When O’Donnell saw his brother’s hair, he sent out word that he would

give the third part of his property to any one who would do the same

to himself. The smith thought he would try to do it this time alone.

He went where O’Donnell was, and said to him that he would put hair on

his head for him also, as he had done to his brother O’Neil. Then he

asked that the cauldron be put on, and a good fire below it, and he

took O’Donnell into a room, tied him on a table, then took up an axe,

cut off his head, and threw it, face downwards, into the cauldron. In

a while he took the prong to see if the hair was growing, but instead

of the hair growing, the jaws were nearly falling out. The smith was

almost out of his senses, not knowing what to do, when he heard a voice

behind him saying to him, “You are in a strait.” This was the lad with

the Black Art, he formerly had, returned. He blew at the cauldron

stronger, brought the prong to see how the head was doing, or if the

hair was growing on it. The next time he tried it, it would twine round

his hand. Since it was so long of growing on it, he said, “We will put

an additional fold round my hand.” When he tried it again it would

reach two twists. He took it out of the cauldron and stuck it on the

body. It cried to be quickly let go, when he saw his yellow hair down

on his shoulders. The hair pleased him greatly; it was more abundant

than that of O’Neil, his brother. They got fully what was promised

them, and were going on their way home. The lad who had the Black Art

said, “Had we not better divide the cattle?”

“We will not, we will not,” said the smith, “lift them with you, since

I got clear.”

“Well,” said the other, “if you had said that before, you would not

have gone home empty-handed, or with only one cow,” and with that he

said, “You will take every one of them: I will take none of them.”

The smith went home with that herd, and he did not require to strike

a blow in his smithy, neither did he meet with the one with the Black

Art, ever after.

O’ NEIL, ’S MAR A CHAIDH AM FALT AIR A CHEANN.

Gobhainn bh’ ann roimhe so ann an Eirinn, ’s bha e latha de na

làithean ag obair anns a’ cheàrdaich agus thàinig òganach stigh ’s dà

sheana-bhoirionnach aige. Thuirt e ris a’ ghobhainn, “Bhithinn ann

ad ehomain,” ars’ esan, “na ’n toireadh tu dhomh tacan de ’n bholg

’s de ’n innean.” Thuirt an gobhainn ris gu ’n tugadh. Rug e an sin

air an dà chaillich, chaith e cearcall mu ’m meadhon, ’s chàirich e

’s an teallach iad, ’s shéid e am bolg riu; thug e ’n sin mach iad ’s

rinn e aon bhoirionnach a bu bhreadha ’s a chunnaic sùil duine de ’n

dà chaillich. ’N uair a luidh an gobhainn ’s an oidhche, thuirt e ris

a mhnaoi, “Thàinig fear rathad na ceàrdaich an diugh ’s dà chaillich

aige, ’s dh’ iarr e orm treis de ’n bholg ’s de ’n innean, ’s rinn e

’m boirionnach a bu bhriadha a chunnaic sùil duine riamh air an dà

chaillich. Tha mo mhàthair fhéin ’s do mhàthair fhéin againn ann an so,

’s tha mi ’smaointeachadh gu ’m feuch mi ri aon bhoirionnach ceart a

dheanamh orra bho ’n a chunnaic mi am fear eile ’g a dheanamh.”

“Dean,” ars’ ise, “tha mi làn-toileach.”

Am màireach thug e mach an dà chaillich ’s chuir e ’n cearcall mu ’m

meadhon, ’s thilg e ’s an teallach iad. Cha b’ fhada ach gus an robh

coltach nach bitheadh na cnàimhean fhéin aige dhiùbh. Bha an gobhainn

’n a chàs gun fhios aige ’dé dheanadh e, ach thàinig guth air a

chùlthaobh, “Tha thu ann ad éiginn, a ghobhainn, ach ma dh’ fhaoidte

gu ’n cuir mise ceart thu.” Rug e air a’ bholg ’s théid e na ’s teinne

riu; thug e mach iad a sin ’s chuir e air an innean iad, ’s rinn e

boirionnach a bu bhriadha de ’n dà chaillich. Thuirt e sin ris a’

ghobhainn, “Bha feum agad ormsa an diugh, ach,” ars’ esan, “’s ann a ’s

fearr dhuit mise fhasdadh, ’s cha ’n iarr mi ort ach darna leth de na

bheir mi a mach; ach gu ’m bi so anns a’ chùmhnant, gu ’m bi an treas

trian de m’ thoil fhéin agam.” Dh’ fhasdaidh an gobhainn e.

