XV. BAILIE JOHN KENNEDY

'Die well.'--_Rutherford_.

Bailie John Kennedy, of Ayr, was the remarkable son of a remarkable

father. Old Hugh Kennedy's death-bed was for long a glorious tradition

among the godly in the West of Scotland. The old saint was visited in

his last hours on earth with a joy that was unspeakable and full of

glory: the mere report of it made an immense impression both on the

Church and the world. And his son John, who stood entranced beside his

father's chariot of fire, never forgot the transporting sight. He did

not need Rutherford's warning never to forget his father's example and

his father's end. For John Kennedy was a 'choice Christian,' as a well-

known writer of that day calls him. And he was not alone. There were

many choice Christians in that day in Scotland. Were there ever more,

for its size, in any land or in any church on the face of the earth? I

do not believe there ever were. Next to that favoured land that produced

the Psalmists and the Prophets, I know no land that, for its numbers,

possessed so many men and women of a profoundly spiritual experience, and

of an adoring and heavenly mind, as Scotland possessed in the sixteenth

and seventeenth centuries. The Wodrow volumes should be studied

throughout by every lover of his church and his country, and especially

by every student of divinity and church history.

But we need go no further than Samuel Rutherford's letter-bag; for, when

we open it, what rich treasures of the religious life pour out of it!

What minds and what hearts those men and women had! And how they gave up

their whole mind and heart to the life of godliness in the land, and to

the life of God in their own hearts! How thin and poor our religious

life appears beside theirs! What minister in Scotland to-day could write

such letters? And to whom could he address them after they were written?

Was it the persecution? Was it the new reformation doctrines? Was it

the masculine and Pauline preaching: preaching, say, like Robert Bruce's

and Rutherford's that did it? What was it that raised up in Scotland

such a crop of ripe and rich saints? Who are these, and whence came

they?

Rutherford was always on the outlook for opportunities to employ his

private pen for the conversion of sinners, and for the comfort, the

upbuilding, and the holiness of God's people. From his manse at Anwoth,

from his prison at Aberdeen, from his class-room at St. Andrews, and from

the Jerusalem Chamber at Westminster, his letter-bag went out full of

those messages, so warm, so tender, so powerful, to his multitudinous

correspondents. Public events, domestic joys and sorrows, personal

matters, special providences,--to turn them all to a good result

Rutherford was always on the watch.

News had come to Rutherford's ears of an almost fatal accident that

Kennedy had had through his boat being swept out to sea; and that was too

good a chance to lose of trying to touch his correspondent's heart yet

more deeply about death, and the due preparation for it. Read his letter

to John Kennedy on his deliverance from shipwreck. See with what

apostolic dignity and sweetness he salutes Kennedy. See how he lifts up

Kennedy's accident out of the hands of winds and waves, and traces it all

up to the immediate hand of God. See how he speaks of Kennedy's reprieve

from death; and how the spared man should make use of his lengthened

days. Altogether, a noble, powerful, apostolic letter; a letter that

must have had a great influence in making Bailie Kennedy the choice

Christian that he was and that he became. We have only three letters

preserved of Rutherford's to Kennedy. But we have sufficient evidence

that they were fast and dear friends. Rutherford writes to Kennedy from

Aberdeen, upbraiding him for forgetting him; and what a letter that also

is! It stands well out among the foremost of his letters for fulness of

all the great qualities of Rutherford's intellect and heart.

But it is with the shipwreck letter that we have to do to-night; and with

the expressions in it we have taken for our text: 'Die well, for the last

tide will ebb fast.' 'It is appointed to all men once to die,' says the

Apostle, in a most solemn passage. Think of that, think often of that,

think it out, think it through to the end. God has appointed our death.

He has our name down in His seven-sealed Book; and when the Lamb opens

the Book, and finds the place, He reads our name, and all that is

appointed us till death, and after death. The exact and certain time of

our death is all appointed; the place of it also; and all the

circumstances. Just when it is to happen; to-night, to-morrow, this

year, next year, perhaps not this dying century; we shall perhaps live to

write A.D. 1901 on our letters. Near or afar off, it is all appointed.

And all the circumstances of it also. I don't know why Rutherford should

say to Kennedy that it is a terrible thing to 'die in one's day clothes,'

unless he hides a parable under that. But whether in day clothes or

night clothes; whether like Dr. Andrew Thomson, our first minister, in

Melville Street, and with his hand on the latchkey of his own door; or,

like Dr. Candlish, his successor, in his bed, and repeating, now

Shakespeare, and now the Psalmist; by the upsetting of a boat, the shape

in which death came near to Kennedy, or by the upsetting of a coach, as I

escaped myself, not being ready. 'The Lord knew,' writes Rutherford,

'that you had forgotten something that was necessary for your journey,

and let you go back for it. You had not all your armour on wherewith to

meet with the last enemy.' By day or by night; by land or by sea; alone,

or surrounded by weeping friends; in rapture like Hugh Kennedy, or in

thick darkness like your Lord; all, all is appointed. Just think of it;

the types may be cast, the paper may be woven, the ink may be made that

is to announce to the world your death and mine. It is all appointed,

and we cannot alter it or postpone it. The only thing we have any hand

in is this: whether our death, when it comes, is to be a success or a

failure; that is to say, whether we shall die well or ill. Since we die

but once, then, and since so much turns upon it, let us take advice how

we are to do it well. We cannot come back to make a second attempt; if

we do not shoot the gulf successfully, we cannot climb back and try the

leap again; we die once, and, after death, the judgment. Now, when we

have any difficult thing before us, how do we prepare ourselves for it?

