Their mother's thoughts were ever with them; but she was like a hen

with a brood of ducklings. They passed out of her element, and only

returned as hunger called them. When they did return she was all that

soap and water, loving reproaches, and tender appeals could be; and as

they were very affectionate little boys, they were for the time

thoroughly cleansed morally and physically, and sealed with the

absolution of kisses.

I saw her three years afterwards in England. She was living in

lodgings near a school which her boys attended. She looked careworn.

Her relations had been kind to her, but not warmly affectionate. She

had been disappointed with the welcome they had given her. They seemed

changed to her, more formal, narrower, colder. She longed to be back

in India; to be with her husband once more. But he was engrossed with

his work. He wrote short letters enclosing cheques; but he never said

that he missed her, that he longed to see her again, that she must

come out to him, or that he must go to her. He could not have grown

cold too? No, he was busy; he had never been demonstrative in his

affection; this was his way. And she was anxious about the boys. She

did not know whether they were really getting on, whether she was

doing the best for them, whether their father would be satisfied. She

had no friends near her, no one to speak to; so she brooded over these

problems, exaggerated them, and fretted.

The husband was a man who lived in his own thoughts, and his thoughts

were book thoughts. The world of leaf and bird, the circumambient

firmament of music and light, shone in upon him through books. A book

was the master key that unlocked all his senses, that unfolded the

varied landscape, animated the hero, painted the flower, swelled the

orchestra of wind and ocean, peopled the plains of India with

starvelings and the mountains of Afghanistan with cut-throats. Without

a book he moved about like a shadow lost in some dim dreamland of

echoes.

Everyone knew he was a scholar, and his thoughts had once or twice

rung out to the world clear and loud as a trumpet-note through the

oracles of the Press. But in society he was shy, awkward, and uncouth

of speech, quite unable to marshal his thoughts, deserted by his

memory, abashed before his own silences, and startled by his own

words. Any fool who could talk about the legs of a horse or the height

of the thermometer was Prospero to this social Caliban.

He felt that before the fine instincts of women his infirmity was

especially conspicuous, and he drifted into misogyny through

bashfulness and pride; and yet misogyny was incompatible with his

scheme of life and his ambition. He felt himself to be worthy of the

full diapason of home life; he desired to be as other men were,

besides being something more.

[Greek: Kakon gynaikes all' homos, o daemotai,

Ouk estin oikein oikian aneu kakou.

Kai gar to gaemai, kai to mae gaemai, kakon.]

So he married her who loved him for choosing her, and who reverenced

him for his mysterious treasures of thought.

There was much in his life that she could never share: but he longed

for companionship in thought, and for the first year of their married

life he tried to introduce her to his world. He led her slowly up to

the quiet hill-tops of thought where the air is still and clear, and

he gave her to drink of the magic fountains of music. Their hearts

beat one delicious measure. Her gentle nature was plastic under the

poet's touch, wrought in an instant to perfect harmony with love, or

tears, or laughter. To read aloud to her in the evening after the

day's work was over, and to see her stirred by every breath of the

thought-storm, was to enjoy an exquisite interpretation of the poet's

motive, like an impression bold and sharp from the matrix of the

poet's mind. This was to hear the song of the poet and Nature's low

echo. How tranquilising it was! How it effaced the petty vexations of

the day!--"softening and concealing; and busy with a hand of healing."

Tale tuum carmen nobis, divine poeta,

Quale sopor fessis in gramine, quale per æstum

Dulcis aquæ saliente sitim restinguere rivo.

But with the advent of babies poetry declined, and the sympathetic

wife became more and more motherly. The father retired sadly into the

dreamland of books. He will not emerge again. Husband and wife will

stand upon the clear hill-tops together no more.

Neither quite knows what has happened; they both feel changed with an

undefined sorrow, with a regret that pride will not enunciate. She is

now again in India with her husband. There are duties, courtesies,

nay, kindnesses which both will perform, but the ghost of love and

sympathy will only rise in their hearts to jibber in mockery words and

phrases that have lost their meaning, that have lost their

enchantment.

"O love! who bewailest

The frailty of all things here,

Why choose you the frailest

For your cradle, your home, and your bier?

"Its passions will rock thee

As the storms rock the raven on high;

Bright reason will mock thee

Like the sun from a wintry sky.

