I.

The village stood on a wide plain, and around it rose the mountains. They

were green to their tops in summer, and in winter white through their

serried pines and drifting mists, but at every season serious and

beautiful, furrowed with hollow shadows, and taking the light on masses

and stretches of iron-gray crag. The river swam through the plain in long

curves, and slipped away at last through an unseen pass to the southward,

tracing a score of miles in its course over a space that measured but three

or four. The plain was very fertile, and its features, if few and of purely

utilitarian beauty, had a rich luxuriance, and there was a tropical riot of

vegetation when the sun of July beat on those northern fields. They waved

with corn and oats to the feet of the mountains, and the potatoes covered

a vast acreage with the lines of their intense, coarse green; the meadows

were deep with English grass to the banks of the river, that, doubling and

returning upon itself, still marked its way with a dense fringe of alders

and white birches.

But winter was full half the year. The snow began at Thanksgiving, and

fell snow upon snow till Fast Day, thawing between the storms, and packing

harder and harder against the break-up in the spring, when it covered the

ground in solid levels three feet high, and lay heaped in drifts, that

defied the sun far into May. When it did not snow, the weather was

keenly clear, and commonly very still. Then the landscape at noon had a

stereoscopic glister under the high sun that burned in a heaven without a

cloud, and at setting stained the sky and the white waste with freezing

pink and violet. On such days the farmers and lumbermen came in to the

village stores, and made a stiff and feeble stir about their doorways, and

the school children gave the street a little life and color, as they went

to and from the Academy in their red and blue woollens. Four times a day

the mill, the shrill wheeze of whose saws had become part of the habitual

silence, blew its whistle for the hands to begin and leave off work,

in blasts that seemed to shatter themselves against the thin air. But

otherwise an arctic quiet prevailed.

Behind the black boles of the elms that swept the vista of the street with

the fine gray tracery of their boughs, stood the houses, deep-sunken in the

accumulating drifts, through which each householder kept a path cut from

his doorway to the road, white and clean as if hewn out of marble. Some

cross streets straggled away east and west with the poorer dwellings; but

this, that followed the northward and southward reach of the plain, was the

main thoroughfare, and had its own impressiveness, with those square white

houses which they build so large in Northern New England. They were all

kept in scrupulous repair, though here and there the frost and thaw of many

winters had heaved a fence out of plumb, and threatened the poise of the

monumental urns of painted pine on the gate-posts. They had dark-green

blinds, of a color harmonious with that of the funereal evergreens in their

dooryards; and they themselves had taken the tone of the snowy landscape,

as if by the operation of some such law as blanches the fur-bearing animals

of the North. They seemed proper to its desolation, while some houses of

more modern taste, painted to a warmer tone, looked, with their mansard

roofs and jig-sawed piazzas and balconies, intrusive and alien.

At one end of the street stood the Academy, with its classic façade and its

belfry; midway was the hotel, with the stores, the printing-office, and the

churches; and at the other extreme, one of the square white mansions stood

advanced from the rank of the rest, at the top of a deep-plunging valley,

defining itself against the mountain beyond so sharply that it seemed as if

cut out of its dark, wooded side. It was from the gate before this house,

distinct in the pink light which the sunset had left, that, on a Saturday

evening in February, a cutter, gay with red-lined robes, dashed away, and

came musically clashing down the street under the naked elms. For the

women who sat with their work at the windows on either side of the way,

hesitating whether to light their lamps, and drawing nearer and nearer to

the dead-line of the outer cold for the latest glimmer of the day, the

passage of this ill-timed vehicle was a vexation little short of grievous.

Every movement on the street was precious to them, and, with all the

keenness of their starved curiosity, these captives of the winter could not

make out the people in the cutter. Afterward it was a mortification to them

that they should not have thought at once of Bartley Hubbard and Marcia

Gaylord. They had seen him go up toward Squire Gaylord's house half an hour

before, and they now blamed themselves for not reflecting that of course he

was going to take Marcia over to the church sociable at Lower Equity.

Their identity being established, other little proofs of it reproached the

inquirers; but these perturbed spirits were at peace, and the lamps were

out in the houses (where the smell of rats in the wainscot and of potatoes

in the cellar strengthened with the growing night), when Bartley and Marcia

drove back through the moonlit silence to her father's door. Here, too, the

windows were all dark, except for the light that sparely glimmered through

the parlor blinds; and the young man slackened the pace of his horse, as if

to still the bells, some distance away from the gate.

