CHAPTER I

Produced by Charles Aldarondo

KING MIDAS

A ROMANCE

By Upton Sinclair

I dreamed that Soul might dare the pain,

Unlike the prince of old,

And wrest from heaven the fiery touch

That turns all things to gold.

New York and London

1901

NOTE

In the course of this story, the author has had occasion to refer to

Beethoven's Sonata Appassionata as containing a suggestion of the

opening theme of the Fifth Symphony. He has often seen this stated,

and believed that the statement was generally accepted as true.

Since writing, however, he has heard the opinion expressed, by a

musician who is qualified to speak as an authority, that the two

themes have nothing to do with each other. The author himself is not

competent to have an opinion on the subject, but because the

statement as first made is closely bound up with the story, he has

allowed it to stand unaltered.

The two extracts from MacDowell's “Woodland Sketches,” on pages 214

and 291, are reprinted with the kind permission of Professor

MacDowell and of Arthur P. Schmidt, publisher.

PART I

In the merry month of May.

KING MIDAS

CHAPTER I

“O Madchen, Madchen,

Wie lieb' ich dich!”

It was that time of year when all the world belongs to poets, for

their harvest of joy; when those who seek the country not for

beauty, but for coolness, have as yet thought nothing about it, and

when those who dwell in it all the time are too busy planting for

another harvest to have any thought of poets; so that the latter,

and the few others who keep something in their hearts to chime with

the great spring-music, have the woods and waters all for their own

for two joyful months, from the time that the first snowy bloodroot

has blossomed, until the wild rose has faded and nature has no more

to say. In those two months there are two weeks, the ones that usher

in the May, that bear the prize of all the year for glory; the

commonest trees wear green and silver then that would outshine a

coronation robe, and if a man has any of that prodigality of spirit

which makes imagination, he may hear the song of all the world.

It was on such a May morning in the midst of a great forest of pine

trees, one of those forests whose floors are moss-covered ruins that

give to them the solemnity of age and demand humility from those who

walk within their silences. There was not much there to tell of the

springtime, for the pines are unsympathetic, but it seemed as if all

the more wealth had been flung about on the carpeting beneath. Where

the moss was not were flowing beds of fern, and the ground was

dotted with slender harebells and the dusty, half-blossomed

corydalis, while from all the rocks the bright red lanterns of the

columbine were dangling.

Of the beauty so wonderfully squandered there was but one witness, a

young man who was walking slowly along, stepping as it seemed where

there were no flowers; and who, whenever he stopped to gaze at a

group of them, left them unmolested in their happiness. He was tall

and slenderly built, with a pale face shadowed by dark hair; he was

clad in black, and carried in one hand a half-open book, which,

however, he seemed to have forgotten.

A short distance ahead was a path, scarcely marked except where the

half-rotted trees were trodden through. Down this the young man

turned, and a while later, as his ear was caught by the sound of

falling water, he quickened his steps a trifle, until he came to a

little streamlet which flowed through the forest, taking for its bed

the fairest spot in that wonderland of beauty. It fled from rock to

rock covered with the brightest of bright green moss and with tender

fern that was but half uncurled, and it flashed in the sunlit places

and tinkled from the deep black shadows, ever racing faster as if to

see what more the forest had to show. The young man's look had been

anxious before, but he brightened in spite of himself in the company

of the streamlet.

Not far beyond was a place where a tiny rill flowed down from the

high rocks above, and where the path broadened out considerably. It

was a darkly shadowed spot, and the little rill was gathered in a

sunken barrel, which the genius of the place had made haste to cover

with the green uniform worn by all else that was to be seen. Beside

the spring thus formed the young man seated himself, and after

glancing impatiently at his watch, turned his gaze upon the beauty

that was about him. Upon the neighboring rocks the columbine and

harebell held high revel, but he did not notice them so much as a

new sight that flashed upon his eye; for the pool where the two

streamlets joined was like a nest which the marsh-marigold had taken

for its home. The water was covered with its bright green and

yellow, and the young man gazed at the blossoms with eager delight,

until finally he knelt and plucked a few of them, which he laid,

cool and gleaming, upon the seat by the spring.

