Since that night in Milan Joseph always has called me "my Lord."

He had altered but little. His legs were perhaps more bowed, the checks

of his trousers a trifle larger, and the part in his iron-gray hair less

regular than in the old days, but the general effect was the same--the

same flashy waistcoat, the same long gold watch-chain baited with

charms, the same shiny, bell-crown silk hat, and the same shade of green

kid gloves--same pair, I think. Nor had his manner changed--that

cringing, deferential, attentive manner which is so flattering at first

to the unsuspecting and inexperienced, and so positive and top-lofty

when his final accounts are submitted--particularly if they are

disputed. The voice, too, had lost none of its soft, purring quality--a

church-whisper-voice with the drone of the organ in it.

And yet withal Joseph is not a bad fellow. Once he knows the size of

your pocket-book he willingly adapts his expenditures to its contents.

Ofttimes, it is true, there is nothing left but the pocket-book, but

then some couriers would take that. When he is in doubt as to the

amount, he tries experiments. I have learned since that the lay-out for

the bride and groom that night in Milan was only one of his

experiments--the proprietor being co-conspirator. The coach belonged to

the hotel; the game supper was moved up from the restaurant, and the

flowers had been left over from a dinner the night before. Had they all

done duty, Joseph's commissions would have been that much larger. As it

was, he collected his percentage only on the coach and the two men on

the box and the flunkeys at the head of the stairs. These had been

_used_. The other preparations were only looked at.

Then again, Joseph not only speaks seven languages, but he speaks them

well--for Joseph--so much so that a stranger is never sure of his

nationality.

"Are you French, Joseph?" I once asked him.

"No."

"Dutch?"

"No."

"What, then?"

"I am a Jew gentleman from Germany."

He lied, of course. He's a Levantine from Constantinople, with Greek,

Armenian, Hindu, and perhaps some Turkish blood in his veins. This

combination insures him good temper, capacity, and imagination--not a

bad mixture for a courier. Besides, he is reasonably honest--not

punctiliously so--not as to francs, perhaps, but certainly as to

fifty-pound notes--that is, he was while he served me. Of course, I

never had a fifty-pound note--not all at once--but if I had had I don't

think he would have absorbed it--not if I had signed it on the back for

identification and had kept it in a money-belt around my waist and close

to my skin.

Those things, however, never trouble me. I don't want to make a

savings-bank of Joseph. It is his vivid imagination that appeals to me,

or perhaps the picturesqueness with which he puts things. In this he is

a veritable master. His material, too, is not only uncommonly rich, but

practically inexhaustible. He knows everybody; has travelled with

everybody; has always kept one ear and one eye open even when asleep,

and has thus picked up an immense amount of information regarding people

and events--mostly his own patrons--the telling of which has served to

enliven many a quiet hour while he sat beside me as I painted. Why, once

I remember in Stamboul, when some Arabs had----

But I forget that I am following Joseph upstairs, and that his mission

is to see that I am comfortably lodged at the Baur au Lac in Zurich.

When we reached the second floor Joseph met the porter emerging into the

corridor with my large luggage. He had mounted the back stairs.

"Let me see Number 13, porter," cried Joseph. "Ah, yes--it is just as I

supposed. Is it in that hole you would put my Lord--where there is noise

all the time? You see that window, my Lord?" (By this time I had reached

the two disputants and had entered the room.) "You remember, your

Highness, that enormous omnibus in which you have arrived just? It is

there that it sleeps." And Joseph craned his head out of the window and

pointed in the direction of the court-yard. "When it goes out in the

morning at seven o'clock for the train it is like thunder. The Count

Monflot had this room. You should have seen him when he was awoke at

seven. He was like a crazy man. He pulled all the strings out of the

bells, and when the waiter come he had the hat-box of Monsieur the Count

at his head."

Dismissing the apartment with a contemptuous wave of his hand, Joseph,

with the porter's assistance, who had a pass-key, began a search of the

other vacant rooms: half the hotel was vacant, I afterward learned; all

this telegram and book business was merely an attempt to bolster up the

declining days of a bad season.

"Number 21? No--it is a little better, but it's too near the behind

stairs. It would be absurd to put his Lordship there. Number 24?"--here

he looked into another room. "No, you can hear the grande baggage in the

night going up and down. No, it will not do."

The manager, having disposed of the other members of the Emperor's

household, now approached with a servile smile fitted to all parts of

his face. Joseph attacked him at once.

