LETTER XI.

Gratz—Vienna.

We had followed stream after stream through a succession of delicious

valleys for a hundred miles. Descending from a slight eminence, we came

upon the broad and rapid Muhr, and soon after caught sight of a distant

citadel upon a rock. As we approached, it struck me as one of the most

singular freaks of nature I had ever seen. A pyramid, perhaps three

hundred feet in height, and precipitous on every side, rose abruptly in

the midst of a broad and level plain, and around it in a girdle of

architecture, lay the capital of Styria. The fortress on the summit hung

like an eagle’s nest over the town, and from its towers, a pistol-shot

would reach the outermost point of the wall.

Wearied with travelling near three hundred miles without sleep, I

dropped upon a bed at the hotel, with an order to be called in two

hours. It was noon, and we were to remain at Gratz till the next

morning. My friend, the Hungarian, had promised, as he threw himself on

the opposite bed, to wake and accompany me in a walk through the town,

but the shake of a stout German chambermaid at the appointed time had no

effect upon him, and I descended to my dinner alone. I had lost my

interpreter. The _carte_ was in German, of which I did not know even the

letters. After appealing in vain in French and Italian to the persons

eating near me, I fixed my finger at hazard upon a word, and the waiter

disappeared. The result was a huge dish of cabbage cooked in some filthy

oil and graced with a piece of beef. I was hesitating whether to dine on

bread or make another attempt, when a gentlemanly man of some fifty

years came in and took the vacant seat at my table. He addressed me

immediately in French, and smiling at my difficulties, undertook to

order a dinner for me something less national. We improved our

acquaintance with a bottle of Johannesburgh, and after dinner he kindly

offered to accompany me in my walk through the city.

Gratz is about the size of Boston, a plain German city, with little or

no pretensions to style. The military band was playing a difficult waltz

very beautifully in the public square, but no one was listening except a

group of young men dressed in the worst taste of dandyism. We mounted by

a zigzag path to the fortress. On a shelf of the precipice, half way up,

hangs a small casino, used as a beer-shop. The view from the summit was

a feast to the eye. The wide and lengthening valley of the Muhr lay

asleep beneath its loads of grain, its villas and farm-houses, the

picture of “waste and mellow fruitfulness,” the rise to the mountains

around the head of the valley was clustered with princely dwellings,

thick forests with glades between them, and churches with white slender

spires shooting from the bosom of elms, and right at our feet, circling

around the precipitous rock for protection, lay the city enfolded in its

rampart, and sending up to our ears the sound of every wheel that rolled

through her streets. Among the striking buildings below, my friend

pointed out to me a palace which he said had been lately purchased by

Joseph Bonaparte, who was coming here to reside. The people were

beginning to turn out for their evening walk upon the ramparts which are

planted with trees and laid out for a promenade, and we descended to

mingle in the crowd.

My old friend had a great many acquaintances. He presented me to several

of the best dressed people we met, all of whom invited me to supper. I

had been in Italy almost a year and a half, and such a thing had never

happened to me. We walked about until six, and as I preferred going to

the play, which opened at that early hour, we took tickets for “Der

Schlimme Leisel,” and were seated presently in one of the simplest and

prettiest theatres I have ever seen.

“Der Schlimme Leisel” was an old maid who kept house for an old bachelor

brother, proposing, at the time the play opens, to marry. Her dislike to

the match, from the dread of losing her authority over his household,

formed the humour of the piece, and was admirably represented. After

various unsuccessful attempts to prevent the nuptials, the lady is

brought to the house, and the old maid enters in a towering passion,

throws down her keys, and flirts out of the room with a threat that she

“_will go to America!_” Fortunately she is not driven to that extremity.