Aig an àm sin chuir O’ Neil mach fios na ’m faigheadh e fear a

chuireadh falt air, chionn cha robh falt idir air O’ Neil na air O’

Domhnull a bhràthair, gu ’n toireadh e dhoibh a’ cheathramh chuid d’ a

mhaoin; ’s thuirt an gille ris a’ ghobhainn, “’S fhearr dhuinne falbh

’s bargan a dheanamh ri O’ Neil gu ’n cuir sinn falt air;” ’s rinn iad

mar sin. “Abair thusa ris,” thuirt an gille ris a’ ghobhainn, “gu bheil

gille agadsa a chuireas falt air, air son a’ cheathramh chuid d’ a

mhaoin.”

Bha O’ Neil deònach air a shon so, agus dh’ iarr an gille seòmar

fhaotainn dhoibh fhéin, ’s dh’ iarr e coire a chur air, ’s teine math

ris. Rinneadh mar a dh’ iarr e, ’s chaidh O’ Neil a thoirt stigh, ’s

chuir e ’n a shìneadh air bòrd e, ’s rug e air an tuaidh ’s thilg e

dheth an ceann, ’s chuir e ’n comhair na goille anns a’ choire e. ’An

ceann tacain rug e air gramaiche mòr a bh’ aige ’s thog e suas an ceann

leis, ’s bha toiseach fuilt a’ tighinn air. Ann an ceann treis thog e

suas a rithist e leis a’ ghramaiche cheudna, agus an uair so ruigeadh

car m’ a dhòrn de ’n fhalt bhriadha bhuidhe. Thug e sin an togail ud

air, ’s bhuail e air a’ choluinn e. Ghlaodh sin O’ Neil greasad air

’s a leigeil air a chois, ’n uair a chunnaic e ’m falt briadha buidhe

a’ tighinn ’n a shùilean. Rinn e riu mar a gheall e; fhuair iad a

cheathramh chuid d’ a mhaoin.

’N uair bha iad so ’dol dachaidh’s an spréidh aca, thuirt an gille ris

a’ ghobhainn, “Tha mi nis ’dol a dhealachadh ribh, ’s nì sinn dà leth

air an spréidh.” Cha robh an gobhainn toileach air so a thoirt dha, ach

bho ’n a bha e ’n a chùmhnant fhuair e ’n darna leth. Dhealaich iad

so, agus am beothach nach cailleadh an gobhainn an dràsd’ shiubhladh e

rithist, ’s cha robh fhios aige c’ àite an robh e a’ dol, ’s mu ’n d’

ràinig e ’n tigh cha robh aige ach seann mhart nach do chaill e de ’n

spréidh.

’N uair a chunnaic O’ Domhnull am falt a bh’ air a bhràthair, chuir e

mach fios gu ’n toireadh e ’n treas cuid d’ a mhaoin seachad do aon ’s

am bith a chuireadh air fhéin e. Smaointich an gobhainn gu ’m feuchadh

e-fhéin g’ a dheanamh an dràsda gun duine ach e-fhéin. Chaidh e far

an robh O’Domhnull ’s thuirt e ris gu ’n cuireadh e air-san e mar an

ceudna, ’s gur e a chuir air a bhràthair, O’Neil, e, ’s dh’ iarr e ’n

coire ’chur air ’s teine math ris. Thug e O’ Domhnull stigh do sheòmar

’s cheangail e air bòrd e, ’s rug e air an tuaidh, ’s thug e dheth an

ceann ’s thilg e ’an comhair na goille e anns a’ choire. ’An ceann

treis rug e air a’ ghramaiche dh’ fheuchainn an robh falt a’ cinntinn,

ach ’an àite falt a bhi ’cinntinn ’s ann a bha na giallan ’tuiteam as.