The flowers did not hold his attention very long, however; he rose

up and turned away towards where, a few steps beyond, the open

country could be seen between the tree trunks. Beyond the edge of

the woods was a field, through which the footpath and the streamlet

both ran, the former to join a road leading to a little town which

lay in the distance. The landscape was beautiful in its morning

freshness, but it was not that which the young man thought of; he

had given but one glance before he started back with a slight

exclamation, his face turning paler. He stepped into the concealment

of the thick bushes at one side, where he stood gazing out,

motionless except for a slight trembling. Down the road he had seen

a white-clad figure just coming out of the village; it was too far

away to be recognized, but it was a young girl, walking with a quick

and springing step, and he seemed to know who it was.

She had not gone very far before she came to a thick hedge which

lined the roadside and hid her from the other's view; he could not

see her again until she came to the place where the streamlet was

crossed by a bridge, and where the little path turned off towards

the forest. In the meantime he stood waiting anxiously; for when she

reached there he would see her plainly for the first time, and also

know if she were coming to the spring. She must have stopped to look

at something, for the other had almost started from his hiding place

in his eagerness when finally she swept past the bushes. She turned

down the path straight towards him, and he clasped his hands

together in delight as he gazed at her.

And truly she was a very vision of the springtime, as she passed

down the meadows that were gleaming with their first sprinkling of

buttercups. She was clad in a dress of snowy white, which the wind

swept before her as she walked; and it had stolen one strand of her

golden hair to toss about and play with. She came with all the

eagerness and spring of the brooklet that danced beside her, her

cheeks glowing with health and filled with the laughter of the

morning. Surely, of all the flowers of the May-time there is none so

fair as the maiden. And the young man thought as he stood watching

her that in all the world there was no maiden so fair as this.

She did not see him, for her eyes were lifted to a little bobolink

that had come flying down the wind. One does not hear the bobolink

at his best unless one goes to hear him; for sheer glorified

happiness there is in all our land no bird like him at the hour of

sunrise, when he is drunk with the morning breeze and the sight of

the dew-filled roses. At present a shower had just passed and the

bobolink may have thought that another dawn had come; or perhaps he

saw the maiden. At any rate, he perched himself upon the topmost

leaf of the maple tree, still half-flying, as if scorning even that

much support; and there he sang his song. First he gave his long

prelude that one does not often hear--a few notes a score of times

repeated, and growing swift and loud, and more and more strenuous

and insistent; as sometimes the orchestra builds up its climax, so

that the listener holds his breath and waits for something, he knows

not what. Then he paused a moment and turned his head to see if the

girl were watching, and filled his throat and poured out his

wonderful gushing music, with its watery and bell-like tone that

only the streamlet can echo, from its secret places underneath the

banks. Again and again he gave it forth, the white patches on his

wings flashing in the sunlight and both himself and his song one

thrill of joy.

The girl's face was lit up with delight as she tripped down the

meadow path. A gust of wind came up behind her, and bowed the grass

and the flowers before her and swung the bird upon the tree; and so

light was the girl's step that it seemed to lift her and sweep her

onward. As it grew stronger she stretched out her arms to it and

half leaned upon it and flung her head back for the very fullness of

her happiness. The wind tossed her skirts about her, and stole

another tress of hair, and swung the lily which she had plucked and

which she carried in her hand. It is only when one has heard much

music that he understands the morning wind, and knows that it is a

living thing about which he can say such things as that; one needs

only to train his ear and he can hear its footsteps upon the

meadows, and hear it calling to him from the tops of the trees.

The girl was the very spirit of the wind at that moment, and she

seemed to feel that some music was needed. She glanced up again at

the bobolink, who had ceased his song; she nodded to him once as if

for a challenge, and then, still leaning back upon the breeze, and

keeping time with the flower in her hand, she broke out into a happy

song:

“I heard a streamlet gushing

From out its rocky bed,

Far down the valley rushing,

So fresh and clear it sped.”

But then, as if even Schubert were not equal to the fullness of her

heart, or because the language of joy has no words, she left the

song unfinished and swept on in a wild carol that rose and swelled

and made the forest echo. The bobolink listened and then flew on to

listen again, while still the girl poured out her breathless music,

a mad volley of soaring melody; it seemed fairly to lift her from

her feet, and she was half dancing as she went. There came another

gust of wind and took her in its arms; and the streamlet fled before

her; and thus the three, in one wild burst of happiness, swept into

the woodland together.