"From thy nest every rafter

Will rot, and thine eagle home

Leave thee naked to laughter

When leaves fall and cold winds come."

ALI BABA, K.C.B.

No. XXI

ALI BABA ALONE

THE LAST DAY

"Now the last of many days,

All beautiful and bright as thou,

The loveliest, and the last is dead,

Rise, memory, and write its praise."

[December 27, 1879.]

How shall I lay this spectre of my own identity? Shall I leave it to

melt away gracefully in the light of setting suns? It would never do

to put it out like a farthing rushlight after it had haunted the Great

Ornamental in an aurora of smiles. Is Ali Baba to cease upon the

midnight without pain? or is he to lie down like a tired child and

weep out the spark? or should he just flit to Elysium? There, seated

on Elysian lawns, browsed by none but Dian's (no allusion to little

Mrs. Lollipop) fawns, amid the noise of fountains wonderous and the

parle of voices thunderous, some wag might scribble on his door, "Here

lies Ali Baba"--as if glancing at his truthfulness. How is he to pass

effectively into the golden silences? How is he to relapse into the

still-world of observation? Would four thousand five hundred a month

and Simla do it, with nothing to do and allowances, and a seat beside

those littered under the swart Dog-Star of India? Or is it to be the

mandragora of pension, that he may sleep out the great gap of _ennui_

between this life and something better? How lonely the Government of

India would feel! How the world would forget the Government of India!

Voices would ask:--

Do ye sit there still in slumber

In gigantic Alpine rows?

The black poppies out of number

Nodding, dripping from your brows

To the red lees of your wine--

And so kept alive and fine.

Sometimes I think that Ali Baba should be satisfied with the

oblivion-mantle of knighthood and relapse into dingy respectability in

the Avilion of Brompton or Bath; but since he has taken to wearing

stars the accompanying itch for blood and fame has come:--

How doth the greedy K.C.B.

Delight to brag and fight,

And gather medals all the day

And wear them all the night.

The fear of being out-medalled and out-starred stings him:--

[Consimili ratione ab eodem sæpe timore

Macerat invidia, ante oculos ilium esse polentem,

Illum aspectari, claro qui incedit honore,

Ipsi se in tenebris volvi cænoque queruntur

Insereunt partim statuarum et nominis ergo.]

Thus the desire to go hustling up the hill to the Temple of Fame with

the other starry hosts impels him forward. If you mix yourself up with

K.C.B.'s and raise your platform of ambition, you are just where you

were at the A B C of your career. Living on a table-land, you

experience no sensation of height. For the intoxicating delights of

elevation you require a solitary pinnacle, some lonely eminence. Aut

Cæsar, aut nullus; whether in the zenith or the Nadir of the world's

favour.

But how much more comfortable in the cold season than the chill

splendours of the pinnacles of fame, where "pale suns unfelt at

distance roll away," is a comfortable bungalow on the plains, with a

little mulled claret after dinner. Here I think Ali Baba will be

found, hidden from his creditors, the reading world, in the warm light

of thought, singing songs unbidden till a few select cronies are

wrought to sympathy with hopes and fears they heeded not--before the

mulled claret.

To this symposium the A.-D.-C.-in-Waiting has invited himself on

behalf of the Empire. He will sing the Imperial Anthem composed by Mr.

Eastwick, and it will be translated into archaic Persian by an

imperial Munshi for the benefit of the Man in Buckram, who will be

present. The Man in Buckram, who is suffering from a cold in his

heart, will be wrapped up in himself and a cocked hat. The Press

Commissioner has also asked for an invitation. He will deliver a

sentiment:--"Quid sit futurum eras fuge quærere." A Commander-in-Chief

will tell the old story about the Service going to the dogs; after

which there will be an interval of ten minutes allowed for swearing

and hiccuping. The Travelling M.P. will take the opportunity to jot

down a few hasty notes on Aryan characteristics for the _Twentieth

Century_ before being placed under the table. The Baboo will

subsequently be told off to sit on the Member's head. During this

function the Baboo will deliver some sesquipedalian reflections in the

rodomontade mood. The Shikarry will then tell the twelve-foot-tiger

story. Mrs. Lollipop will tell a fib and make tea; and Ali Baba

(unless his heart is too full of mulled claret) will make a joke. The

company will break up at this point, after receiving a plenary

dispensation from the Archdeacon.