The girl took the hand he offered her when he dismounted at the gate, and,

as she jumped from the cutter, “Won't you come in?” she asked.

“I guess I can blanket my horse and stand him under the wood-shed,”

answered the young man, going around to the animal's head and leading him

away.

When he returned to the door the girl opened it, as if she had been

listening for his step; and she now stood holding it ajar for him to enter,

and throwing the light upon the threshold from the lamp, which she lifted

high in the other hand. The action brought her figure in relief, and

revealed the outline of her bust and shoulders, while the lamp flooded with

light the face she turned to him, and again averted for a moment, as if

startled at some noise behind her. She thus showed a smooth, low forehead,

lips and cheeks deeply red, a softly rounded chin touched with a faint

dimple, and in turn a nose short and aquiline; her eyes were dark, and her

dusky hair flowed crinkling above her fine black brows, and vanished down

the curve of a lovely neck. There was a peculiar charm in the form of her

upper lip: it was exquisitely arched, and at the corners it projected

a little over the lower lip, so that when she smiled it gave a piquant

sweetness to her mouth, with a certain demure innocence that qualified the

Roman pride of her profile. For the rest, her beauty was of the kind that

coming years would only ripen and enrich; at thirty she would be even

handsomer than at twenty, and be all the more southern in her type for the

paling of that northern, color in her cheeks. The young man who looked up

at her from the doorstep had a yellow mustache, shadowing either side of

his lip with a broad sweep, like a bird's wing; his chin, deep-cut below

his mouth, failed to come strenuously forward; his cheeks were filled to

an oval contour, and his face had otherwise the regularity common to

Americans; his eyes, a clouded gray, heavy-lidded and long-lashed, were his

most striking feature, and he gave her beauty a deliberate look from them

as he lightly stamped the snow from his feet, and pulled the seal-skin

gloves from his long hands.

“Come in,” she whispered, coloring with pleasure under his gaze; and she

made haste to shut the door after him, with a luxurious impatience of the

cold. She led the way into the room from which she had come, and set down

the lamp on the corner of the piano, while he slipped off his overcoat and

swung it over the end of the sofa. They drew up chairs to the stove,

in which the smouldering fire, revived by the opened draft, roared and

snapped. It was midnight, as the sharp strokes of a wooden clock declared

from the kitchen, and they were alone together, and all the other inmates

of the house were asleep. The situation, scarcely conceivable to another

civilization, is so common in ours, where youth commands its fate and

trusts solely to itself, that it may be said to be characteristic of the

New England civilization wherever it keeps its simplicity. It was not

stolen or clandestine; it would have interested every one, but would have

shocked no one in the village if the whole village had known it; all that a

girl's parents ordinarily exacted was that they should not be waked up.

“Ugh!” said the girl. “It seems as if I never should get warm.” She leaned

forward, and stretched her hands toward the stove, and he presently rose

from the rocking-chair in which he sat, somewhat lower than she, and lifted

her sack to throw it over her shoulders. But he put it down and took up his

overcoat.

“Allow my coat the pleasure,” he said, with the ease of a man who is not

too far lost to be really flattering.

“Much obliged to the coat,” she replied, shrugging herself into it and

pulling the collar close about her throat. “I wonder you didn't put it on

the sorrel. You could have tied the sleeves around her neck.”

“Shall I tie them around yours?” He leaned forward from the low

rocking-chair into which he had sunk again, and made a feint at what he had

proposed.

But she drew back with a gay “No!” and added: “Some day, father says, that

sorrel will be the death of us. He says it's a bad color for a horse.

They're always ugly, and when they get heated they're crazy.”

“You never seem to be very much frightened when you're riding after the

sorrel,” said Bartley.

“Oh, I've great faith in your driving.”

“Thanks. But I don't believe in this notion about a horse being vicious

because he's of a certain color. If your father didn't believe in it, I

should call it a superstition; but the Squire has no superstitions.”

“I don't know about that,” said the girl. “I don't think he likes to see

the new moon over his left shoulder.”

