Then I had to listen to his explanation of how there were now no Greeks

of that breed. The Persians had destroyed that great race.

His scholarly indignation frequently rose to the pitch of sarcasm. But

I was never abashed. I could not be made to hang my head mentally or

to feel what is now called the inferiority complex. If you can finance

the outrageous courage of ignorance with a certain secret wisdom of

your own, you stand a very good chance of disconcerting a learned man

in an argument. I always came out of these intellectual scrimmages

exhilarated like a ragged young sparrow that has enjoyed an upward

flight upon an eagle’s wings.

One little trait I venture to record by way of illustrating how

shrewd a woman’s mind can be at ducking out of sight at the right

moment. Lundy was resentful like most learned men--or unlearned for

that matter--if it appeared that I was about to get the better of the

contention. He felt the trickery of wit at his expense, a petticoated

Puck putting Bottom’s head on a wise man’s shoulders. Intellectual

rage caused him to blink. Whenever he regarded me with this fluttering

blue gaze I cast the argument aside, rushed to him, laid my head upon

his knees as these knees were the executioner’s block and invited him

to strike in case he desired to make such a disposition of a fool. In

such a manner I was always able to restore the equilibrium of love and

charity between us without his ever suspecting that this was balm I

laid upon his wounded vanity.

I have now a certain misty tinge of time in the colors of my mind,

elegant wisps of culture, pseudo evidences of learning obtained from

my association with Lundy. I have practically no accurate information

on any subject, which is one reason I so rarely burden the reader with

a quotation; but I have the sense and feeling of all these things

Lundy studied in his lifetime to learn. I walked for years in the rich

pastures of his mind.

XXIII

THE YEAR IN OXFORD

As the years passed there were happier periods, all of which have been

recorded in ‘My Book and Heart.’ The years in Oxford, for example.

More than one circumstance contributed to the relaxation I enjoyed

there. The prim academic life of the little college town was

stimulating and refreshing to me after the hard and lean years in the

itineracy. We were relieved from the burden of souls, and Lundy was

absorbed in his work as teacher of Greek in the college. This is the

one interest he had that I could not share. I had worried and prayed

with him through all the Gospels, but when it came to feeling my way

through the enclitics and iota subscripts of a dead cross-stitch

language I had no conscience about leaving him to his fate.

Now that I look back, this is a queer circumstance, that I never had

the least ambition to keep pace with my husband mentally. I was not

uneasy lest he should escape me by this route, as I always felt he

might do in those frightfully arduous pilgrimages he made toward God

in the spirit. Anything might happen to such a traveler, I feared.

But I have always enjoyed the assurance of having a very dexterous

mind, regardless of whether I had as much information or intellectual

training as the other person had or not.

This is no more a conceit than a man feels in the strength of his

muscles. He is not disposed to skin the cat in order to prove his

physical power. He is much more apt to sit down comfortably observant

while some weaker man boasts of his biceps. I have done a lot of that

kind of sitting down in my life. Nothing fans me into such a state of

peaceful mental somnambulance as the intellectual antics of a person

who displays his learning, not from vanity always, but frequently

because it is all he has got; no real sense, no wisdom of his own,

merely much good stuff he has learned from other sources. He spreads it

like a garment as any other decent person would to hide the thinness of

his shanks.

The literary life of Oxford was the most youthful and strident feature

of this old college town. I do not know how the dean of the English

department contrived to mislead so many young men, but year after year

a certain per cent of the senior class were imbued with the idea that

they had some kind of gift for literary creation or literary criticism.

The latter predominated. During the winter months they shook the very

battlements of English literature. They spared nobody from Henry

Fielding to Dickens. Never shall I forget the way the feathers of the

Brontë sisters used to fly when half a dozen of these young whelps

seized upon ‘Jane Eyre.’ I was in my George Eliot stage at the time and

suffered a graver mind, but I recall with no flattery to myself the

part I took in these discussions. There may be such a thing as a mature

mind under the age of forty, but if so it is the result of premature

gray matter. I was still in the adolescent period mentally and found

great refreshment in the group of young-rooster intellectuals who

frequently came to the house. We worked out our theories and opinions

on one another as growing children wrestle.