There in its shadows the girl stopped short, her song cut in half by

the sight of the old forest in its majesty. One could not have

imagined a greater contrast than the darkness and silence which

dwelt beneath the vast canopy, and she gazed about her in rapture,

first at the trees and then at the royal carpet of green, starred

with its fields of flowers. Her breast heaved, and she stretched out

her arms as if she would have clasped it all to her.

“Oh, it is so beautiful!” she cried aloud. “It is so beautiful!”

In the meantime the young man, still unseen, had been standing in

the shadow of the bushes, drinking in the sight. The landscape and

the figure and the song had all faded from his thoughts, or rather

blended themselves as a halo about one thing, the face of this girl.

For it was one of those faces that a man may see once in a lifetime

and keep as a haunting memory ever afterwards, as a vision of the

sweetness and glory of woman; at this moment it was a face

transfigured with rapture, and the man who was gazing upon it was

trembling, and scarcely aware of where he was.

For fully a minute more the girl stood motionless, gazing about at

the forest; then she chanced to look towards the spring, where she

saw the flowers upon the seat.

“Why, someone has left a nosegay!” she exclaimed, as she started

forward; but that seemed to suggest another thought to her, and she

looked around. As she did so she caught sight of the young man and

sprang towards him. “Why, Arthur! You here!” she cried.

The other started forward as if he would have clasped her in his

arms; but then recollecting himself he came forward very slowly,

half lowering his eyes before the girl's beauty.

“So you recollect me, Helen, do you?” he said, in a low voice.

“Recollect you?” was the answer. “Why, you dear, foolish boy, of

course I recollect you. But how in the world do you come to be

here?”

“I came here to see you, Helen.”

“To see me?” exclaimed she. “But pray how--” and then she stopped,

and a look of delight swept across her face. “You mean that you knew

I would come here the first thing?”

“I do indeed.”

“Why, that was beautiful!” she exclaimed. “I am so glad I did come.”

The glance which she gave made his heart leap up; for a moment or

two they were silent, looking at each other, and then suddenly

another thought struck the girl. “Arthur,” she cried, “I forgot! Do

you mean to tell me that you have come all the way from Hilltown?”

“Yes, Helen.”

“And just to see me?”

“Yes, Helen.”

“And this morning?”

She received the same answer again. “It is twelve miles,” she

exclaimed; “who ever heard of such a thing? You must be tired to

death.”

She put out her hand, which he took tremblingly.

“Let us go sit down on the bench,” she said, “and then we can talk

about things. I am perfectly delighted that you came,” she added

when she had seated herself, with the marigolds and the lily in her

lap. “It will seem just like old times; just think how long ago it

was that I saw you last, Arthur,--three whole years! And do you

know, as I left the town I thought of you, and that I might find you

here.”

The young man's face flushed with pleasure.

“But I'd forgotten you since!” went on the girl, eyeing him

mischievously; “for oh, I was so happy, coming down the old, old

path, and seeing all the old sights! Things haven't changed a bit,

Arthur; the woods look exactly the same, and the bridge hasn't

altered a mite since the days we used to sit on the edge and let our

feet hang in. Do you remember that, Arthur?”

“Perfectly,” was the answer.

“And that was over a dozen years ago! How old are you now,

Arthur,--twenty-one--no, twenty-two; and I am just nineteen. To-day

is my birthday, you know!”

“I had not forgotten it, Helen.”

“You came to welcome me! And so did everything else. Do you know, I

don't think I'd ever been so happy in my life as I was just now. For

I thought the old trees greeted me, and the bridge, and the stream!

And I'm sure that was the same bobolink! They don't have any

bobolinks in Germany, and so that one was the first I have heard in

three years. You heard him, didn't you, Arthur?”

“I did--at first,” said Arthur.

“And then you heard me, you wicked boy! You heard me come in here

singing and talking to myself like a mad creature! I don't think I

ever felt so like singing before; they make hard work out of singing

and everything else in Germany, you know, so I never sang out of

business hours; but I believe I could sing all day now, because I'm

so happy.”

