I walked to the gate and looked over it. Something was movin

THE ROOM IN THE TOWER

AND OTHER STORIES

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monopoly in clever first novels.” THE PALL MALL GAZETTE says: “We have

come to expect good work from the publishers of ‘In Different Keys’

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Mills & Boon’s New Novels

_Crown 8vo, 6s. each_

THE LURE. E. S. STEVENS.

THE DAUGHTER OF BRAHMA. I. A. R. WYLIE.

THE ROOM IN THE TOWER. E. F. BENSON.

A BACHELOR’S COMEDY. J. E. BUCKROSE.

THE PALACE OF LOGS. ROBERT BARR.

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ASHES OF INCENSE. By the AUTHOR OF “MASTERING FLAME.”

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MEN AND DREAMS. MARY E. MANN.

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THE PRINCE AND BETTY. P. G. WODEHOUSE.

ALIENS NEAR OF KIN. N. VERNON.

THE

ROOM IN THE TOWER

AND OTHER STORIES

BY

E. F. BENSON

AUTHOR OF

“THE ANGEL OF PAIN,” “SHEAVES”

SECOND EDITION

MILLS & BOON, LIMITED

49 RUPERT STREET

LONDON W.

_Published 1912_

_Copyright in the United States of America, 1912, by E. F. Benson_

PREFACE

These stories have been written in the hopes of giving some pleasant

qualms to their reader, so that, if by chance, anyone may be occupying

in their perusal a leisure half-hour before he goes to bed when the

night and the house are still, he may perhaps cast an occasional glance

into the corners and dark places of the room where he sits, to make sure

that nothing unusual lurks in the shadow. For this is the avowed object

of ghost-stories and such tales as deal with the dim unseen forces which

occasionally and perturbingly make themselves manifest. The author

therefore fervently wishes his readers a few uncomfortable moments.

Some of those tales have appeared before in various magazines; the

remainder are new. One, the story of “The Man who went too Far,” is the

germ of what subsequently developed into a book called “The Angel of

Pain.”

E. F. BENSON.

CONTENTS

PAGE

THE ROOM IN THE TOWER 1

THE DUST-CLOUD 22

GAVON’S EVE 44

THE CONFESSION OF CHARLES LINKWORTH 62

AT ABDUL ALI’S GRAVE 87

THE SHOOTINGS OF ACHNALEISH 107

HOW FEAR DEPARTED FROM THE LONG GALLERY 131

CATERPILLARS 155

THE CAT 169

THE BUS-CONDUCTOR 192

THE MAN WHO WENT TOO FAR 206

BETWEEN THE LIGHTS 241

OUTSIDE THE DOOR 260

THE TERROR BY NIGHT 273

THE OTHER BED 285

THE THING IN THE HALL 302

THE HOUSE WITH THE BRICK-KILN 321

THE ROOM IN THE TOWER

It is probable that everybody who is at all a constant dreamer has had

at least one experience of an event or a sequence of circumstances which

have come to his mind in sleep being subsequently realised in the

material world. But, in my opinion, so far from this being a strange

thing, it would be far odder if this fulfilment did not occasionally

happen, since our dreams are, as a rule, concerned with people whom we

know and places with which we are familiar, such as might very naturally

occur in the awake and day-lit world. True, these dreams are often

broken into by some absurd and fantastic incident, which puts them out

of court in regard to their subsequent fulfilment, but on the mere

calculation of chances, it does not appear in the least unlikely that a

dream imagined by anyone who dreams constantly should occasionally come

true. Not long ago, for instance, I experienced such a fulfilment of a

dream which seems to me in no way remarkable and to have no kind of

psychical significance. The manner of it was as follows.

A certain friend of mine, living abroad, is amiable enough to write to

me about once in a fortnight. Thus, when fourteen days or thereabouts

have elapsed since I last heard from him, my mind, probably, either

consciously or subconsciously, is expectant of a letter from him. One

night last week I dreamed that as I was going upstairs to dress for

dinner I heard, as I often heard, the sound of the postman’s knock on my

front door, and diverted my direction downstairs instead. There, among

other correspondence, was a letter from him. Thereafter the fantastic

entered, for on opening it I found inside the ace of diamonds, and

scribbled across it in his well-known handwriting, “I am sending you

this for safe custody, as you know it is running an unreasonable risk to

keep aces in Italy.” The next evening I was just preparing to go

upstairs to dress when I heard the postman’s knock, and did precisely as

I had done in my dream. There, among other letters, was one from my

friend. Only it did not contain the ace of diamonds. Had it done so, I

should have attached more weight to the matter, which, as it stands,

seems to me a perfectly ordinary coincidence. No doubt I consciously or

subconsciously expected a letter from him, and this suggested to me my

dream. Similarly, the fact that my friend had not written to me for a

fortnight suggested to him that he should do so. But occasionally it is

not so easy to find such an explanation, and for the following story I

can find no explanation at all. It came out of the dark, and into the

dark it has gone again.