“I beg his pardon, then,” returned Bartley. “I ought to have said

religions: the Squire has no religions.” The young fellow had a rich,

caressing voice, and a securely winning manner which comes from the habit

of easily pleasing; in this charming tone, and with this delightful

insinuation, he often said things that hurt; but with such a humorous

glance from his softly shaded eyes that people felt in some sort flattered

at being taken into the joke, even while they winced under it. The girl

seemed to wince, as if, in spite of her familiarity with the fact, it

wounded her to have her father's scepticism recognized just then. She said

nothing, and he added, “I remember we used to think that a redheaded

boy was worse-tempered on account of his hair. But I don't believe the

sorrel-tops, as we called them, were any more fiery than the rest of us.”

Marcia did not answer at once, and then she said, with the vagueness of one

not greatly interested by the subject, “You've got a sorrel-top in your

office that's fiery enough, if she's anything like what she used to be when

she went to school.”

“Hannah Morrison?”

“Yes.”

“Oh, she isn't so bad. She's pretty lively, but she's very eager to learn

the business, and I guess we shall get along. I think she wants to please

me.”

“_Does_ she! But she must be going on seventeen now.”

“I dare say,” answered the young man, carelessly, but with perfect

intelligence. “She's good-looking in her way, too.”

“Oh! Then you admire red hair?”

He perceived the anxiety that the girl's pride could not keep out of her

tone, but he answered indifferently, “I'm a little too near that color

myself. I hear that red hair's coming into fashion, but I guess it's

natural I should prefer black.”

She leaned back in her chair, and crushed the velvet collar of his coat

under her neck in lifting her head to stare at the high-hung mezzotints and

family photographs on the walls, while a flattered smile parted her lips,

and there was a little thrill of joy in her voice. “I presume we must be a

good deal behind the age in everything at Equity.”

“Well, you know my opinion of Equity,” returned the young man. “If I didn't

have you here to free my mind to once in a while, I don't know what I

should do.”

She was so proud to be in the secret of his discontent with the narrow

world of Equity that she tempted him to disparage it further by pretending

to identify herself with it. “I don't see why you abuse Equity to me. I Ve

never been anywhere else, except those two winters at school. You'd better

look out: I might expose you,” she threatened, fondly.

“I'm not afraid. Those two winters make a great difference. You saw girls

from other places,--from Augusta, and Bangor, and Bath.”

“Well, I couldn't see how they were so very different from Equity girls.”

“I dare say they couldn't, either, if they judged from you.”

She leaned forward again, and begged for more flattery from him with her

happy eyes. “Why, what _does_ make me so different from all the rest? I

should really like to know.”

“Oh, you don't expect me to tell you to your face!”

“Yes, to my face! I don't believe it's anything complimentary.”

“No, it's nothing that you deserve any credit for.”

“Pshaw!” cried the girl. “I know you're only talking to make fun of me. How

do I know but you make fun of me to other girls, just as you do of them to

me? Everybody says you're sarcastic.”

“Have I ever been sarcastic with you?”

“You know I wouldn't stand it.”

He made no reply, but she admired the ease with which he now turned from

her, and took one book after another from the table at his elbow, saying

some words of ridicule about each. It gave her a still deeper sense of his

intellectual command when he finally discriminated, and began to read out a

poem with studied elocutionary effects. He read in a low tone, but at last

some responsive noises came from the room overhead; he closed the book, and

threw himself into an attitude of deprecation, with his eyes cast up to the

ceiling.

“Chicago,” he said, laying the book on the table and taking his knee

between his hands, while he dazzled her by speaking from the abstraction

of one who has carried on a train of thought quite different from that on

which he seemed to be intent,--“Chicago is the place for me. I don't think

I can stand Equity much longer. You know that chum of mine I told you

about; he's written to me to come out there and go into the law with him at

once.”

“Why don't you go?” the girl forced herself to ask.

“Oh, I'm not ready yet. Should you write to me if I went to Chicago?”

“I don't think you'd find my letters very interesting. You wouldn't want

any news from Equity.”

“Your letters wouldn't be interesting if you gave me the Equity news; but

they would if you left it out. Then you'd have to write about yourself.”

“Oh, I don't think that would interest anybody.”

“Well, I feel almost like going out to Chicago to see.”

“But I haven't promised to write yet,” said the girl, laughing for joy in

his humor.

“I shall have to stay in Equity till you do, then. Better promise at once.”

“Wouldn't that be too much like marrying a man to get rid of him?”