“Go on,” said the other, seriously; “I could listen.”

“No; I want to talk to you just now,” said Helen. “You should have

kept yourself hidden and then you'd have heard all sorts of

wonderful things that you'll never have another chance to hear. For

I was just going to make a speech to the forest, and I think I

should have kissed each one of the flowers. You might have put it

all into a poem,--for oh, father tells me you're going to be a great

poet!”

“I'm going to try,” said Arthur, blushing.

“Just think how romantic that would be!” the girl laughed; “and I

could write your memoir and tell all I knew about you. Tell me about

yourself, Arthur--I don't mean for the memoir, but because I want to

know the news.”

“There isn't any, Helen, except that I finished college last spring,

as I wrote you, and I'm teaching school at Hilltown.”

“And you like it?”

“I hate it; but I have to keep alive, to try to be a poet. And that

is the news about myself.”

“Except,” added Helen, “that you walked twelve miles this glorious

Saturday morning to welcome me home, which was beautiful. And of

course you'll stay over Sunday, now you're here; I can invite you

myself, you know, for I've come home to take the reins of

government. You never saw such a sight in your life as my poor

father has made of our house; he's got the parlor all full of those

horrible theological works of his, just as if God had never made

anything beautiful! And since I've been away that dreadful Mrs. Dale

has gotten complete charge of the church, and she's one of those

creatures that wouldn't allow you to burn a candle in the organ

loft; and father never was of any use for quarreling about things.”

(Helen's father, the Reverend Austin Davis, was the rector of the

little Episcopal church in the town of Oakdale just across the

fields.) “I only arrived last night,” the girl prattled on, venting

her happiness in that way instead of singing; “but I hunted up two

tallow candles in the attic, and you shall see them in church

to-morrow. If there's any complaint about the smell, I'll tell Mrs.

Dale we ought to have incense, and she'll get so excited about that

that I'll carry the candles by default. I'm going to institute other

reforms also,--I'm going to make the choir sing in tune!”

“If you will only sing as you were singing just now, nobody will

hear the rest of the choir,” vowed the young man, who during her

remarks had never taken his eyes off the girl's radiant face.

Helen seemed not to notice it, for she had been arranging the

marigolds; now she was drying them with her handkerchief before

fastening them upon her dress.

“You ought to learn to sing yourself,” she said while she bent her

head down at that task. “Do you care for music any more than you

used to?”

“I think I shall care for it just as I did then,” was the answer,

“whenever you sing it.”

“Pooh!” said Helen, looking up from her marigolds; “the idea of a

dumb poet anyway, a man who cannot sing his own songs! Don't you

know that if you could sing and make yourself gloriously happy as I

was just now, and as I mean to be some more, you could write poetry

whenever you wish.”

“I can believe that,” said Arthur.

“Then why haven't you ever learned? Our English poets have all been

ridiculous creatures about music, any how; I don't believe there was

one in this century, except Browning, that really knew anything

about it, and all their groaning and pining for inspiration was

nothing in the world but a need of some music; I was reading the

'Palace of Art' only the other day, and there was that 'lordly

pleasure house' with all its modern improvements, and without a

sound of music. Of course the poor soul had to go back to the

suffering world, if it were only to hear a hand-organ again.”

“That is certainly a novel theory,” admitted the young poet. “I

shall come to you when I need inspiration.”

“Come and bring me your songs,” added the girl, “and I will sing

them to you. You can write me a poem about that brook, for one

thing. I was thinking just as I came down the road that if I were a

poet I should have beautiful things to say to that brook. Will you

do it for me?”

“I have already tried to write one,” said the young man,

hesitatingly.

“A song?” asked Helen.

“Yes.”

“Oh, good! And I shall make some music for it; will you tell it to

me?”

“When?”

“Now, if you can remember it,” said Helen. “Can you?”

“If you wish it,” said Arthur, simply; “I wrote it two or three

months ago, when the country was different from now.”

He fumbled in his pocket for some papers, and then in a low tone he

read these words to the girl:

AT MIDNIGHT

The burden of the winter

The year haa borne too long,

And oh, my heart is weary

For a springtime song!