"Is his Lordship a valet, Monsieur, that you should put him in such

holes? Do you not know that he never wakes until ten, and has his coffee

at eleven, and the omnibus, you know, sleeps there?" And he pointed

outside. (Another Levantine lie: I am up at seven when the light is

right.)

Here the porter unlocked another room and stood by smiling. He knew the

game was up now, and had reserved this one for the last.

"Number--28! Ah, this is something like. Yes, my Lord, this will be

quite right. La Contessa Moriarti had this room--yes, I remember."

(Joseph never serves any woman below the rank of contessa.)

So I moved into Number 28, handed Joseph the keys, and the porter

deposited my luggage and withdrew, followed by the manager. Soon the

large and small trunks were disembowelled, my sponge hung on a nail in

the window, and the several toilet articles distributed in their proper

places, Joseph serving in the triple capacity of courier, valet, and

chambermaid--the lame Englishman being out driving, and Joseph,

therefore, having this hour to himself. This distribution, of course,

was made in deference to my exalted rank and the ten-franc gold piece

which he never fails to get despite my resolutions, and which he always

seems to have earned despite my knowledge as to how the trick is

performed.

Suddenly a crash sounded through the hall as if somebody had dropped a

tray of dishes. Then came another, and another. Either every waiter in

the house was dropping trays, or an attack was being made on the pantry

by a mob.

Joseph, with a bound, threw back the door and we rushed out.

Just opposite my room was a small salon with the door wide open. In its

centre stood a man with an iron poker in his hand. He was busy smashing

what was left of a large mirror, its pieces littering the floor. On the

sofa lay another man twice the size of the first one, who was roaring

with laughter. Down the corridor swooped a collection of guests,

porters, and chambermaids in full cry, the manager at their head.

"Two hundred and fifty francs, eh--for a looking-glass worth twenty

francs?" I heard the man with the poker shout. "I blister with my

gas-jet one little corner, and I must pay two hundred and fifty francs.

I have ruined the mirror, have I, eh? And it must be thrown out and a

new one put in to-morrow--eh?" Bang! bang! Here the poker came down on

some small fragment still clinging to the frame. "Yes, it _will_ come

out [bang!]--_all_ of it will come out."

The manager was now trying to make himself heard. Such words as "my

mirror," "outrage," "Gendarme," could be heard above the sound of the

breaking glass and the shrieks of the man on the sofa, who seemed to be

in a paroxysm of laughter.

I looked on for a moment. Some infuriated lodger, angry, perhaps, at the

overcharge in his bill, was venting his wrath on the furniture. It was

not my mirror, and it was not my bill; the manager was present with

staff enough to throw both men downstairs if he pleased and without my

assistance, and so I turned and reentered my room. Two things fixed

themselves in my mind: the alert figure, trim as a fencer's, of the man

with the poker, and the laugh of the fat man sprawling on the lounge.

Joseph followed me into my room and shut the door softly behind him.

"Ah, I knew it was he. No other man is so crazy like that. He would

break the head of the propriétaire just the same. That is an old

swindle. That mirror has been cracked four--five--six times. The gas-jet

is fixed so that you _must_ crack it. All the mirrors like the one he

burnt--it was only a little spot--go upstairs in the cheap rooms and new

ones are brought in for such games. 'Most always they pay, but

monsieur--it is not like him to pay. He has heard of the trick,

perhaps--is it not delicious?" and Joseph's face widened into a grin.

"You know him, then?" I broke in.

"Know him?--oh, for many years. He is the great Doctor Barsac. He

smashes everything he doesn't like. He smashed that old fat monsieur

who made so much laugh. His name is Mariguy. He looks like a curé, does

he not? But he is not a curé; he is an advocate. Barsac is from Basle,

but Mariguy lives in Paris. Those two are never separated; they love

each other like a man and a wife. There is a great medical convention

here in Zurich, and Barsac has brought Mariguy with him to show him off.

He put a new silver stomach in Mariguy last winter and is very proud of

it. It is the great operation of the year, they say."

"What happened to the fat man, Joseph--was it an accident?"

"No--a duel. Barsac ran him through the belly with his sword."

"Permit me, my Lord--" And Joseph stepped to the window. "Yes, there

comes the lame Englishman home from the drive. Excuse me--I will go and

help him from his carriage." And Joseph bowed himself out backward.

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At Close Range · 第 22 / 34 题