All my life I have been a habitual dreamer: the nights are few, that is

to say, when I do not find on awaking in the morning that some mental

experience has been mine, and sometimes, all night long, apparently, a

series of the most dazzling adventures befall me. Almost without

exception these adventures are pleasant, though often merely trivial. It

is of an exception that I am going to speak.

It was when I was about sixteen that a certain dream first came to me,

and this is how it befell. It opened with my being set down at the door

of a big red-brick house, where, I understood, I was going to stay. The

servant who opened the door told me that tea was going on in the garden,

and led me through a low dark-panelled hall, with a large open

fireplace, on to a cheerful green lawn set round with flower beds. There

were grouped about the tea-table a small party of people, but they were

all strangers to me except one, who was a school-fellow called Jack

Stone, clearly the son of the house, and he introduced me to his mother

and father and a couple of sisters. I was, I remember, somewhat

astonished to find myself here, for the boy in question was scarcely

known to me, and I rather disliked what I knew of him: moreover, he had

left school nearly a year before. The afternoon was very hot, and an

intolerable oppression reigned. On the far side of the lawn ran a

red-brick wall, with an iron gate in its centre, outside which stood a

walnut tree. We sat in the shadow of the house opposite a row of long

windows, inside which I could see a table with cloth laid, glimmering

with glass and silver. This garden front of the house was very long, and

at one end of it stood a tower of three stories, which looked to me much

older than the rest of the building.

Before long, Mrs Stone, who, like the rest of the party, had sat in

absolute silence, said to me, “Jack will show you your room: I have

given you the room in the tower.”

Quite inexplicably my heart sank at her words. I felt as if I had known

that I should have the room in the tower, and that it contained

something dreadful and significant. Jack instantly got up, and I

understood that I had to follow him. In silence we passed through the

hall, and mounted a great oak staircase with many corners, and arrived

at a small landing with two doors set in it. He pushed one of these open

for me to enter, and without coming in himself, closed it behind me.

Then I knew that my conjecture had been right: there was something awful

in the room, and with the terror of nightmare growing swiftly and

enveloping me, I awoke in a spasm of terror.

Now that dream or variations on it occurred to me intermittently for

fifteen years. Most often it came in exactly this form, the arrival, the

tea laid out on the lawn, the deadly silence succeeded by that one

deadly sentence, the mounting with Jack Stone up to the room in the

tower where horror dwelt, and it always came to a close in the nightmare

of terror at that which was in the room, though I never saw what it was.

At other times I experienced variations on this same theme.

Occasionally, for instance, we would be sitting at dinner in the

dining-room, into the windows of which I had looked on the first night

when the dream of this house visited me, but wherever we were, there was

the same silence, the same sense of dreadful oppression and foreboding.

And the silence I knew would always be broken by Mrs Stone saying to me,

“Jack will show you your room: I have given you the room in the tower.”

Upon which (this was invariable) I had to follow him up the oak

staircase with many corners, and enter the place that I dreaded more and

more each time that I visited it in sleep. Or, again, I would find

myself playing cards still in silence in a drawing-room lit with immense

chandeliers, that gave a blinding illumination. What the game was I have

no idea; what I remember, with a sense of miserable anticipation, was

that soon Mrs Stone would get up and say to me, “Jack will show you your

room: I have given you the room in the tower.” This drawing-room where

we played cards was next to the dining-room, and, as I have said, was

always brilliantly illuminated, whereas the rest of the house was full

of dusk and shadows. And yet, how often, in spite of those bouquets of

lights, have I not pored over the cards that were dealed me, scarcely

able for some reason to see them. Their designs, too, were strange:

there were no red suits, but all were black, and among them there were

certain cards which were black all over. I hated and dreaded those.

As this dream continued to recur, I got to know the greater part of the

house. There was a smoking-room beyond the drawing-room, at the end of a

passage with a green baize door. It was always very dark there, and as

often as I went there I passed somebody whom I could not see in the

doorway coming out. Curious developments, too, took place in the

characters that peopled the dream as might happen to living persons. Mrs

Stone, for instance, who, when I first saw her, had been black haired,

became grey, and instead of rising briskly, as she had done at first

when she said, “Jack will show you your room: I have given you the room

in the tower,” got up very feebly, as if the strength was leaving her

limbs. Jack also grew up, and became a rather ill-looking young man,

with a brown moustache, while one of the sisters ceased to appear, and I

understood she was married.

Then it so happened that I was not visited by this dream for six months

or more, and I began to hope, in such inexplicable dread did I hold it,

that it had passed away for good. But one night after this interval I

again found myself being shown out on to the lawn for tea, and Mrs Stone

was not there, while the others were all dressed in black. At once I

guessed the reason, and my heart leaped at the thought that perhaps this

time I should not have to sleep in the room in the tower, and though we

usually all sat in silence, on this occasion the sense of relief made me

talk and laugh as I had never yet done. But even then matters were not

altogether comfortable, for no one else spoke, but they all looked

secretly at each other. And soon the foolish stream of my talk ran dry,

and gradually an apprehension worse than anything I had previously known

gained on me as the light slowly faded.