Oxford was a narrow-minded little community, but it was pigeon-breasted

morally. The only disciple of Zola in the town was an innocent young

man from Arkansas, who had been well grounded in his morals. He was

by way of becoming a novelist at that time, but turned out to be a

historian. He graduated in vain from the English departments of five

universities and was finally reduced to recording facts and dates and

rewriting information that he could not digest. It was a form of mental

regurgitation. A great many people have it. The one rash thing he ever

did was to espouse the cause of realism in fiction, which none of us

knew or cared enough to attack. He came in frequently to discuss the

subject with me, chiefly, I suppose, because no one else would listen

to him.

I have always been interested in bores. They are in my opinion the

strangest of human phenomena, probably the one type of character

impossible to dramatize. Has any one ever read a novel entitled ‘The

Bore’? You have not, because the creative mind cannot produce him.

He is automatic mentally. He can learn, frequently more than an

intelligent man, but he cannot think. He is without imagination and the

personal messengers of sensibility. He never knows or suspects how the

other fellow feels. Poor D---- could talk indefinitely in a sensible

monotone without the glint of a thought to brighten his durable

conversation. To me it has ever been fascinating to watch a good brain

work that was totally disconnected from life, charm, or personality.

Everything was settled except the relative merits of the new school of

realism in fiction as compared to the old school of romanticism. This

was a burning question then. As I remember, Émile Zola was the father

of the realists. He had written a particularly disgusting novel, the

title of which I do not recall; but one scene in it I am compelled

against my will to remember--which, I suppose, proves that Zola was

indeed a realist, because I have forgotten ten thousand lines of poetry

that entranced me more.

This was a description of the decomposed body of a soldier plowed

up on a battlefield after the Franco-Prussian War. Zola omitted not

one worm from this picture. Yorick’s skull was a clean white bone as

compared with this horrible pollution of what had been a man. He made

realism stink for five pages. I shall never be willing to confound

this monstrous insensate vitalizing of the processes of death with the

convincing romanticism of life, which is what the best literature is.

However, my opinion is prejudiced in this matter, for I am an incurable

romanticist, from the first chapter of Genesis to the last breath I

draw. I think the world of life is one bright illusion conferred upon

us by a good God, and that if it becomes anything else, that also is an

illusion by which we damn ourselves.

I have a vague recollection of Cæsar or some such person having said

that the Romans were made indolent and effeminate by the importation

of luxuries from the provinces--a free translation, but the gist of

what he meant. I cannot tell what might have happened to me if we had

gone on living in Oxford and if Lundy had continued to hold the chair

of Greek in Emory College. We were as poor as possible, but I had my

little luxuries from the various provinces of literature. Every college

community titters with quotations from the best writers and speakers. I

was subject during this period to short-flighted aspirations, such, for

example, as trying to understand prosody. But I could make nothing of

this science of poetry, not even with Lundy’s illuminating assistance.

I remember at another time reading Guizot’s ‘History of France.’ This

was a real experience and came near starting me to thinking. There is

something in the quality of the French mind to which I have always felt

a reluctant kinship. They are the only people I know who can leap into

an enormous vocabulary of words and beat them up with the wings of

their spirit into a fine hysterical eloquence.

I cannot tell how I missed my cue, but my suspicion now is that I must

have made a more or less deliberate effort to develop mentally. I do

recall regretfully certain intellectual flutterings which are never to

be confounded with the stirrings of the creative mind.

When it is all over, or nearly over, and we look back with the wisdom

of all our experiences gained, we know that love is the best thing in

life and that it leads through whatever shadows to the best things we

are capable of. So I know now that my devotion to little Faith was more

stimulating and informing than anything else.

