THE YORK COLUMN.

Five years have now elapsed since the improvements in St. James's Park

were commenced, by order of Government, for the gratification of the

people. We were early in our congratulation, as well as illustration, of

the prospective advantages of these plans for the public enjoyment, as

will be seen on reference to our tenth volume; and, with respect to the

re-disposal of St. James's Park, we believe the feeling of satisfaction

has been nearly universal.

At the period to which we have just alluded, the removal of Carlton

House, (for it scarcely deserved the name of Palace,) had been decided

on. The walls were dismantled of their decorative finery, and their

demolition commenced; the grounds were, to use a somewhat grandiloquent

phrase, dis-afforested; and the upper end of "the sweet, shady side

of Pall Mall" marked out for public instead of Royal occupation. Thus,

within a century has risen and disappeared from this spot the splendid

abode and its appurtenances; for, it was in the year 1732 that Frederic,

Prince of Wales, first purchased the property from the Earl of

Burlington; though it was not until 1788 that the erection of Carlton

House was commenced for the late King, then Prince of Wales; so that the

existence of the Palace must be restricted within forty years--a term

reminding us of the duration of a pavilion, rather than of a kingly

mansion.

Upon the precise site of the courtyard and part of Carlton House have

been erected two mansions, of splendid character, appropriated to the

United Service and Athenaeum Clubs: the first built from the designs of

Mr. Nash, and the latter from those of Mr. Decimus Burton. They front

Pall Mall West, or may be considered to terminate Waterloo Place.

The site of Carlton House Gardens is now occupied by palatial houses,

which are disposed in two ranges, and front St. James's Park. The

substructure, containing the kitchens and domestic offices, forms a

terrace about 50 feet wide, adorned with pillars of the Paestum Doric

Order, surmounted with a balustrade. The superstructure consists of

three stories, ornamented with Corinthian columns. The houses at each

extremity have elevated attics. Only small portions of these superb

elevations are shown in the Engraving, with the Athenaeum Club House in

the distance.

In the space between the two ranges, it was proposed to erect a

fountain, formed of the eight column's of the portico of Carlton House,

(which was in elaborate imitation of the Temple of Jupiter Stator,

at Rome,[1]) to which eight on the same model were to be added. The

balustraded terrace had been continued fronting the Park with a view to

this embellishment. It however occurred to some guardian of the public

weal, that the above space presented an eligible opportunity for a grand

public entrance from Pall Mall into the Park. The idea was mooted in

Parliament; but some difficulties arose, from the leases already granted

to the builders of the houses on the terrace, who had calculated on the

_exclusive_ appropriation of the latter. The anxiety of the public

for the improvement at length reached the present King; and it was the

first popular act of his patriotic reign to command a grand triumphal[2]

entrance to be formed, with all possible speed; the difficulties

being then easily removed. The necessary portion of the terrace was

accordingly removed, and the magnificent approach formed, as shown in

the Engraving.

While these improvements were in progress, a monumental memorial had

been projected by the British Army to their late commander-in-chief, the

Duke of York; an expression of grateful sympathy which must be recorded

to the honour of truly British hearts. The funds for this tribute were

augmented by each individual of the above branch of the service

contributing one day's pay. The design was furnished by Mr. Benjamin

Wyatt, the architect of the superb mansion built for the Duke of York;

and, after the execution was somewhat advanced, it was resolved to set

up the tribute in the place it now occupies.

The monument consists of a plain Doric column, surmounted with a

colossal statue of the Duke of York. The pedestal and shaft are of fine

granite. The plinth, or base of the pedestal, is 22 feet square, and the

pedestal 18 feet; the circumference of the shaft is 11 feet 6 inches,

decreasing to 10 feet 2 inches at the top; the abacus is 13 feet 6

inches square. The interior of the column may be ascended by a winding

staircase of 169 steps, lit by narrow loop-holes.

From the top stair a doorway opens to the exterior of the abacus, which

will be enclosed with a massive iron railing, so as to form a prospect

gallery. The iron-work is not yet completed; but, as we have enjoyed the

view from two sides of the square, we can vouch for its commanding a

fine _coup d'oeil_ of the whole metropolis, and certainly the

finest view of its most embellished quarter. From this spot alone can

the magnificence of Regent-street be duly appreciated, and above all the

skill of the architect in effecting the junction of the lines by the

classical introduction of the Quadrant.

That part of the structure which is, strictly speaking, upon the abacus

of the column, has a domed roof, upon which will be placed the colossal

statue, executed in bronze, by Mr. Westmacott. The Duke is represented

in a flowing robe, with a sword in his right hand, and in the left, one

of the insignia of the Order of the Garter. The height of the figure

is 13 feet 6 inches. The total height of the column, exclusive of the

statue, is 124 feet. The masonry, (executed by Mr. Nowell, of Pimlico,)

deserves especial notice. Its neatness and finish are truly astonishing,

and the solidity and massiveness of the material appear calculated "for

all time."

We should mention that the embellishment about the upper part of the

pedestal (as seen in the cut,) has not yet been placed on the original;

nor has the statue yet been raised to the summit of the column.

[1] The above columns, with those of the handsome Ionic calonnade

which screened the Palace from Pall Mall, are, we believe, the

only remains of the building.

[2] The entrance deserves this epithet on more than one account.

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The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 582, December 22, 1832 · 第 2 / 36 题