The lady has been already married secretly to a poorer lover, and the

old bachelor, after the first shock of the discovery, settles a fortune

on them, and returns to his celibacy and his old maid sister, to the

satisfaction of all parties. Certainly the German is the most unmusical

language of Babel. If my good old friend had not translated it for me

word for word, I should scarce have believed the play to be more than a

gibbering pantomime. I shall think differently when I have learned it,

no doubt, but a strange language strikes upon one’s ear so oddly! I was

quite too tired when the play was over (which, by the way, was at the

sober hour of nine,) to accept any of the kind invitations of which my

companion reminded me. We supped _tête-à-tête_, instead, at the hotel. I

was delighted with my new acquaintance. He was an old citizen of the

world. He had left Gratz at twenty, and after thirty years wandering

from one part of the globe to the other, had returned to end his days in

his birthplace. His relations were all dead, and speaking all the

languages of Europe, he preferred living at a hotel for the society of

strangers. With a great deal of wisdom he had preserved his good humour

toward the world; and I think I have rarely seen a kinder, and never a

happier man. I parted from him with regret, and the next morning at

daylight, had resumed my seat at the _eil-wagon_.

Imagine the Hudson, at the highlands, reduced to a sparkling little

river a bowshot across, and a rich valley thridded by a road

accompanying the remaining space between the mountains, and you have the

scenery for the first thirty miles beyond Gratz. There is one more

difference. On the edge of one of the most towering precipices, clear up

against the clouds, hang the ruins of a noble castle. The rents in the

wall, and the embrasures in the projecting turrets, seem set into the

sky. Trees and vines grow within and about it, and the lacings of the

twisted roots seem all that keep it together. It is a perfect “castle in

the air.”

A long day’s journey and another long night (during which we passed

Neustadt, on the confines of Hungary) brought us within sight of Baden,

but an hour or two from Vienna. It was just sunrise, and market-carts

and pedestrians and suburban vehicles of all descriptions notified us of

our approach to a great capital. A few miles farther we were stopped in

the midst of an extensive plain by a crowd of carriages. A criminal was

about being guillotined. What was that to one who saw Vienna for the

first time? A few steps farther the postillion was suddenly stopped. A

gentleman alighted from a carriage in which were two ladies, and opened

the door of the diligence. It was the bride of the soldier-apothecary

come to meet him with her mother and brother. He was buried in dust,

just waked out of sleep, a three days’ beard upon his face, and, at the

best, not a very lover-like person. He ran to the carriage door, jumped

in, and there was an immediate cry for water. The bride had fainted! We

left her in his arms and drove on. The courier had no bowels for love.

There is a small Gothic pillar before us, on the rise of a slight

elevation. Thence we shall see Vienna. “Stop, thou tasteless

postillion!” Was ever such a scene revealed to mortal sight! It is like

Paris from the Barrière de l’Etoile—it seems to cover the world. Oh,

beautiful Vienna! What is that broad water on which the rising sun

glances so brightly? _The Danube!_ What is that unparalleled Gothic

structure piercing the sky? What columns are these? What spires?

Beautiful, beautiful city!

* * * * *

VIENNA.—It must be a fine city that impresses one with its splendour

before breakfast, after driving all night in a mail-coach. It was six

o’clock in the morning when I left the post-office, in Vienna, to walk

to a hotel. The shops were still shut, the milkwomen were beating at the

gates, and the short, quick ring upon the church bells summoned all

early risers to mass. A sudden turn brought me upon a square. In its

centre stood the most beautiful fabric that has ever yet filled my eye.

It looked like the structure of a giant, encrusted with fairies—a

majestically proportioned mass, and a spire tapering to the clouds, but

a surface so curiously beautiful, so traced and fretted, so full of

exquisite ornament, that it seemed rather some curious cabinet gem, seen

through a magnifier, than a building in the open air. In these foreign

countries, the labourer goes in with his load to pray, and I did not

hesitate to enter the splendid Church of St. Etienne, though a man

followed me with a portmanteau on his back. What a wilderness of arches!

Pulpits, chapels, altars, ciboriums, confessionals, choirs, all in the

exquisite slenderness of Gothic tracery, and all of one venerable and

time-worn dye, as if the incense of a myriad censers had steeped them in

their spicy odours. The mass was chanting, and hundreds were on their

knees about me, and not one without some trace that he had come in on

his way to his daily toil. It was the hour of the _poor man’s prayer_.

The rich were asleep in their beds. The glorious roof over their heads,

the costly and elaborated pillars against which they pressed their

foreheads, the music and the priestly service, were, for that hour,

theirs alone.

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