JOCULAR PREACHERS.

These preachers, whose works are excessively rare, form a race unknown

to the general reader. I shall sketch the characters of these pious

buffoons, before I introduce them to his acquaintance. They, as it has

been said of Sterne, seemed to have wished, every now and then, to have

thrown their wigs into the faces of their auditors.

These preachers flourished in the fourteenth, fifteenth, and sixteenth

centuries; we are therefore to ascribe their extravagant mixture of

grave admonition with facetious illustration, comic tales which have

been occasionally adopted by the most licentious writers, and minute and

lively descriptions, to the great simplicity of the times, when the

grossest indecency was never concealed under a gentle periphrasis, but

everything was called by its name. All this was enforced by the most

daring personalities, and seasoned by those temporary allusions which

neither spared, nor feared even the throne. These ancient sermons

therefore are singularly precious, to those whose inquisitive pleasures

are gratified by tracing the _manners_ of former ages. When Henry

Stephens, in his apology for Herodotus, describes the irregularities of

the age, and the minutiæ of national manners, he effects this chiefly by

extracts from these sermons. Their wit is not always the brightest, nor

their satire the most poignant; but there is always that prevailing

_naïveté_ of the age running through their rude eloquence, which

interests the reflecting mind. In a word, these sermons were addressed

to the multitude; and therefore they show good sense and absurdity;

fancy and puerility; satire and insipidity; extravagance and truth.

Oliver Maillard, a famous cordelier, died in 1502. This preacher having

pointed some keen traits in his sermons at Louis XI., the irritated

monarch had our cordelier informed that he would throw him into the

river. He replied undaunted, and not forgetting his satire: "The king

may do as he chooses; but tell him that I shall sooner get to paradise

by water, than he will arrive by all his post-horses." He alluded to

travelling by post, which this monarch had lately introduced into

France. This bold answer, it is said, intimidated Louis: it is certain

that Maillard continued as courageous and satirical as ever in his

pulpit.

The following extracts are descriptive of the manners of the times.

In attacking rapine and robbery, under the first head he describes a

kind of usury, which was practised in the days of Ben Jonson, and I am

told in the present, as well as in the times of Maillard. "This," says

he, "is called a palliated usury. It is thus. When a person is in want

of money, he goes to a treasurer (a kind of banker or merchant), on whom

he has an order for 1000 crowns; the treasurer tells him that he will

pay him in a fortnight's time, when he is to receive the money. The

poor man cannot wait. Our good treasurer tells him, I will give you half

in money and half in goods. So he passes his goods that are worth 100

crowns for 200." He then touches on the bribes which these treasurers

and clerks in office took, excusing themselves by alleging the little

pay they otherwise received. "All these practices be sent to the

devils!" cries Maillard, in thus addressing himself to the _ladies_: "it

is for _you_ all this damnation ensues. Yes! yes! you must have rich

satins, and girdles of gold out of this accursed money. When any one has

anything to receive from the husband, he must make a present to the wife

of some fine gown, or girdle, or ring. If you ladies and gentlemen who

are battening on your pleasures, and wear scarlet clothes, I believe if

you were closely put in a good press, we should see the blood of the

poor gush out, with which your scarlet is dyed."

Maillard notices the following curious particulars of the mode of

_cheating in trade_ in his times.

He is violent against the apothecaries for their cheats. "They mix

ginger with cinnamon, which they sell for real spices: they put their

bags of ginger, pepper, saffron, cinnamon, and other drugs in damp

cellars, that they may weigh heavier; they mix oil with saffron, to give

it a colour, and to make it weightier." He does not forget those

tradesmen who put water in their wool, and moisten their cloth that it

may stretch; tavern-keepers, who sophisticate and mingle wines; the

butchers, who blow up their meat, and who mix hog's lard with the fat of

their meat. He terribly declaims against those who buy with a great

allowance of measure and weight, and then sell with a small measure and

weight; and curses those who, when they weigh, press the scales down

with their finger. But it is time to conclude with Master Oliver! His

catalogue is, however, by no means exhausted; and it may not be amiss to

observe, that the present age has retained every one of the sins.

The following extracts are from Menot's sermons, which are written, like

Maillard's, in a barbarous Latin, mixed with old French.