Bha an gobhainn ’an impis dol as a chiall, gun fhios aige ’dé dheanadh

e, ’n uair a chualaig e guth air a chùlthaobh ag ràdhainn ris, “Tha thu

ann ad éiginn.” Bha so gille na sgoil-duibhe, a bh’ aige fhéin roimhe,

air tilleadh. Shéid e ris a’ choire na bu teodha, ’s thug e sin nuas

leis an gramaiche a shealltainn ciamar a bha an ceann a’ deanamh, ’s

bha am falt a’ cinntinn. An ath-uair a dh’ fheuch e e, ruigeadh car

mu ’dhòrn dheth. “Bho ’n a bha e co fada gun chinntinn,” ars’ esan,

“cuiridh sinn car a bharrachd mu ’m dhòrn;” ’s ’n uair a dh’ fheuch

e rithist e, ruigeadh e ’n dà char. Thog e as a’ choire e, ’s bhuail

e air a’ choluinn e; ’s ghlaodh e ’ghrad-fhuasgladh, ’s e ’faicinn

’fhalt buidhe sìos air a ghualainn. Chòrd am falt ris fior mhaith, bha

barrachd fuilt air ’s a bh’ air O’ Neil a bhràthair. Fhuair iadsan

’cheart ni a chaidh ghealltainn doibh, ’s bha iad ’dol dachaidh air an

rathad. Thuirt gille na sgoil-duibhe, “Nach fheàrr dhuinn ar treud a

roinn?” “Cha roinn, cha roinn,” ars’ an gobhainn, “tog leat iad, bho

’n a fhuair mise saor.” “Ma tà,” ars’ esan, “na ’n dubhairt thu sin

roimhe cha deachaidh thu dhachaidh falamh no air aon mhart; agus leis a

sin,” ars’ esan, “bheir thu leat h-uile h-aon diùbh, cha ghabh mise gin

diùbh.”

Chaidh an gobhainn dachaidh leis an spréidh sin, ’s cha do ruig e leas

buille a bhualadh ’an ceàrdaich tuille, ni mò a thachair e-fhéin air

fear na sgoil-duibhe tuille.

BEAST FABLES.

THE WOLF AND THE FOX.

This story, like many others in which the lower animals figure as

characters, is very popular in the Highlands, in fact, Mr. Campbell

of Islay, by whom it is mentioned, could not help falling in with it.

But the version published by him is destitute of several interesting

incidents which form a part of the story. The narration depends always

upon the knowledge and skill of the person who tells it, and this

edition is given because there is to be found in it incidents of much

interest and amusement, not to be found in any other version, such as

the Fox’s oath and standing in front of the fire. The Gaelic is not

given except in the essential expressions, and it is not deemed of much

consequence to give more, as their fluency and number depend upon the

reciter’s knowledge and tact. In these fables the lower animals appear

with the same characteristics as are always assigned to them, and in

this tale the fox appears as not only wily and cunning, but also as the

most unprincipled scoundrel, indifferent to the interests of others,

and also to what is usually of weight with men, the restraint of an

unseen power.

The Fox and Wolf were keeping house together near the shore, and as

might naturally be expected, were very poor and at times hard up for

food. At first the fox kept himself in good condition, and was not so

voracious as the wolf. After a heavy storm in winter time the two went

along the shore to see what the sea had cast up. This is still done by

poor people in the islands, and in those places where wood does not

grow. They are often fortunate enough to find logs and planks of wood.

On the occasion of the wolf and the fox’s journey they were fortunate

enough to find a keg of butter. Probably it had come from Ireland

and been swept or thrown overboard in the storm. It was particularly

welcome to the poor finders, and the rascally fox at once coveted it

for himself. He said to the wolf that, as this was the winter time,

they had not so much need of it, but when the hungry summer (_samhradh

gortach_) would come, it would be doubly welcome; they had better bury

it, and no one would know of its existence but themselves. They dug a

deep hole, buried the keg of butter, and went home with their other

provisions. Some days after that the fox came in, and wearily throwing

himself on a settle, or seat, which formed part of the furniture, he

heaved a deep sigh and said, “Alas! Alas! Woe is me (_Och! Och! fhéin

thall_).”

“Alas! Alas!” said the sympathising wolf, “what is it that troubles

you?”

“Dear me,” said the fox, “they are wanting me out to a christening

(_Och! Och! tha iad ’gam iarraidh mach gu goisteachd_),” still

pretending a weary indifference, and the Gaelic expression is here

noticeable, as, being asked out to a baptism means literally being

asked to be god-father, or gossip at the baptism, a practise observed

in the Highlands, even where the Roman Catholic and Episcopal systems

have disappeared.

“Alas! Alas!” said the wolf, “are you going?”

“Alas! Alas!” said the fox, “I am.” When he came home, the wolf asked

what name they had given the child. “A queer enough name,” said the

fox, “_Blaiseam_,” (let me taste).

