III

The _Fiesta_, the "Feast of the Corn," had been declared, and there was

dancing and feasting, and song and laughter on the lips of men as

Captain Forest and José rode into Santa Fé late the following morning

and turned their horses' heads in the direction of the _Posada de las

Estrellas_, the Inn of the Stars, which was situated just outside the

principal entrance to the town.

The low gray adobe walls of the houses fronting directly upon the narrow

winding streets leading to and from the plaza were gay with the blossoms

of the pink and scarlet geranium, honeysuckle, and gorgeous magenta of

the bougainvilléa and golden cups of the trumpet-vine.

Pigeons fluttered from the house-tops to the streets, or hovered about

the plaza and bosky _alamedas_ of poplar, pepper and eucalyptus trees in

search of stray grains of corn. Humming-birds and butterflies flashed

their wings and gorgeous plumage in the sunshine as they darted in and

out among the foliage in the _patios_ and gardens at the rear of the

houses, luxuriant with fruit and flowers as was attested by the orange

and lemon, pomegranate and fig trees, heavy with ripening fruit and the

delicately mingled perfume of orange and lemon blossoms, hyacinth,

jasmine and Castilian rose.

Through the center of the town, beneath the walls of the half-ruined

convent, flowed the little river, Santa Maria, at whose banks young

girls and women were wont to wash their linen and beat it out on the

large, smooth stones which lay strewn along the water's edge. The notes

of the wood-dove and oriole mingling with the silvery voice of the

river, fell in rhythmical cadences upon the ears of the inhabitants who

rested in the shady seclusion of their _patios_ and gardens during the

hour of the _siesta_; rolling and smoking _cigarillos_ as they leisurely

discussed the latest bit of news or gossip over their black coffee,

_mescal_ and _tequila_, or engaged in a game of _moles_.

There had been much rain that season, the best of reasons why the people

should give thanks to the heavens and the fields receive the blessing of

the Church as well as that of the gods of the _Indios_ at whose altars

the Red men still worship and upon which still is written "blood for

blood," as in the days when the White men first came from the South,

bearing the fire and thunderbolts of heaven with which they overthrew

them. This was in fulfillment of the curse which the people had brought

upon themselves. The fate which their ancient Sachems had foretold would

overtake them in those days when they should forget the commands of the

gods and neglect the land, and the hand of brother be lifted against

brother until the coming of a Fair Child with a face like the sun unto

whose words all men would hearken and their hearts be united in love.

According to custom, runners had been sent forth to the north, east,

south and west to proclaim the annual _Fiesta_. For this ceremony the

choicest ears were selected from the new harvest, and, after being

borne aloft in the procession that took place during the benediction of

the fields, were placed in the churches where they remained until the

following year. The golden ears represented the sunrise, the red, the

sunset, the blue, the sky, the white, the clouds, and all together,

their Mother, the Earth, from which they sprang.

As the season for rejoicing drew near, the _rancheros_ of the

neighboring _haciendas_, together with the Indians of the distant

_pueblos_ and half-wild hill tribes, chance strangers and adventurers,

streamed toward Santa Fé and swarmed within her walls; some eager for

trade and barter, but most of them bent upon pleasure. Her streets and

plazas became a surging mass of struggling humanity, bright with the gay

costumes of men and women. In her market-booths were displayed

innumerable commodities; animals, fruit, vegetables, fowl--flowers,

goldfish, caged finches, canaries--jewelry, rugs, stamped leathers and

drawn-linen work--bright cloths, blankets, baskets and pottery--wines,

laces, silks, satins, cigarettes and cigars.

Bidding was brisk and at times vehement, but always good humored.

Sellers of lottery-tickets, writers of love-letters, jugglers and

mountebanks plied their trades. The cries of the water-carrier and

vender of sweet-meats mingled with those of the inevitable beggar who

asked alms for the love of God; invoking blessings or curses upon the

head of him who gave or refused him a _centavo_. Babel reigned. Donkies

brayed, geese and turkeys hissed and gobbled, chickens cackled and

fighting-cocks, tethered by the leg, strutted and crowed, while brown

children of all sizes and ages laughed and screamed as they chased one

another in and out among the crowds or rolled in the dust beneath the

pedestrian's feet.