Suddenly a voice which I knew well broke the stillness, the voice of Mrs

Stone, saying, “Jack will show you your room: I have given you the room

in the tower.” It seemed to come from near the gate in the red-brick

wall that bounded the lawn, and looking up, I saw that the grass outside

was sown thick with gravestones. A curious greyish light shone from

them, and I could read the lettering on the grave nearest me, and it

was, “In evil memory of Julia Stone.” And as usual Jack got up, and

again I followed him through the hall and up the staircase with many

corners. On this occasion it was darker than usual, and when I passed

into the room in the tower I could only just see the furniture, the

position of which was already familiar to me. Also there was a dreadful

odour of decay in the room, and I woke screaming.

The dream, with such variations and developments as I have mentioned,

went on at intervals for fifteen years. Sometimes I would dream it two

or three nights in succession; once, as I have said, there was an

intermission of six months, but taking a reasonable average, I should

say that I dreamed it quite as often as once in a month. It had, as is

plain, something of nightmare about it, since it always ended in the

same appalling terror, which so far from getting less, seemed to me to

gather fresh fear every time that I experienced it. There was, too, a

strange and dreadful consistency about it. The characters in it, as I

have mentioned, got regularly older, death and marriage visited this

silent family, and I never in the dream, after Mrs Stone had died, set

eyes on her again. But it was always her voice that told me that the

room in the tower was prepared for me, and whether we had tea out on the

lawn, or the scene was laid in one of the rooms overlooking it, I could

always see her gravestone standing just outside the iron gate. It was

the same, too, with the married daughter; usually she was not present,

but once or twice she returned again, in company with a man, whom I took

to be her husband. He, too, like the rest of them, was always silent.

But, owing to the constant repetition of the dream, I had ceased to

attach, in my waking hours, any significance to it. I never met Jack

Stone again during all those years, nor did I ever see a house that

resembled this dark house of my dream. And then something happened.

I had been in London in this year, up till the end of July, and during

the first week in August went down to stay with a friend in a house he

had taken for the summer months, in the Ashdown Forest district of

Sussex. I left London early, for John Clinton was to meet me at Forest

Row Station, and we were going to spend the day golfing, and go to his

house in the evening. He had his motor with him, and we set off, about

five of the afternoon, after a thoroughly delightful day, for the drive,

the distance being some ten miles. As it was still so early we did not

have tea at the club house, but waited till we should get home. As we

drove, the weather, which up till then had been, though hot, deliciously

fresh, seemed to me to alter in quality, and become very stagnant and

oppressive, and I felt that indefinable sense of ominous apprehension

that I am accustomed to before thunder. John, however, did not share my

views, attributing my loss of lightness to the fact that I had lost both

my matches. Events proved, however, that I was right, though I do not

think that the thunderstorm that broke that night was the sole cause of

my depression.

Our way lay through deep high-banked lanes, and before we had gone very

far I fell asleep, and was only awakened by the stopping of the motor.

And with a sudden thrill, partly of fear but chiefly of curiosity, I

found myself standing in the doorway of my house of dream. We went, I

half wondering whether or not I was dreaming still, through a low

oak-panelled hall, and out on to the lawn, where tea was laid in the

shadow of the house. It was set in flower beds, a red-brick wall, with a

gate in it, bounded one side, and out beyond that was a space of rough

grass with a walnut tree. The façade of the house was very long, and at

one end stood a three-storied tower, markedly older than the rest.

Here for the moment all resemblance to the repeated dream ceased. There

was no silent and somehow terrible family, but a large assembly of

exceedingly cheerful persons, all of whom were known to me. And in spite

of the horror with which the dream itself had always filled me, I felt

nothing of it now that the scene of it was thus reproduced before me.

But I felt the intensest curiosity as to what was going to happen.

Tea pursued its cheerful course, and before long Mrs Clinton got up. And

at that moment I think I knew what she was going to say. She spoke to

me, and what she said was:

“Jack will show you your room: I have given you the room in the tower.”

At that, for half a second, the horror of the dream took hold of me

again. But it quickly passed, and again I felt nothing more than the

most intense curiosity. It was not very long before it was amply

satisfied.

John turned to me.

“Right up at the top of the house,” he said, “but I think you’ll be

comfortable. We’re absolutely full up. Would you like to go and see it

now? By Jove, I believe that you are right, and that we are going to

have a thunderstorm. How dark it has become.”

I got up and followed him. We passed through the hall, and up the

perfectly familiar staircase. Then he opened the door, and I went in.

And at that moment sheer unreasoning terror again possessed me. I did

not know for certain what I feared: I simply feared. Then like a sudden

recollection, when one remembers a name which has long escaped the

memory, I knew what I feared. I feared Mrs Stone, whose grave with the

sinister inscription, “In evil memory,” I had so often seen in my dream,

just beyond the lawn which lay below my window. And then once more the

fear passed so completely that I wondered what there was to fear, and I

found myself, sober and quiet and sane, in the room in the tower, the

name of which I had so often heard in my dream, and the scene of which

was so familiar.