Some days after that again the same manœuvre was gone through, and when

the fox returned and the wolf asked him the child’s name, he said it

was as queer a name as the former one,--“_Bi ’na mheadhon_,” (be in its

middle). A third time the manœuvre was gone through and the child’s

name was said to be the queerest of all, “_Sgrìob an clàr_,” (scrape

the stave).

At last the “hungry summer” came; and it was such as is well known

even in eastern countries when the stores of the preceding harvest are

exhausted, and the stores of the year’s harvest are not yet ready. The

fox and the wolf went for the keg of butter, but it had disappeared.

The fox being prepared for this emergency began at once to accuse the

wolf of having taken it, “No one knew it was there but our two selves,

and I see the colour of it on your fur.”

The two went away home, the wolf very much cast down, and the fox

persisting in his accusation that the wolf had stolen it. The wolf

solemnly protested that he had never touched it.

“Will you swear then?” the fox said.

According to a Highland proverb, protestations may be loud till they

are solemn oaths (_’S mòr facal gu lùghadh_). The wolf then held up its

paw, and with great solemnity emitted this oath, “If it be that I stole

the butter, and it be, and it be, may disease lie heavy on my grey

belly in the dust, in the dust,” (_Ma ’s mise ghoid an t-ìm, ’s gur mi,

’s gur mi, Galar trom-ghlas air mo bhronnghlas anns an ùir, anns an

ùir_).

“Swear now yourself,” but the fox was so impressed by the dignity and

reverence of the oath, that he tried every means in his power to evade

so solemn an ordeal; but the wolf would take no refusal, and at last

the fox emitted this oath, “If it be I that stole the butter, and it

be, and it be, Whirm, Wheeckam, Whirram, Whycam Whirrim Whew, Whirrim

Whew,” (_Ma’s mise ’ghoid an t-ìm ’s gur a mi, ’s gur a mi, ciream,

cìceam ciream cuaigeam, ciream ciu, ciream ciu_). The student of

language will observe how the Gaelic C corresponds to the English Wh.

This is particularly noticeable here as the difference renders the oath

as ludicrous in the translation as in the original, if not more so.

The wolf said nothing, but the fox, with that persistence which often

accompanies evil-doing, suggested that they should both stand in front

of the fire and whoever began to sweat first would be the guilty party,

as the butter would be oozing out through him. The wolf thinking no

evil, consented, and the fox thought he would get him to stand nearer

to the fire than himself. It so turned out however, that the fox, who

had kept himself in good condition by repeated visits to the keg of

butter, (and they must have been more frequent than the baptisms to

which he said he had been called), was getting uncomfortably warm, and

said, “We are long enough at this work, we had better go out and take a

walk.” When out thus cooling themselves, they passed a smithy door, at

which an old white horse was standing with the point of its hind shoe

resting on the ground. The wolf having gone over to it, but at a safe

distance, and looking intently at the door, said to the fox, “I wish,

as your eyesight is better than mine and you can read better than I

can, that you would come over and read the name written on the horse

shoe.”

The fox came over but could see no writing on the shoe, but flattered

by the wolf’s words, and not liking to confess that his eyesight was

failing, it went closer and the horse lifting its foot knocked its

brains out.

“I see,” said the wolf, “the greatest scholars are not always

the wisest clerks,” (_Cha ’n i an ro-sgoilearachd a ’s

fhearr.--Lit._--Excessive scholarship is not always the best).

[Illustration: THE FOX AND THE WOLF.]

THE FOX AND THE BIRD.

In the foregoing the fox appears true to his character as an

unscrupulous, grasping, wily wretch, and in the following he appears as

over reached by a bird. Considering the character the fox bears, one is

glad when he is paid back in his own coin. The bird in the tale is by

some rendered Kestrel Hawk, and by others Hen Harrier. The story was

heard in Tiree, in which are no trees on which the bird could sit, and

no hawks or foxes to make the story applicable. The lesson which the

fable implies is one that is useful everywhere.

A _Deargan-allt, Eun Fionn_, was dosing by a river side, when a Fox

came and caught it, and was going to devour it. “Oh don’t, don’t,” said

the bird, “and I will lay an egg as big as your head.”