Michael Menot died in 1518. I think he has more wit than Maillard, and

occasionally displays a brilliant imagination; with the same singular

mixture of grave declamation and farcical absurdities. He is called in

the title-page the _golden-tongued_. It runs thus, _Predicatoris qui

lingua aurea, sua tempestate nuncupatus est, Sermones quadragesimales,

ab ipso olim Turonis declamati_. _Paris, 1525_, 8vo.

When he compares the church with a vine, he says, "There were once some

Britons and Englishmen who would have carried away all France into their

country, because they found our wine better than their beer; but as they

well knew that they could not always remain in France, nor carry away

France into their country, they would at least carry with them several

stocks of vines; they planted some in England; but these stocks soon

degenerated, because the soil was not adapted to them." Notwithstanding

what Menot said in 1500, and that we have tried so often, we have often

flattered ourselves that if we plant vineyards, we may have English

wine.

The following beautiful figure describes those who live neglectful of

their aged parents, who had cherished them into prosperity. "See the

trees flourish and recover their leaves; it is their root that has

produced all; but when the branches are loaded with flowers and with

fruits, they yield nothing to the root. This is an image of those

children who prefer their own amusements, and to game away their

fortunes, than to give to their old parents that which they want."

He acquaints us with the following circumstances of the immorality of

that age: "Who has not got a mistress besides his wife? The poor wife

eats the fruits of bitterness, and even makes the bed for the mistress."

Oaths were not unfashionable in his day. "Since the world has been

world, this crime was never greater. There were once pillories for these

swearers; but now this crime is so common, that the child of five years

can swear; and even the old dotard of eighty, who has only two teeth

remaining, can fling out an oath."

On the power of the fair sex of his day, he observes--"A father says, my

son studies; he must have a bishopric, or an abbey of 500 livres. Then

he will have dogs, horses, and mistresses, like others. Another says, I

will have my son placed at court, and have many honourable dignities. To

succeed well, both employ the mediation of women; unhappily the church

and the law are entirely at their disposal. We have artful Dalilahs who

shear us close. For twelve crowns and an ell of velvet given to a woman,

you gain the worst lawsuit, and the best living."

In his last sermon, Menot recapitulates the various topics he had

touched on during Lent. This extract presents a curious picture, and a

just notion of the versatile talents of these preachers.

"I have told _ecclesiastics_ how they should conduct themselves; not

that they are ignorant of their duties; but I must ever repeat to girls,

not to suffer themselves to be duped by them. I have told these

ecclesiastics that they should imitate the lark; if she has a grain she

does not remain idle, but feels her pleasure in singing, and in singing

always is ascending towards heaven. So they should not amass; but

elevate the hearts of all to God; and not do as the frogs who are crying

out day and night, and think they have a fine throat, but always remain

fixed in the mud.

"I have told the _men of the law_ that they should have the qualities of

the eagle. The first is, that this bird when it flies fixes its eye on

the sun; so all judges, counsellors, and attorneys, in judging, writing,

and signing, should always have God before their eyes. And secondly,

this bird is never greedy; it willingly shares its prey with others; so

all lawyers, who are rich in crowns after having had their bills paid,

should distribute some to the poor, particularly when they are conscious

that their money arises from their prey.

"I have spoken of the _marriage state_, but all that I have said has

been disregarded. See those wretches who break the hymeneal chains, and

abandon their wives! they pass their holidays out of their parishes,

because if they remained at home they must have joined their wives at

church; they liked their prostitutes better; and it will be so every day

in the year! I would as well dine with a Jew or a heretic, as with them.

What an infected place is this! Mistress Lubricity has taken possession

of the whole city; look in every corner, and you'll be convinced.

"For you _married women_! If you have heard the nightingale's song, you

must know that she sings during three months, and that she is silent

when she has young ones. So there is a time in which you may sing and

take your pleasures in the marriage state, and another to watch your

children. Don't damn yourselves for them; and remember it would be

better to see them drowned than damned.

"As to _widows_, I observe, that the turtle withdraws and sighs in the

woods, whenever she has lost her companion; so must they retire into the

wood of the cross, and having lost their temporal husband, take no other

but Jesus Christ.

"And, to close all I have told _girls_ that they must fly from the

company of men, and not permit them to embrace, nor even touch them.

