ERRATA.

Besides the ordinary _errata_, which happen in printing a work, others

have been purposely committed, that the _errata_ may contain what is not

permitted to appear in the body of the work. Wherever the Inquisition

had any power, particularly at Rome, it was not allowed to employ the

word _fatum_, or _fata_, in any book. An author, desirous of using the

latter word, adroitly invented this scheme; he had printed in his book

_facta_, and, in the _errata_, he put, "For _facta_, read _fata_."

Scarron has done the same thing on another occasion. He had composed

some verses, at the head of which he placed this dedication--_A

Guillemette, Chienne de ma Soeur_; but having a quarrel with his sister,

he maliciously put into the _errata_, "Instead of _Chienne de ma Soeur_,

read _ma Chienne de Soeur_."

Lully, at the close of a bad prologue said, the word _fin du prologue_

was an _erratum_, it should have been _fi du prologue_!

In a book, there was printed, _le docte Morel_. A wag put into the

_errata_, "For _le docte Morel_, read _le Docteur Morel_." This _Morel_

was not the first _docteur_ not _docte_.

When a fanatic published a mystical work full of unintelligible

raptures, and which he entitled _Les Délices de l'Esprit_, it was

proposed to print in his errata, "For _Délices_ read _Délires_."

The author of an idle and imperfect book ended with the usual phrase of

_cetera desiderantur_, one altered it, _Non desiderantur sed desunt_;

"The rest is _wanting_, but not _wanted_."

At the close of a silly book, the author as usual printed the word

FINIS.--A wit put this among the errata, with this pointed couplet:--

FINIS!--an error, or a lie, my friend!

In writing foolish books--there is _no End_!

In the year 1561 was printed a work, entitled "the Anatomy of the Mass."

It is a thin octavo, of 172 pages, and it is accompanied by an _Errata_

of 15 pages! The editor, a pious monk, informs us that a very serious

reason induced him to undertake this task: for it is, says he, to

forestal the _artifices of Satan_. He supposes that the Devil, to ruin

the fruit of this work, employed two very malicious frauds: the first

before it was printed, by drenching the MS. in a kennel, and having

reduced it to a most pitiable state, rendered several parts illegible:

the second, in obliging the printers to commit such numerous blunders,

never yet equalled in so small a work. To combat this double machination

of Satan he was obliged carefully to re-peruse the work, and to form

this singular list of the blunders of printers under the influence of

Satan. All this he relates in an advertisement prefixed to the _Errata_.

A furious controversy raged between two famous scholars from a very

laughable but accidental _Erratum_, and threatened serious consequences

to one of the parties. Flavigny wrote two letters, criticising rather

freely a polyglot Bible edited by Abraham Ecchellensis. As this learned

editor had sometimes censured the labours of a friend of Flavigny, this

latter applied to him the third and fifth verses of the seventh chapter

of St. Matthew, which he printed in Latin. Ver 3. _Quid vides festucam

in_ OCULO _fratris tui, et trabem in_ OCULO _tuo non vides_? Ver. 5.

_Ejice primùm trabem de_ OCULO _tuo, et tunc videbis ejicere festucam

de_ OCULO _fratris tui_. Ecchellensis opens his reply by accusing

Flavigny of an _enormous crime_ committed in this passage; attempting to

correct the sacred text of the Evangelist, and daring to reject a word,

while he supplied its place by another as _impious_ as _obscene_! This

crime, exaggerated with all the virulence of an angry declaimer, closes

with a dreadful accusation. Flavigny's morals are attacked, and his

reputation overturned by a horrid imputation. Yet all this terrible

reproach is only founded on an _Erratum_! The whole arose from the

printer having negligently suffered the _first letter_ of the word

_Oculo_ to have dropped from the form, when he happened to touch a line

with his finger, which did not stand straight! He published another

letter to do away the imputation of Ecchellensis; but thirty years

afterwards his rage against the negligent printer was not extinguished;

the wits were always reminding him of it.