He protested this so loudly, and so solemnly, that the fox loosened

his hold till the bird at last flew up into a tree. Here sitting on a

branch, and safe from further injury, it said to the fox, “I will not

lay an egg as big as your head, for I cannot do it, but I will give

you three pieces of advice, and if you will observe them, they will do

you more good in the future. One, first, “Never believe an unlikely

story from unreliable authority (_Na creid naigheachd mi-choltach fo

urrainn mi-dhealbhach_). Secondly, “Never make a great fuss about a

small matter (_Na dean dearmail mhòr mu rud beag_), and thirdly”--here

the bird seemed to take time, and the fox having his curiosity now

excited listened, though it was with firmly clasped teeth and pangs of

hunger--“Whatever you get a hold of, take a firm hold of it” (_Rud air

an dean thu greim, dean greim gu ro-mhath air_), saying this, the bird

flew away, and the fox, thus neatly sold, was left lamenting.

THE WREN.

In the Fables relating to animals the fox readily takes a lead, and is

characterised as an unscrupulous and unprincipled rascal. Next to him

the wren, which is the smallest (or at least has the name of being so)

of British birds figures, and has got the name not only of being small,

but also of being forward and pert. The first or most prominent of

these fables is that in which the wren appears as contesting with the

eagle the supremacy among birds, and this story may be said to be as

widely extended over the Highlands as the birds themselves. There was

to be a contest which bird should fly highest, and the wren jumped upon

the eagle’s back. When the eagle had soared as high as it could, it

said, “Where are you now, brown wren?” (_C’ àite bheil thu, dhreathan

donn?_). The wren jumped up a little higher and said, “Far, far, above

you” (_Fada fada fos do chionn_). In consequence of this extraordinary

feat the wren has twelve eggs while the eagle has only two.

Natural historians assert that the number of wren’s eggs in one nest

seldom exceed eight, but others have stated that the most number is

twelve or even fourteen. In these tales which have been got together

in the West Highlands, the number is uniformly said to be twelve, but

whether this is actually the case or merely an assumption, there is no

call here for enquiring.

The wren and his twelve sons were threshing corn in a barn, when a fox

entered and claimed one of the workers for his prize. It was agreed,

since he must get some one, that it should be the old wren, if he

himself could point him out from the rest. The thirteen wrens were so

much alike that the fox was puzzled. At last he said, “It is easy to

distinguish the stroke of the old hero himself” (_’S fhurasda buille

an t-sean laoich aithneachadh_). On hearing this, the old wren gave

himself a jauntier air, and said, “there was a day when such was the

case” (_Bha latha dha sin_). After this the fox had no difficulty, for

boasting was always illfated (_bha tubaist air a’ bhòsd riamh_) and he

took his victim without any dispute.

On another occasion the wren and his twelve sons were going to the

peatmoss, when they fell in with a plant of great virtue and high

esteem. The old wren caught hold of the plant by the ears, and was

jerking it this way and that way, hard-binding it, and pulling it, as

if peat-slicing; white was his face and red his cheek, but he failed to

pull the plant from the bare surface of the earth: the plant of virtues

and blessings--(_Bha e ’ga dhudadh null ’s ’ga dhudadh nall, ’ga

chruaidh-cheangal ’s ’ga bhuain-mòine; bu gheal a shnuadh ’s bu dhearg

a ghruaidh, ’s cha tugadh e Meacain o chraicionn loma na talmhain;

Meacan nam buadh ’s nam beannachd_).

The wren called for the assistance of one of his sons, saying, “Over

here one of my sons to help me” (_An so aon eallach mo mhac nall_), and

they caught the plant in the same way, jerking it this way and that

way, hard-binding and peat-slicing with it; white were their faces and

red their cheeks, but they could not with all their ardour, and their

utmost strength pull the plant from the bare surface of the earth:

the plant of virtues and blessings (_’S bha iad ’ga dhudadh null ’s

’ga dhudadh nall, ’ga chruaidh-cheangal ’s ’ga bhuain-mòine; bu gheal

an snuadh ’s bu dearg an gruaidh ach le ’n uile dhichioll ’s le ’n

cruaidh-neart cha tugadh iad am Meacan o chraicionn loma na talmhain:

Meacan nam buadh ’s nam beannachd_).

“Over here with two of my sons to help me” (_An so dà eallach mo mhac

nall_), and the same operation was again performed unsuccessfully, and

in the same way one after another, until the whole twelve sons came to

the assistance of the old wren. Then they grasped it altogether, and

under the severe strain the plant at last yielded, and all the wrens

fell backwards into a peat pond and were drowned.