“I don't think that's always such a bad plan--for the man.” He waited for

her to speak; but she had gone the length of her tether in this direction.

“Byron says,--

'Man's love is of man's life a thing apart,--

'Tis woman's whole existence.'

Do you believe that?” He dwelt upon her with his tree look, in the happy

embarrassment with which she let her head droop.

“I don't know,” she murmured. “I don't know anything about a man's life.”

“It was the woman's I was asking about.”

“I don't think I'm competent to answer.”

“Well, I'll tell you, then. I think Byron was mistaken. My experience is,

that, when a man is in love, there's nothing else of him. That's the reason

I've kept out of it altogether of late years. My advice is, don't fall

in love: it takes too much time.” They both laughed at this. “But about

corresponding, now; you haven't said whether you would write to me, or not.

Will you?”

“Can't you wait and see?” she asked, slanting a look at him, which she

could not keep from being fond.

“No, no. Unless you wrote to me I couldn't go to Chicago.”

“Perhaps I ought to promise, then, at once.”

“You mean that you wish me to go.”

“You said that you were going. You oughtn't to let anything stand in the

way of your doing the best you can for yourself.”

“But you would miss me a little, wouldn't you? You would try to miss me,

now and then?”

“Oh, you are here pretty often. I don't think I should have much difficulty

in missing you.”

“Thanks, thanks! I can go with a light heart, now. Good by.” He made a

pretence of rising.

“What! Are you going at once?”

“Yes, this very night,--or to-morrow. Or no, I can't go to-morrow. There's

something I was going to do to-morrow.”

“Perhaps go to church.”

“Oh, that of course. But it was in the afternoon. Stop! I have it! I want

you to go sleigh-riding with me in the afternoon.”

“I don't know about that,” Marcia began.

“But I do,” said the young man. “Hold on: I'll put my request in writing.”

He opened her portfolio, which lay on the table. “What elegant stationery!

May I use some of this elegant stationery? The letter is to a lady,--to

open a correspondence. May I?” She laughed her assent. “How ought I to

begin? Dearest Miss Marcia, or just Dear Marcia: which is better?”

“You had better not put either--”

“But I must. You're one or the other, you know. You're dear--to your

family,--and you're Marcia: you can't deny it. The only question is whether

you're the dearest of all the Miss Marcias. I may be mistaken, you know.

We'll err on the safe side: Dear Marcia:” He wrote it down. “That looks

well, and it reads well. It looks very natural, and it reads like

poetry,--blank verse; there's no rhyme for it that I can remember. Dear

Marcia: Will you go sleigh-riding with me to-morrow afternoon, at two

o'clock sharp? Yours--yours? sincerely, or cordially, or affectionately, or

what? The 'dear Marcia' seems to call for something out of the common.

I think it had better be affectionately.” He suggested it with ironical

gravity.

“And _I_ think it had better be 'truly,'” protested the girl.

“'Truly' it shall be, then. Your word is law,--statute in such case made

and provided.” He wrote, “With unutterable devotion, yours truly, Bartley

J. Hubbard,” and read it aloud.

She leaned forward, and lightly caught it away from him, and made a feint

of tearing it. He seized her hands. “Mr. Hubbard!” she cried, in undertone.

“Let me go, please.”

“On two conditions,--promise not to tear up my letter, and promise to

answer it in writing.”

She hesitated long, letting him hold her wrists. At last she said, “Well,”

and he released her wrists, on whose whiteness his clasp left red circles.

She wrote a single word on the paper, and pushed it across the table to

him. He rose with it, and went around to her side.

“This is very nice. But you haven't spelled it correctly. Anybody would say

this was No, to look at it; and you meant to write Yes. Take the pencil in

your hand, Miss Gaylord, and I will steady your trembling nerves, so that

you can form the characters. Stop! At the slightest resistance on your

part, I will call out and alarm the house; or I will--.” He put the pencil

into her fingers, and took her soft fist into his, and changed the word,

while she submitted, helpless with her smothered laughter. “Now the

address. Dear--”

“No, no!” she protested.

“Yes, yes! Dear Mr. Hubbard. There, that will do. Now the signature.

Yours--”

“I _won't_ write that. I won't, indeed!”