Under such influences Ali Baba may become serious; he may learn from

the wisdom of age and be cheered by the sallies of youth. But little

Mrs. Lollipop can hardly be called one of the Sallies of his youth.

Sally Lollipop rose upon the horizon of his middle age. She boiled up,

pure blanc-mange and roses, over the dark brim of life's afternoon, a

blushing sunrise, though late to rise, and most cheerful. Sometimes

after spending an afternoon with her, Ali Baba feels so cheered that

the Government of India seems quite innocent and bright, like an old

ballerina seen through the mists of champagne and limelight. He walks

down the Mall smiling upon foolish Under Secretaries and fat Baboos.

The people whisper as he passes, "There goes Ali Baba"; and echo

answers "Who is Ali Baba?" Then a little wind of conjecture breathes

through the pine-trees and names are heard.

It is better not to call Ali Baba names. Nothing is so misleading as a

vulgar nomenclature. I once knew a man who was called "Counsellor of

the Empress" when he ought to have had his photograph exposed in the

London shop-windows like King Cetewayo, K.C.M.G. I have heard an

eminent Frontier General called "Judas Iscariot," and I myself was

once pointed out as a "Famine Commissioner," and afterwards as an

expurgated edition of the Secretary to the Punjab Government. People

seemed to think that Ali Baba would smell sweeter under some other

name. This was a mistake.

Almost everything you are told in Simla is a mistake. You should never

believe anything you hear till it is contradicted by the _Pioneer_. I

suppose the Government of India is the greatest _gobemouche_ in the

world. I suppose there never was an administration of equal importance

which received so much information and which was so ill-informed. At a

bureaucratic Simla dinner-party the abysses of ignorance that yawn

below the company on every Indian topic are quite appalling!

I once heard Mr. Stokes say that he had never heard of my book on the

Permanent Settlement; and yet Mr. Stokes is a decidedly intelligent

man, with some knowledge of Cymric and law. I daresay now if you were

to draw off and decant the law on his brain, it would amount to a full

dose for an adult; yet he never heard of my book on the Permanent

Settlement. He knew about Blackstone; he had seen an old copy once in

a second-hand book shop; but he had never heard of my work! How

loosely the world floats around us! I question its objective reality.

I doubt whether anything has more objectivity in it than Ali Baba

himself. He was certainly flogged at school. Yet when we now try to

put our finger on Ali Baba he eludes the touch; when we try to lay him

he starts up gibbering at Cabul, Lahore, or elsewhere. Perhaps it is

easier to imprison him in morocco boards and allow him to be blown

with restless violence round about the pendant world, abandoned to

critics: whom our lawless and uncertain thoughts imagine howling.

[Ali Baba! I know not what thou art, but know that thou and I must

part; and why or where and how we met, I own to me's a secret yet. Ali

Baba, we've been long together through pleasant and through cloudy

weather; 'tis hard to part when things are dear, bar silver, piece

cloth, bottled beer, then steal away with this short warning: choose

thine own winding-sheet, say not good-night here, but in some brighter

binding, sweet, bid me good morning.]--ALI BABA, K.C.B.

EXTRACTS FROM _SERIOUS REFLECTIONS AND OTHER CONTRIBUTIONS_.

BY "OUR POLITICAL ORPHAN."

_The Bombay Gazette Press_, 1881.

No. XXXIV

THE TEAPOT SERIES

SOCIAL DISSECTION

[January 5, 1880.]

GOSSIP I.

MY DEAR MRS. SMITH,

I cannot understand why Mrs. Smith, with her absurd figure--for really

I can apply no other adjective to it--should wear that most absurdly

tight dress. Some one should tell her what a fright it makes of her.

She is nothing but convexities. She looks exactly like an hour-glass,

or a sodawater machine. At a little distance you can hardly tell

whether she is coming to you, or going away from you. She looks just

the same all round. People call her smile sweet; but then it is the

mere sweetness of inanity. It is the blank brightness of an empty

chamber. She sheds these smiles upon everyone and everything, and they

are felt to be cold like moonshine. Speaking for myself, these

_eau-sucré_ smiles could not suckle my love. I would languish upon

them. My love demands stronger drink. Mrs. Smith's features are good,

no doubt. Her eyes are good. An oculist would be satisfied with them.