In contrast to this tender happiness I enjoyed as a mother, I was never

free from a nameless fear and anxiety for my husband. It turned out

that his duties as the head of the Greek department in the college

did not divert his mind from that absorbing passion for peace in God.

Rather the fatalism of the Greek mind reacted disastrously upon his

own mind. In addition to this his vitality was depleted by overwork.

No matter how pale saints are--and I have observed that as a rule they

have poor complexions--I shall always contend that it is easier to

step up and trust the Lord if you are in good health. Lundy’s strength

began to fail and he passed more frequently into those dark periods

of despair. So I labored with him in good faith according to his

interpretation of the Scriptures. I remember now the premonitions I had

of unimaginable misfortunes.

Years passed and our fate had come upon us, driving us far from our

little world at Oxford before I finally realized that this was not a

spiritual condition from which Lundy suffered, but a very real and

dangerous disorder of the mind; melancholia, which took one form after

another of religious mania.

I have written out in another place the life we lived during this

period, but not the terror and silence that fell upon me. This cannot

be set down in words; the frantic efforts I made to save him from

himself, and to protect him from that terrible world in the Church. I

know where the spirit of all tragedies dwells--in the silence which you

dare not break, with even one call for help. I contracted the habit of

holding my breath in these years of suspense. Even when my body slept

it seemed to me my heart was forever sitting up with Lundy in the dark

hours of the night.

This was long before the Great War, but I distinctly recall how I

used to wish I could find relief in a real battle, see the dreadful

face of my enemy and feel his wounds rather than face the powers and

principalities of Lundy’s terrible darkness.

I fell sick under the strain and lay at the very doors of death for a

long time, but not wishfully. I survived the predictions of various

physicians for no other reason, I believe, than that I felt obliged to

live and stand by my husband.

I did it. No one can say I failed him or ever drew back once from the

shadows that finally engulfed him. I had written ‘A Circuit Rider’s

Wife’ and put the crown he so richly deserved upon him before he passed

away. I remember being in a hurry to do that.

Nothing was further from my plans than to become a writer, but I

must have already begun the practice of studying characters, for I

remember all those people whom I knew then, not their faces but their

attributes, their inside minds. Otherwise, I am inclined to believe now

that this was not an important period in my own mental development. It

seems to me that I had very little raiment on my thoughts, not much

sweetness or color. That bright and halcyon past which came back to me

later in a dark time was eclipsed by some sort of adolescent egotism of

the mind. I remember being very smart, which is a form of stupidity.

I try not to remember it, but it occurs to me that I may have felt

intellectual. I entertained views too noble or too bitter to be true. I

must have done some soul-stretching of my mental neck.

Nothing that I have ever written about myself humbles me so much as

this confession, for I have observed the same state of mind in others.

It is ugly, insincere, and leads to maudlin movements, agitations, and

other disorders of our times, especially among women. The wonder to me

now is that I did not get the idea that I had a message for the world.

God in his mercy saved me from feminine screech of this emotion which

so many of us mistake for noble inspiration.

XXIV

HOMELY PLEASURE

I was thirty years of age before the character of my mind differed

consciously from that of any other woman’s mind who is a devoted

wife and mother, and, by marriage, deeply and sincerely pious. I was

backward with my needle, but necessity compelled me to become skillful

in this art. I made my own clothes and they proclaimed the fact. But

I was more successful with dear little Faith’s things. She came up in

the drawn-line period. We could not afford linen, but every ruffle and

hem on her white muslin frocks was hemstitched. The gathers were rolled

and whipped. The yokes were elaborately carved with the needle into

blossoms and webs worked into the drawn threads.

Faith was an adorable mite of a woman from the very beginning of her

life. She felt her feathers and could not resist the joy of switching

when she pranced forth in one of these dresses. I wore the long skirts

of that period and held them up behind after the manner of those former

ladies. Likewise, Faith invariably reached back, caught a fold of her

exceedingly abbreviated skirt between her thumb and forefinger, the

other three fingers hoisted and curled as daintily as if she held an

afternoon teacup. Then, bent slightly forward, head thrown proudly

back, she frisked forth glorified in her own pride. It comforts me now

to remember that I never chided her for these airs and that she had

the joy of her things.