“Oh, yes, you will. You only think you won't. Yours gratefully, Marcia

Gaylord. That's right. The Gaylord is not very legible, on account of a

slight tremor in the writer's arm, resulting from a constrained posture,

perhaps. Thanks, Miss Gaylord. I will be here promptly at the hour

indicated--”

The noises renewed themselves overhead,--some one seemed to be moving

about. Hubbard laid his hand on that of the girl, still resting on the

table, and grasped it in burlesque alarm; she could scarcely stifle her

mirth. He released her hand, and, reaching his chair with a theatrical

stride, sat there cowering till the noises ceased. Then he began to speak

soberly, in a low voice. He spoke of himself; but in application of a

lecture which they had lately heard, so that he seemed to be speaking of

the lecture. It was on the formation of character, and he told of the

processes by which he had formed his own character. They appeared very

wonderful to her, and she marvelled at the ease with which he dismissed the

frivolity of his recent mood, and was now all seriousness. When he came to

speak of the influence of others upon him, she almost trembled with the

intensity of her interest. “But of all the women I have known, Marcia,” he

said, “I believe you have had the strongest influence upon me. I believe

you could make me do anything; but you have always influenced me for good;

your influence upon me has been ennobling and elevating.”

She wished to refuse his praise; but her heart throbbed for bliss and pride

in it; her voice dissolved on her lips. They sat in silence; and he took in

his the hand that she let hang over the side of her chair. The lamp began

to burn low, and she found words to say, “I had better get another,” but

she did not move.

“No, don't,” he said; “I must be going, too. Look at the wick, there,

Marcia; it scarcely reaches the oil. In a little while it will not reach

it, and the flame will die out. That is the way the ambition to be good and

great will die out of me, when my life no longer draws its inspiration from

your influence.”

This figure took her imagination; it seemed to her very beautiful; and his

praise humbled her more and more.

“Good night,” he said, in a low, sad voice. He gave her hand a last

pressure, and rose to put on his coat. Her admiration of his words, her

happiness in his flattery, filled her brain like wine. She moved dizzily as

she took up the lamp to light him to the door. “I have tired you,” he said,

tenderly, and he passed his hand around her to sustain the elbow of the arm

with which she held the lamp; she wished to resist, but she could not try.

At the door he bent down his head and kissed her. “Good night,

dear--friend.”

“Good night,” she panted; and after the door had closed upon him, she

stooped and kissed the knob on which his hand had rested.

As she turned, she started to see her father coming down the stairs with a

candle in his hand. He had his black cravat tied around his throat, but no

collar; otherwise, he had on the rusty black clothes in which he ordinarily

went about his affairs,--the cassimere pantaloons, the satin vest, and the

dress-coat which old-fashioned country lawyers still wore ten years ago, in

preference to a frock or sack. He stopped on one of the lower steps, and

looked sharply down into her uplifted face, and, as they stood confronted,

their consanguinity came out in vivid resemblances and contrasts; his high,

hawk-like profile was translated into the fine aquiline outline of hers;

the harsh rings of black hair, now grizzled with age, which clustered

tightly over his head, except where they had retreated from his deeply

seamed and wrinkled forehead, were the crinkled flow above her smooth white

brow; and the line of the bristly tufts that overhung his eyes was the same

as that of the low arches above hers. Her complexion was from her mother;

his skin was dusky yellow; but they had the same mouth, and hers showed how

sweet his mouth must have been in his youth. His eyes, deep sunk in their

cavernous sockets, had rekindled their dark fires in hers; his whole

visage, softened to her sex and girlish years, looked up at him in his

daughter's face.

“Why, father! Did we wake you?”

“No. I hadn't been asleep at all. I was coming down to read. But it's time

you were in bed, Marcia.”

“Yes, I'm going, now. There's a good fire in the parlor stove.”

The old man descended the remaining steps, but turned at the parlor door,

and looked again at his daughter with a glance that arrested her, with her

foot on the lowest stair.

“Marcia,” he asked, grimly, “are you engaged to Bartley Hubbard?”

The blood flashed up from her heart into her face like fire, and then, as

suddenly, fell back again, and left her white. She let her head droop and

turn, till her eyes were wholly averted from him, and she did not speak. He

closed the door behind him, and she went upstairs to her own room; in her

shame, she seemed to herself to crawl thither, with her father's glance

burning upon her.

A Modern Instance · 第 6 / 61 题