The moonbeams shrink unwelcomed

From the frozen lake;

Of all the forest voices

There is but one awake

I seek thee, happy streamlet

That murmurest on thy way,

As a child in troubled slumber

Still dreaming of its play;

I ask thee where in thy journey

Thou seeest so fair a sight,

That thou hast joy and singing

All through the winter night.

Helen was silent for a few moments, then she said, “I think that is

beautiful, Arthur; but it is not what I want.”

“Why not?” he asked.

“I should have liked it when you wrote it, but now the spring has

come, and we must be happy. You have heard the springtime song.”

“Yes,” said Arthur, “and the streamlet has led me to the beautiful

sight.”

“It _is_ beautiful,” said Helen, gazing about her with that naive

unconsciousness which “every wise man's son doth know” is one thing

he may never trust in a woman. “It could not be more beautiful,” she

added, “and you must write me something about it, instead of

wandering around our pasture-pond on winter nights till your

imagination turns it into a frozen lake.”

The young poet put away his papers rather suddenly at that, and

Helen, after gazing at him for a moment, and laughing to herself,

sprang up from the seat.

“Come!” she cried, “why are we sitting here, anyway, talking about

all sorts of things, and forgetting the springtime altogether? I

haven't been half as happy yet as I mean to be.”

She seemed to have forgotten her friend's twelve mile walk; but he

had forgotten it too, just as he soon forgot the rather wintry

reception of his little song. It was not possible for him to remain

dull very long in the presence of the girl's glowing energy; for

once upon her feet, Helen's dancing mood seemed to come back to her,

if indeed it had ever more than half left her. The brooklet struck

up the measure again, and the wind shook the trees far above them,

to tell that it was still awake, and the girl was the very spirit of

the springtime once more.

“Oh, Arthur,” she said as she led him down the path, “just think how

happy I ought to be, to welcome all the old things after so long,

and to find them all so beautiful; it is just as if the country had

put on its finest dress to give me greeting, and I feel as if I were

not half gay enough in return. Just think what this springtime is,

how all over the country everything is growing and rejoicing; _that_

is what I want you to put into the poem for me.”

And so she led him on into the forest, carried on by joy herself,

and taking all things into her song. She did not notice that the

young man's forehead was flushed, or that his hand was burning when

she took it in hers as they walked; if she noticed it, she chose at

any rate to pretend not to. She sang to him about the forest and the

flowers, and some more of the merry song which she had sung before;

then she stopped to shake her head at a saucy adder's tongue that

thrust its yellow face up through the dead leaves at her feet, and

to ask that wisest-looking of all flowers what secrets it knew about

the spring-time. Later on they came to a place where the brook fled

faster, sparkling brightly in the sunlight over its shallow bed of

pebbles; it was only her runaway caroling that could keep pace with

that, and so her glee mounted higher, the young man at her side half

in a trance, watching her laughing face and drinking in the sound of

her voice.

How long that might have lasted there is no telling, had it not been

that the woods came to an end, disclosing more open fields and a

village beyond. “We'd better not go any farther,” said Helen,

laughing; “if any of the earth creatures should hear us carrying on

they would not know it was 'Trunkenheit ohne Wein.'”

She stretched out her hand to her companion, and led him to a seat

upon a fallen log nearby. “Poor boy,” she said, “I forgot that you

were supposed to be tired.”

“It does not make any difference,” was the reply; “I hadn't thought

of it.”

“There's no need to walk farther,” said Helen, “for I've seen all

that I wish to see. How dear this walk ought to be to us, Arthur!”

“I do not know about you, Helen,” said the young man, “but it has

been dear to me indeed. I could not tell you how many times I have

walked over it, all alone, since you left; and I used to think about

the many times I had walked it with you. You haven't forgotten,

Helen, have you?”

“No,” said Helen.

“Not one?”

“Not one.”

The young man was resting his head upon his hand and gazing steadily

at the girl.

“Do you remember, Helen--?” He stopped; and she turned with her

bright clear eyes and gazed into his.

“Remember what?” she asked.

“Do you remember the last time we took it, Helen?”

She flushed a trifle, and half involuntarily turned her glance away

again.

“Do you remember?” he asked again, seeing that she was silent.