They have a cornea, a crystalline lens, a retina, and so on, and she

can see with them. This is all very satisfactory, I do not deny, as

far as it goes. Physiologically her eyes are admirable; but for

poetry, for love, or even for flirting, they are useless. There is no

significance in them, no witchery, no suggestiveness. The aurora of

beautiful far-away thoughts does not coruscate in them. Her eyelids

conceal them, but do not quench them. They would be nothing for

winking, or tears. If she winked at me, I should not jump into the

air, as if shot in the spine, with my blood tingling to my

extremities; my heart would not beat like a side-drum; my blushes

would not come perspiring through my whiskers. Her winking would

altogether misfire. Why? Because her winking would be physiological

and not erotic. If you ever learnt to love her, it would not be for

any lovelight in her eye; it would never be the quick, fierce, hot,

biting electric passion of the fleshly poets, it would be what a

chemist might call the "eremacausis" kindled by habit. Mrs. Smith's

tears are quite the poorest product of the lachrymal glands I have

ever seen. They are simply a form of water. They might dribble from an

effete pump; they might leak from a worn-out _mashq_.[AA] I observe

them with pity and regret. Their drip has no echo in my bosom; it

produces no stalactites of sympathy in my heart.

I have often been told that her nose was good--and good it

unquestionably is--good for blowing; good for sneezing; good for

snoring; good for smelling; a fine nose for a catarrh. But who could

play with it? Who could tweak it passionately, as a prelude to

kissing? Who could linger over it tenderly with a candle, or a lump of

mutton fat, when cold had laid its cruel hand upon it? It is not

tip-tilted like a flower; it is not whimsical with some ravishing and

unexpected little crook. It is straight, like a mathematical line. But

it has no parts. Her cheeks are round and fair. Each has its dimple

and blush. They are thoroughly healthy, Mrs. Smith's digestion is

unexceptionable. You might indicate the contour of these cheeks with a

pair of compasses; you might paint them with your thumb. Poor Mrs.

Smith's talk, or babble rather, is of her husband, her children, her

home. It is a mere purring over them. She never cuts them to pieces,

and holds them up to scorn and mockery. She never penetrates their

weaknesses. She does not even understand that Smith is a common-place,

stereotyped kind of fellow, exactly like hundreds of other men in his

class. She does not appear to notice the ghastly defects in his

education, tastes, and character, which gape before all the world

else. She does not see that he is without the _morbidezza_ of culture;

that he finds no _appogiatura_ in art; that he never rises at

midnight, amid lightning and rain, to emit an inarticulate cry of

æsthetic anguish in some metrical construction of the renaissance

period. She does not miss in him that yearning after the unattainable,

which in some mysterious wise fills us with a mute despair; which has

in it yet I know not what of sweetness amid the delirious aspirations

with which it distracts us. She cannot know, with her base instincts

dragging her down to the hearth-level of home and child, the material

gracelessness of her husband, equally incapable of striking an

Anglo-Saxon, or a mediæval attitude; and with his blood flushed,

healthy face unable to realize in his expression that divine sorrow

which can alone distinguish the man of culture from ordinary

Englishmen, or the anthropoid apes. She will never know what vibrates

so harshly on us--the want of feeling for colour which is displayed in

the coarse tone of his brown hair. So in regard to her children, the

mind of Mrs. Smith is quite uncritical. Look at that baby, like a

thousand other babies you see every day. It has not a single

idiosyncrasy on which anyone above the intellectual level of a

_crétin_ could hang an affection. Its porcine eyes twinkle dimly

through rolls of fat; it splutters and puffs, and its habits are

simply abominable. What a gross home for that life's star, which hath

had elsewhere its setting and cometh from afar! The star is quenched

in fat; it has exchanged the music of the spheres for a hideous

caterwauling! Yet Mrs. Smith loves that child, and gobbles over it,

descending to its abysses of grossness.

Her house is one of many in a long unlovely street; it is furnished

according to the most corrupt dictates of bestial Philistinism--that

is, with a view to comfort. There are no subtle harmonies in the

papers and chintzes; there are no hidden suggestions of form and tone

in the cornices and bell handles; all is barren of proportion,

concord, and meaning. Still, this poor woman, with her inartistic eye

and foolish heart, loves this wretched shelter, and would pour out her

idiotic tears if she were leaving it for Paradise.