Old Santa Fé, christened by the early Franciscan Friars, "City of the

Blessed Faith," but in reality a fair wanton, a veritable Sodom and

Gomorrha of iniquity with her _corridos_, her cock-pits and dance and

gambling-halls, threw wide her gates and bade the stranger welcome; and

if he did not receive the worth of his gold in pleasure and substance,

surely it was no fault of Santa Fé's. Besides, it was only a step from a

gaming-table to a Father Confessor.

The soul of old Spain still lived in the land. The click of castanettes

was heard daily in her plazas and streets where the _fandango_ and

_jotta_ were gayly danced; while at night the soft sounds of guitars and

voices issued from out the deep shadow of her walls. Soft hands drew the

latches of casements, and slender figures stepped out upon moonlit

balconies or beneath purple black heavens studded with myriads of golden

stars, and passionate words and vows were exchanged under the cover of

night.

Having passed the day at the Inn of the Stars, where they had been

resting after the fatigues of the long night's ride, the Captain and

José again directed their steps toward the town in the cool of the

evening; José making for Pedro Romero's gambling-hall, the Captain for

Carlos Moreno's theater, the _Theatro Mexicano_.

Owing to the tardiness of his arrival, he found the house packed to the

doors. The performance, vaudeville in character, had already begun, and

it was only after much elbowing and crowding that he finally succeeded

in making his way to Carlos' private box where the latter awaited him.

A tall, dark woman had just ceased dancing, and as she paused before the

footlights amid a burst of musical accompaniment, the audience with one

impulse rose to its feet and gave vent to prolonged salvos of applause.

Showers of glittering gold and silver coins, bouquets and wreaths of

flowers were flung upon the stage, burying her feet in a wealth and

suffusion of color as she stood smiling and bowing before the audience,

vainly endeavoring to still the tumultuous applause which continued with

deafening uproar until she consented to repeat the performance.

"Delicious--divine--'tis the Chiquita, _amigo mio_!" cried Carlos;

pausing in the midst of his _vivas_ to greet the Captain.

"You shall know her and fall in love with her like all the rest of the

world--" but his speech was cut short by a fresh burst of applause from

the audience. The floral tributes that had been showered upon her were

hastily removed to one side of the stage and piled high against the

wings. The musicians struck up their accompaniment and the dance began

again.

It was evident that she was a favorite of the audience which perhaps

partially accounted for the remarkable demonstration with which her

performance was received. But be this as it may, Captain Forest felt

that he had never witnessed such a remarkable exhibition of subtle grace

and beauty and extraordinary execution and dash as she displayed in the

dance. He recalled the names of the famous dancers he had known, but

none of them had risen to such heights--succeeded in vitalizing and

inspiring their art with so much poetry and life.

To all appearance she was either Spanish or of Indian extraction, and

yet there was a foreign touch about her that seemed to set her apart

from the women of Santa Fé.

Who was she, this unknown genius, this master of the terpsichorean art,

living in this far away Mexican town? Such talent could not remain in

obscurity for long. Another great Spanish dancer was about to burst

unheralded upon the world. It only remained for her to dance into it--to

captivate and conquer it.

This then, was the surprise Carlos had promised him if he came to the

theater that evening. His curiosity was aroused, and he turned to him

for an explanation, but he was no longer by his side; he had rushed

behind the scenes to felicitate the dancer on her remarkable success.

The air was hot and stifling, and not caring to witness the remaining

numbers on the programme, he took advantage of the intermission that

followed the dance and left the theater.

Outside the air was deliciously cool. The moonlight and myriads of

artificial lights strung across the streets and on the façades of the

houses, together with the flaming torches in front of the many booths,

lent the appearance of day to night as he slowly made his way through

the surging crowds in the direction of Pedro Romero's gambling-hall

where Carlos had agreed to join him after the performance.

Pedro's establishment was the chief and only respectable place of its

kind of which the town could boast. It was the resort of the better

element of Santa Fé, and if one were looking for a friend or

acquaintance, he was usually to be found there. The hall was spacious

and well lighted with electricity and resplendent in gilt and mirrors.

The gay strains of a string band enlivened the scene as he entered.

Clouds of tobacco smoke hung over the throngs that crowded round the

gaming-tables to try their luck with the Goddess Chance.