Of all literary blunders none equalled that of the edition of the

Vulgate, by Sixtus V. His Holiness carefully superintended every sheet

as it passed through the press; and, to the amazement of the world, the

work remained without a rival--it swarmed with errata! A multitude of

scraps were printed to paste over the erroneous passages, in order to

give the true text. The book makes a whimsical appearance with these

patches; and the heretics exulted in this demonstration of papal

infallibility! The copies were called in, and violent attempts made to

suppress it; a few still remain for the raptures of the biblical

collectors; not long ago the bible of Sixtus V. fetched above sixty

guineas--not too much for a mere book of blunders! The world was highly

amused at the bull of the editorial Pope prefixed to the first volume,

which excommunicates all printers who in reprinting the work should make

any _alteration_ in the text!

In the version of the Epistles of St. Paul into the Ethiopic language,

which proved to be full of errors, the editors allege a good-humoured

reason--"They who printed the work could not read, and we could not

print; they helped us, and we helped them, as the blind helps the

blind."

A printer's widow in Germany, while a new edition of the Bible was

printing at her house, one night took an opportunity of stealing into

the office, to alter that sentence of subjection to her husband,

pronounced upon Eve in Genesis, chap. 3, v. 16. She took out the two

first letters of the word HERR, and substituted NA in their place, thus

altering the sentence from "and he shall be thy LORD" (_Herr_), to "and

he shall be thy FOOL" (_Narr_). It is said her life paid for this

intentional erratum; and that some secreted copies of this edition have

been bought up at enormous prices.

We have an edition of the Bible, known by the name of _The Vinegar

Bible_; from the erratum in the title to the 20th chap. of St. Luke, in

which "Parable of the _Vineyard_," is printed, "Parable of the

_Vinegar_." It was printed in 1717, at the Clarendon press.

We have had another, where "Thou shalt commit adultery" was printed,

omitting the negation; which occasioned the archbishop to lay one of the

heaviest penalties on the Company of Stationers that was ever recorded

in the annals of literary history.[37]

Herbert Croft used to complain of the incorrectness of our English

classics, as reprinted by the booksellers. It is evident some stupid

printer often changes a whole text intentionally. The fine description

by Akenside of the Pantheon, "SEVERELY great," not being understood by

the blockhead, was printed _serenely great_. Swift's own edition of "The

City Shower," has "old ACHES throb." _Aches_ is two syllables, but

modern printers, who had lost the right pronunciation, have _aches_ as

one syllable; and then, to complete the metre, have foisted in "aches

_will_ throb." Thus what the poet and the linguist wish to preserve is

altered, and finally lost.[38]

It appears by a calculation made by the printer of Steevens's edition of

Shakspeare, that every octavo page of that work, text and notes,

contains 2680 distinct pieces of metal; which in a sheet amount to

42,880--the misplacing of any one of which would inevitably cause a

blunder! With this curious fact before us, the accurate state of our

printing, in general, is to be admired, and errata ought more freely to

be pardoned than the fastidious minuteness of the insect eye of certain

critics has allowed.

Whether such a miracle as an immaculate edition of a classical author

does exist, I have never learnt; but an attempt has been made to obtain

this glorious singularity--and was as nearly realised as is perhaps

possible in the magnificent edition of _Os Lusiadas_ of Camoens, by Dom

Joze Souza, in 1817. This amateur spared no prodigality of cost and

labour, and flattered himself, that by the assistance of Didot, not a

single typographical error should be found in that splendid volume. But

an error was afterwards discovered in some of the copies, occasioned by

one of the letters in the word _Lusitano_ having got misplaced during

the working of one of the sheets. It must be confessed that this was an

_accident_ or _misfortune_--rather than an _Erratum!_

One of the most remarkable complaints on ERRATA is that of Edw. Leigh,

appended to his curious treatise on "Religion and Learning." It consists

of two folio pages, in a very minute character, and exhibits an

incalculable number of printers' blunders. "We have not," he says,

"Plantin nor Stephens amongst us; and it is no easy task to specify the

chiefest errata; false interpunctions there are too many; here a letter

wanting, there a letter too much; a syllable too much, one letter for

another; words parted where they should be joined; words joined which

should be severed; words misplaced; chronological mistakes," &c. This

unfortunate folio was printed in 1656. Are we to infer, by such frequent

complaints of the authors of that day, that either they did not receive

proofs from the printers, or that the printers never attended to the

corrected proofs? Each single erratum seems to have been felt as a stab

to the literary feelings of the poor author!

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