I looked round it with a certain sense of proprietorship, and found that

nothing had been changed from the dreaming nights in which I knew it so

well. Just to the left of the door was the bed, lengthways along the

wall, with the head of it in the angle. In a line with it was the

fireplace and a small bookcase; opposite the door the outer wall was

pierced by two lattice-paned windows, between which stood the

dressing-table, while ranged along the fourth wall was the washing-stand

and a big cupboard. My luggage had already been unpacked, for the

furniture of dressing and undressing lay orderly on the wash-stand and

toilet-table, while my dinner clothes were spread out on the coverlet of

the bed. And then, with a sudden start of unexplained dismay, I saw that

there were two rather conspicuous objects which I had not seen before in

my dreams: one a life-sized oil-painting of Mrs Stone, the other a

black-and-white sketch of Jack Stone, representing him as he had

appeared to me only a week before in the last of the series of these

repeated dreams, a rather secret and evil-looking man of about thirty.

His picture hung between the windows, looking straight across the room

to the other portrait, which hung at the side of the bed. At that I

looked next, and as I looked I felt once more the horror of nightmare

seize me.

It represented Mrs Stone as I had seen her last in my dreams: old and

withered and white haired. But in spite of the evident feebleness of

body, a dreadful exuberance and vitality shone through the envelope of

flesh, an exuberance wholly malign, a vitality that foamed and frothed

with unimaginable evil. Evil beamed from the narrow, leering eyes; it

laughed in the demon-like mouth. The whole face was instinct with some

secret and appalling mirth; the hands, clasped together on the knee,

seemed shaking with suppressed and nameless glee. Then I saw also that

it was signed in the left-hand bottom corner, and wondering who the

artist could be, I looked more closely, and read the inscription, “Julia

Stone by Julia Stone.”

There came a tap at the door, and John Clinton entered.

“Got everything you want?” he asked.

“Rather more than I want,” said I, pointing to the picture.

He laughed.

“Hard-featured old lady,” he said. “By herself, too, I remember. Anyhow

she can’t have flattered herself much.”

“But don’t you see?” said I. “It’s scarcely a human face at all. It’s

the face of some witch, of some devil.”

He looked at it more closely.

“Yes; it isn’t very pleasant,” he said. “Scarcely a bedside manner, eh?

Yes; I can imagine getting the nightmare if I went to sleep with that

close by my bed. I’ll have it taken down if you like.”

“I really wish you would,” I said.

He rang the bell, and with the help of a servant we detached the

picture and carried it out on to the landing, and put it with its face

to the wall.

“By Jove, the old lady is a weight,” said John, mopping his forehead. “I

wonder if she had something on her mind.”

The extraordinary weight of the picture had struck me too. I was about

to reply, when I caught sight of my own hand. There was blood on it, in

considerable quantities, covering the whole palm.

“I’ve cut myself somehow,” said I.

John gave a little startled exclamation.

“Why, I have too,” he said.

Simultaneously the footman took out his handkerchief and wiped his hand

with it. I saw that there was blood also on his handkerchief.

John and I went back into the tower room and washed the blood off; but

neither on his hand nor on mine was there the slightest trace of a

scratch or cut. It seemed to me that, having ascertained this, we both,

by a sort of tacit consent, did not allude to it again. Something in my

case had dimly occurred to me that I did not wish to think about. It was

but a conjecture, but I fancied that I knew the same thing had occurred

to him.

The heat and oppression of the air, for the storm we had expected was

still undischarged, increased very much after dinner, and for some time

most of the party, among whom were John Clinton and myself, sat outside

on the path bounding the lawn, where we had had tea. The night was

absolutely dark, and no twinkle of star or moon ray could penetrate the

pall of cloud that overset the sky. By degrees our assembly thinned, the

women went up to bed, men dispersed to the smoking or billiard room, and

by eleven o’clock my host and I were the only two left. All the evening

I thought that he had something on his mind, and as soon as we were

alone he spoke.

“The man who helped us with the picture had blood on his hand, too, did

you notice?” he said. “I asked him just now if he had cut himself, and

he said he supposed he had, but that he could find no mark of it. Now

where did that blood come from?”

By dint of telling myself that I was not going to think about it, I had

succeeded in not doing so, and I did not want, especially just at

bedtime, to be reminded of it.

“I don’t know,” said I, “and I don’t really care so long as the picture

of Mrs Julia Stone is not by my bed.”

He got up.

“But it’s odd,” he said. “Ha! Now you’ll see another odd thing.”

