CHAPTER XVII

LAST CALL FOR BREAKFAST

It was still Iowa when Mallory awoke. Into his last moments of heavy

sleep intruded a voice like a town-crier's voice, crying:

"Lass call for breakfuss in the Rining Rar," and then, again louder,

"Lass call for breakfuss in Rinin-rar," and, finally and faintly,

"Lasscall breakfuss ri'rar."

Mallory pushed up his window shade. The day was broad on rolling

prairies like billows established in the green soil. He peeked through

his curtains. Most of the other passengers were up and about, their

beds hidden and beddings stowed away behind the bellying veneer of the

upperworks of the car. All the berths were made up except his own and

number two, in the corner, where Little Jimmie Wellington's nose still

played a bagpipe monody, and one other berth, which he recognized as

Marjorie's.

His belated sleep and hers had spared them both the stares and

laughing chatter of the passengers. But this bridal couple's two

berths, standing like towers among the seats had provided

conversation for everybody, had already united the casual group of

strangers into an organized gossip-bee.

Mallory got into his shoes and as much of his clothes as was necessary

for the dash to the washroom, and took on his arm the rest of his

wardrobe. Just as he issued from his lonely chamber, Marjorie appeared

from hers, much disheveled and heavy-eyed. The bride and groom

exchanged glances of mutual terror, and hurried in opposite

directions.

The spickest and spannest of lieutenants soon realized that he was

reduced to wearing yesterday's linen as well as yesterday's beard.

This was intolerable. A brave man can endure heartbreaks, loss of

love, honor and place, but a neat man cannot abide the traces of time

in his toilet. Lieutenant Mallory had seen rough service in camp and

on long hikes, when he gloried in mud and disorder, and he was to see

campaigns in the Philippines, when he should not take off his shoes or

his uniform for three days at a time. But that was the field, and this

car was a drawing room.

In this crisis in his affairs, Little Jimmie Wellington waddled into

the men's room, floundering about with every lurch of the train, like

a cannon loose in the hold of a ship. He fumbled with the handles on a

basin, and made a crazy toilet, trying to find some abatement of his

fever by filling a glass at the ice-water tank and emptying it over

his head.

These drastic measures restored him to some sort of coherency, and

Mallory appealed to him for help in the matter of linen. Wellington

effusively offered him everything he had, and Mallory selected from

his store half a dozen collars, any one of which would have gone round

his neck nearly twice.

Wellington also proffered his safety razor, and made him a present of

a virgin wafer of steel for his very own.

With this assistance, Mallory was enabled to make himself fairly

presentable. When he returned to his seat, the three curtained rooms

had been whisked away by the porter. There was no place now to hide

from the passengers.

He sat down facing the feminine end of the car, watching for Marjorie.

The passengers were watching for her, too, hoping to learn what

unheard-of incident could have provoked the quarrel that separated a

bride and groom at this time, of all times.

To the general bewilderment, when Marjorie appeared, Mallory and she

rushed together and clasped hands with an ardor that suggested a

desire for even more ardent greeting. The passengers almost sprained

their ears to hear how they would make up such a dreadful feud. But

all they heard was: "We'll have to hurry, Marjorie, if we want to get

any breakfast."

"All right, honey. Come along."

Then the inscrutable couple scurried up the aisle, and disappeared in

the corridor, leaving behind them a mighty riddle. They kissed in the

corridor of that car, kissed in the vestibule, kissed in the two

corridors of the next car, and were caught kissing in the next

vestibule by the new conductor.

The dining car conductor, who flattered himself that he knew a bride

and groom when he saw them, escorted them grandly to a table for two;

and the waiter fluttered about them with extraordinary consideration.

They had a plenty to talk of in prospect and retrospect. They both

felt sure that a minister lurked among the cars somewhere, and they

ate with a zest to prepare for the ceremony, arguing the best place

for it, and quarreling amorously over details. Mallory was for one of

the vestibules as the scene of their union, but Marjorie was for the

baggage car, till she realized that Snoozleums might be unwilling to

attend. Then she swung round to the vestibule, but Mallory shifted to

the observation platform.

Marjorie had left Snoozleums with Mrs. Temple, who promised to hide

him when the new conductor passed through the car, and she reminded

Harry to get the waiter to bring them a package of bones for their

only "child," so far.

On the way back from the dining car they kissed each other good-bye

again at all the trysting places they had sanctified before. The sun

was radiant, the world good, and the very train ran with jubilant

rejoicing. They could not doubt that a few more hours would see them

legally man and wife.

Mallory restored Marjorie to her place in their car, and with smiles

of assurance, left her for another parson-hunt through the train. She

waited for him in a bridal agitation. He ransacked the train forward

in vain, and returned, passing Marjorie with a shake of the head and a

dour countenance. He went out to the observation platform, where he

stumbled on Ira Lathrop and Anne Gattle, engaged in a conversation of

evident intimacy, for they jumped when he opened the door, as if they

were guilty of some plot.

Mallory mumbled his usual, "Excuse me," whirled on his heel, and

dragged his discouraged steps back through the Observation Room, where

various women and a few men of evident unclericality were draped

across arm chairs and absorbed in lazy conversation or bobbing their

heads over magazines that trembled with the motion of the train.

Mrs. Wellington was busily writing at the desk, but he did not know

who she was, and he did not care whom she was writing to. He did not

observe the baleful glare of Mrs. Whitcomb, who sat watching Mrs.

Wellington, knowing all too well who she was, and suspecting the

correspondent--Mrs. Whitcomb was tempted to spell the word with one

"r."

Mallory stumbled into the men's portion of the composite car. Here he

nodded with a sickly cheer to the sole occupant, Dr. Temple, who was

looking less ministerial than ever in an embroidered skull cap. The

old rascal was sitting far back on his lumbar vertebræ. One of his

hands clasped a long glass filled with a liquid of a hue that

resembled something stronger than what it was--mere ginger ale. The

other hand toyed with a long black cigar. The smoke curled round the

old man's head like the fumes of a sultan's narghilé, and through the

wisps his face was one of Oriental luxury.

Mallory's eyes were caught from this picture of beatitude by the

entrance, at the other door, of a man who had evidently swung aboard

at the most recent stop--for Mallory had not seen him. His gray hair

was crowned with a soft black hat, and his spare frame was swathed in

a frock coat that had seen better days. His soft gray eyes seemed to

search timidly the smoke-clouded atmosphere, and he had a bashful air

which Mallory translated as one of diffidence in a place where liquors

and cigars were dispensed.

With equal diffidence Mallory advanced, and in a low tone accosted the

newcomer cautiously:

"Excuse me--you look like a clergyman."

"The hell you say!"

Mallory pursued the question no further.

Excuse Me! · 第 17 / 41 章