They really were beautiful little garments, if I do say it who should

not boast of my handiwork. You may have observed that love can impart

to a woman who has no sense of style about her own clothes, a rare

genius for dressing her girl child.

I had no domestic accomplishments, but I had one hard-and-fast rule

as a loving wife. This was to appeal to the eye. I have a vaguely

guilty feeling that I was not an exquisitely neat housekeeper--which

immediately became a belligerent feeling the moment some one referred

to the fact--but I always kept one place attractive in the house that

would strike Lundy’s eye as he entered the door.

I remember once after we had left Oxford and our fortunes were at the

lowest ebb we lived in two rooms far up in the mountains. I had saved

his dearer books, some draperies and precious ornaments from the sale

of our household things in Oxford, but not enough to furnish a whole

room cheerfully. So I massed our wealth in one corner of it.

There was an ugly little stove set far enough out to admit of a seat

behind it on both sides of the corner. I had it put in, no more than

a low wide shelf against the wall. But it was softly cushioned and I

covered it with a dark blue chenille curtain. I covered some old sofa

pillows with the red-and-yellow borders of these curtains and piled

them like gaudy mushrooms on this seat. Some distance above I put in

narrow shelves for the books. These were arranged without regard for

their titles or inside substance, but to bring out as much color as

possible. A red or green backed book was precious and must be placed

where the light would fall on it.

There was a vase on the top shelf, two brass candlesticks, and wedged

in the corner was a remarkable plaster-of-Paris little boy, quite

naked, sitting cross-legged on a square pedestal, reading from a large

book open upon his knees. I take it that he was an erudite child,

because from the looks of his pouncy body he could not have been more

than three years old. Lundy had given me this thing in an opulent

moment years before. Remembering the classical Greek turn of his mind,

I cannot believe it truly represented his taste, only what he could

afford to buy. But he craved statuary of the graver sort to the last

and treated himself now and then to the moulded bust of a great poet or

a great philosopher. I keep them all, though the little boy has lost

half his book, broken off long since in our travels.

Two very wide chenille curtains remained. These were split and hung

at the windows on either side of this corner. I do not suppose a

professional decorator would have admired the general effect, but

compared with the remaining space and furnishing of that wretched room,

it was palatial.

On very cold evenings when Lundy came in, the stove would be glowing

like a grotesquely deformed red-hot coal. The two candles would be

lighted and flickering bravely. The little boy high up in his corner

between them would still be studiously reading his book. The books on

the shelves below would be lined up brightly like old friends waiting

as usual to spend the evening with us. And Lundy, merely giving me

the peck of a kiss as he passed, would make straight for that long

cushioned seat behind the stove. He stretched out there like a wealthy

man and read or scribbled notes for a sermon. I do not think he ever

really saw the other part of that wretched room.

This was the life I lived then and the mind I had then. Good,

tender and very anxious for my dear ones, but not by any stretch of

imagination an intellectual existence. I doubt if we can be very active

in such a love affair as this and be intellectual at the same time.

Love itself is the self-expression of such a woman, which is something

we hear more about these days than in those days, when it seems to me

women loved more giftedly than they do now.

XXV

LOVE AND AUTHORSHIP

Mothers are especially methodical. Love makes them and tempers their

minds in the beginning. They find out how to love each one of their

little children differently, then they settle down in their maternal

formulas of affection. These children grow up, their natures change,

but this makes no difference. She remembers that Thomas was a sensitive

little boy and had to be treated tenderly. So she goes on making

allowances for his beautiful, sensitive nature, although he may have

grown up into a cold-blooded wretch who has made his fortune on a

widow’s mite.