Do we not practise it as often as we possibly can? If it is running in a

race, or wrestling in a match, or playing a tune, or shooting at a

target, do we not assiduously practise it? Yes, every sensible man is

careful to have his hand and his foot accustomed to the trial before the

appointed day comes. Practice makes perfect: practise dying, then, as

Rutherford counsels you, and you will make a perfect thing of your death,

and not otherwise. But how are we to practise dying? Fore-fancy it, as

Rutherford says. Act it over beforehand; die speculatively, as Goodwin

says. Say to yourself, Suppose this were death at my door to-night.

Suppose he were to visit me in the night, what would I say to him, and

what would he say to me? Make acquaintance with death, Rutherford writes

to Lady Kenmure also. Learn his ways, his manner of approach, his

language, and his look. Conjure him up, practise upon him, have your

part rehearsed and ready to be performed. Let not a heathen be

beforehand with you in dying. Seneca said that every night after his

lamp was out, and the house quiet, he went over all his past day, and

looked at it all in the light of death. What he did after that he does

not tell us; but Rutherford will tell you if you consult him what you

should do. Well, that is one way of practising dying. For Sleep is the

brother of Death. And to meet the one brother right will prepare us to

meet the other. Speculate at night, then--speculate and say, Suppose

this were my last night. Suppose, O my soul, thou wert to cast anchor to-

morrow in Eternity, how shouldst thou close thine eyes to-night?

Speculate also at other men's funerals. When the clod thuds down on

their coffin, think yourself inside of it. When you see the undertaker's

man screwing down the lid, suppose it yours. Take your own way of doing

it; only, practise dying, and let not death spring upon you unawares. Die

daily, for, as Dante says, 'The arrow seen beforehand slacks its flight.'

Writing to another old man, Rutherford points out to him the gracious

purpose of God in appointing him his death in old age. 'It is,' says

Rutherford, 'that you may have full leisure to look over all your

accounts and papers before you take ship.' What a tangle our papers also

are in as life goes on; and what need we have of a time of leisure to set

things right before we hand them over. Rutherford, therefore, makes us

see old Carlton on his bed with his pillows propping him up, and a drawer

open on the bed, and bundles of old letters and bills spread out before

him. Old love letters; old business letters; his mother's letters to him

when he was a boy at Edinburgh College; letters in cipher that no human

eye can read but those old, bleared, weeping eyes that fill that too late

drawer with their tears. The old voyager is looking over his papers

before he takes ship. And he comes on things he had totally forgotten:

debts he had thought paid; petitions he had thought answered; promises he

had thought fulfilled; till he calls young Carlton, his son, to his

bedside, and tells him things that break both men's hearts to say and to

hear; and commits to his son and heir sad duties that should never have

been due; debts, promises, obligations, reparations, such that, to

remember them, is a terrible experience on an old man's deathbed. But

what mercy that he was not carried off, and his drawer unopened!

Now, speaking of taking ship, when we are preparing for a voyage, and a

visit to another country and another city, we 'read up,' as we say,

before we set sail. Before we start for Rome we read our Tacitus and our

Horace, our Gibbon and our Merivale. If it is Florence we take down

Vasari and Dante, Lord Lindsay and Mrs. Jamieson, and so on. Now, if

Eternity holds for us a new world, with cities and peoples that are all

new to us, should we not prepare ourselves for them also? Have you,

then, laid in a library for your old age, when, like old Carlton, you

will be lying waiting at the water-side? What books do you read when you

wish to put on the mind of a man who intends to die well? 'Read to me

where I first cast my anchor,' said John Knox, when dying, to his weeping

wife. Does your wife know where you first cast your anchor? Does she

know already what to read to you when you are preparing for the last

voyage?

And then, having prepared for, and practised dying well, play the man and

perform it well when the day comes. 'Die as your father died,' says

Rutherford to Kennedy. Now, that is too much to ask of any man, because

old Hugh Kennedy's deathbed was what it was by the special grace of God.

You cannot command any man to die in rapture. But Rutherford does not

mean that, as he is careful to explain. He means, as he says, 'die

believing.' It will be your last act as a believer, therefore do it

well. You have been practising faith all your days; show that practice

makes perfection at the end. As Rutherford said to George Gillespie when

he was on his deathbed, 'Hand over all your bills, paid and unpaid, to

your surety. Give him the keys of the drawer, and let him clear it out

for himself after you are gone.' And then, with the ruling passion

strong in death, he added, 'Die not on sanctification but on

justification, die not on inherent but on imputed righteousness.' And

then, to come to the very last act of all, there is what we call the

death-grip. A dying man feels the whole world giving way under him. All

he built upon, leaned upon, looked to, is like sliding sand, like sinking

water; and he grasps at anything, anybody, the bedpost, the bed-curtains,

the bed-clothes, his wife's hand, his son's arm, the very air sometimes.

On what, on whom will you seize hold in your last gasp and death-grip?

'Rock of Ages, cleft for me,

Let me hide myself in Thee!'

Samuel Rutherford and Some of His Correspondents · 第 15 / 24 题