A dog of his, an Irish terrier by breed, had come out of the house as we

talked. The door behind us into the hall was open, and a bright oblong

of light shone across the lawn to the iron gate which led on to the

rough grass outside, where the walnut tree stood. I saw that the dog

had all his hackles up, bristling with rage and fright; his lips were

curled back from his teeth, as if he was ready to spring at something,

and he was growling to himself. He took not the slightest notice of his

master or me, but stiffly and tensely walked across the grass to the

iron gate. There he stood for a moment, looking through the bars and

still growling. Then of a sudden his courage seemed to desert him: he

gave one long howl, and scuttled back to the house with a curious

crouching sort of movement.

“He does that half-a-dozen times a day,” said John. “He sees something

which he both hates and fears.”

I walked to the gate and looked over it. Something was moving on the

grass outside, and soon a sound which I could not instantly identify

came to my ears. Then I remembered what it was: it was the purring of a

cat. I lit a match, and saw the purrer, a big blue Persian, walking

round and round in a little circle just outside the gate, stepping high

and ecstatically, with tail carried aloft like a banner. Its eyes were

bright and shining, and every now and then it put its head down and

sniffed at the grass.

I laughed.

“The end of that mystery, I am afraid,” I said. “Here’s a large cat

having Walpurgis night all alone.”

“Yes, that’s Darius,” said John. “He spends half the day and all night

there. But that’s not the end of the dog mystery, for Toby and he are

the best of friends, but the beginning of the cat mystery. What’s the

cat doing there? And why is Darius pleased, while Toby is

terror-stricken?”

At that moment I remembered the rather horrible detail of my dreams when

I saw through the gate, just where the cat was now, the white tombstone

with the sinister inscription. But before I could answer the rain began,

as suddenly and heavily as if a tap had been turned on, and

simultaneously the big cat squeezed through the bars of the gate, and

came leaping across the lawn to the house for shelter. Then it sat in

the doorway, looking out eagerly into the dark. It spat and struck at

John with its paw, as he pushed it in, in order to close the door.

Somehow, with the portrait of Julia Stone in the passage outside, the

room in the tower had absolutely no alarm for me, and as I went to bed,

feeling very sleepy and heavy, I had nothing more than interest for the

curious incident about our bleeding hands, and the conduct of the cat

and dog. The last thing I looked at before I put out my light was the

square empty space by my bed where the portrait had been. Here the paper

was of its original full tint of dark red: over the rest of the walls it

had faded. Then I blew out my candle and instantly fell asleep.

My awaking was equally instantaneous, and I sat bolt upright in bed

under the impression that some bright light had been flashed in my face,

though it was now absolutely pitch dark. I knew exactly where I was, in

the room which I had dreaded in dreams, but no horror that I ever felt

when asleep approached the fear that now invaded and froze my brain.

Immediately after a peal of thunder crackled just above the house, but

the probability that it was only a flash of lightning which awoke me

gave no reassurance to my galloping heart. Something I knew was in the

room with me, and instinctively I put out my right hand, which was

nearest the wall, to keep it away. And my hand touched the edge of a

picture-frame hanging close to me.

I sprang out of bed, upsetting the small table that stood by it, and I

heard my watch, candle, and matches clatter on to the floor. But for the

moment there was no need of light, for a blinding flash leaped out of

the clouds, and showed me that by my bed again hung the picture of Mrs

Stone. And instantly the room went into blackness again. But in that

flash I saw another thing also, namely a figure that leaned over the end

of my bed, watching me. It was dressed in some close-clinging white

garment, spotted and stained with mould, and the face was that of the

portrait.

Overhead the thunder cracked and roared, and when it ceased and the

deathly stillness succeeded, I heard the rustle of movement coming

nearer me, and, more horrible yet, perceived an odour of corruption and

decay. And then a hand was laid on the side of my neck, and close beside

my ear I heard quick-taken, eager breathing. Yet I knew that this thing,

though it could be perceived by touch, by smell, by eye and by ear, was

still not of this earth, but something that had passed out of the body

and had power to make itself manifest. Then a voice, already familiar to

me, spoke.

“I knew you would come to the room in the tower,” it said. “I have been

long waiting for you. At last you have come. To-night I shall feast;

before long we will feast together.”

And the quick breathing came closer to me; I could feel it on my neck.

At that the terror, which I think had paralyzed me for the moment, gave

way to the wild instinct of self-preservation. I hit wildly with both

arms, kicking out at the same moment, and heard a little animal-squeal,

and something soft dropped with a thud beside me. I took a couple of

steps forward, nearly tripping up over whatever it was that lay there,

and by the merest good-luck found the handle of the door. In another

second I ran out on the landing, and had banged the door behind me.

Almost at the same moment I heard a door open somewhere below, and John

Clinton, candle in hand, came running upstairs.

“What is it?” he said. “I sleep just below you, and heard a noise as

if--Good heavens, there’s blood on your shoulder.”

I stood there, so he told me afterwards, swaying from side to side,

white as a sheet, with the mark on my shoulder as if a hand covered with

blood had been laid there.

“It’s in there,” I said, pointing. “She, you know. The portrait is in

there, too, hanging up on the place we took it from.”

At that he laughed.

“My dear fellow, this is mere nightmare,” he said.