But if we descend from our aesthetic heights to the lowly level of the

biped Smith, we may see Mrs. S. in a totally different atmosphere, and

certain lights and shadows will play about her with a radiance not

altogether without beauty. She is a single-minded woman, anxious to

make her husband and children comfortable and happy in their

home,--and dreaming of nothing beyond this. She is full of homely

wisdom; a hundred little economies she practises with forethought and

unwearying assiduity tend to make her husband and children love her

and regard her as a paragon of domestic policy. Her husband's

affection and her children's affection are all the world to her; music

and painting and poetry, Mr. Ruskin, Phidias, Praxiteles, Holman Hunt,

and Mr. Whistler pale away into shadows of shadows in presence of the

indications of love she receives from that baby. And this intense

single-minded love elevates her within its own compass. She sees in

that baby's eyes the light that never was on sea or land, the

consecration and the mother's dream. She broods over it till she

effects for it in her own maternal fancy an apotheosis; and round its

image in her heart there glows a bright halo of poetry. She sees

through the fat. The grossness disappears before her rapt gaze. There

remains the spirit from heaven:--

Sweet spirit newly come from Heaven

With all the God upon thee, still

Beams of no earthly light are given

Thy heart e'en yet to bless and fill.

Thy soul a sky whose sun has set,

Wears glory hovering round it yet;

And childhood's eve glows sadly bright

Ere life hath deepened into night.

So with the husband; so with the home; a glory gathers round them,

which she alone, the intense worshipper, sees; and this unæsthetic

Mrs. Smith, altogether unsatisfactory to the artistic eye, most

practical, most commonplace, carries within her some of the Promethean

flame, and is worthy of that halo of homely joy and affection with

which she is crowned.

No. XXXV

SAHIB

[February 19, 1880.]

I first met him driving home from cutcherry in his buggy. He was a fat

man in the early afternoon of life. In his blue eyes lay the mystery

of many a secret salad and unwritten milk-punch; but though he smoked

the longest cheroots of Trichinopoly and Dindigul, his hand was still

steady and still grasped a cue or a long tumbler, with the unerring

certainty of early youth and unshaken health.

Of an evening he would come over to my bungalow in a friendly way; he

would "just drop in," as he used to say, in his pleasant offhand

fashion, and he would irrigate himself with my brandy and soda, amid

genial smiles and a brandishing of his long cheroot, playfully

indicating his recognition of a stimulant with which he had been long

acquainted.

As he began to glow with conversation and brandy, he would call for

cards and play écarté with me, until the room gradually resolved

itself into one of the circles of some Californian Inferno, with a

knave of spades digging the diamonds out of my heart and clubbing my

trumps.

He would leave me throbbing with the eructation of oaths and the

hollow aching of an empty purse, and uncertain whether to give up

cards and liquor for hymns and Government paper or whether to call him

back and take fortune by storm. But he had gone off with a resolute

"good night" that tended to dispel illusions; he had gone to his own

No. 1 Exshaw and his French novels, which he read as he lay on his

solitary bachelor couch.

Yes,--his bachelor couch, for he was not married. He had loved much

and often. He had loved a great many people in different stations of

life, but they did not marry him. He was, upon the whole, glad that

they did not marry him; for they were often married to other people,

and he would have been lonely with one, dissatisfied with two, and

embarrassed with more; so he continued his austere bachelor life; and

always tried to love unostentatiously somebody else's wife.

He loved somebody else's wife, because he had no wife of his own, and

the heart requires love. It was very wrong of him to love somebody

else's wife, and to sponge thus on affections which belonged to

another; but then he had nothing puritanical or pharisaical in his

nature; he was too highly cultivated to be moral, and arguing the

point in the mood of sweet _Barbara_, he had often succeeded in

persuading pretty women that he did right in loving them, though their

household duties belonged to another.

I have said that he was too highly cultivated to be religious. He was

exceedingly emotional and intellectual; and the procrustean bed of a

creed would have been intolerable torture to him. Life throbbed around

him in an aurora of skittles. The world of morality only raised a

languid smile, or tickled an appetite pleased with novelty. An

archdeacon, or a book of sermons delighted him. He would play with

them and ponder over them, as if they were old china, or curious

etchings. But he was never profane, especially before bishops, or

children, and he always went to church on Sunday morning.

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