José was playing roulette, and judging by the satisfied expression of

his face which the Captain noted in passing, he rightly conjectured that

luck was on his side.

Like Carlos, Pedro had taken a great fancy to the Captain, and had

generously placed his private stock of wines and cigars at the latter's

disposal. Many an evening had the three passed together smoking and

drinking and chatting; Pedro and Carlos listening with rapt attention to

the Captain's anecdotes and adventures of which he seemed to possess an

inexhaustible store. The hall was greatly overcrowded, rendering it

difficult to find an acquaintance, but as the Captain paused in the

midst of the tables in order to obtain a better view of the faces about

him, he felt a touch on the shoulder from behind and turning, saw Pedro,

the object of his search.

"_Por Dios!_ but I'm glad to see you again, _amigo_!" exclaimed the

proprietor, a dark little man with a kindly face pitted by the smallpox.

He grasped and shook the Captain warmly by the hand.

"How are you--when did you return?" he inquired; leading him to a table

in one corner of the hall around which were seated a number of his

friends who, on the appearance of the Captain, rose and greeted him

effusively.

"_Mozo--mozo!_" shouted Pedro to the waiter, "a glass for the Captain!"

The others also had been to the theater, and like him, had left during

the intermission following the dance. Naturally the dancer formed the

sole topic of conversation.

"Had the Señor _Capitan_ seen the Chiquita--had he ever seen such

dancing before--what did he think of her?" And by the time Carlos

appeared on the scene, all agreed that the latter's fortune was

made--that he would soon desert the sleepy old town for a tour of the

world with his newly found star of the footlights.

"A tour of the world--with the Chiquita?" echoed Carlos, a fat,

broad-shouldered little man of mixed blood, pausing and pulling back a

chair in the act of seating himself at the table.

"_Dios!_ if such a thing were possible," he exclaimed, pushing his hat

on the back of his head and surveying his companions with critical eyes,

"I would not exchange it for the richest gold mine in Mexico! But," he

added, seating himself at the table, "you don't know the Chiquita, _mis

amigos_. She is made of different stuff than that of the women who dance

for a living."

To this last remark the company agreed.

"_Caramba_--how she danced!" he continued, taking a sip of _pulque_.

"Had the house been as large as the plaza and the price of the seats

doubled, there would not have been standing room left to accommodate the

spectators."

"Aye!" broke in Miguel Torreno, a dark, wizened old Mexican with a face

resembling a monkey's, "they say a thousand people were turned away at

the doors."

"A thousand? Half the town, you mean!" returned Carlos, rolling a

_cigarillo_ between the tips of his stubby fingers.

"A pretty penny this dance of the Chiquita's must have cost you, Carlos

Moreno," continued Miguel, his head cocked knowingly on one side, while

he squinted over the rim of his glass between puffs of cigarette smoke.

"Three thousand _pesos d'oro_," answered Carlos. "But by the Virgin, it

was worth it!"

"Three thousand _pesos d'oro_!" ejaculated his auditors with one breath.

Old Miguel dropped his glass which fell with a crash, scattering its

contents and fragments over the floor.

"Three thousand _pesos d'oro_!" he gasped. "_Alma de mi vida!_ Soul of

my life! 'tis the salary of a Bishop! Are you mad, Carlos Moreno?"

"Perhaps. But only Carlos Moreno can afford to pay such salaries during

the _Fiesta_," he answered complacently, taking a fresh sip of

_pulque_.

"How did you ever persuade her to dance?" asked Pedro. "It's not the

first time you have made overtures to her."

"Ah, that's the mystery! I'd give something to know why she danced. You

know," he continued, "it's the first time she has ever appeared in

public."

"The first time?" interrupted the Captain in surprise. "Why--she

possesses the composure of a veteran of the footlights."

"Just so," rejoined Carlos. "Nothing is more characteristic of her;

she's at home everywhere. When I first saw her dance three years ago in

the garden of the old _Posada_ at the birthday fête of Señora Fernandez,

I knew instantly that she was either possessed of the devil or the

ancient muse of dance; also, why Don Felipe Ramirez went mad over her.