He pushed by me, and opened the door, I standing there simply inert with

terror, unable to stop him, unable to move.

“Phew! What an awful smell,” he said.

Then there was silence; he had passed out of my sight behind the open

door. Next moment he came out again, as white as myself, and instantly

shut it.

“Yes, the portrait’s there,” he said, “and on the floor is a thing--a

thing spotted with earth, like what they bury people in. Come away,

quick, come away.”

How I got downstairs I hardly know. An awful shuddering and nausea of

the spirit rather than of the flesh had seized me, and more than once he

had to place my feet upon the steps, while every now and then he cast

glances of terror and apprehension up the stairs. But in time we came

to his dressing-room on the floor below, and there I told him what I

have here described.

* * * * *

The sequel can be made short; indeed, some of my readers have perhaps

already guessed what it was, if they remember that inexplicable affair

of the churchyard at West Fawley, some eight years ago, where an attempt

was made three times to bury the body of a certain woman who had

committed suicide. On each occasion the coffin was found in the course

of a few days again protruding from the ground. After the third attempt,

in order that the thing should not be talked about, the body was buried

elsewhere in unconsecrated ground. Where it was buried was just outside

the iron gate of the garden belonging to the house where this woman had

lived. She had committed suicide in a room at the top of the tower in

that house. Her name was Julia Stone.

Subsequently the body was again secretly dug up, and the coffin was

found to be full of blood.

THE DUST-CLOUD

The big French windows were open on to the lawn, and, dinner being over,

two or three of the party who were staying for the week at the end of

August with the Combe-Martins had strolled out on to the terrace to look

at the sea, over which the moon, large and low, was just rising and

tracing a path of pale gold from horizon to shore, while others, less

lunar of inclination, had gone in search of bridge or billiards. Coffee

had come round immediately after dessert, and the end of dinner,

according to the delectable custom of the house, was as informal as the

end of breakfast. Every one, that is to say, remained or went away,

smoked, drank port or abstained, according to his personal tastes. Thus,

on this particular evening it so happened that Harry Combe-Martin and I

were very soon left alone in the dining-room, because we were talking

unmitigated motor “shop,” and the rest of the party (small wonder) were

bored with it, and had left us. The shop was home-shop, so to speak, for

it was almost entirely concerned with the manifold perfections of the

new six-cylinder Napier which my host in a moment of extravagance, which

he did not in the least regret, had just purchased; in which, too, he

proposed to take me over to lunch at a friend’s house near Hunstanton on

the following day. He observed with legitimate pride that an early start

would not be necessary as the distance was only eighty miles and there

were no police traps.

“Queer things these big motors are,” he said, relapsing into

generalities as we rose to go. “Often I can scarcely believe that my new

car is merely a machine. It seems to me to possess an independent life

of its own. It is really much more like a thoroughbred with a

wonderfully fine mouth.”

“And the moods of a thoroughbred?” I asked.

“No; it’s got an excellent temper, I’m glad to say. It doesn’t mind

being checked, or even stopped, when it’s going its best. Some of these

big cars can’t stand that. They get sulky--I assure you it is literally

true--if they are checked too often.”

He paused on his way to ring the bell. “Guy Elphinstone’s car, for

instance,” he said: “it was a bad-tempered brute, a violent, vicious

beast of a car.”

“What make?” I asked.

“Twenty-five horse-power Amédée. They are a fretful strain of car; too

thin, not enough bone--and bone is very good for the nerves. The brute

liked running over a chicken or a rabbit, though perhaps it was less the

car’s ill-temper than Guy’s, poor chap. Well, he paid for it--he paid

to the uttermost farthing. Did you know him?”

“No; but surely I have heard the name. Ah, yes, he ran over a child, did

he not?”

“Yes,” said Harry, “and then smashed up against his own park gates.”

“Killed, wasn’t he?”

“Oh yes, killed instantly, and the car just a heap of splinters. There’s

an odd story about it, I’m told, in the village: rather in your line.”

“Ghosts?” I asked.

“Yes, the ghost of his motor-car. Seems almost too up-to-date, doesn’t

it?”

“And what’s the story?” I demanded.

“Why, just this. His place was outside the village of Bircham, ten miles

out from Norwich; and there’s a long straight bit of road there--that’s

where he ran over the child--and a couple of hundred yards farther on, a

rather awkward turn into the park gates. Well, a month or two ago, soon

after the accident, one old gaffer in the village swore he had seen a

motor there coming full tilt along the road, but without a sound, and it

disappeared at the lodge gates of the park, which were shut. Soon after

another said he had heard a motor whirl by him at the same place,

followed by a hideous scream, but he saw nothing.”

“The scream is rather horrible,” said I.

“Ah, I see what you mean! I only thought of his syren. Guy had a syren

on his exhaust, same as I have. His had a dreadful frightened sort of

wail, and always made me feel creepy.”

“And is that all the story?” I asked: “that one old man thought he saw a

noiseless motor, and another thought he heard an invisible one?”

