Hall's "An Old

Story" (1875). _See_ Bottle, Drunkard, Drunkard's, Glass, Oil, Worship.

Tenniel, Sir John, 176.

Thackeray, William Makepeace (born 18 July 1811, died 23 or 24 Dec.

1863), 1, 25, 69, 78 196, 231-232. _See_ Stephens, Frederic G.

Thames, 78.

Thistlewood, Arthur (born 1770, hanged 1 May 1820), 3, 35.

Thompson, Alice. _See_ Meynell, Mrs Alice.

Thompson, John (wood-engraver, born 25 May 1785, died 20 Feb. 1866. At

the Paris Exhibition of 1855, he was awarded the grand medal of honour

for wood-engraving. He engraved the cuts for "Mornings at Bow Street"

and "The Beauties of Washington Irving," &c.), 126, 129, 162, 239. _See_

True.

Thomson, James, 11.

Thornhill, Sir James (Hogarth's father-in-law), 78.

"Three Courses and a Dessert. The Decorations by George Cruikshank"

(London: Vizetelly, Branston & Co., 1830. The author is W. Clarke), 215.

"Three (The) Cruikshanks. A Bibliographical Catalogue, describing more

than 500 works ... illustrated by Isaac, George, and Robert Cruikshank,

compiled by Frederick Marchmont.... The introduction by Julian Moore,

with illustrations" (London: W. T. Spencer, 1897. A useful book. Prices

are appended, which should not in some instances be paid by the

collector who has time to look about him. The frontispiece, reproducing

George Cruikshank's oil-painting _A Mother's Love_, reminds one of

William Blake's drawing in sepia of a mother discovering her child in an

eagle's nest).

Time. _See_ Illustrations of Time.

Titian (=Tiziano Vecellio), 2, 69.

Tobacco (The most interesting anti-tobacco publication associated with

George Cruikshank is "What Put My Pipe Out; or, Incidents in the Life of

a Clergyman," published in London by S. W. Partridge, 1862), 58, 59.

"Tom Thumb; a Burletta, altered from Henry Fielding, by Kane O'Hara.

With Designs by George Cruikshank" (London: Thomas Rodd, 1830), 156

(where Ruskin may be supposed by anyone who thinks, as I do not, that he

was incapable of a _lapsus calami_, to refer to the designs for this

volume).

"Topsail-Sheet Blocks, or, The Naval Foundling. By 'The Old Sailor'" (3

vols., London: Richard Bentley, 1838, the author is M. H. Barker), 95.

Tothill Fields, $87$.

"Tower (The) of London," by William Harrison Ainsworth (13 parts, the

last 2 forming a double part. London: Richard Bentley, 1840), 60, 81-82,

$83$, 85.

"Town Talk, or Living Manners" (5 vols., London: J. Johnson, 1811-1814.

A periodical. George Cruikshank, contributed to vols. ii. [1812], iv.

[1813], v. [1813]), 35.

"Travels (The) and Surprising Adventures of Baron Munchausen.

Illustrated with Five woodcuts by G. Cruikshank, and Twenty-two

full-page curious engravings." (London: William Tegg, 1867. The author

is R. E. Raspe. The Cruikshank cuts were "used before in other books,"

says Capt. Douglas. George Cruikshank also contributed a frontispiece to

"The Surprising Travels and Adventures of the Renowned Baron

Munchausen," printed and sold by Dean & Munday, Threadneedle Street,

London, 1817), 219.

_Triumph (The) of Cupid_, etching in "George Cruikshank's Table-Book"

(1845), 67, 223-4.

"True (The) Legend of St Dunstan and the Devil, Showing how the

Horse-Shoe came to be a Charm against Witchcraft. By Edward G. Flight.

With illustrations drawn by George Cruikshank and engraved by John

Thompson" (London: D. Bogue, 1848), 119, $122$, $123$.

Trusler, Rev. Dr., author of "Hogarth Moralized." (For an edition of

that work published by John Major in 1831, George Cruikshank engraved 4

groups of heads after Hogarth), 77.

Turpin, Dick, $75$, 77.

Twain, Mark, 234.

"Twelve Sketches illustrative of Sir Walter Scott's Demonology and

Witchcraft, by George Cruikshank" (London: J. Robins & Co., 1830), 139,

147-148.

"Uncle Tom's Cabin," by Harriet Beecher Stowe (London: John Cassell,

1852), 10, 39.

"Universal (The) Songster; or Museum of Mirth: forming the most

complete, extensive, and valuable collection of ancient and modern songs

in the English language...." (3 vols., London: John Fairburn, 1825,

1826), 136-137.

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