He smiled the least in the world, and said,--

"Had I been asked, instead of being the asker, I should have made

answer, 'She's a Japan rose.'"

"Oh, Aaron, no fragrance! that's not complimentary."

"Crush the leaves of heliotrope in the cup, Anna."

I did not understand what he meant, then; perhaps I do not now: some

figure of speech from the Orient, I fancy, with a glow of meaning about

it visible only to poetic vision. I lost my way, blinded in seeking to

penetrate the mystery, and was brought back to Redleaf by two welcome

events: the cup Chloe brought, and the letter Aaron gave, with a

beseeching of pardon for having forgotten to give it in the morning.

I read my letter, interluding it with little commas of sipping at the

cup. It was from my father, very brief, but somewhat stirring. Here it

lies before me now.

"My MYRTLE-VINE,--

"I want you at home. I am well; but that is no reason why I should

not need your greenness on my walls. Come home, dear child, on the

morrow. Do not fail me. You never have; 't would be cruel now, when

spring is coming, the very time of hope. Waitingly,

"Your father,

"JULIUS PERCIVAL."

"What puts you in such a turmoil, Anna?" Aaron asked. "What has happened

at home?"

I thought he had been duly attending to the state of his own inward

hopes and fears, instead of mine. Slightly disconcerted by his gray

eyes, the very same that disturb turbulent boys in church-time, I turned

away from them, went to the door, and leaning against the side thereof,

looking the while up at the sky, I answered,--

"I'm going home on the morrow, Aaron."

"Going home?" he repeated, as if the words had borne an uncertain

import. "Pray tell me, what has occurred?"

"It pleases my father to have me there. He gives no reason."

"What will Sophie say? She's hardly seen you since you came, you've been

so usefully employed. I hope you have not hurt yourself. I wish you were

going back with brighter color in your cheeks."

"There is something in Nature besides mere coloring," I said, and looked

for the answer.

It was better than I thought to get.

"What?" he asked.

"Two things, Aaron,--conception and form."

Aaron mused awhile.

"What gave you the idea?" he asked, his musing over.

"Sermons in granite," I answered; and I looked at the sunshine, the

afternoon radiance that fell soothingly into the winter-wearied grass

lying in the graveyard, waiting like souls for the warmth of love to

enlife them.

The Atlantic Monthly, Volume 10, No. 60, October, 1862 A Magazine of Literature, Art, and Politics · 第 29 / 69 题