“Yes, I remember,” said the girl, her voice lower--“But I'd rather

you did not--.” She stopped short.

“You wish to forget it, Helen?” asked Arthur.

He was trembling with anxiety, and his hands, which were clasped

about his knee, were twitching. “Oh, Helen, how can you?” he went

on, his voice breaking. “Do you not remember the last night that we

sat there by the spring, and you were going away, no one knew for

how long--and how you told me that it was more than you could bear;

and the promise that you made me? Oh, Helen!”

The girl gazed at him with a frightened look; he had sunk down upon

his knee before her, and he caught her hand which lay upon the log

at her side.

“Helen!” he cried, “you cannot mean to forget that? For that promise

has been the one joy of my life, that for which I have labored so

hard! My one hope, Helen! I came to-day to claim it, to tell you--”

And with a wild glance about her, the girl sprang to her feet,

snatching her hand away from his.

“Arthur!” she cried; “Arthur, you must not speak to me so!”

“I must not, Helen?”

“No, no,” she cried, trembling; “we were only children, and we did

not know the meaning of the words we used. You must not talk to me

that way, Arthur.”

“Helen!” he protested, helplessly.

“No, no, I will not allow it!” she cried more vehemently, stepping

back as he started towards her, and holding close to her the hand he

had held. “I had no idea there was such a thought in your mind--”

Helen stopped, breathlessly.

“--or you would not have been so kind to me?” the other added

faintly.

“I thought of you as an old friend,” said Helen. “I was but a child

when I went away. I wish you still to be a friend, Arthur; but you

must not act in that way.”

The young man glanced once at her, and when he saw the stern look

upon her face he buried his head in his arms without a sound.

For fully a minute they remained thus, in silence; then as Helen

watched him, her chest ceased gradually to heave, and a gentler look

returned to her face. She came and sat down on the log again.

“Arthur,” she said after another silence, “can we not just be

friends?”

The young man answered nothing, but he raised his head and gazed at

her; and she saw that there were tears in his eyes, and a look of

mute helplessness upon his face. She trembled slightly, and rose to

her feet again.

“Arthur,” she said gravely, “this must not be; we must not sit here

any longer. I must go.”

“Helen!” exclaimed the other, springing up.

But he saw her brow knit again, and he stopped short. The girl gazed

about her, and the village in the distance caught her eye.

“Listen,” she said, with forced calmness; “I promised father that I

would go and see old Mrs. Woodward, who was asking for me. You may

wait here, if you like, and walk home with me, for I shall not be

gone very long. Will you do it?”

The other gazed at her for a moment or two; he was trying to read

the girl's heart, but he saw only the quiet firmness of her

features.

“Will you wait, Arthur?” she asked again.

And Arthur's head sank upon his breast. “Yes, Helen,” he said. When

he lifted it again, the girl was gone; she had disappeared in the

thicket, and he could hear her footsteps as she passed swiftly down

the hillside.

He went to the edge of the woods, where he could see her a short

distance below, hurrying down the path with a step as light and free

as ever. The wind had met her at the forest's edge and joined her

once more, playing about her skirts and tossing the lily again. As

Arthur watched her, the old music came back into his heart; his eyes

sparkled, and all his soul seemed to be dancing in time with her

light motion. Thus it went until she came to a place where the path

must hide her from his view. The young man held his breath, and when

she turned a cry of joy escaped him; she saw him and waved her hand

to him gaily as she swept on out of his sight.

For a moment afterwards he stood rooted to the spot, then whirled

about and laughed aloud. He put his hand to his forehead, which was

flushed and hot, and he gazed about him, as if he were not sure

where he was. “Oh, she is so beautiful!” he cried, his face a

picture of rapture. “So beautiful!”

And he started through the forest as wildly as any madman, now

muttering to himself and now laughing aloud and making the forest

echo with Helen's name. When he stopped again he was far away from

the path, in a desolate spot, but tho he was staring around him, he

saw no more than before. Trembling had seized his limbs, and he sank

down upon the yellow forest leaves, hiding his face in his hands and

whispering, “Oh, if I should lose her! If I should lose her!” As old

Polonius has it, truly it was “the very ecstasy of love.”

King Midas: a Romance · 第 1 / 14 章