THE PROGRESS OF OLD AGE IN NEW STUDIES.

Of the pleasures derivable from the cultivation of the arts, sciences,

and literature, time will not abate the growing passion; for old men

still cherish an affection and feel a youthful enthusiasm in those

pursuits, when all others have ceased to interest. Dr. Reid, to his last

day, retained a most active curiosity in his various studies, and

particularly in the revolutions of modern chemistry. In advanced life we

may resume our former studies with a new pleasure, and in old age we may

enjoy them with the same relish with which more youthful students

commence. Adam Smith observed to Dugald Stewart, that "of all the

amusements of old age, the most grateful and soothing is a renewal of

acquaintance with the favourite studies and favourite authors of

youth--a remark, adds Stewart, which, in his own case, seemed to be more

particularly exemplified while he was reperusing, with the enthusiasm of

a student, the tragic poets of ancient Greece. I have heard him repeat

the observation more than once, while Sophocles and Euripides lay open

on his table."

Socrates learnt to play on musical instruments in his old age; Cato, at

eighty, thought proper to learn Greek; and Plutarch, almost as late in

his life, Latin.

Theophrastus began his admirable work on the Characters of Men at the

extreme age of ninety. He only terminated his literary labours by his

death.

Ronsard, one of the fathers of French poetry, applied himself late to

study. His acute genius, and ardent application, rivalled those poetic

models which he admired; and Boccaccio was thirty-five years of age when

he commenced his studies in polite literature.

The great Arnauld retained the vigour of his genius, and the command of

his pen, to the age of eighty-two, and was still the great Arnauld.

Sir Henry Spelman neglected the sciences in his youth, but cultivated

them at fifty years of age. His early years were chiefly passed in

farming, which greatly diverted him from his studies; but a remarkable

disappointment respecting a contested estate disgusted him with these

rustic occupations: resolved to attach himself to regular studies, and

literary society, he sold his farms, and became the most learned

antiquary and lawyer.

Colbert, the famous French minister, almost at sixty, returned to his

Latin and law studies.

Dr. Johnson applied himself to the Dutch language but a few years before

his death. The Marquis de Saint Aulaire, at the age of seventy, began to

court the Muses, and they crowned him with their freshest flowers. The

verses of this French Anacreon are full of fire, delicacy, and

sweetness.

Chaucer's Canterbury Tales were the composition of his latest years:

they were begun in his fifty-fourth year, and finished in his

sixty-first.

Ludovico Monaldesco, at the extraordinary age of 115, wrote the memoirs

of his times. A singular exertion, noticed by Voltaire; who himself is

one of the most remarkable instances of the progress of age in new

studies.

The most delightful of autobiographies for artists is that of Benvenuto

Cellini; a work of great originality, which was not begun till "the

clock of his age had struck fifty-eight."

Koornhert began at forty to learn the Latin and Greek languages, of

which he became a master; several students, who afterwards distinguished

themselves, have commenced as late in life their literary pursuits.

Ogilby, the translator of Homer and Virgil, knew little of Latin or

Greek till he was past fifty; and Franklin's philosophical pursuits

began when he had nearly reached his fiftieth year.

Accorso, a great lawyer, being asked why he began the study of the law

so late, answered, beginning it late, he should master it the sooner.

Dryden's complete works form the largest body of poetry from the pen of

a single writer in the English language; yet he gave no public testimony

of poetic abilities till his twenty-seventh year. In his sixty-eighth

year he proposed to translate the whole Iliad: and his most pleasing

productions were written in his old age.

Michael Angelo preserved his creative genius even in extreme old age:

there is a device said to be invented by him, of an old man represented

in a _go-cart_, with an hour-glass upon it; the inscription _Ancora

imparo!_--YET I AM LEARNING!

We have a literary curiosity in a favourite treatise with Erasmus and

men of letters of that period, _De Ratione Studii_, by Joachim Sterck,

otherwise Fortius de Ringelberg. The enthusiasm of the writer often

carries him to the verge of ridicule; but something must be conceded to

his peculiar situation and feelings; for Baillet tells us that this

method of studying had been formed entirely from his own practical

knowledge and hard experience: at a late period of life he had commenced

his studies, and at length he imagined that he had discovered a more

perpendicular mode of ascending the hill of science than by its usual

circuitous windings. His work has been compared to the sounding of a

trumpet.

Menage, in his Anti-Baillet, has a very curious apology for writing

verses in his old age, by showing how many poets amused themselves

notwithstanding their grey hairs, and wrote sonnets or epigrams at

ninety.

La Casa, in one of his letters, humorously said, _Io credo ch'io farò

Sonnetti venti cinque anni, o trenta, pio che io sarò morto_.--"I think

I may make sonnets twenty-five, or perhaps thirty years, after I shall

be dead!" Petau tells us that he wrote verses to solace the evils of old

age--

---- Petavius æger

Cantabat veteris quærens solatia morbi.

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