Harry flicked the ash off his cigarette into the grate. “Oh dear no!” he

said. “Half a dozen of them have seen something or heard something. It

is quite a heavily authenticated yarn.”

“Yes, and talked over and edited in the public-house,” I said.

“Well, not a man of them will go there after dark. Also the lodge-keeper

gave notice a week or two after the accident. He said he was always

hearing a motor stop and hoot outside the lodge, and he was kept running

out at all hours of the night to see what it was.”

“And what was it?”

“It wasn’t anything. Simply nothing there. He thought it rather uncanny,

anyhow, and threw up a good post. Besides, his wife was always hearing a

child scream, and while her man toddled out to the gate she would go and

see whether the kids were all right. And the kids themselves----”

“Ah, what of them?” I asked.

“They kept coming to their mother, asking who the little girl was who

walked up and down the road and would not speak to them or play with

them.”

“It’s a many-sided story,” I said. “All the witnesses seem to have heard

and seen different things.”

“Yes, that is just what to my mind makes the yarn so good,” he said.

“Personally I don’t take much stock in spooks at all. But given that

there are such things as spooks, and given that the death of the child

and the death of Guy have caused spooks to play about there, it seems to

me a very good point that different people should be aware of different

phenomena. One hears the car, another sees it, one hears the child

scream, another sees the child. How does that strike you?”

This, I am bound to say, was a new view to me, and the more I thought of

it the more reasonable it appeared. For the vast majority of mankind

have all those occult senses by which is perceived the spiritual world

(which, I hold, is thick and populous around us), sealed up, as it were;

in other words, the majority of mankind never hear or see a ghost at

all. Is it not, then, very probable that of the remainder--those, in

fact, to whom occult experiences have happened or can happen--few should

have every sense unsealed, but that some should have the unsealed ear,

others the unsealed eye--that some should be clairaudient, others

clairvoyant?

“Yes, it strikes me as reasonable,” I said. “Can’t you take me over

there?”

“Certainly! If you will stop till Friday I’ll take you over on

Thursday. The others all go that day, so that we can get there after

dark.”

I shook my head. “I can’t stop till Friday, I’m afraid,” I said. “I must

leave on Thursday. But how about to-morrow? Can’t we take it on the way

to or from Hunstanton?”

“No; it’s thirty miles out of our way. Besides, to be at Bircham after

dark means that we shouldn’t get back here till midnight. And as host to

my guests----”

“Ah! things are only heard and seen after dark, are they?” I asked.

“That makes it so much less interesting. It is like a séance where all

lights are put out.”

“Well, the accident happened at night,” he said. “I don’t know the

rules, but that may have some bearing on it, I should think.”

I had one question more in the back of my mind, but I did not like to

ask it. At least, I wanted information on this subject without appearing

to ask for it.

“Neither do I know the rules of motors,” I said; “and I don’t understand

you when you say that Guy Elphinstone’s machine was an irritable,

cross-grained brute, that liked running over chickens and rabbits. But I

think you subsequently said that the irritability may have been the

irritability of its owner. Did he mind being checked?”

“It made him blind-mad if it happened often,” said Harry. “I shall never

forget a drive I had with him once: there were hay-carts and

perambulators every hundred yards. It was perfectly ghastly; it was like

being with a madman. And when we got inside his gate, his dog came

running out to meet him. He did not go an inch out of his course: it was

worse than that--he went for it, just grinding his teeth with rage. I

never drove with him again.”

He stopped a moment, guessing what might be in my mind. “I say, you

mustn’t think--you mustn’t think----” he began.

“No, of course not,” said I.

Harry Combe-Martin’s house stood close to the weather-eaten, sandy

cliffs of the Suffolk shore, which are being incessantly gnawed away by

the hunger of the insatiable sea. Fathoms deep below it, and now many

hundred yards out, lies what was once the second port in England; but

now of the ancient town of Dunwich, and of its seven great churches,

nothing remains but one, and that ruinous and already half destroyed by

the falling cliff and the encroachments of the sea. Foot by foot, it too

is disappearing, and of the graveyard which surrounded it more than half

is gone, so that from the face of the sandy cliff on which it stands

there stick out like straws in glass, as Dante says, the bones of those

who were once committed there to the kindly and stable earth.

Whether it was the remembrance of this rather grim spectacle as I had

seen it that afternoon, or whether Harry’s story had caused some

trouble in my brain, or whether it was merely that the keen bracing air

of this place, to one who had just come from the sleepy languor of the

Norfolk Broads, kept me sleepless, I do not know; but, anyhow, the

moment I put out my light that night and got into bed, I felt that all

the footlights and gas-jets in the internal theatre of my mind sprang

into flame, and that I was very vividly and alertly awake. It was in

vain that I counted a hundred forwards and a hundred backwards, that I

pictured to myself a flock of visionary sheep coming singly through a

gap in an imaginary hedge, and tried to number their monotonous and

uniform countenances, that I played noughts and crosses with myself,

that I marked out scores of double lawn-tennis courts,--for with each

repetition of these supposedly soporific exercises I only became more

intensely wakeful. It was not in remote hope of sleep that I continued

to repeat these weary performances long after their inefficacy was

proved to the hilt, but because I was strangely unwilling in this

timeless hour of the night to think about those protruding relics of

humanity; also I quite distinctly did not desire to think about that

subject with regard to which I had, a few hours ago, promised Harry that

I would not make it the subject of reflection. For these reasons I

continued during the black hours to practise these narcotic exercises of

the mind, knowing well that if I paused on the tedious treadmill my

thoughts, like some released spring, would fly back to rather gruesome

subjects. I kept my mind, in fact, talking loud to itself, so that it

should not hear what other voices were saying.