By the same token, she never forgets that her other son was a normal

hard-headed youngster who must be disciplined and required no petting.

So she goes on giving him the lick and the promise of a sterner

affection, although he may now be a broken-hearted man who has failed

on account of going into business with the meaner, more excitable

brother, and is very much in need of tenderness. But she apportioned

her affections between them like an estate she willed them long ago.

Now she is too old and _non compos mentis_ affectionally to change her

will.

Authors do their work the same way. They find out how to write. They

get their own method, a certain set of characters, and they stick to

this method and these characters, with a few lay figures added here

and there in different stories. What I mean is that their leading

heroes and heroines show a marked family resemblance to one another in

every succeeding book. And why not? They are all out of the same parent

mind. I should recognize a certain author’s heroine anywhere on earth,

even if she escapes from all the stories in which she figures. She is

a young woman who usually works her way up, when the reader has every

reason to believe she is bound to fall. I have not seen her lately, but

she used to make me very anxious on account of her threadbare skirt and

having to heat a can of tomato soup over an alcohol burner behind her

washstand screen. I do hope she has kept her chastity and married well

as usual these late years, since I have been too busy to keep up with

her struggles. She was a model and an inspiration then to every working

girl without a job. Which, when you think about it, is very high praise

for her procreator.

I had been one of the most diligent unknown authors in this country for

ten years before circumstances thrust me into the written rôle of ‘A

Circuit Rider’s Wife.’ It was then that I seemed to have found myself

as an interpreter and at last capable of producing that literature of

the heart which is peculiar to all of us. I am not wholly in my right

mind in any other character now. She knows the very gist of everything

I feel or know about men and women.

I would not attempt to tell how earnestly and unsuccessfully I have

tried to be a younger, lovelier, and more attractive woman in fiction.

Being a youthful, coquettish heroine is frightfully hypocritical and

embarrassing. If I am compelled to play that rôle, I always put that

dearer, wiser old woman in as a neighbor to the girl so that I may rest

and dwell in her for a scene now and then.

I am far removed these many years from the circumstances that made

the ‘Circuit Rider’s Wife.’ She was very poor and enjoyed her

economies; I am now no longer poor, but cannot bring myself to commit

an extravagance. She walked very softly before the Lord, and I walk

even more softly before the world, on account of having attracted some

attention from that quarter which she never had. She was always anxious

for the peace and fate of her circuit rider; now I am lonely for the

lack of these cares, and Lundy has passed away into what may be called

the literature of my soul. She went to church every Sabbath day, and

I do not go. Nevertheless she constrains me. Sometimes even yet the

mind she had comes back to me like a song and I am tempted to sit down

in the amen corner of my years, tell everything that is comforting to

know, sing a hymn and try to lead us all in prayer! I seem to slip off

into that same old-fashioned tenderness for men and women we used to

feel for mourners kneeling about the altar during a revival.

Then the woman I am now looks about me and takes a more sensible view.

What the world really needs is to have its emotional nature disciplined

and trained even more carefully than we take the pains to develop the

purely mental faculties. Praying will not meet this emergency.

My hope is to get at least ten strides ahead of this woman I used

to be in the record I am now writing of my mind, which has changed

considerably since she managed its downsittings and uprisings.

The question is whether I can do it. As we grow older it seems to me we

break none of the bonds that formerly bound us; we simply add to them.

I doubt very seriously if there is any such experience as liberty. It

is a notion we get from not remembering for a moment the habits that

bind us no less in the spirit than in our more obvious affairs.

XXVI

THE MIND OF THE WRITER

I had been writing ten years before I discovered the amazing capacity

even the ordinary mind has for creating from experience and memory,

and that its powers of production are limited only by one’s courage to

think, and by the amount of physical strength and endurance one can

afford to spend on the performance. After the ‘Circuit Rider’s Wife’

was written I was in the gravest state of anxiety lest I should never

muster the material for another book.

As a woman thinks · 第 6 / 17 段