Look on the rose; it has a delightful odour; it embalms the place in

which it is placed; but if you grasp it underneath, it will prick you

till the blood issues. The beauty of the rose is the beauty of the girl.

The beauty and perfume of the first invite to smell and to handle it,

but when it is touched underneath it pricks sharply; the beauty of a

girl likewise invites the hand; but you, my young ladies, you must never

suffer this, for I tell you that every man who does this designs to make

you harlots."

These ample extracts may convey the same pleasure to the reader which I

have received by collecting them from their scarce originals, little

known even to the curious. Menot, it cannot be denied, displays a poetic

imagination, and a fertility of conception which distinguishes him among

his rivals. The same taste and popular manner came into our country, and

were suited to the simplicity of the age. In 1527, our Bishop Latimer

preached a sermon,[74] in which he expresses himself thus:--"Now, ye

have heard what is meant by this _first card_, and how ye ought to

_play_. I purpose again to _deal_ unto you another _card of the same

suit_; for they be so nigh affinity, that one cannot be well played

without the other."[75] It is curious to observe about a century

afterwards, as Fuller informs us, that when a country clergyman imitated

these familiar allusions, the taste of the congregation had so changed

that he was interrupted by peals of laughter!

Even in more modern times have Menot and Maillard found an imitator in

little Father André, as well as others. His character has been variously

drawn. He is by some represented as a kind of buffoon in the pulpit; but

others more judiciously observe, that he only indulged his natural

genius, and uttered humorous and lively things, as the good Father

observes himself, to keep the attention of his audience awake. He was

not always laughing. "He told many a bold truth," says the author of

_Guerre des Auteurs anciens et modernes_, "that sent bishops to their

dioceses, and made many a coquette blush. He possessed the art of biting

when he smiled; and more ably combated vice by his ingenious satire than

by those vague apostrophes which no one takes to himself. While others

were straining their minds to catch at sublime thoughts which no one

understood, he lowered his talents to the most humble situations, and to

the minutest things. From them he drew his examples and his comparisons;

and the one and the other never failed of success." Marville says, that

"his expressions were full of shrewd simplicity. He made very free use

of the most popular proverbs. His comparisons and figures were always

borrowed from the most familiar and lowest things." To ridicule

effectually the reigning vices, he would prefer quirks or puns to

sublime thoughts; and he was little solicitous of his choice of

expression, so the things came home. Gozzi, in Italy, had the same power

in drawing unexpected inferences from vulgar and familiar occurrences.

It was by this art Whitfield obtained so many followers. In Piozzi's

British Synonymes, vol. ii. p. 205, we have an instance of Gozzi's

manner. In the time of Charles II. it became fashionable to introduce

humour into sermons. Sterne seems to have revived it in his: South's

sparkle perpetually with wit and pun.

Far different, however, are the characters of the sublime preachers, of

whom the French have preserved the following descriptions.

We have not any more Bourdaloue, La Rue, and Massillon; but the idea

which still exists of their manner of addressing their auditors may

serve instead of lessons. Each had his own peculiar mode, always adapted

to place, time, circumstance; to their auditors, their style, and their

subject.

Bourdaloue, with a collected air, had little action; with eyes generally

half closed he penetrated the hearts of the people by the sound of a

voice uniform and solemn. The tone with which a sacred orator pronounced

the words, _Tu est ille vir!_ "Thou art the man!" in suddenly addressing

them to one of the kings of France, struck more forcibly than their

application. Madame de Sévigné describes our preacher, by saying,

"Father Bourdaloue thunders at Notre Dame."

La Rue appeared with the air of a prophet. His manner was irresistible,

full of fire, intelligence, and force. He had strokes perfectly

original. Several old men, his contemporaries, still shuddered at the

recollection of the expression which he employed in an apostrophe to the

God of vengeance, _Evaginare gladium tuum!_

The person of Massillon affected his admirers. He was seen in the pulpit

with that air of simplicity, that modest demeanour, those eyes humbly

declining, those unstudied gestures, that passionate tone, that mild

countenance of a man penetrated with his subject, conveying to the mind

the most luminous ideas, and to the heart the most tender emotions.

Baron, the tragedian, coming out from one of his sermons, truth forced

from his lips a confession humiliating to his profession; "My friend,"

said he to one of his companions, "this is an _orator!_ and we are _only

actors!_"

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