"_Dios!_ she's a strange woman--almost mysterious at times!" he added

reflectively, with a shrug of the shoulders and gesture of the hands. "I

thought, of course, that it was the money she wanted when she finally

consented to dance, but I'm not so sure of it now."

"What reason have you for supposing otherwise?" asked Pedro.

"Every reason. What do you think she did with the heap of gold and

silver that was showered upon her by the audience?"

"What?" excitedly demanded old Miguel, who by this time had fortified

himself with a fresh glass of _aguardiente_.

"Why, after it had been gathered up and handed to her, she, without so

much as looking at it, tossed it lightly into the center of the stage

and bade the musicians and stage-hands remember her when they drank to

their sweethearts to-night."

Captain Forest's interest began to be aroused.

"_Caramba_--'tis strange!" muttered old Miguel, eyeing his glass

meditatively; his head nodding slightly from the effects of too much

liquor. "But what will Padre Antonio say when he hears of it? How

fortunate he wasn't here to witness a sight that must have caused him

the deepest humiliation. Poor man," he continued, assuming a sympathetic

tone, "it is already the scandal of the town."

"Bah! what of that?" returned Carlos.

It was evident to all that the delights of the _Fiesta_ were beginning

to tell on the old man. Already it had been noted on previous occasions

that an overindulgence in _aguardiente_ usually invoked a religious

frame of mind in him, but which in Miguel's case resembled rather the

groping of a lost soul than the prophetic vision of the seer.

"What of that?" echoed Miguel, an ominous light flashing from his eyes.

"Those golden _pesos_ so lightly earned will just about pay for a

thousand masses in order to avert excommunication and enable the Church

to snatch the soul of the Chiquita from the fires of purgatory as a

punishment for conduct unbecoming the ward of a priest."

"Bah! you talk like an infant, Miguel! What a sad, weary world this

would be if there were only priests and churches in it and men did

nothing all day long but say aves and burn candles on altars," and

Carlos lightly blew a ring of smoke toward the ceiling.

"Ah, yes, perhaps--_quien sabe, amigo mio_?" answered the old man dryly.

"But the Church is the Church."

"Miguel, you are growing old," said Pedro, slapping him lightly on the

back. "Have another glass!"

"I'm not old. I'm no older than the rest of you, and neither will I have

another glass," retorted Miguel hotly, greatly irritated by the others'

laughter.

"Ah!" he continued, wagging his head, and in a tone of bravado and

offended dignity, "you think I can't get home alone, do you? I'll show

you that Miguel Torreno is still as young as the rest of you!" And

supporting himself with one hand on the table and the other on his

stick, he rose from his seat with great difficulty.

"Miguel Torreno old, is he? A thousand devils!" A chorus of laughter

greeted this last outburst as he turned unsteadily and swaying to and

fro, slowly made his way through the crowd toward the door.

Just then a man at the next table rose with an oath. It was Juan Ramon,

Major-domo of the Inn of the Stars. Juan Ramon, the handsome, the hawk,

the gambler--the greatest _vaquero_ in Chihuahua. The man who took

delight in riding horses that other men feared--the man in whose hand

the _riata_ became a magic wand, a hissing serpent, and who could

stretch a bull at full length upon the ground at a given spot within a

given time.

"Has the blessed _Fiesta_ brought you no luck, Juan?" inquired Carlos,

tilting himself back in his chair and smiling up in the other's face.

"Luck--blessed _Fiesta_? The devil take them both!" exclaimed Juan, the

look of disgust on his face gradually changing to one of

resignation--that serene expression of the born gambler whom experience

has taught that days of famine are certain to follow those of plenty.

"Look!" he repeated. "The cards are bewitched--not a _centavo_! My

pockets are empty as Lazarus' stomach! Only a month ago I picked out a

beautiful little _hacienda_ with the fairest acreage to which I intended

to retire and live like a _Caballero_--to-day I parted with my only

horse at a loss--to-morrow," and he shrugged his shoulders

indifferently, "if this sort of thing continues, I'll be forced to pawn

the buttons on my breeches.

"_Mercedes Dios_, blessed be the _Fiesta_!" And flinging the end of his

_zerape_ over one shoulder and across the lower half of his face, he

stalked toward the door; the laughter of his friends ringing in his

ears.

When dreams come true · 第 6 / 44 题