The old man from whom this story was heard said, that in winter time,

when knitting straw ropes for thatching, he could get all the boys of

the village to come to assist him, and keep him company, and this they

did with cheerfulness on the understanding that the story of “The wren

and his twelve sons” would be illustrated at the end. One after another

of the boys sat on the floor behind him, and he having a hold of the

straw rope was able easily to resist the strain till he choose to let

go, then all the boys fell back and the laughter that ensured was ample

reward for their labour.

The fame of the wren for its forwardness and impudence is also

illustrated by a story current in the south of Scotland, about Robin

Redbreast having fallen sick, and the wren paying him a visit, and

expressing great condolence when, after making his will, Robin

dismissed her, saying, “Gae pack oot at my chamber door, ye cuttie

quean.” In Gaelic the wren is also known by the name of _Dreòllan_,

and _Dreathan-donn_, and the name as applied to human beings means a

weakly, imbecile, trifling person, in whatever he takes in hand to do.

All the other birds in the same manner have their own share of actions

ascribed to them, and the manner in which several of them made a brag

of their own young is amusing--particularly in Gaelic, in which the

call ascribed to them is more capable of imitation, and particularly in

the light of the manner in which the young of those who make the boast

are looked upon.

“Gleeful, gleeful,” said the Gull, “my young is the supreme beauty.”

“Sorry, sorry,” said the Hooded Crow, “but my son is the little Blue

Chick.”

“Croak, croak,” said the Raven, “it is my son that can pick the lambs.”

“Click, click,” said the Eagle, “it is my son that is lord over you.”

(“_Glìtheag, glitheag,” ors an Fhaoilean, “’se mo mhac-sa an Daogheal

Donn._”

“_Gurra, gurra,” thuirt an Fheannag, “’se mo mo mhac-sa an Garrach

Gorm._”

“_Gnog, gnog,” ors am Fitheach, “’s e mo mhac-sa ’chriomas na h-uain._”

“_Glig, glig,” thuirt an Iolaire, “’s e mo mhac-sa ’s tighearna

oirbh._”)

In the Highlands the young gull is called _Sgliùrach_ which is the

regular name for a slatternly young woman. It is seen in the midst of

a storm alighting in the hollows, and restfully gliding to the highest

summits of the waves.

The hooded crow’s fancy for its own young has passed into a proverb,

“The hooded crow thinks its own impertinent blue progeny pretty” (_’S

bòidheach leis an fheannaig a garrach gorm fhein_”).

Of the Raven it is commonly said, that it is so fond of its victim’s

eyes that it will not even give them to its own young. Its supernatural

knowledge of where carrion is to be found amounts almost to instinct,

and is among the vices (_Dubhailcean_) ascribed to the bard.

The eagle can only fly from an elevated situation, from the difficulty

of getting wind under its wings, and in this respect forms a great

contrast to the little wren.

Of other tales in which the lower animals figure, the three following

are noticeable.

I.--THE TWO DEER. The young, confident of its own speed and strength,

remarked:--

“Sleek and yellow is my skin,

And no beast ever planted foot

On hillside that could catch me.”

The old deer, who knew better, answered,

“The young dog black-mouthed

And yellow: the first dog

Of the first litter. Born in March,

And fed on quern meal and goat’s milk,

There never planted foot on hillside

Beast it could not catch.”

(Sleamhuinn ’s buidhe mo bhian,

’S cha do chuir e eang air sliabh

Beathach riamh ’bheireadh orm.”

“An cuilean bus-dubh buidhe,

Ceud chù na saighe

Rugadh anns a’ Mhàrt

’S a bheathaichte air gairbhean

’S air bainne ghabhair

Cha do chuir e eang air sliabh

Beathach riamh nach beireadh e air).

Regarding this description of the deer-hound it deserves notice that

the word _Màrt_, translated March, denotes any busy time of the year,

there being a màrt, or busy season in harvest as well as in spring,

_Màrt Fogharaidh_ as well as in _Màrt Earraich_, and that in the

islands meal made with the Quern (_Bràthuin_), and from brown oats,

which are the kind of oats most common in these islands, is stronger

and more nourishing food than common meal. The merits of goat’s milk

are well known. This description of the best kind of deer-hound is

striking, and was taken down from a reciter in Skye.

Clan Traditions and Popular Tales of the Western Highlands and Islands · 第 9 / 11 段