Then by degrees these absurd mental occupations became impossible; my

mind simply refused to occupy itself with them any longer; and next

moment I was thinking intently and eagerly, not about the bones

protruding from the gnawed section of sand-cliff, but about the subject

I had said I would not dwell upon. And like a flash it came upon me why

Harry had bidden me not think about it. Surely in order that I should

not come to the same conclusion as he had come to.

Now the whole question of “haunt”--haunted spots, haunted houses, and so

forth--has always seemed to me to be utterly unsolved, and to be neither

proved nor disproved to a satisfactory degree. From the earliest times,

certainly from the earliest known Egyptian records, there has been a

belief that the scene of a crime is often revisited, sometimes by the

spirit of him who has committed it--seeking rest, we must suppose, and

finding none; sometimes, and more inexplicably, by the spirit of his

victim, crying perhaps, like the blood of Abel, for vengeance. And

though the stories of these village gossips in the alehouse about

noiseless visions and invisible noises were all as yet unsifted and

unreliable, yet I could not help wondering if they (such as they were)

pointed to something authentic and to be classed under this head of

appearances. But more striking than the yarns of the gaffers seemed to

me the questions of the lodge-keeper’s children. How should children

have imagined the figure of a child that would not speak to them or play

with them? Perhaps it was a real child, a sulky child. Yes--perhaps. But

perhaps not. Then after this preliminary skirmish I found myself

settling down to the question that I had said I would not think about;

in other words, the possible origin of these phenomena interested me

more than the phenomena themselves. For what exactly had Guy

Elphinstone, that savage driver, done? Had or had not the death of the

child been entirely an accident, a thing (given he drove a motor at all)

outside his own control? Or had he, irritated beyond endurance at the

checks and delays of the day, not pulled up when it was just possible he

might have, but had run over the child as he would have run over a

rabbit or a hen, or even his own dog? And what, in any case, poor

wretched brute, must have been his thoughts in that terrible instant

that intervened between the child’s death and his own, when a moment

later he smashed into the closed gates of his own lodge? Was remorse

his--bitter, despairing contrition? That could hardly have been so; or

else surely, knowing only for certain that he had knocked a child down,

he would have stopped; he would have done his best, whatever that might

be, to repair the irreparable harm. But he had not stopped: he had gone

on, it seemed, at full speed, for on the collision the car had been

smashed into matchwood and steel shavings. Again, with double force, had

this dreadful thing been a complete accident, he would have stopped. So

then--most terrible question of all--had he, after making murder, rushed

on to what proved to be his own death, filled with some hellish glee at

what he had done? Indeed, as in the churchyard on the cliff, bones of

the buried stuck starkly out into the night.

* * * * *

The pale tired light of earliest morning had turned the window-blinds

into glimmering squares before I slept; and when I woke, the servant who

called me was already rattling them briskly up on their rollers, and

letting the calm serenity of the August day stream into the room.

Through the open windows poured in sunlight and sea-wind, the scent of

flowers and the song of birds; and each and all were wonderfully

reassuring, banishing the hooded forms that had haunted the night, and I

thought of the disquietude of the dark hours as a traveller may think of

the billows and tempests of the ocean over which he has safely

journeyed, unable, now that they belong to the limbo of the past, to

recall his qualms and tossings with any vivid uneasiness. Not without a

feeling of relief, too, did I dwell on the knowledge that I was

definitely not going to visit this equivocal spot. Our drive to-day, as

Harry had said, would not take us within thirty miles of it, and

to-morrow I but went to the station and away. Though a thorough-paced

seeker after truth might, no doubt, have regretted that the laws of time

and space did not permit him to visit Bircham after the sinister dark

had fallen, and test whether for him there was visible or audible truth

in the tales of the village gossips, I was conscious of no such regret.

Bircham and its fables had given me a very bad night, and I was

perfectly aware that I did not in the least want to go near it, though

yesterday I had quite truthfully said I should like to do so. In this

brightness, too, of sun and sea-wind I felt none of the _malaise_ at my

waking moments which a sleepless night usually gives me; I felt

particularly well, particularly pleased to be alive, and also, as I have

said, particularly content not to be going to Bircham. I was quite

satisfied to leave my curiosity unsatisfied.

* * * * *

The room in the tower, and other stories · 第 1 / 18 段